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edbprojects
Ellen de Bruijne PROJECTS
Anne-Lise Coste | Pussybilities, Dance Club # 2
until May 23
Wed. to Fri.: 11:00–18:00
Saturday: 13:00–18:00
Opening May 29 from 17:00 to 19:00.
10161055 is a collaborative group exhibition between Ellen de Bruijne PROJECTS and @diez.gallery. Having previously collaborated in international projects, this is the first time they do so in Amsterdam, where both galleries are located.
The exhibition presents work by six artists who share material, conceptual, methodological, and aesthetic resonances with one another. Together, artistic affinities emerge in shared sensitivities to historiography, remembrance, fleetingness, metonymy, and assertiveness, among others.
10161055
Läetitia Badaut Haussmann, Simnimiwe Buhlungu, Sands Murray-Wassink, Maria Pask, Ian Waelder, Jessica Wilson.
May 29–August 1, 2026.
At Ellen de Bruijne PROJECTS, Singel 372, Amsterdam.
For more information, check our website (link in bio).
#edbprojects #diezgallery
Ellen de Bruijne PROJECTS is delighted to present a new limited edition print by Jeremiah Day:
“the people” (Pelham Town Hall, Oldest In Continuous Use For Town Meeting), 2026
Type C Print With Acrylic Paint & Ink
35.5 x 50.5 cm
Edition of 15, each unique
Price: €560,- (ex. VAT)
Enquire via mail, website, or DM.
Proceeds of sales will support a series of performances and public events by the artist across the United States, where Day will reflect on US revolutionary and imperialist political history and articulate gathering spaces to respond to the current Trump administration.
The print image comes from the 2016 slide-show performance the chair remains empty / but the place is set, which bridged the spontaneous assemblies of post-Gezi Istanbul to the New England town hall meetings which inspired historian and philosopher Hannah Arendt—a recurrent inspiration in Day’s work. The image depicts the town meeting hall of Pelham, Massachusetts, a room which has been continuously holding self-governing assemblies since 1743, longer than any other place in the US.
The first events will take place at the Emily Harvey Foundation in New York City on May 1st and 2nd. Day will offer two programs with different approaches to embodiment, imagination and the meaning of gathering in assembly. The point of departure of Day’s performance on May 1st is a vision of assembly itself and its potential, best explored by Hannah Arendt and what she called the “nameless treasure” of council democracy. On May 2nd, Day will present Without The Consent Of The People, a new book by the late Fred Dewey, a long-time friend and collaborator of the artist. Co-edited by Day, this book contains Dewey’s critique of the US as a “proto-totalitarian state” and affirmative strategies and arguments for how it can be counteracted by gathering.
Day is returning to the Emily Harvey Foundation for the first time since 2018, following ten years of collaboration between Fred Dewey, Simone Forti and himself which manifested in presentations at the Emily Harvey Foundation, the ICA in London, and The Box in Los Angeles.
#jeremiahday #edbprojects
Opening next week 🚨
𝓐𝓻𝓮 𝔂𝓸𝓾 𝓵𝓸𝓸𝓴𝓲𝓷𝓰 𝓯𝓸𝓻 𝓟𝓤$$𝓨𝓫𝓲𝓵𝓲𝓽𝓲𝓮𝓼?
We are delighted to present a new solo exhibition by Anne-Lise Coste.
In this second iteration of Pussybilities, Anne-Lise Coste transforms the gallery space into a field of experimentation. The project first unfolded in the architecture of a castle turned Contemporary Art Museum of Haute-Vienne and now reappears in Ellen de Bruijne PROJECTS in a new configuration. This movement from one site to another mirrors the logic of the work itself. Nothing is fixed. Images travel. Objects shift position. Meanings are constantly recomposed.
In Anne-Lise Coste’s world, the exhibition space becomes something close to a dance floor for images. Bodies appear, disappear, fragment and recombine. And somewhere between fabric, paper and neon, new pussybilities begin to take shape.
Text by Anouchka Mbia.
Join us on Saturday 18 April for the opening, in the presence of the artist.
More information on our website, link in bio.
#annelisecoste #edbprojects #artopening#artamsterdam
Last two days to visit Anne-Lise Coste’s solo exhibition ‘Pussybilities, Dance Club #2’
In this second iteration of Pussybilities, Anne-Lise Coste transforms the gallery space into a field of experimentation. The project first unfolded in the architecture of a castle turned Contemporary Art Museum of Haute-Vienne and now reappears in Ellen de Bruijne PROJECTS in a new configuration. This movement from one site to another mirrors the logic of the work itself. Nothing is fixed. Images travel. Objects shift position. Meanings are constantly recomposed. (Text by Anouchka Mbia)
Anne-Lise Coste
Do you love me now, 2025
72 x 58 cm
Acrylic paint on pants
#annelisecoste #edbprojects
In ‘Pussybilities, Dance Club #2’, bodies themselves rarely appear as complete figures. They are cut, cropped, pasted and recomposed. In collages and photographic assemblages, limbs, postures and expressions detach from their original context and reassemble in new constellations. This strategy directly recalls the visual language of Dada photomontage and later feminist collage practices of the 1970s and 1980s. The body is not a stable image but a field of possibilities. It can be multiplied, fragmented and reimagined.
