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observer
Observer
A chronicle of power and those who shape it.
observer.com
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
The relationship between #SamAltman and #IlyaSutskever, an OpenAI co-founder and the company’s former chief scientist, has long been tumultuous.
Once considered close collaborators, the pair split in 2023 when Sutskever orchestrated Altman’s brief ouster as CEO.
He later reversed course and called for Altman’s reinstatement, a move he described as a “Hail Mary” during testimony in the ongoing trial of Elon Musk’s lawsuit against #OpenAI.
Read more at the link in our bio.
The relationship between #SamAltman and #IlyaSutskever, an OpenAI co-founder and the company’s former chief scientist, has long been tumultuous.
Once considered close collaborators, the pair split in 2023 when Sutskever orchestrated Altman’s brief ouster as CEO.
He later reversed course and called for Altman’s reinstatement, a move he described as a “Hail Mary” during testimony in the ongoing trial of Elon Musk’s lawsuit against #OpenAI.
Read more at the link in our bio.
President #DonaldTrump will travel to Beijing this week for a two-day summit with Chinese President #XiJinping, accompanied by a delegation of top U.S. CEOs from the technology, finance and manufacturing sectors.
The meetings come at a particularly strained moment in U.S.-China relations, with tensions spanning trade, #AI, semiconductor exports, Taiwan, fentanyl trafficking and the economic fallout from the war in Iran.
The White House has invited 16 business leaders to join the trip, including Tesla and SpaceX CEO #ElonMusk, Apple’s #TimCook and BlackRock’s #LarryFink.
Read more at the link in our bio.
The 2026 edition of the #VeniceBiennale is vast and dense, loosely entangled by a common thread that relates more to methodology than content: an invitation to slow down, contemplate and meditate in silence through the encounter with art
Observer’s @elisartgal was on the ground, where the 110 participating artists, collaborative duos, collectives and artist-centered organizations revisit colonial histories, ecological trauma and spiritual traditions to imagine coexistence grounded in attunement rather than domination.
Head to the link in our bio for our full coverage of @labiennale.
🎥 @chrisbaiden__
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
Fears that #AI could displace human workers have become a defining concern for younger generations.
@Nvidia CEO #JensenHuang sees it differently.
The technology, he argues, has “kick-started a revolutionary wave”—one that today’s graduates are well positioned to ride, Huang said during a keynote address at @carnegiemellon’s commencement ceremony yesterday.
Rather than shy away from A.I., he urged graduates to embrace it.
Read more at the link in our bio.
Fears that #AI could displace human workers have become a defining concern for younger generations.
@Nvidia CEO #JensenHuang sees it differently.
The technology, he argues, has “kick-started a revolutionary wave”—one that today’s graduates are well positioned to ride, Huang said during a keynote address at @carnegiemellon’s commencement ceremony yesterday.
Rather than shy away from A.I., he urged graduates to embrace it.
Read more at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
#EstherWojcicki lives less than 10 minutes away from both of her daughters and her many grandchildren in Palo Alto.
On #MothersDay, that proximity turns into, in her own words, “chaos.”
“Kids are running around with presents. Nobody is organized. They’re all really excited. They want to know where the cake is,” she told Observer. “I celebrate my daughters as mothers, of course, and they celebrate me as mother. All the kids celebrate me as the grandmother, otherwise known as Nana.”
Read more by @sissinosocks at the link in our bio.
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
In Tokyo’s hectic Shibuya district, the bespoke wooden speakers beckoning from the double-height wall are the stars of Meikyoku Kissa Lion. Enlivened by a statement chandelier, the dark, moody, Baroque-inspired space has wooed classical music fans for decades.
Here, the ambiance is akin to a salon-style concert, with all attention focused on the spinning record of the moment. Phones are hidden away. Even whispering is verboten.
As social life increasingly prioritizes connection, Japanese listening rooms, rooted in jazz, are acting as muse. In these discreet sanctuaries, vast stashes of vinyl savored in communal silence take center stage, continuously informing a flood of high-fidelity #bars around the world in various permutations.
Read more about this phenomenon by @behdria at the link in our bio
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
There are now more than eight fairs overlapping in New York in May, but #Frieze New York remains the undisputed anchor of the city’s art week.
The #artfair’s 15th edition will bring together more than 65 global galleries, with a special focus on established and emerging voices from Latin America, selected after welcoming new gallery committee members from the region—Fátima González of Campeche and Omayra Alvarado of @institutodevision.
Ahead of the opening, Observer spoke with Christine Messineo, the fair’s director and head of Frieze Americas, to learn about the vision and priorities that have shaped the 2026 edition.
Read more by @elisartgal at the link in our bio.
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.