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De anatomie van een meermin (The Anatomy of a mermaid)@deanatomievaneenmeermin
This movie has now also been selected for the @nederlandsfilmfestival *
For our graduation year we had to do VFX supervision and work on multiple films.
For “DAVEM” our task was to create a full CG establishing shot.
Together with @mats_bomers_dropje , @b.g.venis and @woutereng , we created this shot all from scratch.
Mats focussed on the heightfields and terrain and trees, while Biniyam focussed on the needed FX, like mist, tree scattering and other additional work.
My main responsibility was animation, lighting, look-development and rendering.
Using #houdini & #solaris I lit this shot using the #karma render engine.
Using the masks originally created in the height fields, we created masks for compositing.
With these masks we gave Wouter E the full control he needed in compositing to carry our work to the next level.
Because we didn’t have enough time to simulate the river too, we opted for a UV re-projection in compositing.
Using ST-Maps and found footage we “faked” the streaming water effects.
Overall this was a very fun and rewarding shot to work on, and carry until final. A lot has been learned and put into results.
De anatomie van een meermin (The Anatomy of a mermaid)@deanatomievaneenmeermin
This movie has now also been selected for the @nederlandsfilmfestival *
For our graduation year we had to do VFX supervision and work on multiple films.
For “DAVEM” our task was to create a full CG establishing shot.
Together with @mats_bomers_dropje , @b.g.venis and @woutereng , we created this shot all from scratch.
Mats focussed on the heightfields and terrain and trees, while Biniyam focussed on the needed FX, like mist, tree scattering and other additional work.
My main responsibility was animation, lighting, look-development and rendering.
Using #houdini & #solaris I lit this shot using the #karma render engine.
Using the masks originally created in the height fields, we created masks for compositing.
With these masks we gave Wouter E the full control he needed in compositing to carry our work to the next level.
Because we didn’t have enough time to simulate the river too, we opted for a UV re-projection in compositing.
Using ST-Maps and found footage we “faked” the streaming water effects.
Overall this was a very fun and rewarding shot to work on, and carry until final. A lot has been learned and put into results.
De anatomie van een meermin (The Anatomy of a mermaid)@deanatomievaneenmeermin
This movie has now also been selected for the @nederlandsfilmfestival *
For our graduation year we had to do VFX supervision and work on multiple films.
For “DAVEM” our task was to create a full CG establishing shot.
Together with @mats_bomers_dropje , @b.g.venis and @woutereng , we created this shot all from scratch.
Mats focussed on the heightfields and terrain and trees, while Biniyam focussed on the needed FX, like mist, tree scattering and other additional work.
My main responsibility was animation, lighting, look-development and rendering.
Using #houdini & #solaris I lit this shot using the #karma render engine.
Using the masks originally created in the height fields, we created masks for compositing.
With these masks we gave Wouter E the full control he needed in compositing to carry our work to the next level.
Because we didn’t have enough time to simulate the river too, we opted for a UV re-projection in compositing.
Using ST-Maps and found footage we “faked” the streaming water effects.
Overall this was a very fun and rewarding shot to work on, and carry until final. A lot has been learned and put into results.
De anatomie van een meermin (The Anatomy of a mermaid)@deanatomievaneenmeermin
This movie has now also been selected for the @nederlandsfilmfestival *
For our graduation year we had to do VFX supervision and work on multiple films.
For “DAVEM” our task was to create a full CG establishing shot.
Together with @mats_bomers_dropje , @b.g.venis and @woutereng , we created this shot all from scratch.
Mats focussed on the heightfields and terrain and trees, while Biniyam focussed on the needed FX, like mist, tree scattering and other additional work.
My main responsibility was animation, lighting, look-development and rendering.
Using #houdini & #solaris I lit this shot using the #karma render engine.
Using the masks originally created in the height fields, we created masks for compositing.
With these masks we gave Wouter E the full control he needed in compositing to carry our work to the next level.
Because we didn’t have enough time to simulate the river too, we opted for a UV re-projection in compositing.
Using ST-Maps and found footage we “faked” the streaming water effects.
Overall this was a very fun and rewarding shot to work on, and carry until final. A lot has been learned and put into results.
