Instagramストーリービューア

“From The Start” for @laufey is out now 💘

Directed by 🙋‍♂️
Creative Director: @junialin
Executive Producer: @laurabird
Producer: @erikx.disantis
Production Company: @oursecrethandshake
Production Manager: @april_kelley
Choreographer: @mollylong21
Director of Photography: @thenamesneema
Stylist: @styledbycristina
Hair/MU: heatherroseharris
Production Designer: @araewebner
1st AD: @bluhunt
1st AC/Focus Puller: @waltercwat
2nd AC/Loader: @jacob.l.dugger
Steadicam: @steadistanke
Gaffer: @sebastien.nuta
Key Grip: Edwardo Saucedo
BBE: mikeyproa
BBG: @javaunlovesbangers
Production Designer Coordinator: @mishicka47
Set Decorator: @leandaharley
Shoot Day Set Decorator: @tytyfilms
Leadman: @daniel.oregel.3
Art PA/Setr Dresser: Evelyn Jiminez
PA: @Nolandtogo
BTS Photographer: @laurenalexkim
Editor: 🙋‍♂️
Colorist: @dylanmhageman
Color Producer: @house__post
Label Commissioner: @biancabhagat for @awal
Director’s Rep: @cheyennecody for @larkcreative
Filmed on @kodak_shootfilm 16mm

“From The Start” for @laufey is out now 💘

Directed by 🙋‍♂️
Creative Director: @junialin
Executive Producer: @laurabird
Producer: @erikx.disantis
Production Company: @oursecrethandshake
Production Manager: @april_kelley
Choreographer: @mollylong21
Director of Photography: @thenamesneema
Stylist: @styledbycristina
Hair/MU: heatherroseharris
Production Designer: @araewebner
1st AD: @bluhunt
1st AC/Focus Puller: @waltercwat
2nd AC/Loader: @jacob.l.dugger
Steadicam: @steadistanke
Gaffer: @sebastien.nuta
Key Grip: Edwardo Saucedo
BBE: mikeyproa
BBG: @javaunlovesbangers
Production Designer Coordinator: @mishicka47
Set Decorator: @leandaharley
Shoot Day Set Decorator: @tytyfilms
Leadman: @daniel.oregel.3
Art PA/Setr Dresser: Evelyn Jiminez
PA: @Nolandtogo
BTS Photographer: @laurenalexkim
Editor: 🙋‍♂️
Colorist: @dylanmhageman
Color Producer: @house__post
Label Commissioner: @biancabhagat for @awal
Director’s Rep: @cheyennecody for @larkcreative
Filmed on @kodak_shootfilm 16mm

“From The Start” for @laufey is out now 💘

Directed by 🙋‍♂️
Creative Director: @junialin
Executive Producer: @laurabird
Producer: @erikx.disantis
Production Company: @oursecrethandshake
Production Manager: @april_kelley
Choreographer: @mollylong21
Director of Photography: @thenamesneema
Stylist: @styledbycristina
Hair/MU: heatherroseharris
Production Designer: @araewebner
1st AD: @bluhunt
1st AC/Focus Puller: @waltercwat
2nd AC/Loader: @jacob.l.dugger
Steadicam: @steadistanke
Gaffer: @sebastien.nuta
Key Grip: Edwardo Saucedo
BBE: mikeyproa
BBG: @javaunlovesbangers
Production Designer Coordinator: @mishicka47
Set Decorator: @leandaharley
Shoot Day Set Decorator: @tytyfilms
Leadman: @daniel.oregel.3
Art PA/Setr Dresser: Evelyn Jiminez
PA: @Nolandtogo
BTS Photographer: @laurenalexkim
Editor: 🙋‍♂️
Colorist: @dylanmhageman
Color Producer: @house__post
Label Commissioner: @biancabhagat for @awal
Director’s Rep: @cheyennecody for @larkcreative
Filmed on @kodak_shootfilm 16mm

