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HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

HALLWAYS @puptheband | 500T 16mm

“Shooting on film is always a deliberate choice—one that demands intention and patience.
When Sterling first approached me about this project and asked if I wanted to shoot on film, my answer was an immediate yes. What I didn’t know at the time was that we’d be mounting an Arri SR3 onto the Sisu robotic arm—something that, to our knowledge, had never been done before. There was no guidebook, no information—just pure experimentation.

We ran tests, pushing the camera and film to their limits—mounting at extreme angles, shifting speeds, changing motions—uncertain of how the film would hold up in the mags. Rolling a dummy load, we braced for failure, but to our surprise, the process worked seamlessly. That test became the foundation of the project. Every shot in the music video would be driven by movement, the robotic arm becoming an extension of our vision.

I approached 16mm differently this time. Knowing we’d be framing wider, I wanted to retain the organic beauty of film while tightening the grain and sharpening the image. I overexposed Vision3 stock by two stops—and the results amazed me. The richness, the density, the way the grain held together in those wide frames—it proved, once again, how far you can push this stock. Paired with Arri Ultra 16s, the balance was perfect—sharp where needed, but never clinical.

This project was an experiment, a challenge, a risk. And that’s exactly why I love shooting on film.” DP @chrisajtony

Link to watch in the bio.

Director: @sterlinglarose
Producer: @luisguerral
DP: @chrisajtony
Production Designer: @productiondesignhotline
Set Dresser: @i.bakersmith
Set Dresser: Heather Moorlidge
Robot Tech: @samcjweir @loopmoco
Key Grip: @aleckcampbell_grip
Gaffer: @lukehubner
1st AC: @raisingmoomin
2nd AC: @indiana_wilson_films
MHUA: @xanderterrinartistry
BTS Photographer: @vuori604
Colour: @clintonhomuth @artjail
A Wallop Film Production @wallop.film

#ShotOnFilm #16mm

Where speed meets creativity. LOOP Motion Control’s cutting-edge cinebots give you the flexibility to move faster, shoot smarter, and capture every angle with precision. Ready to push the boundaries of film?

Follow along — @loopmoco 🦾🎥

#motioncontrol #sisucinemarobotics #filmmaking #cinematography #commercial

An AMAZING experience having @loopmoco and their C20 Cinebot out for this seasons @canucks opening video! 🏒🎬🇨🇦

Honoured to have been able to work on this with all the talented local crew members!

Special thanks to @samcjweir for being our robot guru!🦾
and to @mikepoho for having us out! 🙌🏼

Slide one BTS video by @simplygoldprod

#canucks #vancouvercanucks #cinebot #sisucinemarobotics #filmproduction #behindthescenes

An AMAZING experience having @loopmoco and their C20 Cinebot out for this seasons @canucks opening video! 🏒🎬🇨🇦

Honoured to have been able to work on this with all the talented local crew members!

Special thanks to @samcjweir for being our robot guru!🦾
and to @mikepoho for having us out! 🙌🏼

Slide one BTS video by @simplygoldprod

#canucks #vancouvercanucks #cinebot #sisucinemarobotics #filmproduction #behindthescenes

An AMAZING experience having @loopmoco and their C20 Cinebot out for this seasons @canucks opening video! 🏒🎬🇨🇦

Honoured to have been able to work on this with all the talented local crew members!

Special thanks to @samcjweir for being our robot guru!🦾
and to @mikepoho for having us out! 🙌🏼

Slide one BTS video by @simplygoldprod

#canucks #vancouvercanucks #cinebot #sisucinemarobotics #filmproduction #behindthescenes

An AMAZING experience having @loopmoco and their C20 Cinebot out for this seasons @canucks opening video! 🏒🎬🇨🇦

Honoured to have been able to work on this with all the talented local crew members!

