인스타그램 스토리 뷰어
인스타그램 스토리를 익명으로 보기
daniel_diskodanny
Daniel Kok Diskodanny
Choreographer / Artistic Director / Shibari
Based: Singapore + Berlin
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
From 14–23 May, during SPRING Performing Arts Festival in Utrecht,Daniel Kok and Luke George will transform Neude Square in Utrecht into Home Bound, a growing participatory installation made from rope, stories, movement and community.
Created during the SPRING Performing Arts Festival, the project brings together artists, craftspeople, local residents and visitors to collectively weave, knot and build a monumental installation.
Over ten days, communities from across Utrecht — from knitters and carpet weavers to circus artists, bell ringers and rope practitioners — will gather daily to share knowledge, stories and practices.
Participation is free and open to everyone.
📍 Neude Square, Utrecht
📅 14–23 May@springutrecht
🕛 Daily from 12:00
More information via SPRING Festival @springutrecht
Trailer (excerpt) credits: Home Bound at Arts Centre Melbourne as part of Asia Topa, 2025. Cinematography: James Wright, Eugene Perepletchikov, Angus Kemp / Editor: James Wright / Sound Designer: Nick Roux
@daniel_diskodanny @lukeandgeorge
"A temporary gathering can produce real bonds, even if those bonds do not last in the same form."
In our latest interview, we speak with Daniel Kok (#Singapore🇸🇬) who shares more about his decade-long creative partnership with Luke George (#Australia🇦🇺) - apartnership that has produced intimate and relational works including Home Bound, a monumental #art #installation made with rope, knots and community contributions in various forms. Daniel also shares more about the process behind Home Bound's second iteration, which will take shape in Utrecht as part of #AECFest2026, in collaboration with SPRING Performing Arts Festival.
Come be a part of Home Bound at the Asia-Europe Cultural Festival 2026, landing in Utrecht in 1️⃣1️⃣ days!
🔗Visit our website via the link in bio to read the full interview
📅 14-23 May, 9:30am-9pm daily
⏰ FULLACTIVITY SCHEDULE OUT NOW - Visit our website to learn how you can participate in Home Bound!
📍Neude Public Square, #Utrecht, #Netherlands 🇳🇱
🎟️ Admission: Free/Pay-what-you-want
#ASEFCulture #AECFestxSPRING #Asia #Europe
---
The #AECFest 2026 is organised by the @asiaeuropefoundation The Main Festival is in partnership with the SPRING Performing Arts Festival (@springutrecht) and funded by the People's Republic of China and the Ministry of Foreign Affairs of Denmark (@udenrigsministeriet). Thanks to Instituto Cervantes Netherlands (@institutocervantesutrecht), Casa Asia (@casa.asia), Japan Foundation (@japanfoundation), and Incheon Foundation of Art and Culture.
"A temporary gathering can produce real bonds, even if those bonds do not last in the same form."
In our latest interview, we speak with Daniel Kok (#Singapore🇸🇬) who shares more about his decade-long creative partnership with Luke George (#Australia🇦🇺) - apartnership that has produced intimate and relational works including Home Bound, a monumental #art #installation made with rope, knots and community contributions in various forms. Daniel also shares more about the process behind Home Bound's second iteration, which will take shape in Utrecht as part of #AECFest2026, in collaboration with SPRING Performing Arts Festival.
Come be a part of Home Bound at the Asia-Europe Cultural Festival 2026, landing in Utrecht in 1️⃣1️⃣ days!
🔗Visit our website via the link in bio to read the full interview
📅 14-23 May, 9:30am-9pm daily
⏰ FULLACTIVITY SCHEDULE OUT NOW - Visit our website to learn how you can participate in Home Bound!
📍Neude Public Square, #Utrecht, #Netherlands 🇳🇱
🎟️ Admission: Free/Pay-what-you-want
#ASEFCulture #AECFestxSPRING #Asia #Europe
---
The #AECFest 2026 is organised by the @asiaeuropefoundation The Main Festival is in partnership with the SPRING Performing Arts Festival (@springutrecht) and funded by the People's Republic of China and the Ministry of Foreign Affairs of Denmark (@udenrigsministeriet). Thanks to Instituto Cervantes Netherlands (@institutocervantesutrecht), Casa Asia (@casa.asia), Japan Foundation (@japanfoundation), and Incheon Foundation of Art and Culture.
"A temporary gathering can produce real bonds, even if those bonds do not last in the same form."
In our latest interview, we speak with Daniel Kok (#Singapore🇸🇬) who shares more about his decade-long creative partnership with Luke George (#Australia🇦🇺) - apartnership that has produced intimate and relational works including Home Bound, a monumental #art #installation made with rope, knots and community contributions in various forms. Daniel also shares more about the process behind Home Bound's second iteration, which will take shape in Utrecht as part of #AECFest2026, in collaboration with SPRING Performing Arts Festival.
Come be a part of Home Bound at the Asia-Europe Cultural Festival 2026, landing in Utrecht in 1️⃣1️⃣ days!
🔗Visit our website via the link in bio to read the full interview
📅 14-23 May, 9:30am-9pm daily
⏰ FULLACTIVITY SCHEDULE OUT NOW - Visit our website to learn how you can participate in Home Bound!
