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buffmonster
full_name
biography
Working a new set of heads, which I’ve wanted to do for quite a while now. Starting with various silhouettes from over the years and sketching them all new. This one of the first steps in the process. Consistent balanced shapes, tons of variations, tons of possibilities 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m also releasing a brand new set of posters!
Last summer, my friends at SEEN wheat-pasted these designs around Brooklyn and Manhattan, and I even got in on the action. Seeing them out in the streets was incredibly fun, and a bunch of people asked if I could make them available online — so now’s your chance.
There are four designs to choose from:
Smile Today
Melt With Me
Bright Days Ahead
Keep the Streets Sweet
These were printed with a beautiful satin varnish that gives them a super smooth finish and makes the colors pop in a really nice way. They came out even better than I hoped.
4-color offset print on 100 lb. text paper with satin varnish
18 x 24” (45.7 x 61cm)
Available individually or as a set 💥💥💥
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
I’m excited to kick off my first print release of the year with two new releases that grew out of projects I started last year.
First up: a brand new tattoo flash print!
While I was in Vienna last fall for my residency, I spent a lot of time drawing tattoo flash inspired by classic American traditional tattoo designs — skulls, daggers, roses, melting scoops, and all the good stuff. I didn’t get through nearly as many drawings as I wanted while I was there, so once I got home I kept going and built out a much larger collection. This print features a selection of my favorites.
Compared to my original flash print from 2014, this one has an added layer of pink details that really brings everything to life and makes the whole piece feel louder, sweeter, and more playful. It was printed by my longtime friends at Bushwick Print Lab in Brooklyn on Coventry Rag paper, which is hands-down my favorite paper stock. The cotton rag texture holds the ink beautifully and gives the print such a rich, velvety feel in person.
Scoops and Skulls
Edition of 80
2-color silkscreen print on Coventry Rag 290gsm paper
18 x 24” (45.7 x 61cm)
Numbered, signed, and dated
After nearly a month in Hawaii, I’ve been carving out time to work on some new drawings. After all, it can’t all be a nearly endless feast of Malasadas, shave ice, Li Hing Mui, Haupia pancakes, passion pear pie, mochi, chichi dango, ice cream, Inari, poke, Huli huli chicken, meat jun, Portuguese bean soup, Kalua pig, manapua and all the other local foods that I grew up on 🌴🌴🌴
Today is my birthday! I wasn’t planning on being in Hawaii for this one, but I got lucky! 🌴🏄♂️🌺🦎🌈⭐️🍙🍨🏖️😎
Happy to see that this dude is still here roughly six years later. An earlier photo, before he got so beat up, was used on the cover of the Street Sweets zine last year 🌴🌴🌴
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
We all started 2020 with such optimism, thinking it would be a year of clarity (of perfect vision), but that all went to hell pretty quickly. For me, a lot of things changed. As I was moving out of my old small studio on Bowery, into my much larger studio in Brooklyn, I was also finishing up my work on Justin Bieber’s album Changes. Working on both of those things at the same time was crazy. The album came out early in 2020 and he and I were talking about working on the subsequent tour but it got cancelled unfortunately. As I was working on the Jumbo series of The Melty Misfits with eBay, I was driving up to see my partner Tom and we got in a bad accident and my beloved Scion was totaled. Spending the month of December in Hawaii was awesome because it had the added benefit of being quite deserted, but sadly that would be the last time I’d see my uncle Bobby. Sadly, we also took some of our last sailing trips with our buddy Malcolm earlier in the year. We didn’t know any of that at the time and I still managed to work on two very big commission paintings, paint a couple murals, and get a bunch of orders out with the help of my good buddy Rob.
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.