De anatomie van een meermin (The Anatomy of a mermaid)@deanatomievaneenmeermin
This movie has now also been selected for the @nederlandsfilmfestival *
For our graduation year we had to do VFX supervision and work on multiple films.
For “DAVEM” our task was to create a full CG establishing shot.
Together with @mats_bomers_dropje , @b.g.venis and @woutereng , we created this shot all from scratch.
Mats focussed on the heightfields and terrain and trees, while Biniyam focussed on the needed FX, like mist, tree scattering and other additional work.
My main responsibility was animation, lighting, look-development and rendering.
Using #houdini & #solaris I lit this shot using the #karma render engine.
Using the masks originally created in the height fields, we created masks for compositing.
With these masks we gave Wouter E the full control he needed in compositing to carry our work to the next level.
Because we didn’t have enough time to simulate the river too, we opted for a UV re-projection in compositing.
Using ST-Maps and found footage we “faked” the streaming water effects.
Overall this was a very fun and rewarding shot to work on, and carry until final. A lot has been learned and put into results.
Feature: Fashion Film for @alphaindustries . Directed by @pourxtoi . One minute film, one hundred percent translating "eyecandy".
1. Zoetrope
2. Flash Cuts, Masking, Seamless transition (VFX)
3. Seamless Transition, Cut-in
4. Freeze Frame, Seamless transition (VFX)
5. Quick Cuts, Wide-shot
6. Negative Grading, A.I textured transition
7. Full Clip
Also great to see how A.I. can be used to texture and elevate the overall piece, without undermining the in-camera and "in-head" results.
Director: @pourxtoi
For: @alphaindustries @alphaindustries_europe
Brand Director Europe: Matthias Schuebbe | schuebbi_
Produced by: Provoke | @provokelabs
Co-Produced by: French Hours | @french.hours
Executive Producer: Omid Farzami | @omidfarzami_
Creative Director: Poria Asghari | @pourxtoi
Project Director: Angelica Pangat | @angelicapangat
D.O.P: Daan Huttinga | @daanhuttinga
1st AD: Elise van Dijk | @elise.van.dijk
Producer: Isabella von Ende | @isabellamve
Producer: Dalila Morais | @dalilamoraiss
Script & Copywriter: Yannick de Keijzer | @yannickkkkkkkkkkk
1st A.C: Nick Duinmeijer | @cinesupply.nl
Steadycam: Tim Zethner | @steadi_raaf
Gaffer: Erwin Smith | @erwinsmitlighting
Best boy: Joep Hegeman | @joephegeman
Jeffrey Salverdera | @elise.van.dijk
VFX Supervisor: Ruben Coers | @rubaration
Stylist: Kate Housh | @katehoush
Styling assistant: Fleur Iven @fleuriven Priscilla Nollé @prince.indigo Safiya Morais @safiyamorais
Marie van Puyenbroek @marievanpuyenbroeck
Casting Director: Bruno Sitton | @brunositton
Movement Director: Rubia | @rubiaserena
Editor: Robin van Geemen | @robinvangeemen | Poria Asghari @pourxtoi
VFX: Ruben Coers | @rubaration
Grader: Davey Rietmeijer | @coloristdaveyrietmeijer
Music: Arcan Yildiz | @fingerbleed
Sounddesigner: Archie Presley @archie_presley_audio
Design & GFX: Sef Hansen @sefhnsn , Jimmy Sieben @jimmysieben
Photographer: Pasqual Amade | @pasqualdominic
VHS B-Roll: Giovanni Valaythen | @g10.iv
MUA: Dewi Houthoff | @dewihouthoff.makeup
MUAH: Charlotte | @charlottevanbeusekom
BTS videographer: Kyara Schmid | @kyaraschmid
Social: Stephanie Hooijen | @stephanie_valentina_
P.A. intern: Beaudyll
Selected by: @sofia.na.lua
Feature: Fashion Film for @alphaindustries . Directed by @pourxtoi . One minute film, one hundred percent translating "eyecandy".
1. Zoetrope
2. Flash Cuts, Masking, Seamless transition (VFX)
3. Seamless Transition, Cut-in
4. Freeze Frame, Seamless transition (VFX)
5. Quick Cuts, Wide-shot
6. Negative Grading, A.I textured transition
7. Full Clip
Also great to see how A.I. can be used to texture and elevate the overall piece, without undermining the in-camera and "in-head" results.