“From The Start” for @laufey is out now 💘

Directed by 🙋‍♂️
Creative Director: @junialin
Executive Producer: @laurabird
Producer: @erikx.disantis
Production Company: @oursecrethandshake
Production Manager: @april_kelley
Choreographer: @mollylong21
Director of Photography: @thenamesneema
Stylist: @styledbycristina
Hair/MU: heatherroseharris
Production Designer: @araewebner
1st AD: @bluhunt
1st AC/Focus Puller: @waltercwat
2nd AC/Loader: @jacob.l.dugger
Steadicam: @steadistanke
Gaffer: @sebastien.nuta
Key Grip: Edwardo Saucedo
BBE: mikeyproa
BBG: @javaunlovesbangers
Production Designer Coordinator: @mishicka47
Set Decorator: @leandaharley
Shoot Day Set Decorator: @tytyfilms
Leadman: @daniel.oregel.3
Art PA/Setr Dresser: Evelyn Jiminez
PA: @Nolandtogo
BTS Photographer: @laurenalexkim
Editor: 🙋‍♂️
Colorist: @dylanmhageman
Color Producer: @house__post
Label Commissioner: @biancabhagat for @awal
Director’s Rep: @cheyennecody for @larkcreative
Filmed on @kodak_shootfilm 16mm

“From The Start” for @laufey is out now 💘

Directed by 🙋‍♂️
Creative Director: @junialin
Executive Producer: @laurabird
Producer: @erikx.disantis
Production Company: @oursecrethandshake
Production Manager: @april_kelley
Choreographer: @mollylong21
Director of Photography: @thenamesneema
Stylist: @styledbycristina
Hair/MU: heatherroseharris
Production Designer: @araewebner
1st AD: @bluhunt
1st AC/Focus Puller: @waltercwat
2nd AC/Loader: @jacob.l.dugger
Steadicam: @steadistanke
Gaffer: @sebastien.nuta
Key Grip: Edwardo Saucedo
BBE: mikeyproa
BBG: @javaunlovesbangers
Production Designer Coordinator: @mishicka47
Set Decorator: @leandaharley
Shoot Day Set Decorator: @tytyfilms
Leadman: @daniel.oregel.3
Art PA/Setr Dresser: Evelyn Jiminez
PA: @Nolandtogo
BTS Photographer: @laurenalexkim
Editor: 🙋‍♂️
Colorist: @dylanmhageman
Color Producer: @house__post
Label Commissioner: @biancabhagat for @awal
Director’s Rep: @cheyennecody for @larkcreative
Filmed on @kodak_shootfilm 16mm

“Eat Your Young” for @hozier is out now; starring Andrew Hozier-Byrne and @ivannasakhno 🥀 It was wonderful working with Andrew to bring this to life. Thank you to our crew and cast.

Director: 🙋‍♂️
Producer: @laurabird
Production Company: @oursecrethandshake
Cinematographer: @gbendinelli
1st AC: @thatonedudeq
1st AD: @matthewmartintk
Gaffer: @chasedubose
Key Grips: Armando Vasquez, Jr, @adrianjayrose
BBE: @ethanspencer
BBGs: @itsnammertime_ @isthatyaxkin
Puppet Fabricator: @handsomedevilspuppets
Puppeteer: Han
Production Designer: @ava.j.jones
Leadman: Talyn LaTour
Set Dressers: @ktcarey, Lexi Contreras
PAs: @nolandtogo @brrittanybennett
Choreographer: @jillymeyers
HMUA: Helen Jeffers
Stylist: @styledbycristina
Stylist Asst: Katie Miles
Editor: 🙋‍♂️
Colorist: @gbendinelli
VFX Artist: @alexjfam for @neonpigmedia
Label: @columbiarecords + @rubyworks
Commissioner for Columbia Records: @bryanyounce
Columbia Records: @betneywhitsy, @alexashouneyia
Rubyworks Records: @niallmuckian
Hozier Management: @caroline_downey1
Director Rep: @cheyennecody for @Larkcreative
BTS: @ericlongden
Shot on @kodakshootfilm 16mm Film
Special thanks to @BobBakerMarionettes, @Standard.camera & @funtonstageone

