인스타그램 스토리 뷰어
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dattiw
Nathalie Wiberg
Swedish-Viet dance artist | Based in Norway and Sweden
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
🛑Why we create this workshop for you guys🛑
Interviewing our fourth collaborator, Nathalie Wiberg, on how dancing can be different.
Bringing her inspirations and framework to Synergy Station on Feb 28 and March 1, HCM city.
Come move with us. Registration via DM
#synergystation #synergyworkshop #contemporary #bridgingthegap #saigon
A dance class! Yay!
‘I Know I Like To Feel The Sun In My Palm’
This contemporary class plays with imagination, waking up and tuning in to different ways of sensing and responding through the body and the space.
The class moves between improvisation, and some set exercises, traveling across the floor both individually and collectively, with and without music. Ending with an improv jam!
A little taste test of things! We will move, brush, listen, pretend to be a snail, do some pliées, pass through set positions, wonder and listen to some Abba. Come!
🐣Class time: 3pm-5pm, Sunday, 25 Jan 2026
🏁Location: Life Dance studio, level 1, 18 Tran Thien Chanh, Hoa Hung ward, Ho Chi Minh city
💥Ticket: 150,000 vnd/ ppl
🦾Open Level: to dancers and movement practitioners of all levels ✨
Register link on bio or DM us for more info
-
About Nathalie
Nathalie Wiberg is a contemporary dance artist, she was adopted from Vietnam and grew up in Scandinavia. She did her training at Copenhagen Contemporary Dance School(DK), Institut Del Theatre (ES) and holds a bachelor degree in dance from The University of Stavanger (NO) Nathalie has worked with mentors including Ellen Söderhult, Katarina Skår Lisa, Hanna Filomen Mjåvatn, and Shanti Brahmachari. As a freelance dancer, she moves between her own creations alongside collaborations and performances with other artists.
Video by
Lars Kjemphol
Captured during a creative lab supported by Tekstlab, Norway.
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
A sunset conversation in Jungle dance 2023✨
@kalakeli_arts
#coversation #movement #explore #dance
North of Italy, last year
Concept & photography @elenagarbo
Styling @holy.angela
North of Italy, last year
Concept & photography @elenagarbo
Styling @holy.angela
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.