andrew sondern
🙃 rascal
(deputy design director, news @ nyt)
Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

Alfred! A 16-page broadsheet newspaper for my grandfather’s 100th birthday. It tells the story of his life in a breezy 30,000 words. The text is synthesized from 18+ hours of interviews with Al conducted by his friends and family from 2016 to 2024. I transcribed the interviews, edited them together, designed the paper and made some maps.
My entire family helped in one way or another, but I had a lot of help from @goldfished, who scanned photos, helped with the photo editing, and took new frames for the project. The cover photograph is by @andrewsoutham, who also contributed interview transcripts and a huge number of photographs he took of Al over the years.
The display face is Respira by @sharp_type. Printed in New York City by @lincoprinting.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.
From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.
From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.
From here, space, water, sky, and morsels of the world that was here before it all began — these dominate. The city, magnificent still, inevitable, but less overpowering, waits for one to return, renewed.

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park
Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park
Days Afield on Staten Island
Island scenes: Crooke’s Point, Blood Root Valley, the ferryboat John J. Marchi, Fort Wadsworth, the Farm Colony, the Harbor House, Travis and Freshkills Park

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis
“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis
“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

“God might have made a more beautiful place than Staten Island, but he didn’t.”
- George William Curtis

Inside The Times: today we relaunched the @nytimes front-of-book, and after 5 years, finally gave it a name. Beautiful refresh and page design by @sarahgephart.
Inside The Times: today we relaunched the @nytimes front-of-book, and after 5 years, finally gave it a name. Beautiful refresh and page design by @sarahgephart.

Inside The Times: today we relaunched the @nytimes front-of-book, and after 5 years, finally gave it a name. Beautiful refresh and page design by @sarahgephart.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.

Each dot represents one person who has died of Covid-19 in the United States.
Extraordinary wraparound front page design by @carrielynnemifsud. Dot density map by Jeremy White.
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