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timpetill
Anne Ryan
Art, mostly
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
‘Gravity’ is a deeply satisfying exhibition @foxjensengallery that sets all the senses a tingling.
Shown here are paintings by Mark Francis, Callum Innes, Paul Czerlitzki and Koen Delaere.
@markfrancis62 @studiocinnes #paulczerlitzki @koendelaere
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
Ruth Waller ‘Familiar things and unfamiliar places’ @rogue_pop_upHorizontal paintings of objects, landscape and figures made on hessian, which seems to simultaneously soak up pigment while repelling it. Lovely stuff. @ruthwaller6060
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
John Peart ‘Untitled 2086’ 2006 acrylic on paper on board and ‘Untitled 521’ 2000 oil on board in an exhibition ‘John Peart, Unfolding time’ @kingstreetgallery held in conjunction with the publication of a new monograph ‘John Peart’ edited by Sioux Garside, with words by Christopher Saines, Sioux Garside, Quentin Sprague, Joe Frost, Virginia Milson, John Peart, and moi.
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
The ‘Ngura Pulka Epic Country’ exhibition @nationalgalleryaus is a knockout. Ignore the noise and sit with these pictures, they’ll take your breath away.
Shown here are:
Mimili Minyma Women’s Collaborative (Betty Tjulpukana Campbell, Emma Singer, Pauline Minmila Wangin) ‘Kapi (water)’ 2022
Mitakiki Women’s Collaborative (Naomi Kantjuriny, Tjimpayi Presley, Joylene Presley, Mona Mitakiki Shepherd) ‘Seven Sisters’ 2021
Teresa Baker ‘Minyma Malilunya’ 2022
Kunmanara (Ray) Ken ‘Kulata Tjuta’ 2013
Tuppy Goodwin ‘Antara’ 2022
Betty Muffler and Maringka Burton ‘Ngangkari Ngura (Healing Country)’ 2022
Betty Kuntiwa Pumani ‘Antara’ 2022
Kunmanara Kawiny ‘Seven Sisters’ 2011
Maringka Baker ‘Kuru Ala’ 2007
Matjangka Nyukana Norris ‘Ngura Pilti’ 2021
#pitjantjatjara #yankunytjatjara #apy
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
There’s a powerful collection display at the @nationalgalleryaus with a series of works by @richard_lewer that look at family, memory, love, grief, loss and all that it is being human
Shown here is a wall of paintings from the ‘Steve’ series painted on found laminate table tops and stills from the video work ‘Steve’ 2023-24,a devastating yet beautiful family story of a dementia diagnosis. Incredible stuff.
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
‘John Brack x Noel McKenna: A face in the mirror’ is a wonderful, wonderful show and so worth a trip to the @portraitau The affinities of image, sensibility and dry, dry humour are so simply revealed, yet packed with constant moments of insight and delight. I loved it.
Shown here is Brack ‘The fish shop’ 1955, McKenna ‘Untitled from Animals I have known’ 2015-16, Brack ‘The conference’ 1956, McKenna ‘Daschund trick’ 2018, Brack ‘The seagull’ 1955, McKenna ‘Quiet room’ 2013, Brack ‘A face in the mirror’ 1965 and some install shots of the show.
Bravo @noel.mckenna and the NPG team 👏🏻👏🏻👏🏻
John Peart, the highly anticipated, hardcover monograph bringing together essay contributions by Sioux GARSIDE, Chris SAINES CNZM, Anne RYAN, Quentin SPRAGUE, Joe FROST and John Peart, is now AVAILABLE to purchase online and in the gallery.
Our next exhibition Unfolding Time: Selected from the Estate of John Peart coincides with the launch of the book in Sydney. The book will be officially launched by Sioux GARSIDE and Anne RYAN at King Street Gallery on William.
For a list of available work by John Peart, or more information about the new book, please email us via art@kingstreetgallery.com
@spitting.img
#JohnPeart #TheArtofJohnPeart #JohnPeartEstate #johnpeartartist #newbook #booklaunch #spittingimage #kingstreetgalleryonwilliam
Edward Hopper ‘Evening wind’ 1921 etching
Edward Hopper has placed his subject - a single figure in an interior - with her face turned from the viewer, looking out a window. She is an everywoman – anonymous, alone in the most private of settings, but intrinsically connected with the life of the modern city. The strong chiaroscuro of the image simplifies the interior and renders it cocoon-like and intimate; it is the outside world that draws her attention, and ours.
This print was first exhibited in 1921 at the National Acadmy of Design, New York. Critics noted Hopper’s ‘genius for finding beauty in ugliness’ – that is, his interest in everyday subject matter, which marked him as ‘modern’ in the eyes of his contemporaries. Hopper was a key figure in the American Ashcan School of painters, which emphasised realism and veracity instead of idealisation.
Thrilled that this superb etching is now in the @artgalleryofnsw collection #edwardhopper #eveningwind #joyandharoldmarchantfoundation #etching
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
@zaclangdonpole excellent room of stitched/jigsawed together objects including the rather marvellous ’Translatio Studii’ bowls. Strangely satisfying and compelling things.
Part of the ‘All the world’s memories’ exhibition @unswgalleries
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
Just love the beautifully refined ‘Mitch Cairns: Artist’s mouth’ exhibition @nas_au , which surveys Cairns’ practice since his graduation from that same institution twenty years ago.
Shown here is ‘Study for Painting in increments’ 2014 oil on linen; ‘Manuscript painting’ 2024 oil on linen; ‘World travel (after Tom Kreisler) 2023 oil on linen; ‘Writer with readers’ 2025 oil on linen; ‘Monents notice’ 2018 oil on linen; ‘Soliloquy workshop’ 2018 oil on linen; ‘Redpath Shoes or cover charge’ 2025 oil on linen; ‘One half of a woman’s waistline repeated (Study two)’ 2012 oil on linen; ‘WHAT WA(s) THE NATURE OF WHAT WAS SAID? ?YRROS APOLOGETIC? ? NIA(g)A YAS COULD YOU PLEASE ADDRESS THE QUESTION DIRECTLY?,’ 2015 oil on linen; ‘Low rent’ 2008 oil on linen
#mitchcairns @lulatella
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
@benquilty ‘The River’ exhibition @janmurphygallery
Shown here is ‘Bonnet scoop (a pile of rocks)’ 2026, ‘Axeman no1’ 2026 and ‘Driver (the guard dog)’ 2026 all oil on linen
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