Director: @pourxtoi
For: @alphaindustries @alphaindustries_europe
Brand Director Europe: Matthias Schuebbe | schuebbi_
Produced by: Provoke | @provokelabs
Co-Produced by: French Hours | @french.hours
Executive Producer: Omid Farzami | @omidfarzami_
Creative Director: Poria Asghari | @pourxtoi
Project Director: Angelica Pangat | @angelicapangat
D.O.P: Daan Huttinga | @daanhuttinga
1st AD: Elise van Dijk | @elise.van.dijk
Producer: Isabella von Ende | @isabellamve
Producer: Dalila Morais | @dalilamoraiss
Script & Copywriter: Yannick de Keijzer | @yannickkkkkkkkkkk
1st A.C: Nick Duinmeijer | @cinesupply.nl
Steadycam: Tim Zethner | @steadi_raaf
Gaffer: Erwin Smith | @erwinsmitlighting
Best boy: Joep Hegeman | @joephegeman
Jeffrey Salverdera | @elise.van.dijk
VFX Supervisor: Ruben Coers | @rubaration
Stylist: Kate Housh | @katehoush
Styling assistant: Fleur Iven @fleuriven Priscilla Nollé @prince.indigo Safiya Morais @safiyamorais
Marie van Puyenbroek @marievanpuyenbroeck
Casting Director: Bruno Sitton | @brunositton
Movement Director: Rubia | @rubiaserena
Editor: Robin van Geemen | @robinvangeemen | Poria Asghari @pourxtoi
VFX: Ruben Coers | @rubaration
Grader: Davey Rietmeijer | @coloristdaveyrietmeijer
Music: Arcan Yildiz | @fingerbleed
Sounddesigner: Archie Presley @archie_presley_audio
Design & GFX: Sef Hansen @sefhnsn , Jimmy Sieben @jimmysieben
Photographer: Pasqual Amade | @pasqualdominic
VHS B-Roll: Giovanni Valaythen | @g10.iv
MUA: Dewi Houthoff | @dewihouthoff.makeup
MUAH: Charlotte | @charlottevanbeusekom
BTS videographer: Kyara Schmid | @kyaraschmid
Social: Stephanie Hooijen | @stephanie_valentina_
P.A. intern: Beaudyll
Selected by: @sofia.na.lua
Feature: Fashion Film for @alphaindustries . Directed by @pourxtoi . One minute film, one hundred percent translating "eyecandy".
1. Zoetrope
2. Flash Cuts, Masking, Seamless transition (VFX)
3. Seamless Transition, Cut-in
4. Freeze Frame, Seamless transition (VFX)
5. Quick Cuts, Wide-shot
6. Negative Grading, A.I textured transition
7. Full Clip
Also great to see how A.I. can be used to texture and elevate the overall piece, without undermining the in-camera and "in-head" results.
