Visualizzatore Storie Instagram
Guarda le Storie di Instagram in modo anonimo
wolfemaiden
Jess wolfe
Writer first
Costumes / Producer for Film & Video second :•)
Send me ur email and I’ll send u my book
New essay up on @sslackerrrrr site called Communication-A-Go-Go. Check it out. Mia will be selling some hard copies at slacker sundays! Very cool.
New essay up on @sslackerrrrr site called Communication-A-Go-Go. Check it out. Mia will be selling some hard copies at slacker sundays! Very cool.
New essay up on @sslackerrrrr site called Communication-A-Go-Go. Check it out. Mia will be selling some hard copies at slacker sundays! Very cool.
New essay up on @sslackerrrrr site called Communication-A-Go-Go. Check it out. Mia will be selling some hard copies at slacker sundays! Very cool.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Spent the last two months doing costumes on a mooovie with a bunch of certified set crushers who made the potentially impossible pretty possible. We traveled to some of my new favorite places in America. From the blue house in Pennsylvania, to the windows screensaver grassy hills, caves and Taso’s renaissance fair in West Virginia, to castles in Albany, Lake George and outside of Philly and all of the winding open roads in between. I watched random people we convinced to be extras get sword training, worked with horses and their wranglers, took in the full moon rising over a sky of stars sitting in the back of the truck, watched as characters met their emotional demise, perfected putting an entire suit of armor on, played with blood, absolutely did not pet the various animals on set (sheep, wild goats, coolest patterned chicken I’ve ever seen, turkeys, horses, dogs, half wolf, grasshoppers) and bonded deeply with a crew full of favorites while drinking 1000 Walmart beers and activating at the brier patch to debrief our long days and the completely unpredictable weather that came with them. Most of this shoot was spent outside watching the seasons change and letting my roots grow out while I remembered all the reasons I love storytelling and trying to hold onto as many details as I could.
I learned so much about filmmaking and storytelling through the lens of clothing, color, progression through journey and by getting to watch closely every department on set be very competent and talented and the hours in video village with Rose. I also learned a lot about storytelling by being awake early enough to experience some of the most beautiful sunrises I’ve ever seen in my life, by being in the sticks, shooting an AK47, and trust fall leaving New York to live with strangers. Thank you Lisa, Beccah, Monica, Sam, Calvin, Paulina, Nick, Nick, and also Nick. Twinkles and Sprinkles to The Kingdom of Rexmonte.
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
Vantaggi di Anonstories
Esplora le Storie IG in Privato
Segui gli aggiornamenti di Instagram discretamente proteggendo la tua privacy e restando anonimo.
Visualizzatore Privato di Instagram
Guarda profili e foto in modo anonimo facilmente usando il Visualizzatore di profili privati.
Visualizzatore di Storie Gratuito
Questo strumento gratuito ti permette di visualizzare le storie di Instagram in modo anonimo, garantendo che la tua attività rimanga nascosta dall'utente che carica la storia.
Domande frequenti
Anonimato
Anonstories consente agli utenti di guardare le storie di Instagram senza avvisare il creatore.
Compatibilità Dispositivi
Funziona senza problemi su iOS, Android, Windows, macOS e browser moderni come Chrome e Safari.
Sicurezza e Privacy
Garantisce una navigazione sicura e anonima senza richiedere credenziali di accesso.
Nessuna Registrazione
Gli utenti possono visualizzare storie pubbliche semplicemente inserendo un nome utente—nessun account richiesto.
Formati Supportati
Scarica foto (JPEG) e video (MP4) facilmente.
Costo
Il servizio è gratuito.
Account Privati
Il contenuto degli account privati è accessibile solo ai follower.
Utilizzo dei File
I file sono destinati solo a uso personale o educativo e devono rispettare le normative sul copyright.
Come Funziona
Inserisci un nome utente pubblico per visualizzare o scaricare storie. Il servizio genera link diretti per salvare i contenuti localmente.