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Chihiro Ito
“Archived Arts 04 - Record of extraordinari intimacy with object,” 2025
Acrylic paint on canvas
48 x 36 inches
121.9 x 91.4 cm

Ito’s work is included in our current group exhibition “(No) Recess” that just opened and runs through June 20th.

#chihiroito #archivedart #painting #norecess #microscopegallery

Chihiro Ito
“Archived Arts 04 - Record of extraordinari intimacy with object,” 2025
Acrylic paint on canvas
48 x 36 inches
121.9 x 91.4 cm

Ito’s work is included in our current group exhibition “(No) Recess” that just opened and runs through June 20th.

#chihiroito #archivedart #painting #norecess #microscopegallery

Chihiro Ito
“Archived Arts 04 - Record of extraordinari intimacy with object,” 2025
Acrylic paint on canvas
48 x 36 inches
121.9 x 91.4 cm

Ito’s work is included in our current group exhibition “(No) Recess” that just opened and runs through June 20th.

#chihiroito #archivedart #painting #norecess #microscopegallery

Opening Thursday May 14, 6-8pm!

(No) Recess
May 14 — June 20, 2026
Peggy Ahwesh, Ina Archer, Lili Chin, S Emsaki, Copper Frances Giloth, Narcisa Hirsch, Chihiro Ito, Hey-Yeun Jang, Marni Kotak, Jahi Kijo Lendor, Jeanne Liotta, Rachel Phillips, Yao Qingmei, Kevin Reuning, Lamar Robillard, Joel Schlemowitz, Matt Town

[Image: S Emsaki, "The Unlocatable," 2026, pigment inkjet prints on assorted papers with mylar, 80 x 111 inches (detail)]

At our new temporary address:
527 West 29th Street, 3rd Floor
New York

#norecess #groupexhibition #friezeweek #microscopegallery

Tonight Wednesday April 15th at 7pm @artiststelevisionaccess in San Francisco presents “An Evening with Copper Giloth” a screening and artist talk in connection with Giloth’s current solo exhibition.

#copperfrancesgiloth #artisttelevisionaccess #computerart #videoart #screening

Congratulations to Tenzin Phuntsog on his 2026 Guggenheim Fellowship! 🎊👏

#tenzinphuntsog #guggenheimfellowship

Congratulations to Tenzin Phuntsog on his 2026 Guggenheim Fellowship! 🎊👏

#tenzinphuntsog #guggenheimfellowship

Kamari Carter performs today @white_columns for the launch of @precogmag Volume 9!

#kamaricarter #precogmagazine #livesound #whitecolumns

Tenzin Phuntsog’s new feature film “Next Life” reviewed in @newyorkermag by Richard Brody. It will be screened as part of New Directors/New Films at MoMA and Lincoln Center on April 13th and 14th.

#tenzinphuntsog #nextlife #newdirectorsnewfilms #newyorker

Tenzin Phuntsog’s new feature film “Next Life” reviewed in @newyorkermag by Richard Brody. It will be screened as part of New Directors/New Films at MoMA and Lincoln Center on April 13th and 14th.

#tenzinphuntsog #nextlife #newdirectorsnewfilms #newyorker

Tenzin Phuntsog’s new feature film “Next Life” reviewed in @newyorkermag by Richard Brody. It will be screened as part of New Directors/New Films at MoMA and Lincoln Center on April 13th and 14th.

#tenzinphuntsog #nextlife #newdirectorsnewfilms #newyorker

Katherine Liberovskaya & Phill Niblock

Thank you for this minimalist gift.

#experimentalintermedia #screencompositions #katherineliberovskaya #phillniblock #microscopegallery

Wednesday March 25, 7pm
EXPERIMENTAL INTERMEDIA
SCREEN COMPOSITIONS 22
Curated by Katherine Liberovskaya
With suggestions from Raffaella Morra and Lawinia Rate

Microscope is excited to host Experimental Intermedia and its Screen Compositions 22 this Wednesday March 25, at 7pm. The event features collaborative visual/sound pairings by: Guido Devadder / Kaitlin McSweeney; Katherine Liberovskaya / Phill Niblock; Carey Lin / Gabriel Gilder; Robert Mizaki / Ka Baird; Olivier Perriquet / Eric Maestri; Camille Pueyo / Bretch; billy roisz / MoE; Thomas Steiner / Gerald Resch; Beth Warshafsky / Cássia Carrascoza Bomfim+Viv Corringham+Jane Wang.