CAST
THE MAN: @hozier
THE WOMAN: @ivannasakhno
THE BOY: Sawyer Puranen
BACKGROUND: Armonn Livingston, Christine Martin, @DanaDubovsky, @baileyybursteen, @eddarreaga, @junkfoodvegan, @lilymoffet, Jamilee Abucay, Joe Integlia, Judith Oehman, Julian Solis, Karena Ardaji, @kurt.zierlein, @the_dog_ate_your_baby_book, Luis Lopez, Mariana Leal, @Marygrebing, @megdarb7, @michaeltyronedelaney, Olivia Puranen, Porsha Sales, @eleaseluistemp, Ranen Warren, Remi Harkrider, @rhodapell, @samclauderrii70, @daydreamingwinter, @savpants, @sonalichugani, Stephanie Roos, maisonminobu_atelierstevesakai, @teresa.krosse, @tuuluv

“Eat Your Young” for @hozier is out now; starring Andrew Hozier-Byrne and @ivannasakhno 🥀 It was wonderful working with Andrew to bring this to life. Thank you to our crew and cast.

Director: 🙋‍♂️
Producer: @laurabird
Production Company: @oursecrethandshake
Cinematographer: @gbendinelli
1st AC: @thatonedudeq
1st AD: @matthewmartintk
Gaffer: @chasedubose
Key Grips: Armando Vasquez, Jr, @adrianjayrose
BBE: @ethanspencer
BBGs: @itsnammertime_ @isthatyaxkin
Puppet Fabricator: @handsomedevilspuppets
Puppeteer: Han
Production Designer: @ava.j.jones
Leadman: Talyn LaTour
Set Dressers: @ktcarey, Lexi Contreras
PAs: @nolandtogo @brrittanybennett
Choreographer: @jillymeyers
HMUA: Helen Jeffers
Stylist: @styledbycristina
Stylist Asst: Katie Miles
Editor: 🙋‍♂️
Colorist: @gbendinelli
VFX Artist: @alexjfam for @neonpigmedia
Label: @columbiarecords + @rubyworks
Commissioner for Columbia Records: @bryanyounce
Columbia Records: @betneywhitsy, @alexashouneyia
Rubyworks Records: @niallmuckian
Hozier Management: @caroline_downey1
Director Rep: @cheyennecody for @Larkcreative
BTS: @ericlongden
Shot on @kodakshootfilm 16mm Film
Special thanks to @BobBakerMarionettes, @Standard.camera & @funtonstageone

CAST
THE MAN: @hozier
THE WOMAN: @ivannasakhno
THE BOY: Sawyer Puranen
BACKGROUND: Armonn Livingston, Christine Martin, @DanaDubovsky, @baileyybursteen, @eddarreaga, @junkfoodvegan, @lilymoffet, Jamilee Abucay, Joe Integlia, Judith Oehman, Julian Solis, Karena Ardaji, @kurt.zierlein, @the_dog_ate_your_baby_book, Luis Lopez, Mariana Leal, @Marygrebing, @megdarb7, @michaeltyronedelaney, Olivia Puranen, Porsha Sales, @eleaseluistemp, Ranen Warren, Remi Harkrider, @rhodapell, @samclauderrii70, @daydreamingwinter, @savpants, @sonalichugani, Stephanie Roos, maisonminobu_atelierstevesakai, @teresa.krosse, @tuuluv

“Lonely Dancers” for @conangray is out now 🕺 🪩 🤠

Director - 🙋‍♂️
Executive Producer - @laurabird
Producer - @erikx.disantis
Production Company - @oursecrethandshake
Director of Photography - @powell_robinson
Editor - 🙋‍♂️
Asst Editor - @isaachoff_
Colorist - @jaredrosenthal
1st AD - @matthewmartintk
Production Manager - @livinglifefeelingfree
1st AC - @amarqz
2nd AC - @nicvannatta
Steadicam - @jamesmarin3
Gaffer - @natethomson1
Key Grip - @adamshambour
Board Op - @gigilights
CLT - @link.webb
SLTs - @emma.lugosi, @eshafercine
BBG - @coolhandjimmy
Grips - @stewartcarl, Robert Alvarez
Production Designer - @ava.j.jones
Leadman - @wayofwaz
Set Dressers - @Discboi, @jordanmoore_30 PAs - @_frankenchrist, @quinnbiddle
Cast HMUA - @makeuphair_mayra
Movement Coach - @max__pham
Republic / Commissioner - @emilyray__
Republic / Creative - @drew.gleas
Republic / SVP - @megharkins
Artist Mgmt - @eddiewintle, @coco__colette, @expandentertainment
Director’s Rep - @cheyennecody for @larkcreative
Stylist - @katieqian
Artist HMUA - @hannahcarletonartistry
BTS - @worldfamousmuriel
Stylist Rep - @talchesed, @thewallgroup
Movement Coach Rep - Brendan Filuk, @blocla

