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CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦
LISBON | Sara Greenberger Rafferty: 𝘗𝘪𝘦𝘤𝘦𝘴
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | On view through June 6, 2026
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
@dabinahn #dabinahn #documentspace
Currently on view as part of the Whitney Biennial 2026, Erin Jane Nelson’s ceramic sculptures are also functional pinhole cameras, which she used to create the nearby photographs. Working in the desert of northern New Mexico, she rests the cameras on the ground so that they remain still through the long exposure time they require. Rather than picturing the region’s famously dramatic vistas, Nelson creates intimate views of the underlying ecological systems.
Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, New York, March 8-August 23, 2026). Works by Erin Jane Nelson. Photograph by Ron Amstutz.
Erin Jane Nelson, 𝘊𝘳𝘺𝘱𝘵𝘰𝘤𝘳𝘶𝘴𝘵, 2025. Pigment prints, resin, and epoxy clay on glazed stoneware; 8 3/4 x 11 1/2 x 1 1/4 in.
Erin Jane Nelson, 𝘉𝘶𝘣𝘣𝘭𝘦 𝘊𝘢𝘮, 2025. Pigment prints, rhinestones, glass beads, stainless steel, and pipe cleaners on glazed porcelain; 7 x 5 1/2 x 4 3/4 in.
Erin Jane Nelson, 𝘛𝘰𝘯𝘨𝘶𝘦, 2025. Pigment print, resin, and epoxy clay on glazed stoneware; 16 1/2 x 17 1/2 x 1 1/4 in.
@erinjanenelson #erinjanenelson @whitneymuseum #whitneybiennial #documentspace
Currently on view as part of the Whitney Biennial 2026, Erin Jane Nelson’s ceramic sculptures are also functional pinhole cameras, which she used to create the nearby photographs. Working in the desert of northern New Mexico, she rests the cameras on the ground so that they remain still through the long exposure time they require. Rather than picturing the region’s famously dramatic vistas, Nelson creates intimate views of the underlying ecological systems.
Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, New York, March 8-August 23, 2026). Works by Erin Jane Nelson. Photograph by Ron Amstutz.
Erin Jane Nelson, 𝘊𝘳𝘺𝘱𝘵𝘰𝘤𝘳𝘶𝘴𝘵, 2025. Pigment prints, resin, and epoxy clay on glazed stoneware; 8 3/4 x 11 1/2 x 1 1/4 in.
Erin Jane Nelson, 𝘉𝘶𝘣𝘣𝘭𝘦 𝘊𝘢𝘮, 2025. Pigment prints, rhinestones, glass beads, stainless steel, and pipe cleaners on glazed porcelain; 7 x 5 1/2 x 4 3/4 in.
Erin Jane Nelson, 𝘛𝘰𝘯𝘨𝘶𝘦, 2025. Pigment print, resin, and epoxy clay on glazed stoneware; 16 1/2 x 17 1/2 x 1 1/4 in.
@erinjanenelson #erinjanenelson @whitneymuseum #whitneybiennial #documentspace
Currently on view as part of the Whitney Biennial 2026, Erin Jane Nelson’s ceramic sculptures are also functional pinhole cameras, which she used to create the nearby photographs. Working in the desert of northern New Mexico, she rests the cameras on the ground so that they remain still through the long exposure time they require. Rather than picturing the region’s famously dramatic vistas, Nelson creates intimate views of the underlying ecological systems.
Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, New York, March 8-August 23, 2026). Works by Erin Jane Nelson. Photograph by Ron Amstutz.
Erin Jane Nelson, 𝘊𝘳𝘺𝘱𝘵𝘰𝘤𝘳𝘶𝘴𝘵, 2025. Pigment prints, resin, and epoxy clay on glazed stoneware; 8 3/4 x 11 1/2 x 1 1/4 in.
Erin Jane Nelson, 𝘉𝘶𝘣𝘣𝘭𝘦 𝘊𝘢𝘮, 2025. Pigment prints, rhinestones, glass beads, stainless steel, and pipe cleaners on glazed porcelain; 7 x 5 1/2 x 4 3/4 in.
