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typemytype
TypeMyType
Type and coding, author of RoboFont and DrawBot, founder of Font Club Belgica and teaching at Luca School of Arts / ESAD Amiens
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
We’ve started a new series of publications:
GO Fonts GO
(GO) Letterforms
Typedesign GO
Shapes Gooo
G Alphabets O
GO Letters
Characters
Luca Typefaces
from students Graphic Design, a typographical research exploring experimental letterforms, digitizing historical revivals and finetuning micro typography. Typedesign as a dialogue between drawing, digital shapes and graphical applications.
Guided by Frederik Berlaen @typemytype , lecturer typedesign within Graphic Design, LUCA School of Arts, Ghent, since 2007. @grafischontwerpgent
The first seven publications have now been released:
2007-2008: designed by Axelle Hostyn @axellehostyn
2008-2009: designed by Sofie Verbert @sofievrbrt
2009-2010: designed by Lut Van den Heuvel @lutvandenheuvel
2010-2011: designed by Kato Van Nerom @katovannerom
2022-2023: designed by Auke Dezeure @aukedezeure
2023-2024: designed by Dania Idelbi @danithegraph
2024-2025: designed by Auke, Axelle, Dania, Kato, Lut, Sofie
To be found this weekend @ghentartbookfair
Please welcome�the latest,�the best,�and the one and only:
RoboFont 4.6!!!
Numerous new features, improved tools, and bug fixes. Here are some of the most important updates:
* A macOS Quick Look preview and thumbnails to preview all your precious drawings.
* A redesigned popover for both the Glyph Editor and the Space Center display settings.
* A new icon!
* A clear distinction between all possible point types.
Get the release on robofont.com!
Please welcome�the latest,�the best,�and the one and only:
RoboFont 4.6!!!
Numerous new features, improved tools, and bug fixes. Here are some of the most important updates:
* A macOS Quick Look preview and thumbnails to preview all your precious drawings.
* A redesigned popover for both the Glyph Editor and the Space Center display settings.
* A new icon!
* A clear distinction between all possible point types.
Get the release on robofont.com!
Please welcome
the latest,
the best,
and the one and only:
RoboFont 4.6!!!
Numerous new features, improved tools, and bug fixes. Here are some of the most important updates:
* A macOS Quick Look preview and thumbnails to preview all your precious drawings.
* A redesigned popover for both the Glyph Editor and the Space Center display settings.
* A new icon!
* A clear distinction between all possible point types.
Get the release on robofont.com!
Dutch and Flemish can be challenging languages to use to their full potential, but our fonts aren’t. Here are some easy-to-use stylistic sets, shown in literal translations that spectacularly miss the point of the original proverbs.
Dutch and Flemish can be challenging languages to use to their full potential, but our fonts aren’t. Here are some easy-to-use stylistic sets, shown in literal translations that spectacularly miss the point of the original proverbs.
Dutch and Flemish can be challenging languages to use to their full potential, but our fonts aren’t. Here are some easy-to-use stylistic sets, shown in literal translations that spectacularly miss the point of the original proverbs.
Dutch and Flemish can be challenging languages to use to their full potential, but our fonts aren’t. Here are some easy-to-use stylistic sets, shown in literal translations that spectacularly miss the point of the original proverbs.
Dutch and Flemish can be challenging languages to use to their full potential, but our fonts aren’t. Here are some easy-to-use stylistic sets, shown in literal translations that spectacularly miss the point of the original proverbs.
As 1/2 of Font Club cycles further each week than he drives his car, we are proud to support the @ghentfestive500 2025 with a license of FC Filter
WHAT?
from 24 until 31 december 2025
4th edition
✨ New Club: Club 9000 ✨ New website
✨ New Colors ✨ New frame tag
More information on their profile: @ghentfestive500
#GhentFestive500 #Festive500 #GentFietst #Rapha
As 1/2 of Font Club cycles further each week than he drives his car, we are proud to support the @ghentfestive500 2025 with a license of FC Filter
WHAT?
from 24 until 31 december 2025
4th edition
✨ New Club: Club 9000 ✨ New website
✨ New Colors ✨ New frame tag
More information on their profile: @ghentfestive500
#GhentFestive500 #Festive500 #GentFietst #Rapha
As 1/2 of Font Club cycles further each week than he drives his car, we are proud to support the @ghentfestive500 2025 with a license of FC Filter
WHAT?
from 24 until 31 december 2025
4th edition
✨ New Club: Club 9000 ✨ New website
✨ New Colors ✨ New frame tag
More information on their profile: @ghentfestive500
#GhentFestive500 #Festive500 #GentFietst #Rapha
As 1/2 of Font Club cycles further each week than he drives his car, we are proud to support the @ghentfestive500 2025 with a license of FC Filter
WHAT?
