Visualizzatore Storie Instagram

Type&Faces #17
14 May '26

Thanks to our legendary speakers:

Lucky Induilaxa Jasiendra @luck.design.y
Will Aggett @willaggett
Elliot Jay Stocks @elliotjaystocks
Sebastian Carewe @s_carewe
Josh Saunders @joshuajamessaunders

See you all soon!

Photos: @giovanni.isnenghi

Type&Faces #17
14 May '26

Thanks to our legendary speakers:

Lucky Induilaxa Jasiendra @luck.design.y
Will Aggett @willaggett
Elliot Jay Stocks @elliotjaystocks
Sebastian Carewe @s_carewe
Josh Saunders @joshuajamessaunders

See you all soon!

Photos: @giovanni.isnenghi

Type&Faces #17
14 May '26

Thanks to our legendary speakers:

Lucky Induilaxa Jasiendra @luck.design.y
Will Aggett @willaggett
Elliot Jay Stocks @elliotjaystocks
Sebastian Carewe @s_carewe
Josh Saunders @joshuajamessaunders

See you all soon!

Photos: @giovanni.isnenghi

Type&Faces #17
14 May '26

Thanks to our legendary speakers:

Lucky Induilaxa Jasiendra @luck.design.y
Will Aggett @willaggett
Elliot Jay Stocks @elliotjaystocks
Sebastian Carewe @s_carewe
Josh Saunders @joshuajamessaunders

See you all soon!

Photos: @giovanni.isnenghi

Type&Faces #17
14 May '26

Thanks to our legendary speakers:

Lucky Induilaxa Jasiendra @luck.design.y
Will Aggett @willaggett
Elliot Jay Stocks @elliotjaystocks
Sebastian Carewe @s_carewe
Josh Saunders @joshuajamessaunders

See you all soon!

Photos: @giovanni.isnenghi

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

Last Thursday we brought you not three, not four, but five (!) incredible speakers.

Kingston students Lucky @luck.design.y and Will @willaggett kicked things off by sharing their typographic projects, taking home buckets of constructive feedback and well-deserved compliments. ✨

Elliot @elliotjaystocks walked us through the motivations and process behind his recent book Fine Specimens. Don't think he brought home any 📖 as they sold out during the break!

Sebastian @s_carewe gave us a fascinating look into the development of Italify – a tool built for optically corrected obliques curve and diagonal correction. 👨‍🔧

Josh @joshuajamessaunders capped it all off on the difference between fonts, typefaces and lettering, and how to bring unique personality and craft to the forefront. ✍️

A massive thank you to our speakers and everyone who came out to support, chat, and geek out over letterforms in all sauces with us.

Swipe through to see some of our favorite moments!

Thanks to our lovely partners at Acrylicize for hosting us at The Art House, @gfsmithpapers for supporting us with their fantastic paper and to @jubelbeer for providing their delicious drinks.

Photos 1-19 @giovanni.isnenghi 20 @fredfonts

-
The Art House by @acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

The very last tickets available for Type&Faces tomorrow!
Check out our fabulous lineup and see you there 💫

Ticket link in our bio 🔗

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Let’s welcome 5th and final speaker for our event on 14th of May! Very excited @elliotjaystocks will be joining us 💫

Elliot Jay Stocks is a designer and author, known in typographic circles thanks to his time as Creative Director of Adobe Typekit, founder of typography magazine 8 Faces, the co-creator of Google Fonts Knowledge, and the author of Universal Principles of Typography (Quarto, 2024) and Fine Specimens (Quarto, 2026).

Elliot has spoken at over 80 conferences around the world and served as a judge for the D&AD Awards. He lives in the countryside in Somerset, UK, and recently rejoined the design team at Adobe Fonts.

@elliotjaystocks
elliotjaystocks.com
bsky.app/profile/elliotjaystocks.bsky.social

Tickets in bio! 🔗

Photo by Norman Posselt

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering. Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

Onto speaker number 4! Let’s give a warm welcome to @joshuajamessaunders 🌟

Josh Saunders is a freelance designer from the South-West of England, better known for #nevernotworking – Making a living from letters. But faking it when it comes to designing fonts. Talking about the difference between fonts, typefaces & lettering.
Designers always ask, „What font is that?” but sometimes the answer is, it’s not a font at all. A lot of logos & brand marks aren’t typed out, they’re drawn by hand, letter by letter. How custom characters allow you to add personality & little details you’d never get from an off the shelf typeface.