Erin Jane Nelson, 𝘛𝘰𝘯𝘨𝘶𝘦, 2025. Pigment print, resin, and epoxy clay on glazed stoneware; 16 1/2 x 17 1/2 x 1 1/4 in.
@erinjanenelson #erinjanenelson @whitneymuseum #whitneybiennial #documentspace
Currently on view as part of the Whitney Biennial 2026, Erin Jane Nelson’s ceramic sculptures are also functional pinhole cameras, which she used to create the nearby photographs. Working in the desert of northern New Mexico, she rests the cameras on the ground so that they remain still through the long exposure time they require. Rather than picturing the region’s famously dramatic vistas, Nelson creates intimate views of the underlying ecological systems.
Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, New York, March 8-August 23, 2026). Works by Erin Jane Nelson. Photograph by Ron Amstutz.
Erin Jane Nelson, 𝘊𝘳𝘺𝘱𝘵𝘰𝘤𝘳𝘶𝘴𝘵, 2025. Pigment prints, resin, and epoxy clay on glazed stoneware; 8 3/4 x 11 1/2 x 1 1/4 in.
Erin Jane Nelson, 𝘉𝘶𝘣𝘣𝘭𝘦 𝘊𝘢𝘮, 2025. Pigment prints, rhinestones, glass beads, stainless steel, and pipe cleaners on glazed porcelain; 7 x 5 1/2 x 4 3/4 in.
Erin Jane Nelson, 𝘛𝘰𝘯𝘨𝘶𝘦, 2025. Pigment print, resin, and epoxy clay on glazed stoneware; 16 1/2 x 17 1/2 x 1 1/4 in.
@erinjanenelson #erinjanenelson @whitneymuseum #whitneybiennial #documentspace
Currently on view as part of the Whitney Biennial 2026, Erin Jane Nelson’s ceramic sculptures are also functional pinhole cameras, which she used to create the nearby photographs. Working in the desert of northern New Mexico, she rests the cameras on the ground so that they remain still through the long exposure time they require. Rather than picturing the region’s famously dramatic vistas, Nelson creates intimate views of the underlying ecological systems.
Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, New York, March 8-August 23, 2026). Works by Erin Jane Nelson. Photograph by Ron Amstutz.
Erin Jane Nelson, 𝘊𝘳𝘺𝘱𝘵𝘰𝘤𝘳𝘶𝘴𝘵, 2025. Pigment prints, resin, and epoxy clay on glazed stoneware; 8 3/4 x 11 1/2 x 1 1/4 in.
Erin Jane Nelson, 𝘉𝘶𝘣𝘣𝘭𝘦 𝘊𝘢𝘮, 2025. Pigment prints, rhinestones, glass beads, stainless steel, and pipe cleaners on glazed porcelain; 7 x 5 1/2 x 4 3/4 in.
Erin Jane Nelson, 𝘛𝘰𝘯𝘨𝘶𝘦, 2025. Pigment print, resin, and epoxy clay on glazed stoneware; 16 1/2 x 17 1/2 x 1 1/4 in.
@erinjanenelson #erinjanenelson @whitneymuseum #whitneybiennial #documentspace
Works by John Opera will be on view at the Renaissance Society in Chicago as part of the group exhibition 𝘗𝘢𝘭𝘰𝘮𝘢𝘳, opening tomorrow, Saturday, May 2nd from 4–7PM, with a curator talk at 4PM.
𝘗𝘢𝘭𝘰𝘮𝘢𝘳 is a group exhibition about watching the sky, something that is deceptively simple at first. It unfolds in two parts, featuring twenty-eight artists. As it reflects on different forms of observation in everyday life and in a scientific register, the exhibition gradually spills over into a sense of life that is more layered and complex. Part 1 introduces certain celestial rhythms and cycles, and it draws out experiences of time. Part 2 brings into view evolving relationships with technology and militarization of the skies. It turns out there is a lot at stake in the space above us. Visit the Ren's website for details on the exhibition's public program, which includes an exhibition walk-through, workshop, and performances.