from 24 until 31 december 2025
4th edition
✨ New Club: Club 9000 ✨ New website
✨ New Colors ✨ New frame tag
More information on their profile: @ghentfestive500
#GhentFestive500 #Festive500 #GentFietst #Rapha
As 1/2 of Font Club cycles further each week than he drives his car, we are proud to support the @ghentfestive500 2025 with a license of FC Filter
WHAT?
from 24 until 31 december 2025
4th edition
✨ New Club: Club 9000 ✨ New website
✨ New Colors ✨ New frame tag
More information on their profile: @ghentfestive500
#GhentFestive500 #Festive500 #GentFietst #Rapha
Summer has ended, the kids are back to school.
Back to our regular scheduled slaving away on updates of what you have seen; and things yet to be seen.
Following his talk at @typographicsnyc , talks with colleagues and friends gave Frederik a list for the possible future of Filter. He is chipping away at it.
But good things take time. You’ll know it when you see it.
#Filter #update #Soon
Summer has ended, the kids are back to school.
Back to our regular scheduled slaving away on updates of what you have seen; and things yet to be seen.
Following his talk at @typographicsnyc , talks with colleagues and friends gave Frederik a list for the possible future of Filter. He is chipping away at it.
But good things take time. You’ll know it when you see it.
#Filter #update #Soon
Summer has ended, the kids are back to school.
Back to our regular scheduled slaving away on updates of what you have seen; and things yet to be seen.
Following his talk at @typographicsnyc , talks with colleagues and friends gave Frederik a list for the possible future of Filter. He is chipping away at it.
But good things take time. You’ll know it when you see it.
#Filter #update #Soon
Summer has ended, the kids are back to school.
Back to our regular scheduled slaving away on updates of what you have seen; and things yet to be seen.
Following his talk at @typographicsnyc , talks with colleagues and friends gave Frederik a list for the possible future of Filter. He is chipping away at it.
But good things take time. You’ll know it when you see it.
#Filter #update #Soon
Font shown is both a prototype and a final product.
If you haven’t yet explored Filter, go ahead an play with it’s sliders. The possibilities are endless.
#Variable #Font #Variablefont #Robofont #Python #Coding #opentype
Font shown is both a prototype and a final product.
If you haven’t yet explored Filter, go ahead an play with it’s sliders. The possibilities are endless.
#Variable #Font #Variablefont #Robofont #Python #Coding #opentype
Font shown is both a prototype and a final product.
If you haven’t yet explored Filter, go ahead an play with it’s sliders. The possibilities are endless.
#Variable #Font #Variablefont #Robofont #Python #Coding #opentype
From Belgica to NYC …
Frederik will be presenting his research and process into the world of skeleton fonts at Typographics 2025.
We’ll see you at the Cooper Union on Thursday June 26th 2025.
From Belgica to NYC …
Frederik will be presenting his research and process into the world of skeleton fonts at Typographics 2025.
We’ll see you at the Cooper Union on Thursday June 26th 2025.
From Belgica to NYC …
Frederik will be presenting his research and process into the world of skeleton fonts at Typographics 2025.
We’ll see you at the Cooper Union on Thursday June 26th 2025.
From Belgica to NYC …
Frederik will be presenting his research and process into the world of skeleton fonts at Typographics 2025.
We’ll see you at the Cooper Union on Thursday June 26th 2025.
!!! NEW RELEASE !!!
It only feels like 2 weeks ago since we last launched a new font …
… it was, but where FC Crimp excels in glyphs and functionality, FC Filter is quite the opposite.
FC Filter is a variable display typeface that has more masters than it has glyphs; 387 masters to be precise. Our first release from the mind of @typemytype is released through @futurefonts
FC Filter pushes the limits of variable fonts and how they are made. It is the culmination of Frederik’s obsession with mono linear fonts. It was produced through drawing and coding, but how exactly, will be showcased at a @typographicsnyc 2025 lecture at the end of this month.
Explore it now on our site and that of @futurefonts !
#VariableFonts #Typeface #New #Release #monolinear
!!! NEW RELEASE !!!
It only feels like 2 weeks ago since we last launched a new font …
… it was, but where FC Crimp excels in glyphs and functionality, FC Filter is quite the opposite.
FC Filter is a variable display typeface that has more masters than it has glyphs; 387 masters to be precise. Our first release from the mind of @typemytype is released through @futurefonts
FC Filter pushes the limits of variable fonts and how they are made. It is the culmination of Frederik’s obsession with mono linear fonts. It was produced through drawing and coding, but how exactly, will be showcased at a @typographicsnyc 2025 lecture at the end of this month.
