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To[wards]ListenTo | LAPORTE - LAUDANTE: total improvisation for pneumatic instruments and feedback.

Giovedì 21 maggio, alle ore 19.00 prosegue la rassegna To[ward]ListenTo con il live di LAPORTE - LAUDANTE | total improvisation for pneumatic instruments and feedback negli spazi di Cripta747.

Dopo i concerti in Canada e nel Regno Unito, il compositore campano Andrea Laudante e l'inventore quebecchese Jean François Laporte e si incontrano per una sessione di improvvisazione radicale. La liuteria pneumatica di Laporte affronta i dispositivi elettronici e i feedback di Laudante in una performance ad altissimo tasso di energia cinetica. Vi aspetta uno scontro di muscolarità gestuale e di tessiture possenti, nato dalla pura compenetrazione artistica.

Apertura porte: 18.30
Inizio concerto: 19.00

Modalità di accesso: ingresso up2you con tessera associativa di Cripta747 disponibile al link in bio di @cripta747

L’evento è prodotto da SMET, in collaborazione con Cripta747.
Realizzato con il contributo di Regione Piemonte e Fondazione CRT.

SOTTOSOPRA
Passeggiate guidate tra Piazzale Valdo Fusi e la mostra Catabasis di Mark Leckey.

Realizzate dallə studentə dell’Accademia Albertina di Belle Arti di Torino, le passeggiate guideranno il pubblico alla scoperta della piazza e dei suoi spazi urbani e suburbani, attraverso una lettura socio-architettonica intrecciata ai linguaggi dell’arte contemporanea.

Punto di ritrovo Cripta747, Via Giovanni Giolitti 32C Le passeggiate sono libere e gratuite con la durata di circa 1 ora

Sabato 23 — h 17:00
Domenica 24 — h 11:00
Sabato 30 — h 17:00
Domenica 31 — h 11:00

Per partecipare iscriviti al form che trovi nel link in bio

Il progetto è realizzato con il contributo della Circoscrizione 1 Centro Crocetta, Regione Piemonte, Fondazione CRT e presentato nel contesto di @torino.photo.festival EXPOSED 2026

SOTTOSOPRA
Passeggiate guidate tra Piazzale Valdo Fusi e la mostra Catabasis di Mark Leckey.

Realizzate dallə studentə dell’Accademia Albertina di Belle Arti di Torino, le passeggiate guideranno il pubblico alla scoperta della piazza e dei suoi spazi urbani e suburbani, attraverso una lettura socio-architettonica intrecciata ai linguaggi dell’arte contemporanea.

Punto di ritrovo Cripta747, Via Giovanni Giolitti 32C Le passeggiate sono libere e gratuite con la durata di circa 1 ora

Sabato 23 — h 17:00
Domenica 24 — h 11:00
Sabato 30 — h 17:00
Domenica 31 — h 11:00

Per partecipare iscriviti al form che trovi nel link in bio

Il progetto è realizzato con il contributo della Circoscrizione 1 Centro Crocetta, Regione Piemonte, Fondazione CRT e presentato nel contesto di @torino.photo.festival EXPOSED 2026

28.05.2026
VIA GIOLITTI 32C, TORINO

H 20:00 Apertura porte
H 21:00 Live Performances

Ingresso up2you con tessera associativa Cripta747 2026 (link in bio)

Morgana
Corgiat
Martenot
LIVE

Akasha
LIGHTSCAPE

Cripta747 presenta una serata curata in collaborazione con Neanche Per Sogno, progetto indipendente attivo tra Torino e Trento nell’ambito della musica elettronica ed elettroacustica, che opera tra pubblicazioni, performance e pratiche DIY. Il programma propone tre concerti che condividono un approccio sperimentale al suono. Morgana lavora in territori liminali (periferie, coste, zone di confine) dove elementi folk e interventi elettronici si fondono. Dopo la residenza alla Biennale Musica di Venezia 2025, pubblica l’album d’esordio Lickin’ Memory Fields (Krisis Publishing, 2025). Corgiat propone in anteprima Cadentiae, album radicato nella decostruzione delle forme classiche: la sua musica oscilla tra influenze drone e post-club, plasmata da un approccio malinconico alla psichedelia. Martenot, fondatore di Neanche Per Sogno, presenta un set che attraversa sonorità EDM e digital pop, in occasione dell’uscita del nuovo EP Aposematic (NXS, 2026). Il light design è a cura di Akasha, artista visivo e performer attivo tra, grafica generativa e videomapping.

