인스타그램 스토리 뷰어
인스타그램 스토리를 익명으로 보기
_designani
Nani Puspasari
🇦🇺artist-illustrator-ceramicist @nani.visit
✿ 2/5-19/7 @counihangallery
✿ residency @air_sccp @jdzinternationalstudio
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
导师不在｜UNSUPERVISED
Artist.Nani Puspasari
@_designani
part of @jdzinternationalstudio
⸻
at Taoxichuan Glass Studio Basement Gallery
@taoxichuanglassartstudio
Taoxichuan Art Centre
Jingdezhen, China
⸻
Exhibition Dates. 22 Jan – 24 Feb 2026
⸻
Photographed by @_designani
⸻
Unsupervised reflects a way of working shaped during my residency in Jingdezhen, the historic capital of porcelain. Embracing curiosity, risk, and intuition, the exhibition treats the studio as an open laboratory, where control is loosened, mistakes are welcomed, and experimentation leads. Moving between discipline and mischief, Unsupervised celebrates freedom, trust in not knowing, and allowing the work to grow on its own terms.
⸻
My first solo exhibition in China is on view at @taoxichuanglassartstudio until 24 Feb 2026. Created during my 3-month residency in Jingdezhen, full of clay, chaos, and togetherness. Thank you to everyone who came to the opening night 🧧✨ Happy Chinese New Year, and thank you for the love!
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@peterlee.yifan @taoxichuangallery @txc_ceramix
#nanipuspasari #jingdezhen #ceramic #artistresidency #china
I would love to invite you to
⸻
The opening event of my solo exhibition
Saturday 2 May 2026 | 2–4pm
at @counihangallery
⸻
Would love love to catch up with everyone face to face. It’s been total over 6 months since I’ve been away from Australia, so I’m really excited to reconnect and see familiar and new faces. Hope to see you there!
⸻
THINGS I CARRIED QUIETLY
Solo Exhibition by Nani Puspasari
Space 1, Counihan Gallery
233 Sydney Road, Brunswick (inside Brunswick Town Hall)
2 May – 19 July 2026
Opening hours: Wed–Sat 11am–5pm, Sun 1pm–5pm
Free entry
⸻
Getting there
• Tram 19 (Stop 21 – Dawson St/Sydney Rd)
• Jewell Station (Upfield line, 5 min walk)
• Bus 504, 506, 508, 509 nearby
⸻
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
⸻
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
⸻
Presented by @artsmerri_bek
Alongside works by
@GrumpyEnoki
@JoshHedeArt
@JudyK__
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#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
I would love to invite you to
⸻
The opening event of my solo exhibition
Saturday 2 May 2026 | 2–4pm
at @counihangallery
⸻
Would love love to catch up with everyone face to face. It’s been total over 6 months since I’ve been away from Australia, so I’m really excited to reconnect and see familiar and new faces. Hope to see you there!
⸻
THINGS I CARRIED QUIETLY
Solo Exhibition by Nani Puspasari
Space 1, Counihan Gallery
233 Sydney Road, Brunswick (inside Brunswick Town Hall)
2 May – 19 July 2026
Opening hours: Wed–Sat 11am–5pm, Sun 1pm–5pm
Free entry
⸻
Getting there
• Tram 19 (Stop 21 – Dawson St/Sydney Rd)
• Jewell Station (Upfield line, 5 min walk)
• Bus 504, 506, 508, 509 nearby
⸻
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
⸻
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
⸻
Presented by @artsmerri_bek
Alongside works by
@GrumpyEnoki
@JoshHedeArt
@JudyK__
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
I would love to invite you to
⸻
The opening event of my solo exhibition
Saturday 2 May 2026 | 2–4pm
at @counihangallery
⸻
Would love love to catch up with everyone face to face. It’s been total over 6 months since I’ve been away from Australia, so I’m really excited to reconnect and see familiar and new faces. Hope to see you there!
⸻
THINGS I CARRIED QUIETLY
Solo Exhibition by Nani Puspasari
Space 1, Counihan Gallery
233 Sydney Road, Brunswick (inside Brunswick Town Hall)
2 May – 19 July 2026
Opening hours: Wed–Sat 11am–5pm, Sun 1pm–5pm
Free entry
⸻
Getting there
• Tram 19 (Stop 21 – Dawson St/Sydney Rd)
• Jewell Station (Upfield line, 5 min walk)
• Bus 504, 506, 508, 509 nearby
⸻
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
⸻
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
⸻
Presented by @artsmerri_bek
Alongside works by
@GrumpyEnoki
@JoshHedeArt
@JudyK__
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
I would love to invite you to
⸻
The opening event of my solo exhibition
Saturday 2 May 2026 | 2–4pm
at @counihangallery
⸻
Would love love to catch up with everyone face to face. It’s been total over 6 months since I’ve been away from Australia, so I’m really excited to reconnect and see familiar and new faces. Hope to see you there!