Explore it now on our site and that of @futurefonts !
#VariableFonts #Typeface #New #Release #monolinear
!!! NEW RELEASE !!!
It only feels like 2 weeks ago since we last launched a new font …
… it was, but where FC Crimp excels in glyphs and functionality, FC Filter is quite the opposite.
FC Filter is a variable display typeface that has more masters than it has glyphs; 387 masters to be precise. Our first release from the mind of @typemytype is released through @futurefonts
FC Filter pushes the limits of variable fonts and how they are made. It is the culmination of Frederik’s obsession with mono linear fonts. It was produced through drawing and coding, but how exactly, will be showcased at a @typographicsnyc 2025 lecture at the end of this month.
Explore it now on our site and that of @futurefonts !
#VariableFonts #Typeface #New #Release #monolinear
!!! NEW RELEASE !!!
It only feels like 2 weeks ago since we last launched a new font …
… it was, but where FC Crimp excels in glyphs and functionality, FC Filter is quite the opposite.
FC Filter is a variable display typeface that has more masters than it has glyphs; 387 masters to be precise. Our first release from the mind of @typemytype is released through @futurefonts
FC Filter pushes the limits of variable fonts and how they are made. It is the culmination of Frederik’s obsession with mono linear fonts. It was produced through drawing and coding, but how exactly, will be showcased at a @typographicsnyc 2025 lecture at the end of this month.
Explore it now on our site and that of @futurefonts !
#VariableFonts #Typeface #New #Release #monolinear
!!! NEW RELEASE !!!
It only feels like 2 weeks ago since we last launched a new font …
… it was, but where FC Crimp excels in glyphs and functionality, FC Filter is quite the opposite.
FC Filter is a variable display typeface that has more masters than it has glyphs; 387 masters to be precise. Our first release from the mind of @typemytype is released through @futurefonts
FC Filter pushes the limits of variable fonts and how they are made. It is the culmination of Frederik’s obsession with mono linear fonts. It was produced through drawing and coding, but how exactly, will be showcased at a @typographicsnyc 2025 lecture at the end of this month.
Explore it now on our site and that of @futurefonts !
#VariableFonts #Typeface #New #Release #monolinear
!!! NEW RELEASE !!!
It only feels like 2 weeks ago since we last launched a new font …
… it was, but where FC Crimp excels in glyphs and functionality, FC Filter is quite the opposite.
FC Filter is a variable display typeface that has more masters than it has glyphs; 387 masters to be precise. Our first release from the mind of @typemytype is released through @futurefonts
FC Filter pushes the limits of variable fonts and how they are made. It is the culmination of Frederik’s obsession with mono linear fonts. It was produced through drawing and coding, but how exactly, will be showcased at a @typographicsnyc 2025 lecture at the end of this month.
Explore it now on our site and that of @futurefonts !
#VariableFonts #Typeface #New #Release #monolinear
Our site is generated on a modular system with extensions, scripting and automation where possible. Just like the software used to produce our goods.
What else did you expect …
If you want to know how, buy us a 🍸🧃 drink and we might lift the veil …
Our site is generated on a modular system with extensions, scripting and automation where possible. Just like the software used to produce our goods.
What else did you expect …
If you want to know how, buy us a 🍸🧃 drink and we might lift the veil …
Instagramストーリーを秘密で見る
Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
Anonstoriesの利点
IGストーリーをプライベートに探る
Instagramの更新をプライバシーを守りつつ、匿名で追跡できます。
プライベートInstagramビューア
プライベートプロファイルビューアを使用して、プロフィールと写真を簡単に匿名で閲覧できます。
無料のストーリービューア
この無料ツールでInstagramストーリーを匿名で閲覧でき、アクティビティがストーリーアップローダーに知られることはありません。
よくある質問
匿名性
Anonstoriesを使用すると、作成者に通知されることなくInstagramストーリーを閲覧できます。
デバイス互換性
iOS、Android、Windows、macOS、ChromeやSafariなどの最新のブラウザで問題なく動作します。
安全性とプライバシー
ログイン情報なしで、安全かつ匿名で閲覧できます。
登録不要
ユーザーは、ユーザー名を入力するだけで公開ストーリーを閲覧可能—アカウント登録は不要です。
対応フォーマット
写真（JPEG）と動画（MP4）を簡単にダウンロードできます。
料金
サービスは無料で利用できます。
非公開アカウント
非公開アカウントのコンテンツはフォロワーのみがアクセスできます。
ファイル使用
ファイルは個人または教育目的でのみ使用し、著作権法を遵守する必要があります。
動作方法
公開ユーザー名を入力して、ストーリーを閲覧またはダウンロードします。サービスはコンテンツをローカルに保存するための直接リンクを生成します。