인스타그램 스토리 뷰어
인스타그램 스토리를 익명으로 보기
bbbingaaa
B. Ingrid Olson
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
Poker Night is back! Latitude x LMRM
Join us on MAY 22 for an evening of community, poker, and friendly competition. ➡️ support our two community arts organizations and play to win an artwork by Lisa Alvarado or B. Ingrid Olson!
✺ 5:30 PM – Doors open w/ studio tours of both Latitude and LMRM
✺ 6:30 PM – Poker play begins (up to 8 players per table)
✺ 9:00 PM – Play ends, prizes awarded!
No need to worry if you're not a seasoned card player (or haven't played before at all!)—rules will be explained, patience will be abundant, and we'll progress at a comfortable pace for everyone.
Link in bio 🐎♠️♥️♣️♦️🐎
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
3 weeks left to visit 𝒜 𝑀𝒶𝓈𝒸𝓊𝓁𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @midwayart
The exhibition includes two artworks: Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d. and A Feminine Thought, 2007-2025. First exhibited in June 2025 at Kunstverein Braunschweig and conceived of as a Gesamtkunstwerk, or “total artwork”, A Feminine Thought was spread across the first floor of the Villa Salve Hospes, fluidly filling the eight rooms with the sole artwork. Gesamtkunstwerk, or “total artwork”, is a work of art or other constructed experience that combines as many mediums as possible into a coherent whole. Popularized (and problematized) by the composer Richard Wagner, the principles of the Gesamtkunstwerk are often embodied by architecture, with practitioners such as Le Corbusier and Frank Lloyd Wright controlling every element of their buildings.
For Midway, Olson has reconfigured and translated the large-scale artwork in response to the present architectural situation. Condensed not only into a single room, but into one half of the gallery space, the installation’s 527 tabletops are stacked directly on the floor into a tight and dense configuration, backed up against a long wall. The black laminate panels are scaled to the dimensions of every artwork made by the artist to date. A kind of shadow oeuvre, these rectilinear surrogates actually and metaphorically support an array of sculptural forms, drawings, and assemblages.
Grafted onto the existing steel beam that bisects Midway’s gallery space, Olson has installed four steel and fogged-glass partitions which simulate the transition between an interior and exterior space. 70 small photographic collages are scattered and taped across the interior surface of the glass. An installation of steel light fixtures, Fraternal Canon (What I would be if I wasn’t what I am before I was I), n.d., distantly backlights the photographic elements. In the liminal ‘outside’, the lights theatrically perform as artificial sunlight.
📷: @caylonhackwith 💫
A Feminine Thought will travel from@kunstvereinbraunschweig will be translated and transformed @midwayart
A Masculine Thought opening November 22 in Minneapolis! 🕳️ 🧠 🕳️
Auto, f, 2021-2024
laser print, transparency, batting, cardstock, reflective paper, staple
2.5 x 2.25 x .5 in
(6.4 x 5.7 x 1.3 cm)
Envelope, 2020-2021
Inkjet print and UV printed matboard in powder-coated aluminum frame
20 x 14 x 1 in (50.8 x 35.5 x 2.5 cm)
With @i8gallery @frieze.london
Stand C3
Auto, f, 2021-2024
laser print, transparency, batting, cardstock, reflective paper, staple
2.5 x 2.25 x .5 in
(6.4 x 5.7 x 1.3 cm)
Envelope, 2020-2021
Inkjet print and UV printed matboard in powder-coated aluminum frame
20 x 14 x 1 in (50.8 x 35.5 x 2.5 cm)
With @i8gallery @frieze.london
Stand C3
Auto, f, 2021-2024
laser print, transparency, batting, cardstock, reflective paper, staple
2.5 x 2.25 x .5 in
(6.4 x 5.7 x 1.3 cm)
Envelope, 2020-2021
Inkjet print and UV printed matboard in powder-coated aluminum frame
20 x 14 x 1 in (50.8 x 35.5 x 2.5 cm)
With @i8gallery @frieze.london
Stand C3
Auto, f, 2021-2024
laser print, transparency, batting, cardstock, reflective paper, staple
2.5 x 2.25 x .5 in
(6.4 x 5.7 x 1.3 cm)
Envelope, 2020-2021
Inkjet print and UV printed matboard in powder-coated aluminum frame
20 x 14 x 1 in (50.8 x 35.5 x 2.5 cm)
With @i8gallery @frieze.london
Stand C3
Auto, f, 2021-2024
laser print, transparency, batting, cardstock, reflective paper, staple
2.5 x 2.25 x .5 in
(6.4 x 5.7 x 1.3 cm)
Envelope, 2020-2021
Inkjet print and UV printed matboard in powder-coated aluminum frame
20 x 14 x 1 in (50.8 x 35.5 x 2.5 cm)
With @i8gallery @frieze.london
Stand C3
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
One week + One day left to see 𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 @kunstvereinbraunschweig
[until it travels to @midwayart opening November 22. Come see this show transform in Minneapolis!]