Evento realizzato con il contributo di Regione Piemonte e Fondazione CRT. Un ringraziamento speciale a @sintetica_torino per il supporto tecnico

28.05.2026
VIA GIOLITTI 32C, TORINO

H 20:00 Apertura porte
H 21:00 Live Performances

Ingresso up2you con tessera associativa Cripta747 2026 (link in bio)

Morgana
Corgiat
Martenot
LIVE

Akasha
LIGHTSCAPE

Cripta747 presenta una serata curata in collaborazione con Neanche Per Sogno, progetto indipendente attivo tra Torino e Trento nell’ambito della musica elettronica ed elettroacustica, che opera tra pubblicazioni, performance e pratiche DIY. Il programma propone tre concerti che condividono un approccio sperimentale al suono. Morgana lavora in territori liminali (periferie, coste, zone di confine) dove elementi folk e interventi elettronici si fondono. Dopo la residenza alla Biennale Musica di Venezia 2025, pubblica l’album d’esordio Lickin’ Memory Fields (Krisis Publishing, 2025). Corgiat propone in anteprima Cadentiae, album radicato nella decostruzione delle forme classiche: la sua musica oscilla tra influenze drone e post-club, plasmata da un approccio malinconico alla psichedelia. Martenot, fondatore di Neanche Per Sogno, presenta un set che attraversa sonorità EDM e digital pop, in occasione dell’uscita del nuovo EP Aposematic (NXS, 2026). Il light design è a cura di Akasha, artista visivo e performer attivo tra, grafica generativa e videomapping.

Evento realizzato con il contributo di Regione Piemonte e Fondazione CRT. Un ringraziamento speciale a @sintetica_torino per il supporto tecnico

28.05.2026
VIA GIOLITTI 32C, TORINO

H 20:00 Apertura porte
H 21:00 Live Performances

Ingresso up2you con tessera associativa Cripta747 2026 (link in bio)

Morgana
Corgiat
Martenot
LIVE

Akasha
LIGHTSCAPE

Cripta747 presenta una serata curata in collaborazione con Neanche Per Sogno, progetto indipendente attivo tra Torino e Trento nell’ambito della musica elettronica ed elettroacustica, che opera tra pubblicazioni, performance e pratiche DIY. Il programma propone tre concerti che condividono un approccio sperimentale al suono. Morgana lavora in territori liminali (periferie, coste, zone di confine) dove elementi folk e interventi elettronici si fondono. Dopo la residenza alla Biennale Musica di Venezia 2025, pubblica l’album d’esordio Lickin’ Memory Fields (Krisis Publishing, 2025). Corgiat propone in anteprima Cadentiae, album radicato nella decostruzione delle forme classiche: la sua musica oscilla tra influenze drone e post-club, plasmata da un approccio malinconico alla psichedelia. Martenot, fondatore di Neanche Per Sogno, presenta un set che attraversa sonorità EDM e digital pop, in occasione dell’uscita del nuovo EP Aposematic (NXS, 2026). Il light design è a cura di Akasha, artista visivo e performer attivo tra, grafica generativa e videomapping.

Evento realizzato con il contributo di Regione Piemonte e Fondazione CRT. Un ringraziamento speciale a @sintetica_torino per il supporto tecnico

28.05.2026
VIA GIOLITTI 32C, TORINO

H 20:00 Apertura porte
H 21:00 Live Performances

Ingresso up2you con tessera associativa Cripta747 2026 (link in bio)

Morgana
Corgiat
Martenot
LIVE

Akasha
LIGHTSCAPE

Cripta747 presenta una serata curata in collaborazione con Neanche Per Sogno, progetto indipendente attivo tra Torino e Trento nell’ambito della musica elettronica ed elettroacustica, che opera tra pubblicazioni, performance e pratiche DIY. Il programma propone tre concerti che condividono un approccio sperimentale al suono. Morgana lavora in territori liminali (periferie, coste, zone di confine) dove elementi folk e interventi elettronici si fondono. Dopo la residenza alla Biennale Musica di Venezia 2025, pubblica l’album d’esordio Lickin’ Memory Fields (Krisis Publishing, 2025). Corgiat propone in anteprima Cadentiae, album radicato nella decostruzione delle forme classiche: la sua musica oscilla tra influenze drone e post-club, plasmata da un approccio malinconico alla psichedelia. Martenot, fondatore di Neanche Per Sogno, presenta un set che attraversa sonorità EDM e digital pop, in occasione dell’uscita del nuovo EP Aposematic (NXS, 2026). Il light design è a cura di Akasha, artista visivo e performer attivo tra, grafica generativa e videomapping.