Director: @pourxtoi
For: @alphaindustries @alphaindustries_europe
Brand Director Europe: Matthias Schuebbe | schuebbi_
Produced by: Provoke | @provokelabs
Co-Produced by: French Hours | @french.hours
Executive Producer: Omid Farzami | @omidfarzami_
Creative Director: Poria Asghari | @pourxtoi
Project Director: Angelica Pangat | @angelicapangat
D.O.P: Daan Huttinga | @daanhuttinga
1st AD: Elise van Dijk | @elise.van.dijk
Producer: Isabella von Ende | @isabellamve
Producer: Dalila Morais | @dalilamoraiss
Script & Copywriter: Yannick de Keijzer | @yannickkkkkkkkkkk
1st A.C: Nick Duinmeijer | @cinesupply.nl
Steadycam: Tim Zethner | @steadi_raaf
Gaffer: Erwin Smith | @erwinsmitlighting
Best boy: Joep Hegeman | @joephegeman
Jeffrey Salverdera | @elise.van.dijk
VFX Supervisor: Ruben Coers | @rubaration
Stylist: Kate Housh | @katehoush
Styling assistant: Fleur Iven @fleuriven Priscilla Nollé @prince.indigo Safiya Morais @safiyamorais
Marie van Puyenbroek @marievanpuyenbroeck
Casting Director: Bruno Sitton | @brunositton
Movement Director: Rubia | @rubiaserena
Editor: Robin van Geemen | @robinvangeemen | Poria Asghari @pourxtoi
VFX: Ruben Coers | @rubaration
Grader: Davey Rietmeijer | @coloristdaveyrietmeijer
Music: Arcan Yildiz | @fingerbleed
Sounddesigner: Archie Presley @archie_presley_audio
Design & GFX: Sef Hansen @sefhnsn , Jimmy Sieben @jimmysieben
Photographer: Pasqual Amade | @pasqualdominic
VHS B-Roll: Giovanni Valaythen | @g10.iv
MUA: Dewi Houthoff | @dewihouthoff.makeup
MUAH: Charlotte | @charlottevanbeusekom
BTS videographer: Kyara Schmid | @kyaraschmid
Social: Stephanie Hooijen | @stephanie_valentina_
P.A. intern: Beaudyll
Selected by: @sofia.na.lua
Feature: Fashion Film for @alphaindustries . Directed by @pourxtoi . One minute film, one hundred percent translating "eyecandy".
1. Zoetrope
2. Flash Cuts, Masking, Seamless transition (VFX)
3. Seamless Transition, Cut-in
4. Freeze Frame, Seamless transition (VFX)
5. Quick Cuts, Wide-shot
6. Negative Grading, A.I textured transition
7. Full Clip
Also great to see how A.I. can be used to texture and elevate the overall piece, without undermining the in-camera and "in-head" results.
Director: @pourxtoi
For: @alphaindustries @alphaindustries_europe
Brand Director Europe: Matthias Schuebbe | schuebbi_
Produced by: Provoke | @provokelabs
Co-Produced by: French Hours | @french.hours
Executive Producer: Omid Farzami | @omidfarzami_
Creative Director: Poria Asghari | @pourxtoi
Project Director: Angelica Pangat | @angelicapangat
D.O.P: Daan Huttinga | @daanhuttinga
1st AD: Elise van Dijk | @elise.van.dijk
Producer: Isabella von Ende | @isabellamve
Producer: Dalila Morais | @dalilamoraiss
Script & Copywriter: Yannick de Keijzer | @yannickkkkkkkkkkk
1st A.C: Nick Duinmeijer | @cinesupply.nl
Steadycam: Tim Zethner | @steadi_raaf
Gaffer: Erwin Smith | @erwinsmitlighting
Best boy: Joep Hegeman | @joephegeman
Jeffrey Salverdera | @elise.van.dijk
VFX Supervisor: Ruben Coers | @rubaration
Stylist: Kate Housh | @katehoush
Styling assistant: Fleur Iven @fleuriven Priscilla Nollé @prince.indigo Safiya Morais @safiyamorais
Marie van Puyenbroek @marievanpuyenbroeck
Casting Director: Bruno Sitton | @brunositton
Movement Director: Rubia | @rubiaserena
Editor: Robin van Geemen | @robinvangeemen | Poria Asghari @pourxtoi
VFX: Ruben Coers | @rubaration
Grader: Davey Rietmeijer | @coloristdaveyrietmeijer
Music: Arcan Yildiz | @fingerbleed
Sounddesigner: Archie Presley @archie_presley_audio
Design & GFX: Sef Hansen @sefhnsn , Jimmy Sieben @jimmysieben
Photographer: Pasqual Amade | @pasqualdominic
VHS B-Roll: Giovanni Valaythen | @g10.iv
MUA: Dewi Houthoff | @dewihouthoff.makeup
MUAH: Charlotte | @charlottevanbeusekom
BTS videographer: Kyara Schmid | @kyaraschmid
Social: Stephanie Hooijen | @stephanie_valentina_
P.A. intern: Beaudyll
Selected by: @sofia.na.lua
Feature: Fashion Film for @alphaindustries . Directed by @pourxtoi . One minute film, one hundred percent translating "eyecandy".