𝘗𝘢𝘭𝘰𝘮𝘢𝘳 Part 1: May 2 – June 7, 2026
𝘗𝘢𝘭𝘰𝘮𝘢𝘳 Part 2: June 10–July 12, 2026
John Opera, 𝘚𝘰𝘭𝘢𝘳 𝘌𝘺𝘦, 2025. Gum bichromate process on stretched canvas; 20 1/4 x 16 1/4 x 1 in.
@johnopera #johnopera @rensoc @kwlund #documentspace
Opening at the Studio Museum in Harlem on Friday, May 1, 𝘍𝘢𝘥𝘦 is the sixth installment of the Museum's “F” show series of exhibitions of emerging artists. Presented in the fourth-floor gallery, 𝘍𝘢𝘥𝘦 features the work of seventeen early-career artists of African and Afro-Latinx descent from across the United States, including Kiah Celeste. Comprising newly commissioned and loaned artworks from a variety of media, 𝘍𝘢𝘥𝘦 reflects the concerns of a new generation of artists.
Working across disciplines, the artists in this exhibition embrace feeling, spirituality, and non-linear conceptions of time. Through sculptural and visual interventions that foreground ancestry, spaces of refuge, land as archive, grief, and the surreal, 𝘍𝘢𝘥𝘦 locates the in-between as a space of resistance. 𝘍𝘢𝘥𝘦 is part of the Museum’s inaugural year of programming in its new building, which opened in November 2025. It is the latest edition of the “F” shows, a series of group exhibitions that began in 2001 with Freestyle, a landmark in defining contemporary Black art. The “F” shows that followed—Frequency (2005–06), Flow (2008), Fore (2012–13), and Fictions (2017–18)—all featured work by emerging artists of African descent and advanced innovative and groundbreaking dialogues within contemporary art.
Kiah Celeste. Photo: Chad Crews. || Kiah Celeste, 𝘚𝘪𝘯𝘬 𝘉𝘦𝘭𝘭𝘺, 2025. Spandex, sink drain, poplar frame, 85 × 63 × 21 in. Courtesy the artist and Swivel Gallery. Photo: Chad Crews
@kiah.celeste @studiomuseum #kiahceleste #documentspace
Opening at the Studio Museum in Harlem on Friday, May 1, 𝘍𝘢𝘥𝘦 is the sixth installment of the Museum's “F” show series of exhibitions of emerging artists. Presented in the fourth-floor gallery, 𝘍𝘢𝘥𝘦 features the work of seventeen early-career artists of African and Afro-Latinx descent from across the United States, including Kiah Celeste. Comprising newly commissioned and loaned artworks from a variety of media, 𝘍𝘢𝘥𝘦 reflects the concerns of a new generation of artists.
Working across disciplines, the artists in this exhibition embrace feeling, spirituality, and non-linear conceptions of time. Through sculptural and visual interventions that foreground ancestry, spaces of refuge, land as archive, grief, and the surreal, 𝘍𝘢𝘥𝘦 locates the in-between as a space of resistance. 𝘍𝘢𝘥𝘦 is part of the Museum’s inaugural year of programming in its new building, which opened in November 2025. It is the latest edition of the “F” shows, a series of group exhibitions that began in 2001 with Freestyle, a landmark in defining contemporary Black art. The “F” shows that followed—Frequency (2005–06), Flow (2008), Fore (2012–13), and Fictions (2017–18)—all featured work by emerging artists of African descent and advanced innovative and groundbreaking dialogues within contemporary art.
Kiah Celeste. Photo: Chad Crews. || Kiah Celeste, 𝘚𝘪𝘯𝘬 𝘉𝘦𝘭𝘭𝘺, 2025. Spandex, sink drain, poplar frame, 85 × 63 × 21 in. Courtesy the artist and Swivel Gallery. Photo: Chad Crews
@kiah.celeste @studiomuseum #kiahceleste #documentspace
From April 23 through June 13, The Kitchen presents 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦, a newly commissioned project by Tromarama, the Indonesian art collective founded in 2006 by Febie Babyrose, Herbert Hans, and Ruddy Hatumena. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.
Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12. These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks. The project considers how information, images, and sound circulate across physical and digital networks, shaping experience and perception. By tracing these flows, Tromarama reflects on the entanglements of technology, consumer culture, and daily life, and on how intelligent systems mediate acts of seeing, listening, and participation. Ultimately, the work positions the exhibition as a dynamic site of critical exchange that invites audiences to consider how technological mediation structures both private and collective experience.
Tromarama, 𝘚𝘵𝘶𝘥𝘪𝘰 𝘚𝘦𝘴𝘴𝘪𝘰𝘯 #2, February 14, 2026, Rossi Musik, Jakarta.
@tromarama #tromarama @thekitchen_nyc @farrerobyn #documentspace
From April 23 through June 13, The Kitchen presents 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦, a newly commissioned project by Tromarama, the Indonesian art collective founded in 2006 by Febie Babyrose, Herbert Hans, and Ruddy Hatumena. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.
Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12. These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks. The project considers how information, images, and sound circulate across physical and digital networks, shaping experience and perception. By tracing these flows, Tromarama reflects on the entanglements of technology, consumer culture, and daily life, and on how intelligent systems mediate acts of seeing, listening, and participation. Ultimately, the work positions the exhibition as a dynamic site of critical exchange that invites audiences to consider how technological mediation structures both private and collective experience.
Tromarama, 𝘚𝘵𝘶𝘥𝘪𝘰 𝘚𝘦𝘴𝘴𝘪𝘰𝘯 #2, February 14, 2026, Rossi Musik, Jakarta.
@tromarama #tromarama @thekitchen_nyc @farrerobyn #documentspace
From April 23 through June 13, The Kitchen presents 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦, a newly commissioned project by Tromarama, the Indonesian art collective founded in 2006 by Febie Babyrose, Herbert Hans, and Ruddy Hatumena. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.
Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12. These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks. The project considers how information, images, and sound circulate across physical and digital networks, shaping experience and perception. By tracing these flows, Tromarama reflects on the entanglements of technology, consumer culture, and daily life, and on how intelligent systems mediate acts of seeing, listening, and participation. Ultimately, the work positions the exhibition as a dynamic site of critical exchange that invites audiences to consider how technological mediation structures both private and collective experience.
Tromarama, 𝘚𝘵𝘶𝘥𝘪𝘰 𝘚𝘦𝘴𝘴𝘪𝘰𝘯 #2, February 14, 2026, Rossi Musik, Jakarta.
@tromarama #tromarama @thekitchen_nyc @farrerobyn #documentspace
From April 23 through June 13, The Kitchen presents 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦, a newly commissioned project by Tromarama, the Indonesian art collective founded in 2006 by Febie Babyrose, Herbert Hans, and Ruddy Hatumena. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.
Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12. These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks. The project considers how information, images, and sound circulate across physical and digital networks, shaping experience and perception. By tracing these flows, Tromarama reflects on the entanglements of technology, consumer culture, and daily life, and on how intelligent systems mediate acts of seeing, listening, and participation. Ultimately, the work positions the exhibition as a dynamic site of critical exchange that invites audiences to consider how technological mediation structures both private and collective experience.
Tromarama, 𝘚𝘵𝘶𝘥𝘪𝘰 𝘚𝘦𝘴𝘴𝘪𝘰𝘯 #2, February 14, 2026, Rossi Musik, Jakarta.
@tromarama #tromarama @thekitchen_nyc @farrerobyn #documentspace
From April 23 through June 13, The Kitchen presents 𝘜𝘱𝘰𝘯 𝘢 𝘔𝘢𝘤𝘩𝘪𝘯𝘦, a newly commissioned project by Tromarama, the Indonesian art collective founded in 2006 by Febie Babyrose, Herbert Hans, and Ruddy Hatumena. Departing from earlier works that mined social media data, Tromarama has developed a new work using context conditioning to an AI model, fed with their personal literary and music archives. This more intimate dataset becomes a lens through which the artists examine how personal and social histories are reinterpreted and remixed by generative technologies.