📍Neude Public Square, #Utrecht, #Netherlands 🇳🇱
🎟️ Admission: Free/Pay-what-you-want
#ASEFCulture #AECFestxSPRING #Asia #Europe
---
The #AECFest 2026 is organised by the @asiaeuropefoundation The Main Festival is in partnership with the SPRING Performing Arts Festival (@springutrecht) and funded by the People's Republic of China and the Ministry of Foreign Affairs of Denmark (@udenrigsministeriet). Thanks to Instituto Cervantes Netherlands (@institutocervantesutrecht), Casa Asia (@casa.asia), Japan Foundation (@japanfoundation), and Incheon Foundation of Art and Culture.
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
📣 OPEN CALL FOR PARTICIPANTS:
Certificate Programme for Critical Practice in Contemporary Performance, [CP]³
❗️We are inviting 12 independent performance makers from the Asia-Pacific to form our 6th cohort. Applications are open from 9th MAR to 30th APR 2026.
[CP]³ is an online mentoring for the development of critical praxes in contemporary choreography and performance making, with a focus on the Asian context.
Led by Daniel Kok (Singapore), the 5-month programme (22nd JUN to 27th NOV 2026) consists of lectures and mentorship sessions by mentors Arco Renz, Eisa Jocson (Manila), Luke George (Melbourne), Melati Suryodarmo (Surakarta), Nanako Nakajima (PhD, Kyoto), Padmini Chettur (Chennai), Pichet Klunchun (Bangkok), and Xiaoke x Zihan (Shanghai).
@daniel_diskodanny @kobalt_works @eisajocson @lukeandgeorge @suryodarmomelati @nanakonakajima @padminichettur @pichet_klunchun @xiaokelee @zihan004
🔗 Links in Bio
Programme prospectus | Programme schedule |Application form
Image: Chapter Two (2025) by Pichet Klunchun
Photo: Bernie Ng, Courtesy of Esplanade
A converge of Brisbane’s punk legacy and raw, vulnerable human experience.
Still Lives: Brisbane, a performance-installation series that bound and captured moments in time as part of the art palette of Melt Festival and Night Feast 2025.
By Luke George and Daniel Kok
📸 @contentby.sam
A converge of Brisbane’s punk legacy and raw, vulnerable human experience.
Still Lives: Brisbane, a performance-installation series that bound and captured moments in time as part of the art palette of Melt Festival and Night Feast 2025.
By Luke George and Daniel Kok
📸 @contentby.sam
A converge of Brisbane’s punk legacy and raw, vulnerable human experience.
Still Lives: Brisbane, a performance-installation series that bound and captured moments in time as part of the art palette of Melt Festival and Night Feast 2025.
By Luke George and Daniel Kok
📸 @contentby.sam
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere
@glasgowtramway
25 Oct 2025
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Wrestlers: @mollyspartan x @lawless_wrestler
Live Sound Design: @fran.kie___
International Distribution: @somethinggreat_livearts
Photography: @tiumakko
Still Lives is a performance-installation series that captures (with ropes) significant moments or movement in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive and context-specific process of binding cultural objects in their place.
For Glasgow, Still Lives enters the charged world of professional wrestling, a scene with deep local roots and fiercely loyal fans. The artists will lean into the city’s appetite for drama and physical theatre, exploring energy and inertia, movement and pause, kayfabe and the suspension (quite literally) of disbelief.
Collaborating with local wrestlers, they will re-stage the high drama and choreography of the ring, tying up their bodies mid-tackle and suspending them above the mat. The performance will be soundtracked live by Huntress: expect goth-metal textures, pulsing techno and strange, beautiful noise.
Supported by the National Arts Council (Singapore), Take Me Somewhere and Tramway.
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere, @glasgowtramway
Lead Artists: @lukeandgeorge @daniel_diskodanny
Models (Wrestlers): @mollyspartan @lawless_wrestler
Sound Design: @fran.kie___
Produced by:
@somethinggreat_livearts
Support: @nacsingapore
Photos: @tiumakko
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere, @glasgowtramway
Lead Artists: @lukeandgeorge @daniel_diskodanny
Models (Wrestlers): @mollyspartan @lawless_wrestler
Sound Design: @fran.kie___
Produced by:
@somethinggreat_livearts
Support: @nacsingapore
Photos: @tiumakko
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere, @glasgowtramway
Lead Artists: @lukeandgeorge @daniel_diskodanny
Models (Wrestlers): @mollyspartan @lawless_wrestler
Sound Design: @fran.kie___
Produced by:
@somethinggreat_livearts
Support: @nacsingapore
Photos: @tiumakko
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere, @glasgowtramway
Lead Artists: @lukeandgeorge @daniel_diskodanny
Models (Wrestlers): @mollyspartan @lawless_wrestler
Sound Design: @fran.kie___
Produced by:
@somethinggreat_livearts
Support: @nacsingapore
Photos: @tiumakko
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere, @glasgowtramway
Lead Artists: @lukeandgeorge @daniel_diskodanny
Models (Wrestlers): @mollyspartan @lawless_wrestler
Sound Design: @fran.kie___
Produced by:
@somethinggreat_livearts
Support: @nacsingapore
Photos: @tiumakko
Still Lives: Glasgow
Take Me Somewhere 2025
@tmsomewhere, @glasgowtramway
Lead Artists: @lukeandgeorge @daniel_diskodanny
Models (Wrestlers): @mollyspartan @lawless_wrestler
Sound Design: @fran.kie___
Produced by:
@somethinggreat_livearts
Support: @nacsingapore
Photos: @tiumakko
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.