Evento realizzato con il contributo di Regione Piemonte e Fondazione CRT. Un ringraziamento speciale a @sintetica_torino per il supporto tecnico

28.05.2026
VIA GIOLITTI 32C, TORINO

H 20:00 Apertura porte
H 21:00 Live Performances

Ingresso up2you con tessera associativa Cripta747 2026 (link in bio)

Morgana
Corgiat
Martenot
LIVE

Akasha
LIGHTSCAPE

Cripta747 presenta una serata curata in collaborazione con Neanche Per Sogno, progetto indipendente attivo tra Torino e Trento nell’ambito della musica elettronica ed elettroacustica, che opera tra pubblicazioni, performance e pratiche DIY. Il programma propone tre concerti che condividono un approccio sperimentale al suono. Morgana lavora in territori liminali (periferie, coste, zone di confine) dove elementi folk e interventi elettronici si fondono. Dopo la residenza alla Biennale Musica di Venezia 2025, pubblica l’album d’esordio Lickin’ Memory Fields (Krisis Publishing, 2025). Corgiat propone in anteprima Cadentiae, album radicato nella decostruzione delle forme classiche: la sua musica oscilla tra influenze drone e post-club, plasmata da un approccio malinconico alla psichedelia. Martenot, fondatore di Neanche Per Sogno, presenta un set che attraversa sonorità EDM e digital pop, in occasione dell’uscita del nuovo EP Aposematic (NXS, 2026). Il light design è a cura di Akasha, artista visivo e performer attivo tra, grafica generativa e videomapping.

Evento realizzato con il contributo di Regione Piemonte e Fondazione CRT. Un ringraziamento speciale a @sintetica_torino per il supporto tecnico

28.05.2026
VIA GIOLITTI 32C, TORINO

H 20:00 Apertura porte
H 21:00 Live Performances

Ingresso up2you con tessera associativa Cripta747 2026 (link in bio)

Morgana
Corgiat
Martenot
LIVE

Akasha
LIGHTSCAPE

Cripta747 presenta una serata curata in collaborazione con Neanche Per Sogno, progetto indipendente attivo tra Torino e Trento nell’ambito della musica elettronica ed elettroacustica, che opera tra pubblicazioni, performance e pratiche DIY. Il programma propone tre concerti che condividono un approccio sperimentale al suono. Morgana lavora in territori liminali (periferie, coste, zone di confine) dove elementi folk e interventi elettronici si fondono. Dopo la residenza alla Biennale Musica di Venezia 2025, pubblica l’album d’esordio Lickin’ Memory Fields (Krisis Publishing, 2025). Corgiat propone in anteprima Cadentiae, album radicato nella decostruzione delle forme classiche: la sua musica oscilla tra influenze drone e post-club, plasmata da un approccio malinconico alla psichedelia. Martenot, fondatore di Neanche Per Sogno, presenta un set che attraversa sonorità EDM e digital pop, in occasione dell’uscita del nuovo EP Aposematic (NXS, 2026). Il light design è a cura di Akasha, artista visivo e performer attivo tra, grafica generativa e videomapping.

Evento realizzato con il contributo di Regione Piemonte e Fondazione CRT. Un ringraziamento speciale a @sintetica_torino per il supporto tecnico

Idealmente: il tirocinio tra aspettative e realtà ✨

Ti sei mai chiestǝ se il tirocinio sia davvero un’opportunità o solo un’altra forma di sfruttamento? Il 20 maggio ci interroghiamo insieme su dinamiche, aspettative e vissuti reali di questa esperienza.

L’evento nasce all’interno del progetto “Tirocini Generativi”, promosso dalle associazioni Amalgama, Cripta747 e Wild Strawberries con il sostegno di Fondazione Compagnia di San Paolo (@fondazionecompagniadisanpaolo). Scopriremo i risultati dell’indagine condotta da Gaia Colasante, Eugenio Schirone e Sara Romeo attraverso l’ascolto di testimonianze dirette.