From @cat8rin ‘s exhibition text:
𝒜 𝐹𝑒𝓂𝒾𝓃𝒾𝓃𝑒 𝒯𝒽𝑜𝓊𝑔𝒽𝓉 responds to the unique circular architecture in the ground floor of Villa Salve Hospes where Kunstverein Braunschweig is housed. The sole large-scale work presented shares its title with the exhibition, and re-frames the idea and concept of the “Gesamtkunstwerk”. The title refers to a work by Dieter Roth: 𝐸𝒾𝓃 𝓌𝑒𝒾𝒷𝓁𝒾𝒸𝒽𝑒𝓇 𝒢𝑒𝒹𝒶𝓃𝓀𝑒 𝐼 & 𝐼𝐼 (1971), an edition of two prints depicting a woman becoming a table and a table becoming a woman. In her exhibition, the artist explores the objectification and reification of a female body by conditioning the spatial experience of the Kunstverein, through sensory modifications and psycho-physical imagery.
Many thanks to @cat8rin , Monja Remmers, the staff at Kunstverein Braunschweig, @kazukiguzman , Sam Stevens and @johnhendersonjohnhenderson for supporting this artwork-as-exhibition fantasy. Thanks also especially to Laura @clueperfumery for collaborating with me on the olfactory components. Thank you to @ash.huse for teaching me new photo processes and @latitudechi *always* for access to scanners and printers. Thanks to @orionmartin for saving my biggest drawing for a decade, and mailing it back to me a few years ago (included here, folded up as it was when stored.)This artwork would not have been possible without support from @trellisartfund @artadia and @guggfellows
✮✩🎀✩✮
& Materials too long, posted in comments
You are warmly invited to our summer party and the opening of the exhibition of B. INGRID OLSON „A Feminine Thought“ on Friday, June 20, 2025, at 7 pm.
„A Feminine Thought“ is the first institutional exhibition in Germany of the American artist B. INGRID OLSON (*1987 in Denver, lives and works in Chicago) and responds to the unique circular architecture in the ground floor of Villa Salve Hospes. „A Feminine Thought“ shares its title with the sole large-scale work presented in the exhibition, which was created through Olson’s engagement with the idea and concept of the “Gesamtkunstwerk”.
The exhibition title refers to a work by Dieter Roth: „Ein weiblicher Gedanke I & II“ (1971), an edition of two prints depicting a woman as a table.
In her exhibition, the artist explores the objectification and reification of the female body by not controlling the spatial situation in the Kunstverein but approaching it sensorially and from a psychological perspective.
Curator: Cathrin Mayer @cat8rin
Supported by:
Niedersächsisches Ministerium für Wissenschaft und Kultur @mwk.niedersachsen
Die Öffentliche Versicherung Braunschweig @oeffentliche_bs
Stadt Braunschweig - Fachbereich Kultur und Wissenschaft @braunschweig.de
We would like to thank:
i8 Gallery @i8gallery
The exhibition “A Feminine Thought” will be presented in an adapted version at Midway Contemporary Art in Minneapolis (USA), on view from November 22, 2025, through January 24, 2026. @midwayart
Credits: 1) B. Ingrid Olson, Excerpt from A Feminine Thought, 2007–2025 , © B. Ingrid Olson, Photo: B. Ingrid Olson / Studio 2) B. Ingrid Olson, Courtesy the artist and i8 Gallery, Reykjavík, Iceland.
#KunstvereinBraunschweig #BIngridOlson #Opening #AFeminineThought #Braunschweig @bbbingaaa @kunstvereine
You are warmly invited to our summer party and the opening of the exhibition of B. INGRID OLSON „A Feminine Thought“ on Friday, June 20, 2025, at 7 pm.
„A Feminine Thought“ is the first institutional exhibition in Germany of the American artist B. INGRID OLSON (*1987 in Denver, lives and works in Chicago) and responds to the unique circular architecture in the ground floor of Villa Salve Hospes. „A Feminine Thought“ shares its title with the sole large-scale work presented in the exhibition, which was created through Olson’s engagement with the idea and concept of the “Gesamtkunstwerk”.
