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✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

✦ ✦ Becoming extras too
Very happy to finally share a few images from Il Quiproquo, on view in Milan until the end of July at @french__place

A few words of gratitude for everyone who carried this project with so much care <3

A huge thank you to @marta_orsola_sironi @mauro__mattei @caterinaavigna @lauracadeii and the whole French Place team for welcoming and supporting both the residency and the exhibition with such attention, trust and love

Thanks to @cateavataneo for her precise gaze and beautiful words around the work

Immense thanks as well to Roberto, Andrea, Stephano, Giovanni and Marco at Fonderia Pisani for their craftsmanship, generosity and support throughout the project @fonderiapisani

Deep gratitude to @yunacabon and @misamaria_ @thirdborn.mx for their constant support throughout this project and far beyond

Thanks to @clinepzt @nn_fctn and @titi_m.cerina for their attentive eyes, their support and the quality of their gaze around the work. Thanks to @mathischerprenet for the help during the first phases of the project And to @heythibs for the presence, the care and the love.

Thanks to @sunnei @alibaylann @therealfrancescarossi and @francescopaleari @nico_crisanti and Esther

Very grateful for this moment, this exhibition, and all the presences that made it possible.
<333

“Before seeing anything else through the holes, when one approaches the mirroring surface is confronted with the bare act of looking. Are you following? It’s a push and pull erotic dance between annihilation and concession, revelation and concealing. Power shifts, desire flips, the act of looking folding back onto itself, distorted.

As the space becomes a stage of relations, a distinctly theatrical condition emerges. Overall, the screens set a scene in which the relation with the other is mediated in infinite combinations, producing acts, roles and partial disclosures, the visitors too becoming extras.”

— Caterina Avataneo

THIRD BORN presents En Flujo (In Flux), a summer residency exhibition curated by Anne‑Laure Lemaitre (@annelauresees), featuring five artists—Lesley‑Anne Cao, Amorelle Jacox, Veronica Lazo, Sami E. Nicolle, and Ada Potter—whose work rejects permanence in favor of transformation, dialogue, and evolution.

Opening Celebration
Saturday June 6, 2026
2-6 PM

En Flujo (In Flux) is a porous, living exhibition: works will evolve, move, and change over the run of the show; new contributions may appear as the installation responds to its environment and viewers. As Lemaitre asks, “In a moment defined by displacement, instability, and the unraveling of old orders, why should art remain rigid?” Her residency in Mexico City will investigate dwelling temporarily with intention, drawing links between artistic practice and contemporary experiences of migration, relocation, and uncertainty. What might seem impermanent is presented here as a condition rich with possibility.

The exhibition will remain on view through July 18, 2026.

To receive a preview please DM us or email info@third-born.com

Artwork image: Sami E. Nicolle, Pantalla de intimidad, 2025, photo by Agustín Arce courtesy of the Artist
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#THIRDBORN

THIRD BORN presents En Flujo (In Flux), a summer residency exhibition curated by Anne‑Laure Lemaitre (@annelauresees), featuring five artists—Lesley‑Anne Cao, Amorelle Jacox, Veronica Lazo, Sami E. Nicolle, and Ada Potter—whose work rejects permanence in favor of transformation, dialogue, and evolution.

Opening Celebration
Saturday June 6, 2026
2-6 PM

En Flujo (In Flux) is a porous, living exhibition: works will evolve, move, and change over the run of the show; new contributions may appear as the installation responds to its environment and viewers. As Lemaitre asks, “In a moment defined by displacement, instability, and the unraveling of old orders, why should art remain rigid?” Her residency in Mexico City will investigate dwelling temporarily with intention, drawing links between artistic practice and contemporary experiences of migration, relocation, and uncertainty. What might seem impermanent is presented here as a condition rich with possibility.

The exhibition will remain on view through July 18, 2026.

To receive a preview please DM us or email info@third-born.com

Artwork image: Sami E. Nicolle, Pantalla de intimidad, 2025, photo by Agustín Arce courtesy of the Artist
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#THIRDBORN

Loucia Carlier, Sans titre (contour), 2026
Aluminum, inkjet prints, acrylic, aluminum tape, various materials
25.5 x 41.5 cm
10 x 16.3 in.