@joshuajamessaunders

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

For speaker number 3, we’d like to introduce @s_carewe who will visit us straight from Paris 🇫🇷

Sebastian Carewe is an independent font engineer, developer and linguist from Berlin, based in Paris. His work at the intersection of type design and software development is driven by the dread of repetitive tasks, which he prefers to automate with a few lines of code. Specialised in the design of Latin and Cyrillic, he is especially interested in multi-script projects and localisation, backed by his background in linguistics.
Sebastian works with a wide range of foundries, on tasks ranging from design questions, mastering and tool development to workflow optimisation and project management. He loves giving workshops and maintains an extensive open-source library of Glyphs scripts and plugins.
Aside from type, Sebastian has a broad background in music theory and jazz piano. He can solve a Rubik’s cube in nine seconds, but can’t tell you the point.

@s_carewe
sebastiancarewe.com
github.com/eweracs

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!
Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Will Aggett (carousel images 1-6) is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

Induilaxa (carousel images 7-10) is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Brace yourselves for the first two speakers of this months’ 5 (!) speaker lineup!

Will and Induilaxa, both students at Kingston School of Art, will talk us through their projects on May 14th ☀️

Have a read about their projects below.

Will Aggett is a type and graphic designer in his final year at Kingston School of Art. He’s currently developing research within modularity, community and
physical making.
His work investigates how modular systems can shape visual language, while also creating opportunities for a collaboration and shared authorship. Through a process of hands-on and digital typographic processes, he engages with making as both a method of research and a means of connecting people, materials and ideas.

Will will talk us through his project ‘TO-114’ — A revival of a U.S. Government document from the early 1990s that defined the decoration and formal markings used on aircraft and boats. Reinterpreted through a contemporary type design lens, it incorporates stylistic alternates and contextual OpenType features.
@willaggett

—————-

Induilaxa is a Graphic Designer from Kingston University who critically investigates cultural studies. Guided by her curiosity towards identity and media, her work recontextualises the communities through a graphic design lens. Being quite new to typography, even when she changes the medium, her design output still lies within researching societies and the historical contexts of their visual styles. Using an illustrative approach to explore expressive characters, and disseminating the refined verisons through multiple mediums.

She will talk us through her investigation of the cultural and historical contexts of the cybersigilism aesthetic. Originating from the 2010s Berlin rave scene to being repopularised in forms of music and fashion. Actualised with biomechanical forms showing sections of history through different weights.
@luck.design.y

Tickets in bio! 🔗

Hey Type Faces, it’s time!

Have you noticed your mood lifting recently? A sudden lightness of being, strong energy bursts to draw more glyphs, the urge to walk barefoot on the fresh grass? Us too.

And so for our May event, we’re taking inspiration from sunshine suddenly hitting our faces and lush greenery of nearby Victoria Park.

So mark it in your calendars:

14th May, doors open 6:15 PM
The Art House by Acrylicize @thearthouselive
30-36 Pritchard’s Rd, London E2 9AP

The Art House by Acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

And thank you to our partner @gfsmithpapers for supplying excellent paper for our monthly riso zine.

Don’t miss it.
Tickets in bio! 🔗

Hey Type Faces, it’s time!

Have you noticed your mood lifting recently? A sudden lightness of being, strong energy bursts to draw more glyphs, the urge to walk barefoot on the fresh grass? Us too.

And so for our May event, we’re taking inspiration from sunshine suddenly hitting our faces and lush greenery of nearby Victoria Park.

So mark it in your calendars:

14th May, doors open 6:15 PM
The Art House by Acrylicize @thearthouselive
30-36 Pritchard’s Rd, London E2 9AP

The Art House by Acrylicize provides project, studio, and event space, all to nurture and amplify contemporary arts and culture, with a dynamic public programme spanning visual arts, performance, film, literature, music, and artist residencies.

And thank you to our partner @gfsmithpapers for supplying excellent paper for our monthly riso zine.

Don’t miss it.
Tickets in bio! 🔗