The exhibition title refers to a work by Dieter Roth: „Ein weiblicher Gedanke I & II“ (1971), an edition of two prints depicting a woman as a table.
In her exhibition, the artist explores the objectification and reification of the female body by not controlling the spatial situation in the Kunstverein but approaching it sensorially and from a psychological perspective.
Curator: Cathrin Mayer @cat8rin
Supported by:
Niedersächsisches Ministerium für Wissenschaft und Kultur @mwk.niedersachsen
Die Öffentliche Versicherung Braunschweig @oeffentliche_bs
Stadt Braunschweig - Fachbereich Kultur und Wissenschaft @braunschweig.de
We would like to thank:
i8 Gallery @i8gallery
The exhibition “A Feminine Thought” will be presented in an adapted version at Midway Contemporary Art in Minneapolis (USA), on view from November 22, 2025, through January 24, 2026. @midwayart
Credits: 1) B. Ingrid Olson, Excerpt from A Feminine Thought, 2007–2025 , © B. Ingrid Olson, Photo: B. Ingrid Olson / Studio 2) B. Ingrid Olson, Courtesy the artist and i8 Gallery, Reykjavík, Iceland.
#KunstvereinBraunschweig #BIngridOlson #Opening #AFeminineThought #Braunschweig @bbbingaaa @kunstvereine
New work @artbasel w @croynielsen & in such good company!
CROY NIELSEN
Art Basel
Booth J15, Hall 2.1
19. – 22. 6. 2025
Olga Balema
Ernst Yohji Jaeger
Elke Silvia Krystufek
Tomas Joshua Leth
Soshiro Matsubara
B. Ingrid Olson
New work @artbasel w @croynielsen & in such good company!
CROY NIELSEN
Art Basel
Booth J15, Hall 2.1
19. – 22. 6. 2025
Olga Balema
Ernst Yohji Jaeger
Elke Silvia Krystufek
Tomas Joshua Leth
Soshiro Matsubara
B. Ingrid Olson
New work @artbasel w @croynielsen & in such good company!
CROY NIELSEN
Art Basel
Booth J15, Hall 2.1
19. – 22. 6. 2025
Olga Balema
Ernst Yohji Jaeger
Elke Silvia Krystufek
Tomas Joshua Leth
Soshiro Matsubara
B. Ingrid Olson
New work @artbasel w @croynielsen & in such good company!
CROY NIELSEN
Art Basel
Booth J15, Hall 2.1
19. – 22. 6. 2025
Olga Balema
Ernst Yohji Jaeger
Elke Silvia Krystufek
Tomas Joshua Leth
Soshiro Matsubara
B. Ingrid Olson
New work @artbasel w @croynielsen & in such good company!
CROY NIELSEN
Art Basel
Booth J15, Hall 2.1
19. – 22. 6. 2025
Olga Balema
Ernst Yohji Jaeger
Elke Silvia Krystufek
Tomas Joshua Leth
Soshiro Matsubara
B. Ingrid Olson
New edition @kei_ji_ban is available through Keijiban website
Old Girl
Offset print with cut holes
Edition of 36
unframed
https://keijiban.online/en/b-ingrid-olson/editions/old-girl
New edition @kei_ji_ban is available through Keijiban website
Old Girl
Offset print with cut holes
Edition of 36
unframed
https://keijiban.online/en/b-ingrid-olson/editions/old-girl
New edition @kei_ji_ban is available through Keijiban website
Old Girl
Offset print with cut holes
Edition of 36
unframed
https://keijiban.online/en/b-ingrid-olson/editions/old-girl
So blown away and beyond happy for Isabelle, opening today @rensoc Year Zero starts now! Congratulations @ham_m2aand @kwlund 💕
So blown away and beyond happy for Isabelle, opening today @rensoc Year Zero starts now! Congratulations @ham_m2aand @kwlund 💕
So blown away and beyond happy for Isabelle, opening today @rensoc Year Zero starts now! Congratulations @ham_m2aand @kwlund 💕
So blown away and beyond happy for Isabelle, opening today @rensoc Year Zero starts now! Congratulations @ham_m2aand @kwlund 💕
So blown away and beyond happy for Isabelle, opening today @rensoc Year Zero starts now! Congratulations @ham_m2aand @kwlund 💕
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.