Visualizzatore Storie Instagram

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

While the Music Lasts
Mark Beasley

Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy

November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_

2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio

Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.

❤️ @stephen_beasley & @topogigio312 ♥️

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

⛳️ 🇯🇵

Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan

The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.

As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”

Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.

Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.

#5 #liamgillick #okayamaartsummit2016 #development #highball

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.

🎯

Title: Big Legs
Year: 2015
Mark Beasley and Dan Fox
Junior Aspirin Records, London/New York

“Big Legs are too up close and personal for words. As a matter of fact it’s the words you can’t shake, misconstruing them for your own anxieties and nervous habits.There’s no release in the keening sawing rhythms and there will be no relief for you. But now you have Big Legs with you, two of them.”
- Arto Lindsay

Cover photo: @laurie_bartley
Design: @stephen_beasley
Recorded in Brooklyn: @daniel___noonan

LP available via Junior Aspirin Records and Bandcamp.

https://biglegs.bandcamp.com/album/big-legs

//

Big Legs formed in 2011 by Mark Beasley (left leg) and Dan Fox (right leg)., two New York-based Brits looking to understand and co-exist peacefully with the people of their adopted home city. They have played a number of galleries from Margaret Lee to the Kitchen, above NYC restaurants and architecture offices and toured China with the Junior Aspirin label in 2012.
- Junior Aspirin Records

***

Junior Aspirin Records reps The God in Hackney, Skill 7 Stamina 12, Socrates That Practices Music, Big Legs, Advanced Sportswear. Their now rare-as-hen’s-teeth 2006 compilation “Remove Celebrity Centre” featured music by Sue Tompkins, Jack Too Jack, DJ Scotch Egg, Charlottefield, The Rebel and more.

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning, writing about and returning to making art.

#4 #biglegs #junioraspirinrecords #nyc

🎯

Title: Big Legs
Year: 2015
Mark Beasley and Dan Fox
Junior Aspirin Records, London/New York

“Big Legs are too up close and personal for words. As a matter of fact it’s the words you can’t shake, misconstruing them for your own anxieties and nervous habits.There’s no release in the keening sawing rhythms and there will be no relief for you. But now you have Big Legs with you, two of them.”
- Arto Lindsay

Cover photo: @laurie_bartley
Design: @stephen_beasley
Recorded in Brooklyn: @daniel___noonan

LP available via Junior Aspirin Records and Bandcamp.

https://biglegs.bandcamp.com/album/big-legs

//

Big Legs formed in 2011 by Mark Beasley (left leg) and Dan Fox (right leg)., two New York-based Brits looking to understand and co-exist peacefully with the people of their adopted home city. They have played a number of galleries from Margaret Lee to the Kitchen, above NYC restaurants and architecture offices and toured China with the Junior Aspirin label in 2012.
- Junior Aspirin Records

***

Junior Aspirin Records reps The God in Hackney, Skill 7 Stamina 12, Socrates That Practices Music, Big Legs, Advanced Sportswear. Their now rare-as-hen’s-teeth 2006 compilation “Remove Celebrity Centre” featured music by Sue Tompkins, Jack Too Jack, DJ Scotch Egg, Charlottefield, The Rebel and more.

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning, writing about and returning to making art.

#4 #biglegs #junioraspirinrecords #nyc

🎯

Title: Big Legs
Year: 2015
Mark Beasley and Dan Fox
Junior Aspirin Records, London/New York

“Big Legs are too up close and personal for words. As a matter of fact it’s the words you can’t shake, misconstruing them for your own anxieties and nervous habits.There’s no release in the keening sawing rhythms and there will be no relief for you. But now you have Big Legs with you, two of them.”
- Arto Lindsay

Cover photo: @laurie_bartley
Design: @stephen_beasley
Recorded in Brooklyn: @daniel___noonan

LP available via Junior Aspirin Records and Bandcamp.

https://biglegs.bandcamp.com/album/big-legs

//

Big Legs formed in 2011 by Mark Beasley (left leg) and Dan Fox (right leg)., two New York-based Brits looking to understand and co-exist peacefully with the people of their adopted home city. They have played a number of galleries from Margaret Lee to the Kitchen, above NYC restaurants and architecture offices and toured China with the Junior Aspirin label in 2012.
- Junior Aspirin Records

***

Junior Aspirin Records reps The God in Hackney, Skill 7 Stamina 12, Socrates That Practices Music, Big Legs, Advanced Sportswear. Their now rare-as-hen’s-teeth 2006 compilation “Remove Celebrity Centre” featured music by Sue Tompkins, Jack Too Jack, DJ Scotch Egg, Charlottefield, The Rebel and more.

