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thirdborn.mx
THIRD BORN
By appointment
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
When Things Begin to Act continues with Mariana Ledesma & Vytautas Kumža.
A CONDO collaboration between Copperfield, London & THIRD BORN
DM us to schedule an appointment
@condo_complex
@_mariana_ledesma_
@vytautaskumza
@copperfield_london
Image courtesy of THIRD BORN photo by @asistenciaartistica
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#THIRDBORN #CONDO
CONDO CDMX STARTS THIS THURSDAY✨
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO at THIRD BORN
Saturday, April 25
4 - 7 PM
Mariana Ledesma
Matriz no proyectada, 2026
Discarded cables
Variable dimensions
120 x 96cm
47.24 x 37.80 in.
Image courtesy of the Artist.
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#THIRDBORN #CONDO #Copperfield
CONDO CDMX STARTS THIS THURSDAY✨
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO at THIRD BORN
Saturday, April 25
4 - 7 PM
Mariana Ledesma
Matriz no proyectada, 2026
Discarded cables
Variable dimensions
120 x 96cm
47.24 x 37.80 in.
Image courtesy of the Artist.
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#THIRDBORN #CONDO #Copperfield
OPENING NEXT WEEK!
When Things Begin to Act
Mariana Ledesma & Vytautas Kumža
A collaboration between Copperfield, London & THIRD BORN
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO
Saturday, April 25
4 - 7 PM
In a moment of material excess and technological turnover, When Things Begin to Act, asks us to rethink objects as agents—active, affective, and generative. Ledesma’s repurposed circuits and sound‑electronic systems make debris and circuitry resonate, foregrounding contingency, failure, and embodied listening. Kumža’s carefully staged everyday things—fractured glass, gloves, metal frameworks—strip function to produce uncanny, emotionally charged tableaux. Together the works activate objects as sites of tension, relation, and perceptual transformation, inviting a renewed attention to the material conditions of daily life.
Vytautas Kumža
Dizziness, 2022
Archival inkjet print, opaque glass, hinge, aluminium frame
50 x 40 cm
19 3/4 x 15 3/4 in
Image courtesy of Copperfield
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#THIRDBORN #CONDO #CONDOMEXICOCITY
OPENING NEXT WEEK!
When Things Begin to Act
Mariana Ledesma & Vytautas Kumža
A collaboration between Copperfield, London & THIRD BORN
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO
Saturday, April 25
4 - 7 PM
In a moment of material excess and technological turnover, When Things Begin to Act, asks us to rethink objects as agents—active, affective, and generative. Ledesma’s repurposed circuits and sound‑electronic systems make debris and circuitry resonate, foregrounding contingency, failure, and embodied listening. Kumža’s carefully staged everyday things—fractured glass, gloves, metal frameworks—strip function to produce uncanny, emotionally charged tableaux. Together the works activate objects as sites of tension, relation, and perceptual transformation, inviting a renewed attention to the material conditions of daily life.
Vytautas Kumža
Dizziness, 2022
Archival inkjet print, opaque glass, hinge, aluminium frame
50 x 40 cm
19 3/4 x 15 3/4 in
Image courtesy of Copperfield
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#THIRDBORN #CONDO #CONDOMEXICOCITY
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
Today marks the last day of Expo Chicago! Come visit us with Sidony O’Neal at B313 till 6:00 PM.
Sidony O’Neal
Program for fireback with sacrificial anode, 2023
Pallet, aluminium, steel, printed inconel, vapor-smoothed
86.4 x 76.2 x 22.9 cm
34 x 30 x 9 in
Program for fireback with sacrificial anode (2023) functions as a provisional system where materials, symbols, and structural fragments interact through mathematical, architectural, and poetic logics. Drawing on computation, translation, and symbolic reasoning, O’Neal creates environments where objects act as interfaces for circulating meaning. Industrial and ornamental vocabularies collide in an unstable configuration: a pallet-like platform supports repeated linear elements and decorative aluminum forms like baroque or algorithmic fragments, while resin-like pieces punctuate the grid as irregular markers. The piece reads as platform, diagram, and stage, suggesting infrastructure and code and inviting viewers to see sculpture as an interface where patterns emerge, fracture, and recombine.