⸻
THINGS I CARRIED QUIETLY
Solo Exhibition by Nani Puspasari
Space 1, Counihan Gallery
233 Sydney Road, Brunswick (inside Brunswick Town Hall)
2 May – 19 July 2026
Opening hours: Wed–Sat 11am–5pm, Sun 1pm–5pm
Free entry
⸻
Getting there
• Tram 19 (Stop 21 – Dawson St/Sydney Rd)
• Jewell Station (Upfield line, 5 min walk)
• Bus 504, 506, 508, 509 nearby
⸻
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
⸻
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
⸻
Presented by @artsmerri_bek
Alongside works by
@GrumpyEnoki
@JoshHedeArt
@JudyK__
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
Airing on Sun, May 28th - 5pm - I will be sharing the stories behind my art on @abc_arts ABC Art Works Season 3, episode 12 https://iview.abc.net.au/show/art-works
Being an artist requires passion, dedication, and talent. But it's even harder for immigrant artists to establish themselves in a new country, even after 15 years of living here. One big challenge was understanding Australian art norms and cultural differences. Each country has its artistic heritage and preferences. My art style might not be immediately accepted by the local audience and art community. Being an immigrant artist trying to get recognized is emotionally challenging. There's a lot of rejection, often being ignored and little connection.
Last week, something surreal happened. I was given an amazing opportunity to showcase my artwork on an Australian art TV program. It all started when a stranger, to whom I randomly shared my art struggles a year ago, invited me last week (thank you so much Lauren 🥰🙏). Through sharing my experiences, I hope to inspire and uplift other aspiring artists who face similar challenges, especially immigrants and people of colour. I firmly believe in supporting one another, regardless of our backgrounds. Let's GENUINELY be kind to each other.
I want to express my gratitude to @abc_arts ABC's fantastic and lovely team. They were incredibly supportive and welcoming, easing my nervousness during my visit to the TV station yesterday. I truly admire their friendly work environment 🥰🙏
First photo by Lauren B
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#art #abcartworks #artist #artists #arts #tv #instaart
Airing on Sun, May 28th - 5pm - I will be sharing the stories behind my art on @abc_arts ABC Art Works Season 3, episode 12 https://iview.abc.net.au/show/art-works
Being an artist requires passion, dedication, and talent. But it's even harder for immigrant artists to establish themselves in a new country, even after 15 years of living here. One big challenge was understanding Australian art norms and cultural differences. Each country has its artistic heritage and preferences. My art style might not be immediately accepted by the local audience and art community. Being an immigrant artist trying to get recognized is emotionally challenging. There's a lot of rejection, often being ignored and little connection.
Last week, something surreal happened. I was given an amazing opportunity to showcase my artwork on an Australian art TV program. It all started when a stranger, to whom I randomly shared my art struggles a year ago, invited me last week (thank you so much Lauren 🥰🙏). Through sharing my experiences, I hope to inspire and uplift other aspiring artists who face similar challenges, especially immigrants and people of colour. I firmly believe in supporting one another, regardless of our backgrounds. Let's GENUINELY be kind to each other.
I want to express my gratitude to @abc_arts ABC's fantastic and lovely team. They were incredibly supportive and welcoming, easing my nervousness during my visit to the TV station yesterday. I truly admire their friendly work environment 🥰🙏
First photo by Lauren B
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#art #abcartworks #artist #artists #arts #tv #instaart
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
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#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
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#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
NOTA SHOP
@nota_shop
Store & Gallery
.
2317 Shigarakicho Chokushi,
Koka, Shiga 529-1804, Japan
Opening Hours: 11:30am – 6:00pm
◉ Closed on Tuesdays
.
Photographed by @_designani
.
During my residency at Shigaraki Ceramic Cultural Park @air_sccp last year, I had the chance to visit NOTA Shop in Shigaraki, Japan. A beautifully thoughtful space where ceramics, architecture, exhibitions, and daily life quietly come together. Located inside a renovated former pottery factory, the space carries the long history of Shigaraki’s ceramic culture while feeling deeply contemporary at the same time.
.
The front area functions as both a shop and exhibition space, thoughtfully displaying ceramics, objects, and artworks within warm timber interiors and raw industrial textures.
