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admitricks
Artem Dmitriev
MEGAFON [ Dir Cut ]
Directed by @ladokvataniya
Director of Photography @ushakov.dp
Production Designer @alexey_yandovskiy
Music by @xumanmusic
Edited by @admitricks
Starring @actorsashapetrov
Created by @instinct.moscow
Client by megafon
@in_zabava
@sasha_potapova
@nekto_ju
@elena_igoshina
@kdanl
@apriljuli
@leravsemprivet
Produced by Hoodyakov Production
Executive Producer @elyakhakimova
Post Production Producer @vitaly_kurapov
Production Coordinators @annanovikova4243@alexeyvolosach
Unit Production Manager @juliacheh
First Assistant Director @laposhina_
Second Assistant Director @poliiinaaav
Costume Designers @qooldevich@upetizauglom
Assistant Costume Designers @koleskina@zavtra_budu @boryavolkov
Make-Up Artist @stolbovaekaterina
Make-Up Assistant @inspector_makeup
Casting by @maroussia1985
Casting Assistants @uliana___e@spakeeva
Extras Casting @obraz1
Assistant to Mr.Petrov @balasholya
Focus Puller @boodarash
Camera Engineers @po6y@stanislav1201
Gaffer @ageevanton
Fly Head Operator @eduardmeerovich
Gimbal Operator @m.kuzmin777
Camera @yourrental
Motion Control @kran.spiderarm
Motion Control Bolt X @bigblack.studio
Set Decorator @amashapokrasote
Property Master #olgakryachkova
Construction Coordinator @_burmistrovsergey_
SFX Supervisors @sfxstudio.ru#valera.grankov
Location Manager @10nikiforco
Location Coordinator @nik_locations
CG Studio @studioknife
Sound Designer @stanislav.paushev
Colorist @alexanderzolotarev
Storyboard Artist @anton_smolkin
@vimeo Best of the Year for HAQQIM BOR
When I received my first @vimeostaffpicks for Fata Morgana eight years ago, I was incredibly proud. Now there are five of them, and each one is special. @vimeo has been — and remains — a key international platform and a bridge to new opportunities and industry attention.
The numbers are simple: out of tens of thousands of works submitted from around the world, only about 300 projects receive a Staff Pick each year. And from those 300, only 10 make it into the Best of the Year. The odds are minimal — which makes being in the top ten especially meaningful.
For me, it’s yet another confirmation of a simple truth: the budget is always secondary. What matters most is the idea, the message to the world, and the team capable of carrying that idea through all the challenges of production.
Когда я восемь лет назад получил свой первый Staff Pick за “Fata Morgana”, я был безумно горд. Теперь их уже пять, и каждый — особенный.
Сухие цифры: из десятков тысяч работ со всего мира Staff Pick ежегодно получают всего лишь 300 проектов. Из этих 300 — только десятки попадают в Best of the Year.
Для меня это очередное подтверждение простого факта: бюджет всегда вторичен. Главное — идея, послание миру и команда, способная пронести эту идею через все тернии производства.
Поздравляю всех причастных!
CALL OF DUTY: BLACK OPS 7
[ Director’s cut ]
Directed by @ladokvataniya
Producer | @gatosamericana
Production Co |@underwondercontent
Exec Producers | @frankborin @ivannaborin
Dop | @minka_farthing_kohl
Production Designer | @brandonmendez
Production Manager | Luke Trevino
Editor | @Admitricks
Composer | @xumanmusic
Sound Design | @stanislav.paushev
Colorist | @alexandrezolotarev
72andSunny | @therealwillnader @ashtonrose @kensyme @hollagrafik @jennifercursio @loraschulson @mur_fee @danstenz
NEW YORK /// 2025
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director
“Haqqim Bor”
Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev
Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya
Production Company:@khabimedia
VFX:@studioknife
Camera:ARRI ALEXA 35
We got a @vimeo Staff Pick for our latest short film [ Haqqim Bor ]
Thank you to the @vimeo team for recognizing our work. This means a lot — and now, more people will have a chance to see it.