Image courtesy of the Artist
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#THIRDBORN #expochicago
Today marks the last day of Expo Chicago! Come visit us with Sidony O’Neal at B313 till 6:00 PM.
Sidony O’Neal
Program for fireback with sacrificial anode, 2023
Pallet, aluminium, steel, printed inconel, vapor-smoothed
86.4 x 76.2 x 22.9 cm
34 x 30 x 9 in
Program for fireback with sacrificial anode (2023) functions as a provisional system where materials, symbols, and structural fragments interact through mathematical, architectural, and poetic logics. Drawing on computation, translation, and symbolic reasoning, O’Neal creates environments where objects act as interfaces for circulating meaning. Industrial and ornamental vocabularies collide in an unstable configuration: a pallet-like platform supports repeated linear elements and decorative aluminum forms like baroque or algorithmic fragments, while resin-like pieces punctuate the grid as irregular markers. The piece reads as platform, diagram, and stage, suggesting infrastructure and code and inviting viewers to see sculpture as an interface where patterns emerge, fracture, and recombine.
Image courtesy of the Artist
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#THIRDBORN #expochicago
Sidony O’Neal
BF_MOTION, 2026
Inkjet, heat sink, gampi, pigment, artist mat, artist frame
60.96 x 78.74 x 3.81 cm
24 x 31 x 1.5 in.
On view now at EXPO Chicago
B131
Lead Image first published in Expo Art Week (April 2026) by Frieze Publishing Ltd. Photo by Pat Martin (@patmartin__)
Artwork image courtesy of the Artist
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#THIRDBORN #expochicago
Sidony O’Neal
BF_MOTION, 2026
Inkjet, heat sink, gampi, pigment, artist mat, artist frame
60.96 x 78.74 x 3.81 cm
24 x 31 x 1.5 in.
On view now at EXPO Chicago
B131
Lead Image first published in Expo Art Week (April 2026) by Frieze Publishing Ltd. Photo by Pat Martin (@patmartin__)
Artwork image courtesy of the Artist
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#THIRDBORN #expochicago
Our presentation of Sidony O’Neal at EXPO Chicago opens today within Essence Harden’s PROFILE Section.
@sidony_oneal
@expochicago
@essenceh
📍B313
To receive a preview please DM us or email info@third-born.com
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#THIRDBORN #expochicago
Our presentation of Sidony O’Neal at EXPO Chicago opens today within Essence Harden’s PROFILE Section.
@sidony_oneal
@expochicago
@essenceh
📍B313
To receive a preview please DM us or email info@third-born.com
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#THIRDBORN #expochicago
Our presentation of Sidony O’Neal at EXPO Chicago opens today within Essence Harden’s PROFILE Section.
@sidony_oneal
@expochicago
@essenceh
📍B313
To receive a preview please DM us or email info@third-born.com
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#THIRDBORN #expochicago
Anna de Castro Barbosa
The lie lies, 2026
Variables Dimensions
Textile, PVC, plaster, glass, plexiglass (acrylic), silicones, talc.
🥚🥚🥚🥚
Exhibited at @salondemontrouge_, 2026
Image courtesy of the Artist & @victorunwin & Aurélien Mole
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#THIRDBORN
Anna de Castro Barbosa
The lie lies, 2026
Variables Dimensions
Textile, PVC, plaster, glass, plexiglass (acrylic), silicones, talc.
🥚🥚🥚🥚
Exhibited at @salondemontrouge_, 2026
Image courtesy of the Artist & @victorunwin & Aurélien Mole
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#THIRDBORN
CONDO returns to Mexico City ✨
April 23–26, 2026
Copperfield, London and THIRD BORN, Mexico City will present for Condo: When Things Begin to Act, an exhibition of work by Vytautas Kumža and Mariana Ledesma.
The exhibition explores the active life of matter—where objects are not passive, but perform, vibrate, generate tension, and shape our experience of space. Through Ledesma’s sound-electronic systems and Kumža’s photographic and sculptural tableaux, the familiar becomes unstable and charged.
On view through May 22, 2026.