Il programma della giornata:

◦ Ore 15:00 – 18:00 | Lab Aspettative a collage
Un laboratorio creativo aperto a 10 partecipantǝ per esplorare la dimensione emotiva del tirocinio attraverso la tecnica del collage. Uno spazio di confronto e riflessione collettiva.
🔗 Iscrizione obbligatoria tramite il link in bio “attività con iscrizioni”

◦ Dalle 18:30 | Mostra e Infografiche
Presentazione dei dati raccolti nell’indagine attraverso infografiche dedicate e i lavori realizzati durante il workshop pomeridiano.

🎶 Dalle 18:30 | Dj set & Chiacchiere
Accompagnamento musicale a cura di @luridotimido per continuare a scambiarci opinioni e vissuti in un clima informale.

🗓️ Mercoledì 20 Maggio, 15:00 - 20:30
📍 Antro, Torino

💳 Ingresso gratuito con tessera Antro

Idealmente: il tirocinio tra aspettative e realtà ✨

Ti sei mai chiestǝ se il tirocinio sia davvero un’opportunità o solo un’altra forma di sfruttamento? Il 20 maggio ci interroghiamo insieme su dinamiche, aspettative e vissuti reali di questa esperienza.

L’evento nasce all’interno del progetto “Tirocini Generativi”, promosso dalle associazioni Amalgama, Cripta747 e Wild Strawberries con il sostegno di Fondazione Compagnia di San Paolo (@fondazionecompagniadisanpaolo). Scopriremo i risultati dell’indagine condotta da Gaia Colasante, Eugenio Schirone e Sara Romeo attraverso l’ascolto di testimonianze dirette.

Il programma della giornata:

◦ Ore 15:00 – 18:00 | Lab Aspettative a collage
Un laboratorio creativo aperto a 10 partecipantǝ per esplorare la dimensione emotiva del tirocinio attraverso la tecnica del collage. Uno spazio di confronto e riflessione collettiva.
🔗 Iscrizione obbligatoria tramite il link in bio “attività con iscrizioni”

◦ Dalle 18:30 | Mostra e Infografiche
Presentazione dei dati raccolti nell’indagine attraverso infografiche dedicate e i lavori realizzati durante il workshop pomeridiano.

🎶 Dalle 18:30 | Dj set & Chiacchiere
Accompagnamento musicale a cura di @luridotimido per continuare a scambiarci opinioni e vissuti in un clima informale.

🗓️ Mercoledì 20 Maggio, 15:00 - 20:30
📍 Antro, Torino

💳 Ingresso gratuito con tessera Antro

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

Hyperlento Showcase — restitution views from Via Giolitti 32C.

A slow-motion collision between club culture, distorted frequencies and speculative atmospheres.
On April 24, Cripta747 hosted the first Hyperlento Solutions showcase in Turin: a “Lento Happening” unfolding through listening sessions, moving images, lectures and DJ sets.

Between fractured rhythms, Morse-code light signals, sci-fi hallucinations and slowstyle mutations, the night brought together audiovisual research and dancefloor tension in a temporary environment suspended across rave, cinema and collective ritual.

With:
@hyperlento
@vibrisseduo
@nahshi_
@y.yny.y
@viprasativa
@bbb.nicekrtel

Thanks to everyone who passed through, stayed late, listened closely, danced, drifted, and helped shape the atmosphere of the night with us.

Photo: @g.i.a.c.o.m.o.b.i.a.n.c.o

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

REHEARSAL No.3 — Self-audition tape (Kisses)

Katya Kabalina with Pietro Agostoni

Open studio, via Catania 15F

Within the framework of her studio at Cripta747 in April, Katya Kabalina presented REHEARSAL No.3 — Self-audition tape (Kisses), part of an ongoing series of staged, semi-improvised situations that explore performance as a space for compulsive self-display and the renegotiation of female identity. 

Drawing on cinematic and fashion imagery, the project began as visual experiments for the camera and later shifted into a live format, where rehearsal functioned as both method and stage, engaging the audience as observer and participant.