For sales inquires, please DM us or contact info@third-born.com
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#thirdborn

Loucia Carlier, Sans titre (contour), 2026
Aluminum, inkjet prints, acrylic, aluminum tape, various materials
25.5 x 41.5 cm
10 x 16.3 in.

For sales inquires, please DM us or contact info@third-born.com
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#thirdborn

Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.

Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.

“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine

Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.

Our love to the @newartdealers team & community 🖤

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

Imagery courtesy of THIRD BORN
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#THIRDBORN #nadanyc

Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.

Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.

“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine

Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.

Our love to the @newartdealers team & community 🖤

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

Imagery courtesy of THIRD BORN
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#THIRDBORN #nadanyc

Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.

Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.

“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine

Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.

Our love to the @newartdealers team & community 🖤

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

Imagery courtesy of THIRD BORN
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#THIRDBORN #nadanyc

Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.

Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.

“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine

Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.

Our love to the @newartdealers team & community 🖤

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

Imagery courtesy of THIRD BORN
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#THIRDBORN #nadanyc

Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.

Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.

“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine

Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.

Our love to the @newartdealers team & community 🖤

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

Imagery courtesy of THIRD BORN
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#THIRDBORN #nadanyc

Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.

Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.

“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine

Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.

Our love to the @newartdealers team & community 🖤

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

Imagery courtesy of THIRD BORN
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#THIRDBORN #nadanyc

Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.

Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.

“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine

Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.

Our love to the @newartdealers team & community 🖤

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

Imagery courtesy of THIRD BORN
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#THIRDBORN #nadanyc

Next Week find Loucia Carlier at NADA NYC booth A10

THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm

Imagery courtesy of the Artist & THIRD BORN

A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC

Next Week find Loucia Carlier at NADA NYC booth A10

THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm

Imagery courtesy of the Artist & THIRD BORN

A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC

Next Week find Loucia Carlier at NADA NYC booth A10

THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm

Imagery courtesy of the Artist & THIRD BORN

A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC

Next Week find Loucia Carlier at NADA NYC booth A10

THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm

Imagery courtesy of the Artist & THIRD BORN

A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC

Next Week find Loucia Carlier at NADA NYC booth A10

THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.

For receive a preview or for sales inquires, please DM us or contact info@third-born.com

NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm

Imagery courtesy of the Artist & THIRD BORN

A presentation supported by @fondationdesartistes
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#THIRDBORN #NADANYC

FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari

FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari

FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari

FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari

FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.

The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.

During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.

We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.

For inquiries on available works please DM us or email info@third-born.com

Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
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#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA

When Things Begin to Act continues with Mariana Ledesma & Vytautas Kumža.

A CONDO collaboration between Copperfield, London & THIRD BORN 

DM us to schedule an appointment

@condo_complex
@_mariana_ledesma_
@vytautaskumza
@copperfield_london

Image courtesy of THIRD BORN photo by @asistenciaartistica
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#THIRDBORN #CONDO

CONDO CDMX STARTS THIS THURSDAY✨

CONDO OPENING
Thursday, April 23
12 - 8 PM

COLLECTORS PANEL & APERITIVO at THIRD BORN
Saturday, April 25
4 - 7 PM

Mariana Ledesma
Matriz no proyectada, 2026 
Discarded cables
Variable dimensions 
120 x 96cm
47.24 x 37.80 in. 
Image courtesy of the Artist.
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#THIRDBORN #CONDO #Copperfield

CONDO CDMX STARTS THIS THURSDAY✨

CONDO OPENING
Thursday, April 23
12 - 8 PM

COLLECTORS PANEL & APERITIVO at THIRD BORN
Saturday, April 25
4 - 7 PM

Mariana Ledesma
Matriz no proyectada, 2026 
Discarded cables
Variable dimensions 
120 x 96cm
47.24 x 37.80 in. 
Image courtesy of the Artist.
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#THIRDBORN #CONDO #Copperfield

OPENING NEXT WEEK!