CAST
Cheating Woman - @katrina.brianne
Cheating Man - @michaeldeni_
Bouncer - @therealrobertrexx
Bartender - @LeesPonyTherapyInc
Bar Patrons - @EntertainerSteveCrawford @taorminomark berlingerimiguel_1 @meganpeck_ @jesseowins @mjcarmellini @penny.esalazar @joeyhighshoe @erinthewolfe @marissa_crowley @cheyennecody @samjoyflores @Sammonendo @nemibrooks @4l0ys1us @isabellehahn @Ooopaisleypaisley @Tylroln @marina_polishchuk @cuteanon__ @avianaglover @mariaa.giorgobiani @vinal.chand @nesmithjosh @mirandasauls @echeverriaander @elise.jonke

“Lonely Dancers” for @conangray is out now 🕺 🪩 🤠

Director - 🙋‍♂️
Executive Producer - @laurabird
Producer - @erikx.disantis
Production Company - @oursecrethandshake
Director of Photography - @powell_robinson
Editor - 🙋‍♂️
Asst Editor - @isaachoff_
Colorist - @jaredrosenthal
1st AD - @matthewmartintk
Production Manager - @livinglifefeelingfree
1st AC - @amarqz
2nd AC - @nicvannatta
Steadicam - @jamesmarin3
Gaffer - @natethomson1
Key Grip - @adamshambour
Board Op - @gigilights
CLT - @link.webb
SLTs - @emma.lugosi, @eshafercine
BBG - @coolhandjimmy
Grips - @stewartcarl, Robert Alvarez
Production Designer - @ava.j.jones
Leadman - @wayofwaz
Set Dressers - @Discboi, @jordanmoore_30 PAs - @_frankenchrist, @quinnbiddle
Cast HMUA - @makeuphair_mayra
Movement Coach - @max__pham
Republic / Commissioner - @emilyray__
Republic / Creative - @drew.gleas
Republic / SVP - @megharkins
Artist Mgmt - @eddiewintle, @coco__colette, @expandentertainment
Director’s Rep - @cheyennecody for @larkcreative
Stylist - @katieqian
Artist HMUA - @hannahcarletonartistry
BTS - @worldfamousmuriel
Stylist Rep - @talchesed, @thewallgroup
Movement Coach Rep - Brendan Filuk, @blocla

CAST
Cheating Woman - @katrina.brianne
Cheating Man - @michaeldeni_
Bouncer - @therealrobertrexx
Bartender - @LeesPonyTherapyInc
Bar Patrons - @EntertainerSteveCrawford @taorminomark berlingerimiguel_1 @meganpeck_ @jesseowins @mjcarmellini @penny.esalazar @joeyhighshoe @erinthewolfe @marissa_crowley @cheyennecody @samjoyflores @Sammonendo @nemibrooks @4l0ys1us @isabellehahn @Ooopaisleypaisley @Tylroln @marina_polishchuk @cuteanon__ @avianaglover @mariaa.giorgobiani @vinal.chand @nesmithjosh @mirandasauls @echeverriaander @elise.jonke

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

On set for “Punching the Flowers” with @deathcabforcutie

“Punching the Flowers” for @deathcabforcutie is out now 🥀

Directed by 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @arielzucker
DP @patshahabian
Choreographer @mashacherezova

Editor 🙋‍♂️
AE @_emma.mp4
Colorist @cameronmarygold of @fairchild.co

Dancers
@isabella_caso
@bellahalek
@taylorr.lopezz
@hunterwaynefoster
@jaxnealpoetry
@maxwellsimoes_