What I found especially inspiring was that behind the store, ceramic production is still actively happening, keeping the connection between making and exhibiting very alive.
.
NOTA continues to honour Shigaraki’s pottery traditions while supporting contemporary practice and creative exchange. Last year also marked the first year of their artist residency program, creating new opportunities for artists to live and work within this evolving ceramic community.
.
The name “NOTA” comes from the adhesive used in pottery-making, symbolising connection between people, objects, materials, and place; something that could truly be felt throughout the entire space.
.
.
.
.
.
.
.
.
.
#shigaraki #japan #ceramic #notashop #shigarakiceramicculturalpark
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
STUDIO VISIT
Xiao Lin
@xiaolinclay
.
Jingdezhen, China
.
Photographed by @_designani
.
Visited in Nov 2025 during my @_designani ceramic residency in Jingdezhen, China @jdzinternationalstudio
.
Since 2016, Xiaolin has been committed to the exploration and recreation of localised ceramic materials in Jingdezhen, China. His practice focuses on engaging with local clay materials while travelling with his own minigamas. He views this experimental exploration of ceramic craft as a personal journey of self-cultivation, seeking to build a connection between the earth and diverse cultures worldwide. Through this process, he continues to discover his own unique way of communicating with the world.
.
more photos www.designani.com/nani-visit
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#studiovisit #jingdezhen #nanivisit #ceramicstudio #artstudio
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
All the Small Lives at Once
2026
Acrylic on 2 panel canvases
120 x 240cm
.
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
@counihangallery
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
Shit Just Got Personal, 2026,
Glazed ceramic, gold leaf, feldspar rock,
33x24x24cm
.
Exhibited for Group show: “She Burns”
Sanbao Peng Art Museum
Jingdezhen, China
6 March – 6 April 2026
Curated by Lin Xi
.
📸 Sanbao Peng museum
.
.
.
.
.
.
.
#jingdezhen #china #nanipuspasari #sanbaopeng #ceramicexhibition
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
✿ Currently on display
Solo Exhibition by Nani Puspasari
THINGS I CARRIED QUIETLY
Space 1, Counihan Gallery
233 Sydney Road, Brunswick
(inside Brunswick Town Hall)
2 May – 19 July 2026
.
Opening hours:
Wed–Sat 11am–5pm
Sun 1pm–5pm
Free entry
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community. @artsmerri_bek @merri_bekcitycouncil
photos: @dotti_with_her_lens @_designani @faz.io
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramics
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
(Available to purchase)
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic #australianceramic
Island Girl Who Still Can’t Swim
2026
Installation, glazed ceramics, gold lustre, gold leaf, plexiglass, textile, mixed media
70x130x70cm
.
online catalogue via link in bio
.
✿ Currently on display at Counihan Gallery as part of the solo exhibition THINGS I CARRIED QUIETLY (2 May – 19 July 2026)
at @counihangallery
.
presented by @artsmerri_bek @merri_bekcitycouncil
.
This exhibition reflects on the quiet emotions of migration, cultural transition, and memories of places once called home. Through ceramics and paintings, I bring together fragments of childhood that are playful, tender, and slightly surreal. Hybrid fruits, altered objects, shy animals, and small figures gather like soft constellations, holding traces of belonging and displacement.
.
The exhibition also includes Objects Once Held, a participatory project where visitors are invited to draw or write about something meaningful to them, becoming part of a shared memory with the community.
.
.
.
.
.
.
#exhibition #nanipuspasari #artexhibition #ceramic australianceramic
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
Tracking my work through its online presence
.
Client: @sabisounds.au
Visual identity, illustration, painting, artist-in-residence
.
Visual identity project for Sabi Sounds, a music-focused café in Hawthorn. The project includes hand-painted signage, wall artworks, window graphics, and digital illustrations integrated throughout the space, including the vinyl collection area. The collaboration also extends into an artist-in-residence program, with a selection of ceramic works and illustrated merchandise available in-store.
.
Photo credits:
Thank you so much for sharing the photos!
Really grateful 💛
1. Yanni Ran
2. The painting process video is in the previous Instagram post.
3. Self portrait by @mike_sundays
4. @broadsheet_melb hellopablodiaz
5. Satapon wiwattarangkul
6. @majinmelbourne
7. @chonggi.and.food
8. @_natashang
9. Yanni Ran
10. @vinnguyn
11. Tash atkins
12. @_designani
13. @millarichardson
14. Yanni Ran
15. Satapon wiwattarangkul
16. @andreafourteen
17. @sabisoundsau
.
.
.
.
.
.
.
.
#sabisounds #nanipuspasari #artist #illustration #creative
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.