When Things Begin to Act
Mariana Ledesma & Vytautas Kumža
A collaboration between Copperfield, London & THIRD BORN

CONDO OPENING
Thursday, April 23
12 - 8 PM

COLLECTORS PANEL & APERITIVO
Saturday, April 25
4 - 7 PM

In a moment of material excess and technological turnover, When Things Begin to Act, asks us to rethink objects as agents—active, affective, and generative. Ledesma’s repurposed circuits and sound‑electronic systems make debris and circuitry resonate, foregrounding contingency, failure, and embodied listening. Kumža’s carefully staged everyday things—fractured glass, gloves, metal frameworks—strip function to produce uncanny, emotionally charged tableaux. Together the works activate objects as sites of tension, relation, and perceptual transformation, inviting a renewed attention to the material conditions of daily life.

Vytautas Kumža
Dizziness, 2022
Archival inkjet print, opaque glass, hinge, aluminium frame
50 x 40 cm
19 3/4 x 15 3/4 in
Image courtesy of Copperfield
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#THIRDBORN #CONDO #CONDOMEXICOCITY

OPENING NEXT WEEK!

When Things Begin to Act
Mariana Ledesma & Vytautas Kumža
A collaboration between Copperfield, London & THIRD BORN

CONDO OPENING
Thursday, April 23
12 - 8 PM

COLLECTORS PANEL & APERITIVO
Saturday, April 25
4 - 7 PM

In a moment of material excess and technological turnover, When Things Begin to Act, asks us to rethink objects as agents—active, affective, and generative. Ledesma’s repurposed circuits and sound‑electronic systems make debris and circuitry resonate, foregrounding contingency, failure, and embodied listening. Kumža’s carefully staged everyday things—fractured glass, gloves, metal frameworks—strip function to produce uncanny, emotionally charged tableaux. Together the works activate objects as sites of tension, relation, and perceptual transformation, inviting a renewed attention to the material conditions of daily life.

Vytautas Kumža
Dizziness, 2022
Archival inkjet print, opaque glass, hinge, aluminium frame
50 x 40 cm
19 3/4 x 15 3/4 in
Image courtesy of Copperfield
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#THIRDBORN #CONDO #CONDOMEXICOCITY

“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal

EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.

Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.

“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal

EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.

Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.

“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal

EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.

Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.

“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal

EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.

Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.

Today marks the last day of Expo Chicago! Come visit us with Sidony O’Neal at B313 till 6:00 PM.

Sidony O’Neal
Program for fireback with sacrificial anode, 2023
Pallet, aluminium, steel, printed inconel, vapor-smoothed
86.4 x 76.2 x 22.9 cm
34 x 30 x 9 in

Program for fireback with sacrificial anode (2023) functions as a provisional system where materials, symbols, and structural fragments interact through mathematical, architectural, and poetic logics. Drawing on computation, translation, and symbolic reasoning, O’Neal creates environments where objects act as interfaces for circulating meaning. Industrial and ornamental vocabularies collide in an unstable configuration: a pallet-like platform supports repeated linear elements and decorative aluminum forms like baroque or algorithmic fragments, while resin-like pieces punctuate the grid as irregular markers. The piece reads as platform, diagram, and stage, suggesting infrastructure and code and inviting viewers to see sculpture as an interface where patterns emerge, fracture, and recombine.

Image courtesy of the Artist
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#THIRDBORN #expochicago

Today marks the last day of Expo Chicago! Come visit us with Sidony O’Neal at B313 till 6:00 PM.

Sidony O’Neal
Program for fireback with sacrificial anode, 2023
Pallet, aluminium, steel, printed inconel, vapor-smoothed
86.4 x 76.2 x 22.9 cm
34 x 30 x 9 in

Program for fireback with sacrificial anode (2023) functions as a provisional system where materials, symbols, and structural fragments interact through mathematical, architectural, and poetic logics. Drawing on computation, translation, and symbolic reasoning, O’Neal creates environments where objects act as interfaces for circulating meaning. Industrial and ornamental vocabularies collide in an unstable configuration: a pallet-like platform supports repeated linear elements and decorative aluminum forms like baroque or algorithmic fragments, while resin-like pieces punctuate the grid as irregular markers. The piece reads as platform, diagram, and stage, suggesting infrastructure and code and inviting viewers to see sculpture as an interface where patterns emerge, fracture, and recombine.

Image courtesy of the Artist
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#THIRDBORN #expochicago