Acoustic soundtrack @pietroagostoni
Costume design & creation @aalexaley
Photography by @recording.angel / @arpeggio______
Production assistance Gabriel Leano Martinez @gabriel.l.martinez and @50plus05
Special thanks to @mimoletnuy

Part of Cripta747 Studio 2026

Songs of the Moon and the Flower
Via Giolitti 32C, Torino
14/05/2026 | H 20:30

Songs of the Moon and the Flower è una nuova serie di improvvisazioni per voce sola di Antonina Nowacka. L’artista prosegue così una ricerca di lungo corso sviluppata attraverso anni di sperimentazione vocale in contesti naturali e architetture risonanti, come grotte, chiese e paesaggi aperti, dove la relazione tra corpo, suono e spazio diventa centrale.

Nowacka concepisce la voce come materia viva, capace di generare spazi, immaginari e stati percettivi. Attraverso un approccio non verbale e atmosferico, la vocalità diventa un campo di frequenze in continua trasformazione, che si sviluppa in tempo reale in paesaggi sonori minimi, ipnotici e immersivi.

Il canto agisce come una trasmissione sensibile che modella direttamente percezione e immaginazione, aprendo stati liminali tra veglia e sogno e attivando una modalità di ascolto meditativa, quasi rituale.

Accesso e Tickets
È richiesta la tessera associativa 2026 di Cripta747 (Link in bio @cripta747)

Biglietti disponibili alla porta da 5€, 10€ o 15€
Le diverse fasce di prezzo non danno accesso a servizi diversi: l’evento è lo stesso per tuttə e la scelta del biglietto rappresenta un modo per sostenere concretamente le attività della rete The Listeners.

A cura di Cripta747, parte della rassegna The Listeners. Con il sostegno del Ministero della Cultura e di Regione Piemonte

Grafica @mishrafac

Songs of the Moon and the Flower
Via Giolitti 32C, Torino
14/05/2026 | H 20:30

Songs of the Moon and the Flower è una nuova serie di improvvisazioni per voce sola di Antonina Nowacka. L’artista prosegue così una ricerca di lungo corso sviluppata attraverso anni di sperimentazione vocale in contesti naturali e architetture risonanti, come grotte, chiese e paesaggi aperti, dove la relazione tra corpo, suono e spazio diventa centrale.

Nowacka concepisce la voce come materia viva, capace di generare spazi, immaginari e stati percettivi. Attraverso un approccio non verbale e atmosferico, la vocalità diventa un campo di frequenze in continua trasformazione, che si sviluppa in tempo reale in paesaggi sonori minimi, ipnotici e immersivi.

Il canto agisce come una trasmissione sensibile che modella direttamente percezione e immaginazione, aprendo stati liminali tra veglia e sogno e attivando una modalità di ascolto meditativa, quasi rituale.

Accesso e Tickets
È richiesta la tessera associativa 2026 di Cripta747 (Link in bio @cripta747)

Biglietti disponibili alla porta da 5€, 10€ o 15€
Le diverse fasce di prezzo non danno accesso a servizi diversi: l’evento è lo stesso per tuttə e la scelta del biglietto rappresenta un modo per sostenere concretamente le attività della rete The Listeners.

A cura di Cripta747, parte della rassegna The Listeners. Con il sostegno del Ministero della Cultura e di Regione Piemonte

Grafica @mishrafac

One month left to descend into the underground GTT car park at Valdo Fusi and discover Mark Leckey’s commission.

What begins as an ordinary descent into infrastructure gradually shifts into a passage, from the apparent ordinariness of the urban environment toward deeper temporal layers, where archaic imaginaries and prophetic fragments begin to emerge. Be aware, some might not make it back!

Curated by Cripta747 and Caterina Avataneo
GTT Parking Valdo Fusi, level -2
until 02.06.2026

A project by Cripta747 and @torino.photo.festival, with the support of @regionepiemonte.official and @fondazionecrt. In collaboration with @gtt_gruppotorinesetrasporti, promoted by the City of Turin with the patronage of Circoscrizione 1 Centro - Crocetta

Photo: @_eugenioschirone_

Via Catania 15F, Turin
REHEARSAL No.3 — Self-audition tape (Kisses)
Katya Kabalina

Open Studio May 2 H 5PM
Performance May 3 H 7PM
Within the framework of her studio at Cripta747, @katiekabalina continues her ongoing REHEARSAL series, which examines performance as a space for compulsive self-representation and the negotiation of female identity. Originally developed for the camera, these experiments increasingly move into “live” situations: a series of so-called rehearsals in which the public becomes both subject and object, collapsing the distance between observation and participation.