1. Zoetrope
2. Flash Cuts, Masking, Seamless transition (VFX)
3. Seamless Transition, Cut-in
4. Freeze Frame, Seamless transition (VFX)
5. Quick Cuts, Wide-shot
6. Negative Grading, A.I textured transition
7. Full Clip
Also great to see how A.I. can be used to texture and elevate the overall piece, without undermining the in-camera and "in-head" results.
Director: @pourxtoi
For: @alphaindustries @alphaindustries_europe
Brand Director Europe: Matthias Schuebbe | schuebbi_
Produced by: Provoke | @provokelabs
Co-Produced by: French Hours | @french.hours
Executive Producer: Omid Farzami | @omidfarzami_
Creative Director: Poria Asghari | @pourxtoi
Project Director: Angelica Pangat | @angelicapangat
D.O.P: Daan Huttinga | @daanhuttinga
1st AD: Elise van Dijk | @elise.van.dijk
Producer: Isabella von Ende | @isabellamve
Producer: Dalila Morais | @dalilamoraiss
Script & Copywriter: Yannick de Keijzer | @yannickkkkkkkkkkk
1st A.C: Nick Duinmeijer | @cinesupply.nl
Steadycam: Tim Zethner | @steadi_raaf
Gaffer: Erwin Smith | @erwinsmitlighting
Best boy: Joep Hegeman | @joephegeman
Jeffrey Salverdera | @elise.van.dijk
VFX Supervisor: Ruben Coers | @rubaration
Stylist: Kate Housh | @katehoush
Styling assistant: Fleur Iven @fleuriven Priscilla Nollé @prince.indigo Safiya Morais @safiyamorais
Marie van Puyenbroek @marievanpuyenbroeck
Casting Director: Bruno Sitton | @brunositton
Movement Director: Rubia | @rubiaserena
Editor: Robin van Geemen | @robinvangeemen | Poria Asghari @pourxtoi
VFX: Ruben Coers | @rubaration
Grader: Davey Rietmeijer | @coloristdaveyrietmeijer
Music: Arcan Yildiz | @fingerbleed
Sounddesigner: Archie Presley @archie_presley_audio
Design & GFX: Sef Hansen @sefhnsn , Jimmy Sieben @jimmysieben
Photographer: Pasqual Amade | @pasqualdominic
VHS B-Roll: Giovanni Valaythen | @g10.iv
MUA: Dewi Houthoff | @dewihouthoff.makeup
MUAH: Charlotte | @charlottevanbeusekom
BTS videographer: Kyara Schmid | @kyaraschmid
Social: Stephanie Hooijen | @stephanie_valentina_
P.A. intern: Beaudyll
Selected by: @sofia.na.lua
Feature: Fashion Film for @alphaindustries . Directed by @pourxtoi . One minute film, one hundred percent translating "eyecandy".
1. Zoetrope
2. Flash Cuts, Masking, Seamless transition (VFX)
3. Seamless Transition, Cut-in
4. Freeze Frame, Seamless transition (VFX)
5. Quick Cuts, Wide-shot
6. Negative Grading, A.I textured transition
7. Full Clip
Also great to see how A.I. can be used to texture and elevate the overall piece, without undermining the in-camera and "in-head" results.