Hair & Makeup @lilyjustinee
Wardrobe Stylist @schlitzie
Wardrobe Assistant @angela.trivino

1st AC @camerasamurai
2nd AC @nick_hightower

Gaffer @geehanski
Key Grip Henry Martinez
Best Boy Grip Marcial Gonzalez
Best Boy Electric @lights_camera_chris

PA @Maddie.bern
Truck PA:@twiistedrose

Camera and Lenses provided by @lensworksrentals
Digital Intermediate by @fotokem_la
Filmed on @kodak_shootfilm 16mm

“Punching the Flowers” for @deathcabforcutie is out now 🥀

Directed by 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @arielzucker
DP @patshahabian
Choreographer @mashacherezova

Editor 🙋‍♂️
AE @_emma.mp4
Colorist @cameronmarygold of @fairchild.co

Dancers
@isabella_caso
@bellahalek
@taylorr.lopezz
@hunterwaynefoster
@jaxnealpoetry
@maxwellsimoes_

Hair & Makeup @lilyjustinee
Wardrobe Stylist @schlitzie
Wardrobe Assistant @angela.trivino

1st AC @camerasamurai
2nd AC @nick_hightower

Gaffer @geehanski
Key Grip Henry Martinez
Best Boy Grip Marcial Gonzalez
Best Boy Electric @lights_camera_chris

PA @Maddie.bern
Truck PA:@twiistedrose

Camera and Lenses provided by @lensworksrentals
Digital Intermediate by @fotokem_la
Filmed on @kodak_shootfilm 16mm

“Punching the Flowers” for @deathcabforcutie is out now 🥀

Directed by 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @arielzucker
DP @patshahabian
Choreographer @mashacherezova

Editor 🙋‍♂️
AE @_emma.mp4
Colorist @cameronmarygold of @fairchild.co

Dancers
@isabella_caso
@bellahalek
@taylorr.lopezz
@hunterwaynefoster
@jaxnealpoetry
@maxwellsimoes_

Hair & Makeup @lilyjustinee
Wardrobe Stylist @schlitzie
Wardrobe Assistant @angela.trivino

1st AC @camerasamurai
2nd AC @nick_hightower

Gaffer @geehanski
Key Grip Henry Martinez
Best Boy Grip Marcial Gonzalez
Best Boy Electric @lights_camera_chris

PA @Maddie.bern
Truck PA:@twiistedrose

Camera and Lenses provided by @lensworksrentals
Digital Intermediate by @fotokem_la
Filmed on @kodak_shootfilm 16mm

“Punching the Flowers” for @deathcabforcutie is out now 🥀

Directed by 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @arielzucker
DP @patshahabian
Choreographer @mashacherezova

Editor 🙋‍♂️
AE @_emma.mp4
Colorist @cameronmarygold of @fairchild.co

Dancers
@isabella_caso
@bellahalek
@taylorr.lopezz
@hunterwaynefoster
@jaxnealpoetry
@maxwellsimoes_

Hair & Makeup @lilyjustinee
Wardrobe Stylist @schlitzie
Wardrobe Assistant @angela.trivino

1st AC @camerasamurai
2nd AC @nick_hightower

Gaffer @geehanski
Key Grip Henry Martinez
Best Boy Grip Marcial Gonzalez
Best Boy Electric @lights_camera_chris

PA @Maddie.bern
Truck PA:@twiistedrose

Camera and Lenses provided by @lensworksrentals
Digital Intermediate by @fotokem_la
Filmed on @kodak_shootfilm 16mm

“Punching the Flowers” for @deathcabforcutie is out now 🥀

Directed by 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @arielzucker
DP @patshahabian
Choreographer @mashacherezova

Editor 🙋‍♂️
AE @_emma.mp4
Colorist @cameronmarygold of @fairchild.co

Dancers
@isabella_caso
@bellahalek
@taylorr.lopezz
@hunterwaynefoster
@jaxnealpoetry
@maxwellsimoes_

Hair & Makeup @lilyjustinee
Wardrobe Stylist @schlitzie
Wardrobe Assistant @angela.trivino