Anne-Lise Coste,
Jambes (Chèvaliere), 2025
Plastic and plexiglass
102 x 72 cm
Text by Anounchka Mbia
Until May 23.
#annelisecoste #edbprojects #amsterdamart
We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.
Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm
More information on our website, link in bio.
#annelisecoste #edbprojects #amsterdamart
We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.
Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm
More information on our website, link in bio.
#annelisecoste #edbprojects #amsterdamart
We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.
Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm
More information on our website, link in bio.
#annelisecoste #edbprojects #amsterdamart
We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.
Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm
More information on our website, link in bio.
#annelisecoste #edbprojects #amsterdamart
We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.
Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm
More information on our website, link in bio.
#annelisecoste #edbprojects #amsterdamart
We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.
Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm
More information on our website, link in bio.
#annelisecoste #edbprojects #amsterdamart
In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.
Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions
The exhibition runs until May 23.
Text by Anounchka Mbia.
In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.
Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions
The exhibition runs until May 23.
Text by Anounchka Mbia.
In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.
Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions
The exhibition runs until May 23.
Text by Anounchka Mbia.
In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.
Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions
The exhibition runs until May 23.
Text by Anounchka Mbia.
In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.
Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions
The exhibition runs until May 23.
Text by Anounchka Mbia.
In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.
Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions
The exhibition runs until May 23.
Text by Anounchka Mbia.
In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.
Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions
The exhibition runs until May 23.
Text by Anounchka Mbia.
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.
For a complete overview and enquiries, see our website (link in bio).
Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.
#annelisecoste #edbprojects #amsterdamart
We are delighted to announce the participation of Lara Almarcegui and Susan Philipsz in the 18e Biennale de Lyon, titled “To pass from one dream to another” and curated by Catherine Nichols.
“To pass from one dream to another,” the main title of the 18th edition of the Biennale of Contemporary Art draws on the traboules—those distinctive passageways running through Lyon’s courtyards and buildings—to explore how one moves from one mode of perception to another, from one collective dream to another. Lyon, a crossroads of trade and industry, becomes the starting point for a reflection on the economy, approached here as the set of processes through which interdependent beings acquire, transform, and circulate what sustains their existence.
From 19 September to 13 December 2026
Press days: 16-18 September 2026
Preview: 17 & 18 September 2026
#laraalmarcegui #susanphilipsz #bienaledelyon #edbprojects
Last week to opened “Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.
The project “Pussybilities” first unfolded in the architecture of a castle turned Contemporary Art Museum of Haute-Vienne and now reappears in Ellen de Bruijne PROJECTS in a new configuration. This movement from one site to another mirrors the logic of the work itself. Nothing is fixed. Images travel. Objects shift position. Meanings are constantly recomposed.
Anne-Lise Coste
RÊVE BB RÊVE
Sprayed mural
254 x 251 cm
Visit today from 13:00 to 18:00.
#annelisecoste #edbprojects #amsterdamart
Jeremiah Day
Proposal To Add Townhall Meetings To The Constitution
The Emily Harvey Foundation, New York
May 1, 6 PM: Performance
May 2, 2 PM: Book presentation, workshop & discussion around ‘Without The Consent Of The People’, by Fred Dewey
“Let’s declare a four-month break from business, and dedicate ourselves, all of us, to a countrywide conversation.
Let’s meet our neighbors and boycott, with them, the void and garbage calling itself news and governance and business. We have a right to this. What do we want? Why are our rights in ruins? What is a meaningful life? What happened to the people’s self-government? Stop the wars and looting for four months and let’s talk and figure this out.
Starting from this rubble, why not begin imagining?”
-Fred Dewey
In this two part program, Jeremiah Day will offer different approaches to embodiment, imagination and the meaning of gathering in assembly.
May 1st, 6:00 PM
Hannah Arendt argued that townhall meetings, or council democracy, represented the potential for “a new concept of the state.” Day’s slideshow performance fleshes out this provocative thought through images of the parks of Istanbul, the New England townhalls, Basque courtyards, aiming to sketch out this “nameless tradition.”
May 2nd, 2:00 PM
At the time of his passing, Day’s long-time collaborator Fred Dewey was known as a cultural organizer and political thinker, simultaneously long-time director of Beyond Baroque poetry center in Los Angeles and a crucial force behind the establishment of neighborhood counciles in Los Angeles. Dewey left behind an unfinished manuscript which Day and a small group of friends carried through to publication which is timelier than ever in evoking a proto-totalitarian situation and how to respond within it. This event will introduce Fred’s work (and its link to Arendt’s) through a participatory format, discussion and book presentation.
The Emily Harvey Foundation
537 Broadway, 2nd Floor
New York, NY 10012
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.