Director: @pourxtoi
For: @alphaindustries @alphaindustries_europe
Brand Director Europe: Matthias Schuebbe | schuebbi_
Produced by: Provoke | @provokelabs
Co-Produced by: French Hours | @french.hours
Executive Producer: Omid Farzami | @omidfarzami_
Creative Director: Poria Asghari | @pourxtoi
Project Director: Angelica Pangat | @angelicapangat
D.O.P: Daan Huttinga | @daanhuttinga
1st AD: Elise van Dijk | @elise.van.dijk
Producer: Isabella von Ende | @isabellamve
Producer: Dalila Morais | @dalilamoraiss
Script & Copywriter: Yannick de Keijzer | @yannickkkkkkkkkkk
1st A.C: Nick Duinmeijer | @cinesupply.nl
Steadycam: Tim Zethner | @steadi_raaf
Gaffer: Erwin Smith | @erwinsmitlighting
Best boy: Joep Hegeman | @joephegeman
Jeffrey Salverdera | @elise.van.dijk
VFX Supervisor: Ruben Coers | @rubaration
Stylist: Kate Housh | @katehoush
Styling assistant: Fleur Iven @fleuriven Priscilla Nollé @prince.indigo Safiya Morais @safiyamorais
Marie van Puyenbroek @marievanpuyenbroeck
Casting Director: Bruno Sitton | @brunositton
Movement Director: Rubia | @rubiaserena
Editor: Robin van Geemen | @robinvangeemen | Poria Asghari @pourxtoi
VFX: Ruben Coers | @rubaration
Grader: Davey Rietmeijer | @coloristdaveyrietmeijer
Music: Arcan Yildiz | @fingerbleed
Sounddesigner: Archie Presley @archie_presley_audio
Design & GFX: Sef Hansen @sefhnsn , Jimmy Sieben @jimmysieben
Photographer: Pasqual Amade | @pasqualdominic
VHS B-Roll: Giovanni Valaythen | @g10.iv
MUA: Dewi Houthoff | @dewihouthoff.makeup
MUAH: Charlotte | @charlottevanbeusekom
BTS videographer: Kyara Schmid | @kyaraschmid
Social: Stephanie Hooijen | @stephanie_valentina_
P.A. intern: Beaudyll
Selected by: @sofia.na.lua
Feature: Fashion Film for @alphaindustries . Directed by @pourxtoi . One minute film, one hundred percent translating "eyecandy".
1. Zoetrope
2. Flash Cuts, Masking, Seamless transition (VFX)
3. Seamless Transition, Cut-in
4. Freeze Frame, Seamless transition (VFX)
5. Quick Cuts, Wide-shot
6. Negative Grading, A.I textured transition
7. Full Clip
Also great to see how A.I. can be used to texture and elevate the overall piece, without undermining the in-camera and "in-head" results.
Director: @pourxtoi
For: @alphaindustries @alphaindustries_europe
Brand Director Europe: Matthias Schuebbe | schuebbi_
Produced by: Provoke | @provokelabs
Co-Produced by: French Hours | @french.hours
Executive Producer: Omid Farzami | @omidfarzami_
Creative Director: Poria Asghari | @pourxtoi
Project Director: Angelica Pangat | @angelicapangat
D.O.P: Daan Huttinga | @daanhuttinga
1st AD: Elise van Dijk | @elise.van.dijk
Producer: Isabella von Ende | @isabellamve
Producer: Dalila Morais | @dalilamoraiss
Script & Copywriter: Yannick de Keijzer | @yannickkkkkkkkkkk
1st A.C: Nick Duinmeijer | @cinesupply.nl
Steadycam: Tim Zethner | @steadi_raaf
Gaffer: Erwin Smith | @erwinsmitlighting
Best boy: Joep Hegeman | @joephegeman
Jeffrey Salverdera | @elise.van.dijk
VFX Supervisor: Ruben Coers | @rubaration
Stylist: Kate Housh | @katehoush
Styling assistant: Fleur Iven @fleuriven Priscilla Nollé @prince.indigo Safiya Morais @safiyamorais
Marie van Puyenbroek @marievanpuyenbroeck
Casting Director: Bruno Sitton | @brunositton
Movement Director: Rubia | @rubiaserena
Editor: Robin van Geemen | @robinvangeemen | Poria Asghari @pourxtoi
VFX: Ruben Coers | @rubaration
Grader: Davey Rietmeijer | @coloristdaveyrietmeijer
Music: Arcan Yildiz | @fingerbleed
Sounddesigner: Archie Presley @archie_presley_audio
Design & GFX: Sef Hansen @sefhnsn , Jimmy Sieben @jimmysieben
Photographer: Pasqual Amade | @pasqualdominic
VHS B-Roll: Giovanni Valaythen | @g10.iv
MUA: Dewi Houthoff | @dewihouthoff.makeup
MUAH: Charlotte | @charlottevanbeusekom
BTS videographer: Kyara Schmid | @kyaraschmid
Social: Stephanie Hooijen | @stephanie_valentina_
P.A. intern: Beaudyll
Selected by: @sofia.na.lua
Some stills from our recent 3-Day film project at @vfx.nfa
I was mainly responsible for lighting and lookdev in these shots.
-Assets have been created by Leen Driessen.
