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Observer
A chronicle of power and those who shape it.
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There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
The relationship between #SamAltman and #IlyaSutskever, an OpenAI co-founder and the company’s former chief scientist, has long been tumultuous.
Once considered close collaborators, the pair split in 2023 when Sutskever orchestrated Altman’s brief ouster as CEO.
He later reversed course and called for Altman’s reinstatement, a move he described as a “Hail Mary” during testimony in the ongoing trial of Elon Musk’s lawsuit against #OpenAI.
Read more at the link in our bio.
The relationship between #SamAltman and #IlyaSutskever, an OpenAI co-founder and the company’s former chief scientist, has long been tumultuous.
Once considered close collaborators, the pair split in 2023 when Sutskever orchestrated Altman’s brief ouster as CEO.
He later reversed course and called for Altman’s reinstatement, a move he described as a “Hail Mary” during testimony in the ongoing trial of Elon Musk’s lawsuit against #OpenAI.
Read more at the link in our bio.
President #DonaldTrump will travel to Beijing this week for a two-day summit with Chinese President #XiJinping, accompanied by a delegation of top U.S. CEOs from the technology, finance and manufacturing sectors.
The meetings come at a particularly strained moment in U.S.-China relations, with tensions spanning trade, #AI, semiconductor exports, Taiwan, fentanyl trafficking and the economic fallout from the war in Iran.
The White House has invited 16 business leaders to join the trip, including Tesla and SpaceX CEO #ElonMusk, Apple’s #TimCook and BlackRock’s #LarryFink.
Read more at the link in our bio.
The 2026 edition of the #VeniceBiennale is vast and dense, loosely entangled by a common thread that relates more to methodology than content: an invitation to slow down, contemplate and meditate in silence through the encounter with art
Observer’s @elisartgal was on the ground, where the 110 participating artists, collaborative duos, collectives and artist-centered organizations revisit colonial histories, ecological trauma and spiritual traditions to imagine coexistence grounded in attunement rather than domination.
Head to the link in our bio for our full coverage of @labiennale.
🎥 @chrisbaiden__
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
Fears that #AI could displace human workers have become a defining concern for younger generations.
@Nvidia CEO #JensenHuang sees it differently.
The technology, he argues, has “kick-started a revolutionary wave”—one that today’s graduates are well positioned to ride, Huang said during a keynote address at @carnegiemellon’s commencement ceremony yesterday.
Rather than shy away from A.I., he urged graduates to embrace it.
Read more at the link in our bio.
Fears that #AI could displace human workers have become a defining concern for younger generations.
@Nvidia CEO #JensenHuang sees it differently.
The technology, he argues, has “kick-started a revolutionary wave”—one that today’s graduates are well positioned to ride, Huang said during a keynote address at @carnegiemellon’s commencement ceremony yesterday.
Rather than shy away from A.I., he urged graduates to embrace it.
Read more at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
Instagramストーリーを秘密で見る
Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
Anonstoriesの利点
IGストーリーをプライベートに探る
Instagramの更新をプライバシーを守りつつ、匿名で追跡できます。
プライベートInstagramビューア
プライベートプロファイルビューアを使用して、プロフィールと写真を簡単に匿名で閲覧できます。
無料のストーリービューア
この無料ツールでInstagramストーリーを匿名で閲覧でき、アクティビティがストーリーアップローダーに知られることはありません。
よくある質問
匿名性
Anonstoriesを使用すると、作成者に通知されることなくInstagramストーリーを閲覧できます。
デバイス互換性
iOS、Android、Windows、macOS、ChromeやSafariなどの最新のブラウザで問題なく動作します。
安全性とプライバシー
ログイン情報なしで、安全かつ匿名で閲覧できます。
登録不要
ユーザーは、ユーザー名を入力するだけで公開ストーリーを閲覧可能—アカウント登録は不要です。
対応フォーマット
写真（JPEG）と動画（MP4）を簡単にダウンロードできます。
料金
サービスは無料で利用できます。
非公開アカウント
非公開アカウントのコンテンツはフォロワーのみがアクセスできます。
ファイル使用
ファイルは個人または教育目的でのみ使用し、著作権法を遵守する必要があります。
動作方法
公開ユーザー名を入力して、ストーリーを閲覧またはダウンロードします。サービスはコンテンツをローカルに保存するための直接リンクを生成します。