***

2026 marks twenty years of living in NYC, two decades of curating, commissioning, writing about and returning to making art.

#4 #biglegs #junioraspirinrecords #nyc

⭕️⭕️⭕️

Artist: Mark Leckey
Title: Cinema in the Round
Year: 2008
Curator: Mark Beasley
Creative Time / Solomon R. Guggenheim Museum (Hey Hey, Glossolalia)

“Artworlders turned out in droves at the Guggenheim this past Wednesday for Mark Leckey’s performance-cum-lecture, “Cinema in the Round,” the penultimate event in Creative Time’s Hey Hey Glossolalia series. Pairing a handsome suit with his blonde, surfer shag, Leckey looked every bit the irreverent orator as he assumed the lectern in the museum auditorium and delivered a refreshingly unorthodox reading of art and cinema history. Of particular importance was the question of how something cinematic may move from a state of “pure horizontality” to that of “pure verticality,” which, for Leckey, was analogous to asking how a cinematic image may become an object, sculpture, monument or “beast.” Leckey’s familiarity with his source material bolstered its expressive content, and the narrational pliancy he brought to the lecture’s structure proved thoughtful and engaging.” - Tyler Coburn, Rhizome, May 23, 2008

A video installation of Cinema in the Round later formed the basis of Leckey’s 2008 Turner Prize winning Tate Gallery presentation.

***

Hey Hey Glossolalia: In May 2008 Creative Time presented a month-long series of events that explored the use of the voice in contemporary art. The projects combined sound, image, performance, and writing to investigate issues not limited to, the peripheries of speech, the charged relationship between speaker and audience, and how the artist (and curator) can speak with and through the voice of others.
 
“Hey Hey Glossolalia” derives from two terms in spoken language: “hey hey,” an exclamation and call for attention, and “glossolalia,” an evangelical term meaning “speaking in tongues”—utterances that resemble speech but are unintelligible. The title was inspired by Dadaist abstraction of language and the seemingly meaningless but often repeated beat marker in popular music. - Mark Beasley

***

2026 marks twenty years of living in NYC, curating, commissioning, writing about and returning to making art.

@mark.leckey

#3 #markleckey #creativetime #meatandpotatoes

***

⭕️⭕️⭕️

Artist: Mark Leckey
Title: Cinema in the Round
Year: 2008
Curator: Mark Beasley
Creative Time / Solomon R. Guggenheim Museum (Hey Hey, Glossolalia)

“Artworlders turned out in droves at the Guggenheim this past Wednesday for Mark Leckey’s performance-cum-lecture, “Cinema in the Round,” the penultimate event in Creative Time’s Hey Hey Glossolalia series. Pairing a handsome suit with his blonde, surfer shag, Leckey looked every bit the irreverent orator as he assumed the lectern in the museum auditorium and delivered a refreshingly unorthodox reading of art and cinema history. Of particular importance was the question of how something cinematic may move from a state of “pure horizontality” to that of “pure verticality,” which, for Leckey, was analogous to asking how a cinematic image may become an object, sculpture, monument or “beast.” Leckey’s familiarity with his source material bolstered its expressive content, and the narrational pliancy he brought to the lecture’s structure proved thoughtful and engaging.” - Tyler Coburn, Rhizome, May 23, 2008

A video installation of Cinema in the Round later formed the basis of Leckey’s 2008 Turner Prize winning Tate Gallery presentation.

***

Hey Hey Glossolalia: In May 2008 Creative Time presented a month-long series of events that explored the use of the voice in contemporary art. The projects combined sound, image, performance, and writing to investigate issues not limited to, the peripheries of speech, the charged relationship between speaker and audience, and how the artist (and curator) can speak with and through the voice of others.
 