-FX has been done by @miloboot and @jelle_koster
-Additional shading has been done by Celine Fransberg.
-Animation is done by @moker.vet
-Comp by me, @moker.vet @miloboot @lars.baltus @kaideleeuw_vfx
Some stills from our recent 3-Day film project at @vfx.nfa
I was mainly responsible for lighting and lookdev in these shots.
-Assets have been created by Leen Driessen.
-FX has been done by @miloboot and @jelle_koster
-Additional shading has been done by Celine Fransberg.
-Animation is done by @moker.vet
-Comp by me, @moker.vet @miloboot @lars.baltus @kaideleeuw_vfx
Some stills from our recent 3-Day film project at @vfx.nfa
I was mainly responsible for lighting and lookdev in these shots.
-Assets have been created by Leen Driessen.
-FX has been done by @miloboot and @jelle_koster
-Additional shading has been done by Celine Fransberg.
-Animation is done by @moker.vet
-Comp by me, @moker.vet @miloboot @lars.baltus @kaideleeuw_vfx
Grand Theft Auto | Roffa
- HD version in bio -
For 3 weeks, on and off, in the evenings, I worked on this render/comp.
I spend approximately 30 hours on it.
Using data from #googleearth ,tweaking textures in #lightroom ,rendering in #maya and compositing in #nuke ,I tried turning #rotterdam into a sandbox city!
There’s still a lot of room for improvement, shading and compositing wise, but I wanted this to be a quick and fast little project, so there had to be an ending somewhere :)
My original idea was to create a chase scene, but I quickly figured out that the scans from Google didn’t hold up enough, so I scrapped that idea quickly.
I also spend some time on the building interiors, which sadly aren’t very visible in the final.
@rockstargames
Grand Theft Auto | Roffa
- HD version in bio -
For 3 weeks, on and off, in the evenings, I worked on this render/comp.
I spend approximately 30 hours on it.
Using data from #googleearth ,tweaking textures in #lightroom ,rendering in #maya and compositing in #nuke ,I tried turning #rotterdam into a sandbox city!
There’s still a lot of room for improvement, shading and compositing wise, but I wanted this to be a quick and fast little project, so there had to be an ending somewhere :)
My original idea was to create a chase scene, but I quickly figured out that the scans from Google didn’t hold up enough, so I scrapped that idea quickly.
I also spend some time on the building interiors, which sadly aren’t very visible in the final.
@rockstargames
Grand Theft Auto | Roffa
- HD version in bio -
For 3 weeks, on and off, in the evenings, I worked on this render/comp.
I spend approximately 30 hours on it.
Using data from #googleearth ,tweaking textures in #lightroom ,rendering in #maya and compositing in #nuke ,I tried turning #rotterdam into a sandbox city!
There’s still a lot of room for improvement, shading and compositing wise, but I wanted this to be a quick and fast little project, so there had to be an ending somewhere :)
My original idea was to create a chase scene, but I quickly figured out that the scans from Google didn’t hold up enough, so I scrapped that idea quickly.
I also spend some time on the building interiors, which sadly aren’t very visible in the final.
@rockstargames
DISPOSAL - Little 1 day render.
Wanted to play around with lighting a little bit, so I collected some scans and mocap from the internet.
8 hours later we got this!
#maya #nuke #cg #cggeneralist #mocap #xsens #arnold
Sfeerionary 2022!
HD Version in bio.
During this 4-day film project we made a super short film that has been inspired by the style of #emmanuellubezki
My main focus this project was on the 3D side.
This includes Motion Capture, 3D Camera capture, Scene lay-out, Lighting and rendering.
Because of the extremely short time I wasn’t able to hammer out the imperfections in the motion-capture, but I still think it turned out pretty fine.
I got loads of help from the team who collected assets, relinking the textures, some additional modeling and terrain generation. @ties_flippo @eva_stuurop
The motion-capture performance has been played by @elivanherwaarden
The compositing side has been done by @woutereng and @annedirkxx , making the final image look more vibrant and stylized.
A big thanks to everyone for making this final feel alive 🔥
Disclaimer: The knight model has not been made by us!
Rendered in #Maya #Arnold
Composited in #Nuke
Sfeerionary 2022!
HD Version in bio.