From the curator:

Edition 22! 22nd year! Invariably bringing you a new collection of always riveting and ever absorbing intersections of moving image with sonic art; a program of screen works representing dynamic two-way collaborations between video/film artists and sound/music artists specifically intended for single-channel projection with no live or performance component; featuring collaborations.

Raffaella Morra: director/curator of Independent Film Show, Naples, Italy; Lawinia Rate: director/curator of attaque[e]r le visible, Berlin, Germany.

The Fifty-Third Anniversary of EI performances, the Fifty-Eighth Anniversary of the Founding of Experimental Intermedia, the Fifty-Eighth Anniversary of the 224 Centre Street loft, and, not least, The Thirty-Sixth Annual Festival with no fancy name, Part One (or A).

(Image: Still from: “Shaman’s Antenna” (2026) by Robert Mizaki. Sound by Ka Baird. Image courtesy of the artists.)

Peggy Ahwesh’s work is included in “Overexposed: Art, Technology, and the Body” at @movingimagenyc a great exhibition exploring “how cinema and medical imaging technology radically transformed how we see and understand the human form.” Curated by @sonia_s_e 🌟

[Image: Peggy Ahwesh, “The Third Body,” 2007, single-channel video, still]

#peggyahwesh #thethirdbody #overexposed #soniashechetepstein #momi

“Harsh is Where We Live”
Syracuse University’s School of Art and Department of Film and Media Arts, MFA Thesis 2026
Curated by Evan Starling Davis
March 12-15, 2026
Opening Thursday March 12, 6-8pm

Harsh is Where We Live is an exhibition of works by M.F.A. thesis students in the School of Art and Department of Film and Media Arts at the Syracuse University’s College of Visual and Performing Arts.

Exhibition opening reception: March 12, 6–8pm

Panel discussion: March 14 2–4pm, Leigh Ledare, Emma Hapner and Stephanie Wang-Breal in conversation with the curator.

In the exhibition Harsh Is Where We Live, curator Evan Starling Davis presents a group of artists exploring what it means to reside in a world seemingly at odds with morality itself. Practically, the exhibition serves as a gathering space, interweaving the work of seventeen emerging artists responding to the sociopolitical conditions they embrace and refuse. It asks viewers to pause and breathe—to reflect. To listen. To reconsider what has been perceived as immovable truth. From this space emerges the possibility of a new vantage point: one that reconsiders our relationship to the world, our upbringings, and the environmental forces that have shaped our ways of seeing.

The exhibition is curated by Evan Starling Davis and featuring work by: Reyad Abedin, Umar Bashir, Teddy Berg, Atienah Cape, Jared Dominique, Carla Erausquin, Taylor Gearhart, Sophia Hashemi, Huimin Huang, David Kossack, Dasol Park, Duyen Pham, Sarah Rokh, Sanjana Sharma, Marianna Smith, Carl Voss, Jiayue Yu.

(Image: Atienah Cape G’26, “Qt,” 2026, pigmented inkjet print, 15 x 15 inches. Image courtesy of the artist.)

Congrats to Tenzin Phuntsog on the inclusion of his debut feature film “Next Life” in @ndfnm 2026, presented by Film at Lincoln Center and the Museum of Modern Art!

Screening on April 13th at 8:15pm at @filmlinc and April 14th at 6pm at @themuseumofmodernart

#tenzinphuntsog #nextlife #newdirectorsnewfilms #moma filmatlincolncente

Tenzin Phuntsog
“Capturing Reality,” 2026
2-channel 4k video installation
6 minutes 12 seconds

Final day of Tenzin Phuntsog’s solo exhibition “The Last Dream at the End of the World”!

#tenzinphuntsog #capturingreality #35mmfilm #videoinstallation #microscopegallery