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metrograph
Metrograph
📽 The ultimate destination for cinema lovers.
🍽️ @metrographcommissary open 5-Late Wed-Sun.
🍸 The Lobby Bar open 5-Late Fri & Sat
Taking its name from the polluted river that flows through Shanghai, director Lou’s hometown, the brooding SUZHOU RIVER uses the singular first-person perspective of its unseen videographer-narrator to explore the grubby underbelly of the city, observing the story of an unsuspecting motorcycle courier who finds himself snared in a kidnapping plot and murder rap.
Plays next Wednesday at Metrograph.
Taking its name from the polluted river that flows through Shanghai, director Lou’s hometown, the brooding SUZHOU RIVER uses the singular first-person perspective of its unseen videographer-narrator to explore the grubby underbelly of the city, observing the story of an unsuspecting motorcycle courier who finds himself snared in a kidnapping plot and murder rap.
Plays next Wednesday at Metrograph.
Taking its name from the polluted river that flows through Shanghai, director Lou’s hometown, the brooding SUZHOU RIVER uses the singular first-person perspective of its unseen videographer-narrator to explore the grubby underbelly of the city, observing the story of an unsuspecting motorcycle courier who finds himself snared in a kidnapping plot and murder rap.
Plays next Wednesday at Metrograph.
New 4K restoration of ALOISË starring both Isabelle Huppert (young) and Delphine Seyrig (adult) as the titular outsider artist Aloïse Corbaz (who created many artworks, like the one pictured here and currently on view at New York's American Folk Art Museum, during her stay in a psychiatric hospital, which lasted more than 40 years) starts this Friday at Metrograph, accompanied by a retrospective of French director Liliane de Kermadec preceded by a short, QUI DONC A RÊVÉ.
Introduction by STRESS POSITIONS director Theda Hammel (@majortransceleb) on Friday, May 15th
SELF-MADE: A CENTURY OF INVENTING ARTISTS at the American Folk Art Museum takes a critical look at the historical definition of the “self-taught artist.” The exhibition examines how artists without academic training–like Corbaz–have depicted, conceptualized, and identified themselves on their own terms. On view through September 13.
New 4K restoration of ALOISË starring both Isabelle Huppert (young) and Delphine Seyrig (adult) as the titular outsider artist Aloïse Corbaz (who created many artworks, like the one pictured here and currently on view at New York's American Folk Art Museum, during her stay in a psychiatric hospital, which lasted more than 40 years) starts this Friday at Metrograph, accompanied by a retrospective of French director Liliane de Kermadec preceded by a short, QUI DONC A RÊVÉ.
Introduction by STRESS POSITIONS director Theda Hammel (@majortransceleb) on Friday, May 15th
SELF-MADE: A CENTURY OF INVENTING ARTISTS at the American Folk Art Museum takes a critical look at the historical definition of the “self-taught artist.” The exhibition examines how artists without academic training–like Corbaz–have depicted, conceptualized, and identified themselves on their own terms. On view through September 13.
Join us for a 35mm screening of NEW YORK STORIES, an anthology triptych of Gotham-set short subjects courtesy New York’s best-known cineastes, featuring an exceptionally fine performance by Nick Nolte in the Scorsese’s Richard Price–penned “Life Lessons."
🖼️ Screening as part of our series, The Lives of the Most Excellent Painters.
Join us for a 35mm screening of NEW YORK STORIES, an anthology triptych of Gotham-set short subjects courtesy New York’s best-known cineastes, featuring an exceptionally fine performance by Nick Nolte in the Scorsese’s Richard Price–penned “Life Lessons."
🖼️ Screening as part of our series, The Lives of the Most Excellent Painters.
Join us for a 35mm screening of NEW YORK STORIES, an anthology triptych of Gotham-set short subjects courtesy New York’s best-known cineastes, featuring an exceptionally fine performance by Nick Nolte in the Scorsese’s Richard Price–penned “Life Lessons."
🖼️ Screening as part of our series, The Lives of the Most Excellent Painters.
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
Fraenkel Gallery Presents is a series that highlights six films from San Francisco’s Fraenkel Film Festival, each selected by artists from across the gallery’s program whose love for cinema inspires their practice.