Collectors Panel Discussion
Saturday, April 25, 2026
4:00 PM
A conversation on collecting strategies, cross-border exchange, and collaborative models like CONDO.
-
Images:
Vytautas Kumža
Are you asleep?
Archival ink-jet print, metal tube, metal hardware, hair, aluminum frame
50 x 40 cm
19 3/4 x 15 3/4 in.
Image Courtesy of the Artist and Copperfield, London.
Mariana Ledesma
Máquina Blanda, 2025
Copper plate, ferric acid, fitted electronic circuit
Image Courtesy of Castillo Interior
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#THIRDBORN #CONDO #Copperfield
CONDO returns to Mexico City ✨
April 23–26, 2026
Copperfield, London and THIRD BORN, Mexico City will present for Condo: When Things Begin to Act, an exhibition of work by Vytautas Kumža and Mariana Ledesma.
The exhibition explores the active life of matter—where objects are not passive, but perform, vibrate, generate tension, and shape our experience of space. Through Ledesma’s sound-electronic systems and Kumža’s photographic and sculptural tableaux, the familiar becomes unstable and charged.
On view through May 22, 2026.
Collectors Panel Discussion
Saturday, April 25, 2026
4:00 PM
A conversation on collecting strategies, cross-border exchange, and collaborative models like CONDO.
-
Images:
Vytautas Kumža
Are you asleep?
Archival ink-jet print, metal tube, metal hardware, hair, aluminum frame
50 x 40 cm
19 3/4 x 15 3/4 in.
Image Courtesy of the Artist and Copperfield, London.
Mariana Ledesma
Máquina Blanda, 2025
Copper plate, ferric acid, fitted electronic circuit
Image Courtesy of Castillo Interior
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#THIRDBORN #CONDO #Copperfield
CONDO returns to Mexico City ✨
April 23–26, 2026
Copperfield, London and THIRD BORN, Mexico City will present for Condo: When Things Begin to Act, an exhibition of work by Vytautas Kumža and Mariana Ledesma.
The exhibition explores the active life of matter—where objects are not passive, but perform, vibrate, generate tension, and shape our experience of space. Through Ledesma’s sound-electronic systems and Kumža’s photographic and sculptural tableaux, the familiar becomes unstable and charged.
On view through May 22, 2026.
Collectors Panel Discussion
Saturday, April 25, 2026
4:00 PM
A conversation on collecting strategies, cross-border exchange, and collaborative models like CONDO.
-
Images:
Vytautas Kumža
Are you asleep?
Archival ink-jet print, metal tube, metal hardware, hair, aluminum frame
50 x 40 cm
19 3/4 x 15 3/4 in.
Image Courtesy of the Artist and Copperfield, London.
Mariana Ledesma
Máquina Blanda, 2025
Copper plate, ferric acid, fitted electronic circuit
Image Courtesy of Castillo Interior
.
.
.
.
.
#THIRDBORN #CONDO #Copperfield
CONDO returns to Mexico City ✨
April 23–26, 2026
Copperfield, London and THIRD BORN, Mexico City will present for Condo: When Things Begin to Act, an exhibition of work by Vytautas Kumža and Mariana Ledesma.
The exhibition explores the active life of matter—where objects are not passive, but perform, vibrate, generate tension, and shape our experience of space. Through Ledesma’s sound-electronic systems and Kumža’s photographic and sculptural tableaux, the familiar becomes unstable and charged.
On view through May 22, 2026.
Collectors Panel Discussion
Saturday, April 25, 2026
4:00 PM
A conversation on collecting strategies, cross-border exchange, and collaborative models like CONDO.
-
Images:
Vytautas Kumža
Are you asleep?
Archival ink-jet print, metal tube, metal hardware, hair, aluminum frame
50 x 40 cm
19 3/4 x 15 3/4 in.
Image Courtesy of the Artist and Copperfield, London.
Mariana Ledesma
Máquina Blanda, 2025
Copper plate, ferric acid, fitted electronic circuit
Image Courtesy of Castillo Interior
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#THIRDBORN #CONDO #Copperfield
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
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Anonstories consente agli utenti di guardare le storie di Instagram senza avvisare il creatore.
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