Special thanks to @samcjweir for being our robot guru!🦾
and to @mikepoho for having us out! 🙌🏼

Slide one BTS video by @simplygoldprod

#canucks #vancouvercanucks #cinebot #sisucinemarobotics #filmproduction #behindthescenes

An AMAZING experience having @loopmoco and their C20 Cinebot out for this seasons @canucks opening video! 🏒🎬🇨🇦

Honoured to have been able to work on this with all the talented local crew members!

Special thanks to @samcjweir for being our robot guru!🦾
and to @mikepoho for having us out! 🙌🏼

Slide one BTS video by @simplygoldprod

#canucks #vancouvercanucks #cinebot #sisucinemarobotics #filmproduction #behindthescenes

An AMAZING experience having @loopmoco and their C20 Cinebot out for this seasons @canucks opening video! 🏒🎬🇨🇦

Honoured to have been able to work on this with all the talented local crew members!

Special thanks to @samcjweir for being our robot guru!🦾
and to @mikepoho for having us out! 🙌🏼

Slide one BTS video by @simplygoldprod

#canucks #vancouvercanucks #cinebot #sisucinemarobotics #filmproduction #behindthescenes

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

Some behind the scenes from a music video shot down in Austin, Texas with operator @mrmikeymorgan a little while back!

#behindthescenes #onset #musicvideo #filmmaking #moco motioncontrol production

testing testing 🧠🎬

#motioncontrol #cinematography #robot #yvr #yvrfilm

one of our operators @samcjweir and our c31 cinebot! hard at work 🎬

#motioncontrol #cinematography #yvrfilm

BTS from the “ALL TALK (CHEWED OUT) video for @kmoethekid

Super fun experimenting with old hi8 cameras on the cinebot!

directed by @niallproctor
motion control by @loopmoco
shot at @stage6studio
robot tech: @samcjweir
mocap/kinect tech: @ryannelms
kinect op: @kalibfurlong
gaffer: @adriandeaner
gaff Assist: @alexjlemmon
BTS/Photo: @no_more_belle
edit & VFX: @niallproctor
additional VFX: @ryannelms

BTS from the “ALL TALK (CHEWED OUT) video for @kmoethekid

Super fun experimenting with old hi8 cameras on the cinebot!

directed by @niallproctor
motion control by @loopmoco
shot at @stage6studio
robot tech: @samcjweir
mocap/kinect tech: @ryannelms
kinect op: @kalibfurlong
gaffer: @adriandeaner
gaff Assist: @alexjlemmon
BTS/Photo: @no_more_belle
edit & VFX: @niallproctor
additional VFX: @ryannelms

BTS from the “ALL TALK (CHEWED OUT) video for @kmoethekid

Super fun experimenting with old hi8 cameras on the cinebot!

directed by @niallproctor
motion control by @loopmoco
shot at @stage6studio
robot tech: @samcjweir
mocap/kinect tech: @ryannelms
kinect op: @kalibfurlong
gaffer: @adriandeaner
gaff Assist: @alexjlemmon
BTS/Photo: @no_more_belle
edit & VFX: @niallproctor
additional VFX: @ryannelms

Sony Hi8 on the SISU cinebot

Experiment for kmoe’s “ALL TALK (chewed out)”

ALL TALK (CHEWED OUT) @kmoethekid

Directed by @niallproctor
Robot Cam Tech: @samcjweir
Mocap/Kinect Tech: @ryannelms
Kinect Operator: @kalibfurlong
Gaffer: @adriandeaner
Gaff Assist: @alexjlemmon
BTS/Photo: @no_more_belle

Edit & VFX: @niallproctor
Additional VFX: @ryannelms

Special thanks: @loopmoco @stage6studio

ALL TALK (CHEWED OUT) @kmoethekid

Directed by @niallproctor
Robot Cam Tech: @samcjweir
Mocap/Kinect Tech: @ryannelms
Kinect Operator: @kalibfurlong
Gaffer: @adriandeaner
Gaff Assist: @alexjlemmon
BTS/Photo: @no_more_belle