This weekend:
👩🦲 (5/17) Nan Goldin selects THE NAKED KISS, introduction by Nan Goldin on Sunday, May 17th
🎭 (5/16) Hiroshi Sugimoto selects THE FACE OF ANOTHER
✈️ (5/17) Lee Freelander selects NORTH BY NORTHWEST
📸: Hiroshi Sugimoto, Self Portrait, 2019 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery, Lee Friedlander, Tokyo, 1994 © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco and Luhring Augustine, New York, Nan Goldin photo by Max Michael Cramer, Hiroshi Sugimoto Cinerama Dome, Hollywood, 1993 © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco and Lisson Gallery
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
What an incredible opening weekend to our artist-programmed film series at New York's Metrograph! "Fraenkel Gallery Presents" continues this weekend, with selections by Lee Friedlander, Nan Goldin, and Hiroshi Sugimoto. Head to @Metrograph for tickets.
📸 Pictured: Joel Coen, Carrie Mae Weems, Jeffrey Fraenkel, Harry Melling, Patsy Ferran, Martine Gutierrez and Wardell Milan. Images 1-5 courtesy Metrograph, photos by Mettie Ostrowski.
In making a film of the life of the Georgian primitive artist Nikoloz Pirosmanashvili, better known as Niko Pirosmani, Giorgi Shengelaia, born on this day in 1937, and art director/lead actor Avtandil Varazi developed a cinematic vocabulary inspired by their subject’s singular style and produced one of the most visually striking artist biopics ever made.
PIROSMANI screens at Metrograph on Saturday, May 30th at 6:15pm withan Introduction by Anri Vartan, Cinema Naïf. DCP courtesy of the Georgian National Film Center.
Preceded by ARABESQUES ON THE PIROSMANI THEME (Sergei Parajanov, 1985, 25 mins), a tender tribute from one iconoclastic and prodigiously brilliant Georgian artist to another.
In making a film of the life of the Georgian primitive artist Nikoloz Pirosmanashvili, better known as Niko Pirosmani, Giorgi Shengelaia, born on this day in 1937, and art director/lead actor Avtandil Varazi developed a cinematic vocabulary inspired by their subject’s singular style and produced one of the most visually striking artist biopics ever made.
PIROSMANI screens at Metrograph on Saturday, May 30th at 6:15pm withan Introduction by Anri Vartan, Cinema Naïf. DCP courtesy of the Georgian National Film Center.
Preceded by ARABESQUES ON THE PIROSMANI THEME (Sergei Parajanov, 1985, 25 mins), a tender tribute from one iconoclastic and prodigiously brilliant Georgian artist to another.
In making a film of the life of the Georgian primitive artist Nikoloz Pirosmanashvili, better known as Niko Pirosmani, Giorgi Shengelaia, born on this day in 1937, and art director/lead actor Avtandil Varazi developed a cinematic vocabulary inspired by their subject’s singular style and produced one of the most visually striking artist biopics ever made.
PIROSMANI screens at Metrograph on Saturday, May 30th at 6:15pm withan Introduction by Anri Vartan, Cinema Naïf. DCP courtesy of the Georgian National Film Center.
Preceded by ARABESQUES ON THE PIROSMANI THEME (Sergei Parajanov, 1985, 25 mins), a tender tribute from one iconoclastic and prodigiously brilliant Georgian artist to another.
In making a film of the life of the Georgian primitive artist Nikoloz Pirosmanashvili, better known as Niko Pirosmani, Giorgi Shengelaia, born on this day in 1937, and art director/lead actor Avtandil Varazi developed a cinematic vocabulary inspired by their subject’s singular style and produced one of the most visually striking artist biopics ever made.
PIROSMANI screens at Metrograph on Saturday, May 30th at 6:15pm withan Introduction by Anri Vartan, Cinema Naïf. DCP courtesy of the Georgian National Film Center.
Preceded by ARABESQUES ON THE PIROSMANI THEME (Sergei Parajanov, 1985, 25 mins), a tender tribute from one iconoclastic and prodigiously brilliant Georgian artist to another.
In making a film of the life of the Georgian primitive artist Nikoloz Pirosmanashvili, better known as Niko Pirosmani, Giorgi Shengelaia, born on this day in 1937, and art director/lead actor Avtandil Varazi developed a cinematic vocabulary inspired by their subject’s singular style and produced one of the most visually striking artist biopics ever made.
PIROSMANI screens at Metrograph on Saturday, May 30th at 6:15pm withan Introduction by Anri Vartan, Cinema Naïf. DCP courtesy of the Georgian National Film Center.