1st AC @camerasamurai
2nd AC @nick_hightower

Gaffer @geehanski
Key Grip Henry Martinez
Best Boy Grip Marcial Gonzalez
Best Boy Electric @lights_camera_chris

PA @Maddie.bern
Truck PA:@twiistedrose

Camera and Lenses provided by @lensworksrentals
Digital Intermediate by @fotokem_la
Filmed on @kodak_shootfilm 16mm

“Punching the Flowers” for @deathcabforcutie is out now 🥀

Directed by 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @arielzucker
DP @patshahabian
Choreographer @mashacherezova

Editor 🙋‍♂️
AE @_emma.mp4
Colorist @cameronmarygold of @fairchild.co

Dancers
@isabella_caso
@bellahalek
@taylorr.lopezz
@hunterwaynefoster
@jaxnealpoetry
@maxwellsimoes_

Hair & Makeup @lilyjustinee
Wardrobe Stylist @schlitzie
Wardrobe Assistant @angela.trivino

1st AC @camerasamurai
2nd AC @nick_hightower

Gaffer @geehanski
Key Grip Henry Martinez
Best Boy Grip Marcial Gonzalez
Best Boy Electric @lights_camera_chris

PA @Maddie.bern
Truck PA:@twiistedrose

Camera and Lenses provided by @lensworksrentals
Digital Intermediate by @fotokem_la
Filmed on @kodak_shootfilm 16mm

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

“The things that make this movie difficult to put in movie theaters are the same images that social media companies have propagated globally and profited off of. There’s a very interesting tension between who is allowed to address certain things in our society, what kind of position they’re allowed to have,” Daniel Goldhaber tells CULTURED.

The 34-year-old filmmaker has devoted more of his time to making things happen in the real world than consuming them in the virtual realm, going all the way back to his teenage years when he was mounting plays and directing short art films with his longtime creative partner Isa Mazzei. But, in just three movies, Goldhaber and Mazzei have established an incisive and specific body of work investigating the friction between performance, violence, and digital worlds today.

So when Goldhaber and Mazzei were approached by executives at Legendary Entertainment about a remake of a legendary ’70s grindhouse picture, they were intrigued. ‘Faces of Death’ is an artifact from the video nasty era, whose lore was built through whispers and furtively passed VHS tapes. It inspired a macabre fascination, rumored to contain footage of real deaths, prompting bans in the U.K., Australia, and Germany. Goldhaber and Mazzei see ‘Faces of Death’ as a precursor to the world we live in today where the most bleak, terrifying imagery imaginable in 1978 was now available 24/7 on the App Store.

Link in bio to read about how they adapted the film for our times.

Words: @_karlyq_
Photography: @jasonllester

Went with @chronopictures and @isaiswrong to my dad’s Porter Ranch community for @cultured_mag - their new version of Faces of Death comes out April 10 and you should definitely go and support its theatrical release

Photos: 🙋‍♂️
Stylist: @branden.ruiz
Stylist Assistants: @themikaelaedit @tristabethh

Photo 1:
Isa - @6397_news cardigan, @maxmara skirt, @manoloblahnik heels, @stonefruit earrings
Danny - @paulsmith suit, @manoloblahnik shoes, @jimmychoo sunglasses

Photo 2:
Isa - @ysl jacket and heels, @wolford tights and @dinosaur_designs earrings
Danny - @dolcegabbana suit, @toddsnyder tank, @manoloblahnik shoes

Photo 3:
Isa - @versace full look
Danny - @versace full look + @dsquared2 boots

Went with @chronopictures and @isaiswrong to my dad’s Porter Ranch community for @cultured_mag - their new version of Faces of Death comes out April 10 and you should definitely go and support its theatrical release

Photos: 🙋‍♂️
Stylist: @branden.ruiz
Stylist Assistants: @themikaelaedit @tristabethh

Photo 1:
Isa - @6397_news cardigan, @maxmara skirt, @manoloblahnik heels, @stonefruit earrings
Danny - @paulsmith suit, @manoloblahnik shoes, @jimmychoo sunglasses

Photo 2:
Isa - @ysl jacket and heels, @wolford tights and @dinosaur_designs earrings
Danny - @dolcegabbana suit, @toddsnyder tank, @manoloblahnik shoes