Live performances will activate the installation throughout the exhibition run, featuring different singers, musicians, and dancers (gospel, opera, jazz, and tap) who improvise in response to AI-generated prompts on April 23, May 15, and June 12. These events, along with public panels and workshops, extend the installation’s inquiry into collective interpretation, authorship, work, and machine-led composition within a global, techno-saturated culture landscape, underscoring the importance of human expression inside technological frameworks. The project considers how information, images, and sound circulate across physical and digital networks, shaping experience and perception. By tracing these flows, Tromarama reflects on the entanglements of technology, consumer culture, and daily life, and on how intelligent systems mediate acts of seeing, listening, and participation. Ultimately, the work positions the exhibition as a dynamic site of critical exchange that invites audiences to consider how technological mediation structures both private and collective experience.
Tromarama, 𝘚𝘵𝘶𝘥𝘪𝘰 𝘚𝘦𝘴𝘴𝘪𝘰𝘯 #2, February 14, 2026, Rossi Musik, Jakarta.
@tromarama #tromarama @thekitchen_nyc @farrerobyn #documentspace
We are thrilled to announce that Julien Creuzet is participating in the 2026 Toronto Biennial of Art, opening September 26, 2026. This year's Biennial brings together over 30 artists and collectives from Canada and around the world and is curated by Allison Glenn. Titled 𝘛𝘩𝘪𝘯𝘨𝘴 𝘍𝘢𝘭𝘭 𝘈𝘱𝘢𝘳𝘵, the Biennial is shaped by Glenn’s research-driven and site-responsive approach. TBA 2026 centers on artists whose practices engage rupture as a generative force, reconsidering histories, geographies, and systems that shape contemporary life while proposing new ways of understanding the present. For the first time, the Biennial will extend beyond the Greater Toronto Area through a series of artist projects and institutional collaborations across North America.
#juliencreuzet @torontobiennial #TOBiennial26 @msallisonglenn #documentspace
We are thrilled to announce that Julien Creuzet is participating in the 2026 Toronto Biennial of Art, opening September 26, 2026. This year's Biennial brings together over 30 artists and collectives from Canada and around the world and is curated by Allison Glenn. Titled 𝘛𝘩𝘪𝘯𝘨𝘴 𝘍𝘢𝘭𝘭 𝘈𝘱𝘢𝘳𝘵, the Biennial is shaped by Glenn’s research-driven and site-responsive approach. TBA 2026 centers on artists whose practices engage rupture as a generative force, reconsidering histories, geographies, and systems that shape contemporary life while proposing new ways of understanding the present. For the first time, the Biennial will extend beyond the Greater Toronto Area through a series of artist projects and institutional collaborations across North America.
#juliencreuzet @torontobiennial #TOBiennial26 @msallisonglenn #documentspace
LISBON | Sara Greenberger Rafferty: 𝘗𝘪𝘦𝘤𝘦𝘴 | On view
Produced in a small kiln in Sara Greenberger Rafferty’s Brooklyn studio, the glass pieces in our current exhibition at DOCUMENT Libson are color studies, compositions made from scraps, and other studio experiments made during a time of challenge and change. Continuing her work in the opaque, translucent, and reflective medium of glass, these collected pieces can be seen individually as humble sketches—often pieced together from slivers, powders, and shards—or taken together as a statement. 𝘗𝘪𝘦𝘤𝘦𝘴.
The exhibition is now on view through May 23, 2026.
Sara Greenberger Rafferty, 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 𝘊𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘐𝘐, 2026. Kilnformed glass; 13 1/4 x 11 1/2 x 1/4 in.