REHEARSAL No.3 — Self-audition tape (Kisses) adopts the format of a solo performance while remaining informed by collaborative dynamics and processes.

Developed in collaboration with @aalexaley
Sound by @pietroagostoni
Poster photo: @nazar.stepin

The studio will be open from May 2 to May 4. Come to meet @katyakabalina and discover her research. We look forward to seeing you!

Graphic by @mishrafac
Studio 2026 is supported by @regionepiemonte.official and @fondazionecrt

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Open studio views from Via Catania 15F, Torino.

Developed as a thesis project at the Accademia Albertina di Belle Arti di Torino SA9SSI L3ACH9 by Abdel Karim Ougri unfolds as a fragmentary archive of lived experience. Through bodies, gestures, and everyday traces, the work navigates memory and identity, drawing from both personal and collective histories.

Images, sound, and sculptural devices come together to reflect on street cultures, diasporic identities, and the tensions shaping marginalized communities.

Between intimacy and exposure, vulnerability and pride, the installation maps a field of relationships where personal narratives intersect with broader social conditions.

@ri_______ad_dm /// Poster Image
@giunnelli /// Sound Design
@d_ario_c /// Engineering
@marcocoori /// Photo Editing
@e__dantes /// Technical Support

Part of Cripta747 Studio 2026.
Installation views by @_eugenioschirone_

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Mark Leckey - @mark.leckey
Catabasis
Parcheggio GTT, piano -2, Piazza Valdo Fusi

Un progetto site-specific, a cura di Cripta747 e @cateavataneo che si radica in uno spazio di passaggio, trasformandolo in un ambiente percettivo inaspettato.

Al piano -2 del Parcheggio GTT di Piazza Valdo Fusi, Catabasis esplora il sottosuolo come luogo atemporale di espressione, sperimentazione e immaginario collettivo.

L’intervento si inserisce nella ricerca dell’artista, interessato alle dinamiche della cultura popolare, ai linguaggi mediali e alle forme di esperienza condivisa. Leckey ha sviluppato una pratica che attraversa video, installazione, suono e fotografia, indagando il rapporto tra memoria personale e collettiva, tra tecnologia e percezione.

Il parcheggio diventa così uno spazio di transizione e trasformazione, un luogo in cui l’immagine fotografica non si limita a documentare, ma attiva nuove possibilità di narrazione e immaginazione.

–

A site-specific project curated by Cripta747 and Caterina Avataneo that takes root in a transitional space, transforming it into an unexpected sensory environment.

On level -2 of the GTT parking garage in Piazza Valdo Fusi, Catabasis explores the underground as a timeless space for expression, experimentation, and the collective imagination.

The project is part of the artist’s research, which focuses on the dynamics of popular culture, media languages, and forms of shared experience. Leckey has developed a practice that spans video, installation, sound, and photography, investigating the relationship between personal and collective memory, and between technology and perception.

The parking garage thus becomes a space of transition and transformation, a place where the photographic image does not merely document, but activates new possibilities for narrative and imagination.

Mark Leckey
O Magic Power of Bleakness (film still), 2019
In This Lingering Twilight Sparkle (film still), 2019
O Magic Power of Bleakness (film still), 2019
Courtesy Mark Leckey
Foto di allestimento: @antoniojordanphotography e @phvalas
Video: @pepe_fotografia

Questo è di sicuro il luogo espositivo più inusuale e non convenzionale del festival.

Elisa Troiano di @cripta747e la curatrice @cateavataneoci portano nel sottosuolo della città per raccontarci “Catabasis”, il progetto site-specific di @mark.leckey allestito al piano -2 del Parcheggio GTT di Piazza Valdo Fusi.

Ascoltate questa discesa visionaria…

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This is undoubtedly the festival’s most unusual and unconventional exhibition space.

Elisa Troiano of Cripta747 and curator Caterina Avataneo take us into the city’s underground to tell us about “Catabasis,” Mark Leckey’s site-specific project installed on level -2 of the GTT parking garage in Piazza Valdo Fusi.

Listen to this visionary descent…

Mark Leckey
Catabasis
📍Parcheggio GTT, Piazza Valdo Fusi, piano -2
📹: @pepe_fotografia