Photo 3:
Isa - @versace full look
Danny - @versace full look + @dsquared2 boots

Went with @chronopictures and @isaiswrong to my dad’s Porter Ranch community for @cultured_mag - their new version of Faces of Death comes out April 10 and you should definitely go and support its theatrical release

Photos: 🙋‍♂️
Stylist: @branden.ruiz
Stylist Assistants: @themikaelaedit @tristabethh

Photo 1:
Isa - @6397_news cardigan, @maxmara skirt, @manoloblahnik heels, @stonefruit earrings
Danny - @paulsmith suit, @manoloblahnik shoes, @jimmychoo sunglasses

Photo 2:
Isa - @ysl jacket and heels, @wolford tights and @dinosaur_designs earrings
Danny - @dolcegabbana suit, @toddsnyder tank, @manoloblahnik shoes

Photo 3:
Isa - @versace full look
Danny - @versace full look + @dsquared2 boots

Honored to collaborate with @deathcabforcutie on the video for “Riptides”, the fantastic first single from their new record. I’ve been listening to Death Cab’s work for as long as I’ve been a music fan, and it was a wonderful experience bringing this to life with them.

Director 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @angelicavalente_
DP @patshahabian
Production Designer @andrewcaso
Editor 🙋‍♂️
Colorist @matt_osborne_color of @company_3

Hair & Makeup @nells26
Hair @eddiejohnhair
Wardrobe Stylist @styleisyou

1st AC @theosturz
2nd AC @torinb
DIT @charlesalexanderdiary

Lighting Director/Projections @burntshapes
VHS Graphic Elements @bluhunt
Gaffer @tatemccurdy
Key Grip Henry Martinez
Grip @rafaellibos
Best Boy Grip John Portillo
Best Boy Electric @paulkaneimage

Art Director @acolorfulstateofmind
Lead Carpenter Steve Bissonnette 
Art PA @devindif

PA @sydneyyalexandra 
PA @tyler.Ngt
Truck PA @jackthomasphotography

Label @antirecords

Honored to collaborate with @deathcabforcutie on the video for “Riptides”, the fantastic first single from their new record. I’ve been listening to Death Cab’s work for as long as I’ve been a music fan, and it was a wonderful experience bringing this to life with them.

Director 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @angelicavalente_
DP @patshahabian
Production Designer @andrewcaso
Editor 🙋‍♂️
Colorist @matt_osborne_color of @company_3

Hair & Makeup @nells26
Hair @eddiejohnhair
Wardrobe Stylist @styleisyou

1st AC @theosturz
2nd AC @torinb
DIT @charlesalexanderdiary

Lighting Director/Projections @burntshapes
VHS Graphic Elements @bluhunt
Gaffer @tatemccurdy
Key Grip Henry Martinez
Grip @rafaellibos
Best Boy Grip John Portillo
Best Boy Electric @paulkaneimage

Art Director @acolorfulstateofmind
Lead Carpenter Steve Bissonnette 
Art PA @devindif

PA @sydneyyalexandra 
PA @tyler.Ngt
Truck PA @jackthomasphotography

Label @antirecords

Honored to collaborate with @deathcabforcutie on the video for “Riptides”, the fantastic first single from their new record. I’ve been listening to Death Cab’s work for as long as I’ve been a music fan, and it was a wonderful experience bringing this to life with them.

Director 🙋‍♂️
Production Company @theexgfco
EP @_mynameiscole 
EP @nancenotnancwhy
Director Rep @cheyennecody of @larkcreative

Producer @angelicavalente_
DP @patshahabian
Production Designer @andrewcaso
Editor 🙋‍♂️
Colorist @matt_osborne_color of @company_3

Hair & Makeup @nells26
Hair @eddiejohnhair
Wardrobe Stylist @styleisyou

1st AC @theosturz
2nd AC @torinb
DIT @charlesalexanderdiary

Lighting Director/Projections @burntshapes
VHS Graphic Elements @bluhunt
Gaffer @tatemccurdy
Key Grip Henry Martinez
Grip @rafaellibos
Best Boy Grip John Portillo
Best Boy Electric @paulkaneimage