Preceded by ARABESQUES ON THE PIROSMANI THEME (Sergei Parajanov, 1985, 25 mins), a tender tribute from one iconoclastic and prodigiously brilliant Georgian artist to another.
In making a film of the life of the Georgian primitive artist Nikoloz Pirosmanashvili, better known as Niko Pirosmani, Giorgi Shengelaia, born on this day in 1937, and art director/lead actor Avtandil Varazi developed a cinematic vocabulary inspired by their subject’s singular style and produced one of the most visually striking artist biopics ever made.
PIROSMANI screens at Metrograph on Saturday, May 30th at 6:15pm withan Introduction by Anri Vartan, Cinema Naïf. DCP courtesy of the Georgian National Film Center.
Preceded by ARABESQUES ON THE PIROSMANI THEME (Sergei Parajanov, 1985, 25 mins), a tender tribute from one iconoclastic and prodigiously brilliant Georgian artist to another.
In making a film of the life of the Georgian primitive artist Nikoloz Pirosmanashvili, better known as Niko Pirosmani, Giorgi Shengelaia, born on this day in 1937, and art director/lead actor Avtandil Varazi developed a cinematic vocabulary inspired by their subject’s singular style and produced one of the most visually striking artist biopics ever made.
PIROSMANI screens at Metrograph on Saturday, May 30th at 6:15pm withan Introduction by Anri Vartan, Cinema Naïf. DCP courtesy of the Georgian National Film Center.
Preceded by ARABESQUES ON THE PIROSMANI THEME (Sergei Parajanov, 1985, 25 mins), a tender tribute from one iconoclastic and prodigiously brilliant Georgian artist to another.
A landmark of Chinese independent documentary broaching subject matter that would’ve been strictly off limits to co-director Shi Jian in his day job at Chinese Central Television (CCTV), I HAVE GRADUATED consists of interviews, given in student housing and on the grounds of various Beijing campuses, with members of the graduating classes of 1992, significantly, the class whose college experience began with the turbulence of 1989 and Tiananmen Square.
Playing Sunday, May 17 ay 3:45pm and Sunday, May 31 at 3:30pm as part of our series, The Last Dreamers.
A landmark of Chinese independent documentary broaching subject matter that would’ve been strictly off limits to co-director Shi Jian in his day job at Chinese Central Television (CCTV), I HAVE GRADUATED consists of interviews, given in student housing and on the grounds of various Beijing campuses, with members of the graduating classes of 1992, significantly, the class whose college experience began with the turbulence of 1989 and Tiananmen Square.
Playing Sunday, May 17 ay 3:45pm and Sunday, May 31 at 3:30pm as part of our series, The Last Dreamers.
A landmark of Chinese independent documentary broaching subject matter that would’ve been strictly off limits to co-director Shi Jian in his day job at Chinese Central Television (CCTV), I HAVE GRADUATED consists of interviews, given in student housing and on the grounds of various Beijing campuses, with members of the graduating classes of 1992, significantly, the class whose college experience began with the turbulence of 1989 and Tiananmen Square.
Playing Sunday, May 17 ay 3:45pm and Sunday, May 31 at 3:30pm as part of our series, The Last Dreamers.
A landmark of Chinese independent documentary broaching subject matter that would’ve been strictly off limits to co-director Shi Jian in his day job at Chinese Central Television (CCTV), I HAVE GRADUATED consists of interviews, given in student housing and on the grounds of various Beijing campuses, with members of the graduating classes of 1992, significantly, the class whose college experience began with the turbulence of 1989 and Tiananmen Square.
Playing Sunday, May 17 ay 3:45pm and Sunday, May 31 at 3:30pm as part of our series, The Last Dreamers.
A landmark of Chinese independent documentary broaching subject matter that would’ve been strictly off limits to co-director Shi Jian in his day job at Chinese Central Television (CCTV), I HAVE GRADUATED consists of interviews, given in student housing and on the grounds of various Beijing campuses, with members of the graduating classes of 1992, significantly, the class whose college experience began with the turbulence of 1989 and Tiananmen Square.
Playing Sunday, May 17 ay 3:45pm and Sunday, May 31 at 3:30pm as part of our series, The Last Dreamers.
A landmark of Chinese independent documentary broaching subject matter that would’ve been strictly off limits to co-director Shi Jian in his day job at Chinese Central Television (CCTV), I HAVE GRADUATED consists of interviews, given in student housing and on the grounds of various Beijing campuses, with members of the graduating classes of 1992, significantly, the class whose college experience began with the turbulence of 1989 and Tiananmen Square.