Congratulations to the entire team. Everyone gave their all. If this story helps save even one child’s life, it was all worth it.
Спасибо команде @vimeo за то, что отметили нашу работу. Это особенно важно — теперь о ней узнают больше людей.
Поздравляю всю команду. Каждый вложил себя без остатка. Если эта история поможет спасти хотя бы одну детскую жизнь — значит, всё было не зря.
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
Commercial Feature: Tochka Bank - “Change Your Job”
Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev
Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh
Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife
[ HAQQIM BOR ] TEASER /// LINK IN BIO
Children carry strange backpacks shaped like buildings — a kindergarten, a school, a home. Inside each one, something is hidden — the things adults choose not to see. But every night, lights flicker on inside those tiny structures. And what was buried begins to crawl out.
Дети носят на спине странные рюкзаки-здания, похожие на детский сад, школу, дом. В каждом рюкзаке спрятано то, что взрослые предпочитают не замечать. Каждую ночь в этих зданиях загорается свет и то, что прятолось внутри - вылезает наружу.
Written and directed by @ladokvataniya
Director of Photography — @ushakov.dp
General Producer — @khabi.nabiev
Production — @khabimedia
Supported by National Agency for Social Protection — @ijtimoiyhimoya_agentligi
Creative Director’s — @farrux_sharif, @zamirakhman
Producers — @imnel.lly, @kamoliddin_xamrayev
Executive Producer — @ladokvataniya
Production Designer — @alexey_yandovskiy
Set Decorator — @amashapokrasote
Props Master — @vika_kusichka
Costume Designer’s— @sonibatur, @irinadtoka, @ksyustar
Hair & Makeup Artist — @ekaterina.seryakova.78
Cast:
Farangiz Akhmedova
Khojiakbar Alibekov
Umidjon Rahadaliyev
Nargiza Umarova
Leyla Farrukhova
Zhorabek Arziev
Khurshida Arabshoyeva
Firdavs Hakimjonov
Nigora Karimbaeva
1st Assistant Director — @mackmapple
2nd Assistant Director — @a.mukhv
Props Assistant — @annabelka_mi, @GUYDOOK
Casting Director — @baxtiyor.raimjonov
Assistant Director (AD) — @bakhodir_kasimov
Location Manager — @yusupovmuzaffar, @jokhn_rauf, @voxid_634
Gaffer — @timurazim
VFX BY @studioknife
Editor — @admitricks
Composer — @xumanmusic
Sound Designer — @stanislav.paushev
Colorist — @alexanderzolotarev
Storyboard — @anton_smolkin
Design By — @sagi.tg
Poster & Art Direction By — @bgr8studio
RENTAL - @goldvisionrental @bayramfilm @cityrental.uz
Special Thanks:
Tashkent City Mall
Tashkent film
Manizha Sangin
Olivia Kvataniya
Nikita Kvataniya
UZBEKISTAN — TASHKENT /// 2025
[ Change Your Job|Tochka ]
Directed by @ladokvataniya
Director of Photography @ushakov.dp
Production Designer @alexey_yandovskiy
Concept by @voskhodforpeace
Produced by @daddys.film
General producers @intelligence_service @tania.solomatina
Executive producer @arisharisharishh
1AD @laposhina_
2AD @poliiinaaav
Unit Production Manager @inshootwetrust — ddimch @gogadze
Producer Assistant @karinashau
Production Designer Assistant @amashapokrasote
Props Master @mariana_mari
Construction Coordinator @_burmistrovsergey_
Costume Designer @inyooliana
Assistant Costume Designer @levidream @garcon.en.noir
Make Up Artist @boiko_igorchik