“Hey Hey Glossolalia” derives from two terms in spoken language: “hey hey,” an exclamation and call for attention, and “glossolalia,” an evangelical term meaning “speaking in tongues”—utterances that resemble speech but are unintelligible. The title was inspired by Dadaist abstraction of language and the seemingly meaningless but often repeated beat marker in popular music. - Mark Beasley

***

2026 marks twenty years of living in NYC, curating, commissioning, writing about and returning to making art.

@mark.leckey

#3 #markleckey #creativetime #meatandpotatoes

***

⭕️⭕️⭕️

Artist: Mark Leckey
Title: Cinema in the Round
Year: 2008
Curator: Mark Beasley
Creative Time / Solomon R. Guggenheim Museum (Hey Hey, Glossolalia)

“Artworlders turned out in droves at the Guggenheim this past Wednesday for Mark Leckey’s performance-cum-lecture, “Cinema in the Round,” the penultimate event in Creative Time’s Hey Hey Glossolalia series. Pairing a handsome suit with his blonde, surfer shag, Leckey looked every bit the irreverent orator as he assumed the lectern in the museum auditorium and delivered a refreshingly unorthodox reading of art and cinema history. Of particular importance was the question of how something cinematic may move from a state of “pure horizontality” to that of “pure verticality,” which, for Leckey, was analogous to asking how a cinematic image may become an object, sculpture, monument or “beast.” Leckey’s familiarity with his source material bolstered its expressive content, and the narrational pliancy he brought to the lecture’s structure proved thoughtful and engaging.” - Tyler Coburn, Rhizome, May 23, 2008

A video installation of Cinema in the Round later formed the basis of Leckey’s 2008 Turner Prize winning Tate Gallery presentation.

***

Hey Hey Glossolalia: In May 2008 Creative Time presented a month-long series of events that explored the use of the voice in contemporary art. The projects combined sound, image, performance, and writing to investigate issues not limited to, the peripheries of speech, the charged relationship between speaker and audience, and how the artist (and curator) can speak with and through the voice of others.
 
“Hey Hey Glossolalia” derives from two terms in spoken language: “hey hey,” an exclamation and call for attention, and “glossolalia,” an evangelical term meaning “speaking in tongues”—utterances that resemble speech but are unintelligible. The title was inspired by Dadaist abstraction of language and the seemingly meaningless but often repeated beat marker in popular music. - Mark Beasley

***

2026 marks twenty years of living in NYC, curating, commissioning, writing about and returning to making art.

@mark.leckey

#3 #markleckey #creativetime #meatandpotatoes

***

🟡🔵🟡

Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City

Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫

“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”

- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013

🔺🔻

2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.

Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️

#2 #toriwranes

🟡🔵🟡

Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City

Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫

“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”

- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013

🔺🔻

2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.

Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️

#2 #toriwranes

🟡🔵🟡

Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City

Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫

“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”

- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013

🔺🔻

2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.

Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️

#2 #toriwranes

🟡🔵🟡

Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City

Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫

“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”

- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013

🔺🔻

2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.

Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️

#2 #toriwranes

🟡🔵🟡

Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City

Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫

“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”

- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013

🔺🔻

2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.

Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️

#2 #toriwranes

🟡🔵🟡

Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City

Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫

“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”

- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013

🔺🔻

2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.

Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️

#2 #toriwranes

🌼 🌸 🌼

Artist: Mike Kelley
Title: “The Judson Church Horse Dance”
Year: 2009
Curator: Mark Beasley
Performa 09, Judson Church, New York City

I wrote an essay about Mike’s last performance in the Performa 09 publication. I haven’t, as yet, written about working with Mike. I will. He was a guiding light to some and a necessary agitator to others. I booked naked and tattooed male go-go dancers for him at midnight, bribed a local rave to turn down the music during performance which we both returned to (Mike impromptu DJ’d) and shared vinyl records of strange (EVT) vocal music with him for a decade. He alongside a couple of others provided a route through. 🙏🏻

🔺🔻

2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.

Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️

#1 #LouReed #MikeKelley #Performa #NYC

Ted ‘26⁩ (8 x 10inches)

Guy Picciotto (Fugazi, Rites of Spring, One Last Wish) at Smilers, March ‘25

Guy Picciotto (Fugazi, Rites of Spring, One Last Wish) at Smilers, March ‘25

Sherbet (lemon collar) ‘26⁩⁩ (8 x 10inches)

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‘26

‘25