Playing Sunday, May 17 ay 3:45pm and Sunday, May 31 at 3:30pm as part of our series, The Last Dreamers.
Progress through a hopelessly shuffled stack of love letters inspires the a-chronological structure of Hong’s HILL OF FREEDOM—Moon So-ri’s second film with Hong—which describes the terse long-distance relationship between a South Korean woman (Seo Young-hwa) and a Japanese man (Ryo Kase) who has built an ardent romantic fantasy around her, only to, on his return to Seoul after some years absence, find himself gravitating towards a friendly coffee shop proprietress (Moon), whose establishment gives the film its title.
Hong Sang-Soo's HILL OF FREEDOM plays this weekend at Metrograph.
🎞️ VANYA ON 42ND STREET (1994) plays on 35mm on Friday, May 15th at 2:15pm, followed by aQ&A with Wallace Shawn & Andre Gregory moderated by Lucas Kane and John Early. Part of Wallace Shawn: The Master Builder, a series spotlighting the New York native playwright, essayist, and screenwriter; a singular presence as supporting actor, and leading man.
Louis Malle re-teamed with actor/stage director André Gregory and Wallace Shawn, co-stars and co-authors of 1981’s My Dinner with André, for this docufiction that shows Gregory and members of his private performance workshop rehearsing David Mamet’s adaptation of Chekhov’s Uncle Vanya in the then-shuttered and dilapidated New Amsterdam Theater, with Shawn taking on the title role and Julianne Moore as Yelena.
🎞️ VANYA ON 42ND STREET (1994) plays on 35mm on Friday, May 15th at 2:15pm, followed by aQ&A with Wallace Shawn & Andre Gregory moderated by Lucas Kane and John Early. Part of Wallace Shawn: The Master Builder, a series spotlighting the New York native playwright, essayist, and screenwriter; a singular presence as supporting actor, and leading man.
Louis Malle re-teamed with actor/stage director André Gregory and Wallace Shawn, co-stars and co-authors of 1981’s My Dinner with André, for this docufiction that shows Gregory and members of his private performance workshop rehearsing David Mamet’s adaptation of Chekhov’s Uncle Vanya in the then-shuttered and dilapidated New Amsterdam Theater, with Shawn taking on the title role and Julianne Moore as Yelena.
🎞️ VANYA ON 42ND STREET (1994) plays on 35mm on Friday, May 15th at 2:15pm, followed by aQ&A with Wallace Shawn & Andre Gregory moderated by Lucas Kane and John Early. Part of Wallace Shawn: The Master Builder, a series spotlighting the New York native playwright, essayist, and screenwriter; a singular presence as supporting actor, and leading man.
Louis Malle re-teamed with actor/stage director André Gregory and Wallace Shawn, co-stars and co-authors of 1981’s My Dinner with André, for this docufiction that shows Gregory and members of his private performance workshop rehearsing David Mamet’s adaptation of Chekhov’s Uncle Vanya in the then-shuttered and dilapidated New Amsterdam Theater, with Shawn taking on the title role and Julianne Moore as Yelena.
Get some looks at the Metrograph Commissary, open from 5pm to late tonight.
Alan Renais’s MURIEL OR THE TIME OF RETURN plays at Metrograph as part of new series Liliane de Kermadec: The Price of Freedom
WHERE IS THE FRIEND'S HOUSE? (Abbas Kiarostami, 1987) focuses on an eight-year-old boy, Ahmad, who defies his elders by embarking on a journey to return a notebook and save his friend from potential expulsion.
A hero’s odyssey in miniature, which evinces Kiarostami’s peerless ability to draw extraordinary performances from non-professional actors, his keen insight into child psychology, and his deep affection for rural Iran and its people.
This Saturday at Metrograph.
WHERE IS THE FRIEND'S HOUSE? (Abbas Kiarostami, 1987) focuses on an eight-year-old boy, Ahmad, who defies his elders by embarking on a journey to return a notebook and save his friend from potential expulsion.
A hero’s odyssey in miniature, which evinces Kiarostami’s peerless ability to draw extraordinary performances from non-professional actors, his keen insight into child psychology, and his deep affection for rural Iran and its people.
This Saturday at Metrograph.
WHERE IS THE FRIEND'S HOUSE? (Abbas Kiarostami, 1987) focuses on an eight-year-old boy, Ahmad, who defies his elders by embarking on a journey to return a notebook and save his friend from potential expulsion.