@saraspar #saragreenbergerrafferty#documentspace
LISBON | Sara Greenberger Rafferty: 𝘗𝘪𝘦𝘤𝘦𝘴 | On view
Produced in a small kiln in Sara Greenberger Rafferty’s Brooklyn studio, the glass pieces in our current exhibition at DOCUMENT Libson are color studies, compositions made from scraps, and other studio experiments made during a time of challenge and change. Continuing her work in the opaque, translucent, and reflective medium of glass, these collected pieces can be seen individually as humble sketches—often pieced together from slivers, powders, and shards—or taken together as a statement. 𝘗𝘪𝘦𝘤𝘦𝘴.
The exhibition is now on view through May 23, 2026.
Sara Greenberger Rafferty, 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 𝘊𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘐𝘐, 2026. Kilnformed glass; 13 1/4 x 11 1/2 x 1/4 in.
@saraspar #saragreenbergerrafferty#documentspace
To commemorate the MIT List Center’s 40th anniversary, today, April 11, New York–based artist Gordon Hall presents 1–2 pm, a lecture-performance that explores waiting as both subject and method.
Through understated, choreographed gestures, Hall transforms Scott Burton’s 𝘎𝘳𝘢𝘯𝘪𝘵𝘦 𝘉𝘦𝘯𝘤𝘩 (1985)—a cornerstone of the List Center’s public art collection—into an active participant. In doing so, Hall draws connections between Burton’s philosophy of seating, the architecture of the Wiesner Building, and the embodied politics of pause, delay, and attention.
1-2 pm was first performed at the Pulitzer in 2024 at Wrightwood 659 in 2025.
1: Gordon Hall, 1-2pm, performance at Pulitzer Arts Foundation, St. Louis, 2024. Photo: Alex Vanderheyden.
2: Gordon Hall, 𝘛𝘩𝘦 𝘕𝘶𝘮𝘣𝘦𝘳 𝘰𝘧 𝘐𝘯𝘤𝘩𝘦𝘴 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘛𝘩𝘦𝘮, 2017. Pigmented cast concrete, color poster multiple, performance, 39 min. Performers: Mary Bok, Gordon Hall, Mike Peterson, Lou Desautels, Danny Harris. Photo: Cassandra Rodriguez.
@mitlistarts @gordon_hall_ @pulitzerarts @wrightwood659 #gordonhall #documentspace
To commemorate the MIT List Center’s 40th anniversary, today, April 11, New York–based artist Gordon Hall presents 1–2 pm, a lecture-performance that explores waiting as both subject and method.
Through understated, choreographed gestures, Hall transforms Scott Burton’s 𝘎𝘳𝘢𝘯𝘪𝘵𝘦 𝘉𝘦𝘯𝘤𝘩 (1985)—a cornerstone of the List Center’s public art collection—into an active participant. In doing so, Hall draws connections between Burton’s philosophy of seating, the architecture of the Wiesner Building, and the embodied politics of pause, delay, and attention.
1-2 pm was first performed at the Pulitzer in 2024 at Wrightwood 659 in 2025.
1: Gordon Hall, 1-2pm, performance at Pulitzer Arts Foundation, St. Louis, 2024. Photo: Alex Vanderheyden.
2: Gordon Hall, 𝘛𝘩𝘦 𝘕𝘶𝘮𝘣𝘦𝘳 𝘰𝘧 𝘐𝘯𝘤𝘩𝘦𝘴 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘛𝘩𝘦𝘮, 2017. Pigmented cast concrete, color poster multiple, performance, 39 min. Performers: Mary Bok, Gordon Hall, Mike Peterson, Lou Desautels, Danny Harris. Photo: Cassandra Rodriguez.
@mitlistarts @gordon_hall_ @pulitzerarts @wrightwood659 #gordonhall #documentspace
To commemorate the MIT List Center’s 40th anniversary, today, April 11, New York–based artist Gordon Hall presents 1–2 pm, a lecture-performance that explores waiting as both subject and method.
Through understated, choreographed gestures, Hall transforms Scott Burton’s 𝘎𝘳𝘢𝘯𝘪𝘵𝘦 𝘉𝘦𝘯𝘤𝘩 (1985)—a cornerstone of the List Center’s public art collection—into an active participant. In doing so, Hall draws connections between Burton’s philosophy of seating, the architecture of the Wiesner Building, and the embodied politics of pause, delay, and attention.