During this 4-day film project we made a super short film that has been inspired by the style of #emmanuellubezki
My main focus this project was on the 3D side.
This includes Motion Capture, 3D Camera capture, Scene lay-out, Lighting and rendering.
Because of the extremely short time I wasn’t able to hammer out the imperfections in the motion-capture, but I still think it turned out pretty fine.
I got loads of help from the team who collected assets, relinking the textures, some additional modeling and terrain generation. @ties_flippo @eva_stuurop
The motion-capture performance has been played by @elivanherwaarden
The compositing side has been done by @woutereng and @annedirkxx , making the final image look more vibrant and stylized.
A big thanks to everyone for making this final feel alive 🔥
Disclaimer: The knight model has not been made by us!
Rendered in #Maya #Arnold
Composited in #Nuke
Sfeerionary 2022!
HD Version in bio.
During this 4-day film project we made a super short film that has been inspired by the style of #emmanuellubezki
My main focus this project was on the 3D side.
This includes Motion Capture, 3D Camera capture, Scene lay-out, Lighting and rendering.
Because of the extremely short time I wasn’t able to hammer out the imperfections in the motion-capture, but I still think it turned out pretty fine.
I got loads of help from the team who collected assets, relinking the textures, some additional modeling and terrain generation. @ties_flippo @eva_stuurop
The motion-capture performance has been played by @elivanherwaarden
The compositing side has been done by @woutereng and @annedirkxx , making the final image look more vibrant and stylized.
A big thanks to everyone for making this final feel alive 🔥
Disclaimer: The knight model has not been made by us!
Rendered in #Maya #Arnold
Composited in #Nuke
Sfeerionary 2022!
HD Version in bio.
During this 4-day film project we made a super short film that has been inspired by the style of #emmanuellubezki
My main focus this project was on the 3D side.
This includes Motion Capture, 3D Camera capture, Scene lay-out, Lighting and rendering.
Because of the extremely short time I wasn’t able to hammer out the imperfections in the motion-capture, but I still think it turned out pretty fine.
I got loads of help from the team who collected assets, relinking the textures, some additional modeling and terrain generation. @ties_flippo @eva_stuurop
The motion-capture performance has been played by @elivanherwaarden
The compositing side has been done by @woutereng and @annedirkxx , making the final image look more vibrant and stylized.
A big thanks to everyone for making this final feel alive 🔥
Disclaimer: The knight model has not been made by us!
Rendered in #Maya #Arnold
Composited in #Nuke
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Dynamics - Portie Bitterballen.
(HD version in bio)
I have created all the assets using Photogrammetry (except for the pipes/box at the end).
Scene done in #maya / #renderman
Vellum simulation done in #houdini
Tree simulation done in #speedtree
Photogrammetry done in #realitycapture
Instagramストーリーを秘密で見る
Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
Anonstoriesの利点
IGストーリーをプライベートに探る
Instagramの更新をプライバシーを守りつつ、匿名で追跡できます。
プライベートInstagramビューア
プライベートプロファイルビューアを使用して、プロフィールと写真を簡単に匿名で閲覧できます。
無料のストーリービューア
この無料ツールでInstagramストーリーを匿名で閲覧でき、アクティビティがストーリーアップローダーに知られることはありません。
よくある質問
匿名性
Anonstoriesを使用すると、作成者に通知されることなくInstagramストーリーを閲覧できます。
デバイス互換性
iOS、Android、Windows、macOS、ChromeやSafariなどの最新のブラウザで問題なく動作します。
安全性とプライバシー
ログイン情報なしで、安全かつ匿名で閲覧できます。
登録不要
ユーザーは、ユーザー名を入力するだけで公開ストーリーを閲覧可能—アカウント登録は不要です。
対応フォーマット
写真（JPEG）と動画（MP4）を簡単にダウンロードできます。
料金
サービスは無料で利用できます。
非公開アカウント
非公開アカウントのコンテンツはフォロワーのみがアクセスできます。
ファイル使用
ファイルは個人または教育目的でのみ使用し、著作権法を遵守する必要があります。
動作方法
公開ユーザー名を入力して、ストーリーを閲覧またはダウンロードします。サービスはコンテンツをローカルに保存するための直接リンクを生成します。