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countereditions
Counter Editions
Prints and multiples by leading contemporary artists
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
The works retain the immediacy of Emin’s mark-making, closely aligned with her drawing practice, with each image carrying a direct sense of her hand and the subtle tonal variation and depth unique to the lithographic process. The series coincides with Emin’s exhibition A Second Life at Tate Modern, widely recognised as a major moment in her career.
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Congratulations Lubaina Himid @lubainapics on the opening of her Venice Biennale pavilion, representing Great Britain.
📣 The British Pavilion at the 61st International Art Exhibition at La Biennale di Venezia: Lubaina Himid, Predicting History: Testing Translation. 📣
Through a new series of large, multipaneled paintings in dazzling colours and surreal, magical settings, Himid establishes characters, narratives, and imagined dialogues, collaborating with Magda Stawarska to create a surreal soundscape.
#BritishPavilion #PredictingHistoryTestingTranslation #VeniceBiennale @labiennale #LubainaHimid
Lubaina Himid
Naming the Money: Kwesi, 2004/2021 (2021)
Edition of 125
21 Colour Screenprint and Inkjet on Somerset Enhanced Radiant White Satin 330gsm. Printed by Counter Studio.
76 x 60 cm ( 29.9 x 23.6 in)
Signed, numbered and dated by the artist
Published by Counter Editions
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to Counter Editions mailing list (🔗 in @CounterEditions bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to Counter Editions mailing list (🔗 in @CounterEditions bio) for updates and priority access.
Exclusively from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🍏 Waxing Star (2026), our first edition with Anya Gallaccio, launches this week on Thursday 30 April at 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🍏 A detail from Waxing Star (2026), our first edition with Anya Gallaccio, launching this week on Thursday 30 April at 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🍏 A detail from Waxing Star (2026), our first edition with Anya Gallaccio, launching this week on Thursday 30 April at 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 We are pleased to share further details of Waxing Star (2026), our first edition with Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
🎨🎉 Opening this Saturday in Margate! Carl Freedman Gallery is proud to present This Is The Universe… Big Isn’t It?, a solo exhibition by British artist Billy Childish.
Preview: Saturday 25 April 2026, 5:30-7:30 pm
Billy Childish (b. 1959, Kent, UK) is an extraordinary and prolific artist. His paintings, woodcuts, poetry, writing and music share a common honesty that, rather than being nombrilistic, is deeply compelling and idiosyncratic. Childish’s practice is informed by a tireless curiosity for themes as varied as war, the history and topography of his local and personal environment, social protest, hill walking and religious philosophy. Without the need for validation or approval from the art world, Childish has developed an authentic, independent and defiant position within culture that is admired by many worldwide.
This major new exhibition in Margate includes paintings of California’s Joshua Tree national park, alongside an ongoing series of Childish’s hand-painted wooden storage chests, historically used in shipping. The Californian and Joshua tree paintings were inspired by a family road trip last year, and continue Childish’s longterm investigation into the theme of universal vs local.
Free of irony or superficial novelty, Billy Childish’s paintings espouse values of authenticity, spirituality, and beauty. Present throughout is a quality of quiet melancholy combined with a vibrational, swirling energy. Waterfalls, the sea, trees, nudes, boatmen, swimmers, woods and the artist himself are all recurring motifs.
Billy Childish
This Is The Universe... Big Isn’t It?
26 April – 14 June 2026
#billychildish #margate #carlfreedmangallery
🎨🎉 We are delighted to announce our first collaboration with British artist Anya Gallaccio. Launching on Thursday 30 April, 2pm (BST).
Anya Gallaccio works at the intersection of sculpture, installation, and the natural world, drawing on organic and geological materials whose visible processes of change become the work’s subject as much as its medium. Her practice stages environments of slow transformation — curtains of apples, walls of pressed flowers, melting candles, felled trees, salt and chalk — where decay, growth and crystallisation unfold in real time. Fundamentally process-driven and site-responsive, Gallaccio’s work foregrounds memory, labour and ecology, inviting viewers to witness change as an ethical, as well as aesthetic, condition.
Gallaccio (b. 1963, Scotland) lives and works between London and San Diego. She studied at Kingston Polytechnic and Goldsmiths College. She was nominated for the Turner Prize in 2003 and has held major solo exhibitions at Tate Britain, the Palazzo delle Papesse, the Museum of Contemporary Art San Diego, Thomas Dane Gallery, and the Scottish National Gallery of Modern Art. In 2024–25 Turner Contemporary presented a comprehensive survey that restaged seminal works and a new site-specific commission, including a monumental felled ash, curtains of apples, walls of gerberas, melting candles, and a chalk-related commission responding to Kent’s landscape. Gallaccio is Professor Emerita in the Department of Visual Arts at the University of California San Diego and is recognised internationally for her radical use of organic materials, her embrace of entropy, and her sustained interrogation of how art occupies space, time, and memory.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
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