1-2 pm was first performed at the Pulitzer in 2024 at Wrightwood 659 in 2025.
1: Gordon Hall, 1-2pm, performance at Pulitzer Arts Foundation, St. Louis, 2024. Photo: Alex Vanderheyden.
2: Gordon Hall, 𝘛𝘩𝘦 𝘕𝘶𝘮𝘣𝘦𝘳 𝘰𝘧 𝘐𝘯𝘤𝘩𝘦𝘴 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘛𝘩𝘦𝘮, 2017. Pigmented cast concrete, color poster multiple, performance, 39 min. Performers: Mary Bok, Gordon Hall, Mike Peterson, Lou Desautels, Danny Harris. Photo: Cassandra Rodriguez.
@mitlistarts @gordon_hall_ @pulitzerarts @wrightwood659 #gordonhall #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO ART WEEK is in full swing! Here's a roundup of recent press featuringChicago-based artists Dabin Ahn, Laura Letinsky, and Faheem Majeed, which are all included in our group presentation at EXPO CHICAGO booth 309 through Sunday, April 12. Links to the articles are available via our Linktree (🔗 in bio).
𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, our current exhibition of works by Dabin Ahn, is open at DOCUMENT Chicago today until 8pm as part of Art After Hours and will resume regular hours tomorrow. The exhibition will remain on view through June 6, 2026.
——
EXPO ART WEEK @expochicago
Around Town with Faheem Majeed
Chicago Reader @chicago_reader
“Nocturne” glows at Document
Lucas Gómez-Doyle
The Art Newspaper
Our pick of the best museum and gallery shows to see in Chicago this spring
Jacqui Palumbo
Observer @observer
The Exhibitions Not to Miss During EXPO CHICAGO
Elisa Carollo @elisartgal
Chicago Sun-Times @chicagosuntimes
Your guide to EXPO Chicago 2026
Ambar Colón
Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, installation view at DOCUMENT Chicago, 2026.
@dabinahn @lauraletinsky @faheemmajeedstudio
#expochicago #expoartweek #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | Booth 309
We look forward to welcoming you to our booth at EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Nocturne, Dabin Ahn's current exhibition at DOCUMENT Chicago, will be open during Art After Hours on Friday, April 10, until 8pm.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
April 9–12, 2026
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
EXPO CHICAGO | April 9–12, 2026
DOCUMENT is delighted to return to EXPO CHICAGO with a presentation of works by Dabin Ahn, Elizabeth Atterbury, Alexandra Barth, Julien Creuzet, Jimmy DeSana, Anneke Eussen, Gordon Hall, Luísa Jacinto, Laura Letinsky, Faheem Majeed, Erin Jane Nelson, Natani Notah, John Opera, Paul Mpagi Sepuya, Kazuhito Tanaka, Pedro Vaz, and Andrew Norman Wilson. The artists showcased in the exhibition project underscore DOCUMENT’s dedication to a wide range of contemporary and experimental practices as the gallery approaches fifteen years of activity in Chicago.
Navy Pier Festival Hall, Chicago, IL
Galleries | Booth 309
@expochicago #expochicago @the_adaa #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
CHICAGO | Dabin Ahn: 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦 | Now on view
Join us at DOCUMENT Chicago to visit 𝘕𝘰𝘤𝘵𝘶𝘳𝘯𝘦, Dabin Ahn’s first solo exhibition with the gallery. Ahn creates paintings that occupy the space between image and object. Working from a vocabulary of ceramic vessels, stones, candles, and personal effects—subjects he understands as stand-ins for the self—he builds meticulously rendered scenes that draw on 20th-century painting history and Joseon dynasty porcelain traditions. He constructs his own frames and panels, shaping and painting over the canvas edge to extend each composition into physical space.
The exhibition is open Tuesday through Saturday from 11am–6pm and will remain on view through June 6, 2026.
@dabinahn #dabinahn #documentspace
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.