Edit & VFX: @niallproctor
Additional VFX: @ryannelms

Special thanks: @loopmoco @stage6studio

ALL TALK (CHEWED OUT) @kmoethekid

Directed by @niallproctor
Robot Cam Tech: @samcjweir
Mocap/Kinect Tech: @ryannelms
Kinect Operator: @kalibfurlong
Gaffer: @adriandeaner
Gaff Assist: @alexjlemmon
BTS/Photo: @no_more_belle

Edit & VFX: @niallproctor
Additional VFX: @ryannelms

Special thanks: @loopmoco @stage6studio

ALL TALK (CHEWED OUT) @kmoethekid

Directed by @niallproctor
Robot Cam Tech: @samcjweir
Mocap/Kinect Tech: @ryannelms
Kinect Operator: @kalibfurlong
Gaffer: @adriandeaner
Gaff Assist: @alexjlemmon
BTS/Photo: @no_more_belle

Edit & VFX: @niallproctor
Additional VFX: @ryannelms

Special thanks: @loopmoco @stage6studio

Old school meets new tech. Pushing the limits of motion control with @loopmoco at @stage6studio

When you pair a vintage Cadillac with one of our cinema robots, the frames speak for themselves! 🏎️

eat, sleep, robot, repeat !
book our robots to level up your next production 📈🎬

Some trippy shots done for the @suburban “What You Sow” Official Music Video • Directed by @sterlinglarose 🎹🦇

Director: @sterlinglarose
Production Company: @dreambearproductions @wallop.film
Executive Producers: evanmbrown @allthedave @luisguerral Martin Glaegg & Matt Dix
Producers: @jamesmadethat @bchick16
Motion Control Operator: @loopmoco @samcjweir
Production Coordinator: @reegslovinit
1st AD: @dzakatak
Director of Photography: @mitchell.baxter
Production Designer: @productiondesignhotline
Editor: @sterlinglarose
Colorist: @clintonhomuth
VFX Producer: @tomothyhondrox

Some trippy shots done for the @suburban “What You Sow” Official Music Video • Directed by @sterlinglarose 🎹🦇

Director: @sterlinglarose
Production Company: @dreambearproductions @wallop.film
Executive Producers: evanmbrown @allthedave @luisguerral Martin Glaegg & Matt Dix
Producers: @jamesmadethat @bchick16
Motion Control Operator: @loopmoco @samcjweir
Production Coordinator: @reegslovinit
1st AD: @dzakatak
Director of Photography: @mitchell.baxter
Production Designer: @productiondesignhotline
Editor: @sterlinglarose
Colorist: @clintonhomuth
VFX Producer: @tomothyhondrox

Some trippy shots done for the @suburban “What You Sow” Official Music Video • Directed by @sterlinglarose 🎹🦇

Director: @sterlinglarose
Production Company: @dreambearproductions @wallop.film
Executive Producers: evanmbrown @allthedave @luisguerral Martin Glaegg & Matt Dix
Producers: @jamesmadethat @bchick16
Motion Control Operator: @loopmoco @samcjweir
Production Coordinator: @reegslovinit
1st AD: @dzakatak
Director of Photography: @mitchell.baxter
Production Designer: @productiondesignhotline
Editor: @sterlinglarose
Colorist: @clintonhomuth
VFX Producer: @tomothyhondrox

Some trippy shots done for the @suburban “What You Sow” Official Music Video • Directed by @sterlinglarose 🎹🦇

Director: @sterlinglarose
Production Company: @dreambearproductions @wallop.film
Executive Producers: evanmbrown @allthedave @luisguerral Martin Glaegg & Matt Dix
Producers: @jamesmadethat @bchick16
Motion Control Operator: @loopmoco @samcjweir
Production Coordinator: @reegslovinit
1st AD: @dzakatak
Director of Photography: @mitchell.baxter
Production Designer: @productiondesignhotline
Editor: @sterlinglarose
Colorist: @clintonhomuth
VFX Producer: @tomothyhondrox