Art Director @acolorfulstateofmind
Lead Carpenter Steve Bissonnette 
Art PA @devindif

PA @sydneyyalexandra 
PA @tyler.Ngt
Truck PA @jackthomasphotography

Label @antirecords

“Struggle Bus” for @iriscopperman is out now 🚌

Director - 🙋‍♂️
Prod Company - @theexgfco
Executive Producer - @nancenotnancwhy
Executive Producer - @_mynameiscole
Director Rep - @cheyennecody of @larkcreative

Director of Photography - @powell_robinson
Production Designer - @dietcrystalpepsi

Label - @interscope
Label Commissioners - Michelle An, @christianadivona & @alyssakamalski
Management - @amandasamii
Management - @scschulman
Acting Coach - heretosaveyouall

Line Producer - @idr_farah
Production Manager - @thebrendanlynch
Production Coordinator - @lauragiordanii

Editor - 🙋‍♂️
Colorist - @matt_osborne_color of @company_3
VFX Supervisor - @yussefharidy

1st AD - @mrconiglio
2nd AD - @nathangallie
2nd 2nd AD - Estefania Pulido

Bus Driver - @rosscopperman
Body Double - Emma Christopherson

Wardrobe Stylist - @katecopperman
Wardrobe Stylist - @ellasofialopez
HMU Lead - @emmacroftmakeup
HMU Assist - @denisse.villa

1st AC - @mrkylefrank
2nd AC / Media Manager - @chrisgriggs_

Key Grip - @atthetheater
Best Boy Grip - @sweaterbitch
Grip - @maxwilliamallen
Grip / Driver - Britten Fay

Gaffer - @damnhumble
Best Boy Electric - @haydenklemes
Electric - @michaelroseman.cine
Electric - Isaac Han
Electric - @michaelsuraci
Electric - @paulkaneimage

Leadman - Vincent Quintana
Prop Master - Justine Wu
Set Dresser - Angel De La Rosa
Set Dresser - @chelsi.english
Art PA - @spider._.kiss

Studio Teacher - Judith Brown
Set Medic - Mike Spradley
Set Medic - C. Stephani

EP Assist - @j.eraldflowers
Office / Runner - @juliakostenevich
Truck PA - Peter Fugawa
Set PA - @Sorenhigher
Set PA - @henriqueschneider
Set PA - Alicia Portales
Set PA AD - @johnnappa
Set PA - @willsart

BTS Photographer - @nickwalkerstudio

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

@stephensanchezofficial on set for “Sweet Love” 💖

“Sweet Love” by @stephensanchezofficial is out now. This video was filmed in and around the Northern CA home of Stephen’s grandparents Fred and Linda, and is a tribute to their beautiful lifelong love story 💘

Directed by 🙋‍♂️
Prod Co: @theexgfco
EPs: @_mynameiscole @nancenotnancwhy
Producer: @itsalunlee
DP: @drewdawson

Starring:
Grandpa - Fred Sanchez
Grandma - Linda Sanchez
Dancers: @katiegracehansen @amberirie_ @missdianamoseley

PD: @massoonn
1st AC: Matthew Sanderson
2nd AC / Loader @dianarennt
Gaffer: @john.d.ortiz
KG @marc_lenahan
Swing @the_nicsters
HMUA: @beautyxlolo
Truck PA @devious_7
PA: Heime Belay

Editor: 🙋‍♂️
Color: @cameronmarygold
VFX: @yussefharidy & @vinylcreativeco

Director’s Rep: @cheyennecody for @larkcreative
Label: @republicrecords @mercuryrecords
Label Reps: @emilyraysimon @sarayucaulfield
Filmed on @kodak_shootfilm 16mm

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford

‘25
1. NYE last year 2. Silver Lining 3. Engaged 4. Sound Mixing 5. Mark Romanek Directors Series 6. Brain Dead 7. Monaco 8. Santa Cruz Boardwalk 9. Tokyo 10. Game Night 11. HMVA 12. Ezè 13. Hong Kong 14. Rome 15. Halloween 16. Hide It Away 17. Afterlife 18. Smoke House Burbank 19. Mexico City 20. Redford