Make Up Assistants @makemaryj @maridrevna
Casting @maroussia1985
Casting Assistants @uliana___e @spakeeva @kupry_yanova
Choreographer @tronov_sasha
Extras Chief @nikitrepin
Post Production Producer @shomodi
Editor @admitricks
CG Studio @studioknife
Music & Sound Design @xumanmusic
Colorist @alexandrezolotarev
Technical Editor @alex_burato
Gaffer @ageevanton
1AC @baikov_baikov
2AC @po6y
Dolly @kashinsdollygang
Motion Control @kran.spiderarm
Main Hero | Mark Davidenko
Actors | Iraida Kandudina, Milana Korneeva, Slava Babichev, Aidar Khamidullin, Semyon Styazhkin, Sasha Smychnikova, Natasha Yesenia, Nastya Novoseltseva, Diana Khismatullina, Anna Vishnyakova, Sasha Sevosyanova, Andrey Lavrikov, Rustam Nadraliev, Ruslan Mamadaliev, Ilya Karpel
Чудесная история Про Гуся
Yandex PRO:
Chief Marketing Officer - @aksutinje
Group head of the Brand Marketing group -@anya.lu
Senior marketing manager - Kate Kravtsova
Magic Camp:
Creative directors -@smeloch, @apotekhin Producers -@anohin.s,@mibarbar, @kupry_yanova, Ksenia Boyarkina, @_squad.ad_
Director - @ladokvataniya
DOP - @firstov
Set Designer - @alexey_yandovskiy
Zagranitsa:
Head of production - @ivangelfer
General producer - @yakovenko.ivan
Executive Producer -@gibadulov
Producer - @alinakroyter, @milnatus Assistant producer - @karmanov_danil
1st AD - Daria Kostyuchenko
2nd AD assistant - youngrinaa
Production manager - @alpatskiy_nikolay
Costume designer - Anna Kudevich
Make-up artist - @boiko_igorchik
Gaffer - Pavel Brukh
1st AC — Alexander Budarin
Post production producer - Tatyana Ivanova
Virtual production -@xovirtualproduction
Editor - @admitricks
Color Grading -@timofeyg_colorist
Additional Edit - @enrvate
Composer - @xumanmusic
Sound Design - Alexander Borisov
CG studio -@odysseystudios.ie
Designer - @auev
Poster Department -@smzv.pro
Poster General & Creative Producer -@mllovanova
PosterArt Director - @kosmofish.work
Poster Retouching & Compositing -
@retouch_gornostaeva
Photo light -@kometa_light
Cast by - Margarita Sayapina
Actors -
Andrey Kharybin
Elena Zhitkevich
Mikhail Sakulin
Vitaly Bratukhin
Aisen Zakharov
Nikita Tokarev
Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!
Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!
Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!
Даже не думал, что др в эмиграции окажется настолько кайфовым🙌🏻 Спасибо!
ХАСКИ - РЕВАНШ ///OST Петровы в гриппе
Фильм в прокате с 9 сентября!
Режиссёр/сценарист | @ladokvataniya
Оператор-постановщик | @lightfromabyss
Продюсеры | @ilyastewart / @muradosmann / @byri78
Со-продюсер | @ferbik
Исполнительный продюсер | @mishanovitskiy
Ассистенты продюсера | @angi.g / @nikitakvataniya
Cast
Гости | @juliaaug / @senya_serzin / @simonsteinberg / @sasha_gorch / @barbaraska_92 / @klescheva.marina / @revenko.alexandra
Труп | @papinomoloko
Дед Мороз | @kirillserebrennikov
Баянист | @aydarsalakhov
Художники-постановщики | Анна Караваева / @sysoevnefm
Художник по костюмам | @dolmatovskaya
Художник по гриму | @lilyakiose
Художник по реквизиту | @gigiadze
Пост-продакшн продюсер | @loui.lvt
Монтаж | @amzek / @admitricks
Цветокоррекция | @alexandrezolotarev
CG | @nekhoda.tm
Титры | Андрей Ольшевский
@hype.film / Russia, 2021
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.