A hero’s odyssey in miniature, which evinces Kiarostami’s peerless ability to draw extraordinary performances from non-professional actors, his keen insight into child psychology, and his deep affection for rural Iran and its people.
This Saturday at Metrograph.
WHERE IS THE FRIEND'S HOUSE? (Abbas Kiarostami, 1987) focuses on an eight-year-old boy, Ahmad, who defies his elders by embarking on a journey to return a notebook and save his friend from potential expulsion.
A hero’s odyssey in miniature, which evinces Kiarostami’s peerless ability to draw extraordinary performances from non-professional actors, his keen insight into child psychology, and his deep affection for rural Iran and its people.
This Saturday at Metrograph.
The chronological narrative of MURIEL, OR THE TIME OF RETURN (Alain Resnais, 1963), shattered into a mosaic of fragments, becomes a puzzle with missing pieces, creating a disorientation so true to our experience of memory that it’s at first utterly unrecognizable in its originality.
On hand to observe its making, Liliane de Kermadec served as set photographer on the film. The film screens next weekend as part of our series, "Liliane de Kermadec: The Price of Freedom."
The chronological narrative of MURIEL, OR THE TIME OF RETURN (Alain Resnais, 1963), shattered into a mosaic of fragments, becomes a puzzle with missing pieces, creating a disorientation so true to our experience of memory that it’s at first utterly unrecognizable in its originality.
On hand to observe its making, Liliane de Kermadec served as set photographer on the film. The film screens next weekend as part of our series, "Liliane de Kermadec: The Price of Freedom."
The chronological narrative of MURIEL, OR THE TIME OF RETURN (Alain Resnais, 1963), shattered into a mosaic of fragments, becomes a puzzle with missing pieces, creating a disorientation so true to our experience of memory that it’s at first utterly unrecognizable in its originality.
On hand to observe its making, Liliane de Kermadec served as set photographer on the film. The film screens next weekend as part of our series, "Liliane de Kermadec: The Price of Freedom."
The chronological narrative of MURIEL, OR THE TIME OF RETURN (Alain Resnais, 1963), shattered into a mosaic of fragments, becomes a puzzle with missing pieces, creating a disorientation so true to our experience of memory that it’s at first utterly unrecognizable in its originality.
On hand to observe its making, Liliane de Kermadec served as set photographer on the film. The film screens next weekend as part of our series, "Liliane de Kermadec: The Price of Freedom."
The chronological narrative of MURIEL, OR THE TIME OF RETURN (Alain Resnais, 1963), shattered into a mosaic of fragments, becomes a puzzle with missing pieces, creating a disorientation so true to our experience of memory that it’s at first utterly unrecognizable in its originality.
On hand to observe its making, Liliane de Kermadec served as set photographer on the film. The film screens next weekend as part of our series, "Liliane de Kermadec: The Price of Freedom."
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
Vantaggi di Anonstories
Esplora le Storie IG in Privato
Segui gli aggiornamenti di Instagram discretamente proteggendo la tua privacy e restando anonimo.
Visualizzatore Privato di Instagram
Guarda profili e foto in modo anonimo facilmente usando il Visualizzatore di profili privati.
Visualizzatore di Storie Gratuito
Questo strumento gratuito ti permette di visualizzare le storie di Instagram in modo anonimo, garantendo che la tua attività rimanga nascosta dall'utente che carica la storia.
Domande frequenti
Anonimato
Anonstories consente agli utenti di guardare le storie di Instagram senza avvisare il creatore.
Compatibilità Dispositivi
Funziona senza problemi su iOS, Android, Windows, macOS e browser moderni come Chrome e Safari.
Sicurezza e Privacy
Garantisce una navigazione sicura e anonima senza richiedere credenziali di accesso.
Nessuna Registrazione
Gli utenti possono visualizzare storie pubbliche semplicemente inserendo un nome utente—nessun account richiesto.
Formati Supportati
Scarica foto (JPEG) e video (MP4) facilmente.
Costo
Il servizio è gratuito.
Account Privati
Il contenuto degli account privati è accessibile solo ai follower.
Utilizzo dei File
I file sono destinati solo a uso personale o educativo e devono rispettare le normative sul copyright.
Come Funziona
Inserisci un nome utente pubblico per visualizzare o scaricare storie. Il servizio genera link diretti per salvare i contenuti localmente.