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magic.yes
Katia Lyubavskaya
puns & smileys
London
objects in the mirror are closer than they appear 🫧
some shots of my ‘soaperstar’ series :D
objects in the mirror are closer than they appear 🫧
some shots of my ‘soaperstar’ series :D
objects in the mirror are closer than they appear 🫧
some shots of my ‘soaperstar’ series :D
prior to the new #nomadicsmiley baby being due next week 🤞🏻, here is a quick overview of the project =)
holey sheet series
9 smileys
layers of mesh canvas, cut holes
30 x 42 cm
2023
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
new work ⚪️⚪️⚪️ ! pop art (from the verb ‘to pop’ actually :) do I need to make a series of ‘bubble wrap’ artworks? to pop or not to pop?))
new work ⚪️⚪️⚪️ ! pop art (from the verb ‘to pop’ actually :) do I need to make a series of ‘bubble wrap’ artworks? to pop or not to pop?))
new work ⚪️⚪️⚪️ ! pop art (from the verb ‘to pop’ actually :) do I need to make a series of ‘bubble wrap’ artworks? to pop or not to pop?))
new work ⚪️⚪️⚪️ ! pop art (from the verb ‘to pop’ actually :) do I need to make a series of ‘bubble wrap’ artworks? to pop or not to pop?))
new work ⚪️⚪️⚪️ ! pop art (from the verb ‘to pop’ actually :) do I need to make a series of ‘bubble wrap’ artworks? to pop or not to pop?))
Opening soon
“The exhibition is clouded” by Katia Lyubavskaya
Step into Katia Lyubavskaya’s presentation where the gallery surface becomes a single large-scale artwork. Extending her signature Steampun-k series beyond the traditional frame, the gallery’s showcase windows transform into a unified expanse of misted glass bearing traces of fleeting communication.
Curated by Evgeniia Miasnikova
The opening takes place on Saturday March the 21st, from 6pm onwards.
www.katialyubavskaya.com
@magic.yes
@lublu_effgenka
@surgery.gallery
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