인스타그램 스토리 뷰어
인스타그램 스토리를 익명으로 보기
lablabalaba
Edwin
Absolute core memory kedatangan kawan-kawan crew & cast film Monster Pabrik Rambut by @palarifilms, setelah nonton bareng, menyempatkan nongki dan berjumpa kawan-kawan. Main ke boloo lagi agendakan yaaaaa ✨
Sebuah kolaborasi penuh kegilaan dari Edwin @lablabalaba dan Eka Kurniawan @gnolbo.
Berangkat dari keresahan tentang dunia kerja hari ini yang kian menggila dan banyak yang menormalisasi ketidakwajaran itu. Monster Pabrik Rambut lahir sebagai sebuah eksperimen horor yang berbeda.
#MonsterPabrikRambut, sebuah film karya Edwin, tayang 4 Juni 2026 di bioskop kesayanganmu.
Recollecting memories of @lablabalaba’s films at “Eyes Wide Club: Edwin Retrospective - Before the Monster” were such a blast!
The energy exchange that happened from Postcards from the Zoo, Edwin’s Short Film Compilation to the Q&A discussions were so amazing!
Terima kasih banyak buat semua yang udah nonton bareng dan membuat @krapela.live penuh dua hari kemarin!
For those who missed the euphoria, teror sesungguhnya di #MonsterPabrikRambut akan mulai serentak di bioskop mulai 4 Juni nanti.
See you on the big screen!
Postcards From The Zoo (2012)
Berawal dari bengong-bengong seharian di kebun binatang Ragunan.
Ada pengumuman anak hilang.
"Bagi orang tua yang merasa anaknya tertinggal, diharap datang ke pusat informasi kebun binatang Ragunan."
Begitu kira-kira pengumumannya.
Tahapan pengembangan selama 2 tahun bersama Torino Film Lab (sepanjang tahun 2009)dan Sundance Screenwriters Lab (2010).
Ditayangkan perdana di Berlinale 2012.
Besok, tanggal 19 Mei 2026, ditayangkan di @krapela.live dalam program Eyes Wide Club.
Ditemani produsernya, Meiske Taurisia yang akan berbagi segala proses dari pengembangan cerita, preps, produksi sampai paska produksi, financing, dan distribusinya.
Ticket box ada di bio.
Sampai jumpa.
Postcards From The Zoo (2012)
Berawal dari bengong-bengong seharian di kebun binatang Ragunan.
Ada pengumuman anak hilang.
"Bagi orang tua yang merasa anaknya tertinggal, diharap datang ke pusat informasi kebun binatang Ragunan."
Begitu kira-kira pengumumannya.
Tahapan pengembangan selama 2 tahun bersama Torino Film Lab (sepanjang tahun 2009)dan Sundance Screenwriters Lab (2010).
Ditayangkan perdana di Berlinale 2012.
Besok, tanggal 19 Mei 2026, ditayangkan di @krapela.live dalam program Eyes Wide Club.
Ditemani produsernya, Meiske Taurisia yang akan berbagi segala proses dari pengembangan cerita, preps, produksi sampai paska produksi, financing, dan distribusinya.
Ticket box ada di bio.
Sampai jumpa.
Postcards From The Zoo (2012)
Berawal dari bengong-bengong seharian di kebun binatang Ragunan.
Ada pengumuman anak hilang.
"Bagi orang tua yang merasa anaknya tertinggal, diharap datang ke pusat informasi kebun binatang Ragunan."
Begitu kira-kira pengumumannya.
Tahapan pengembangan selama 2 tahun bersama Torino Film Lab (sepanjang tahun 2009)dan Sundance Screenwriters Lab (2010).
Ditayangkan perdana di Berlinale 2012.
Besok, tanggal 19 Mei 2026, ditayangkan di @krapela.live dalam program Eyes Wide Club.
Ditemani produsernya, Meiske Taurisia yang akan berbagi segala proses dari pengembangan cerita, preps, produksi sampai paska produksi, financing, dan distribusinya.
Ticket box ada di bio.
Sampai jumpa.
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Semesta Fantastis dan Ajaib dari Edwin.
From making history at Cannes with Kara, Anak Sebatang Pohon (2005) to winning the Golden Leopard for Seperti Dendam, Rindu Harus Dibayar Tuntas (2021), his vision has always challenged the boundaries of our cinema.
Sebelum karya terbarunya, Monster Pabrik Rambut, rilis 4 Juni nanti, let’s dive into his magical journey.
Because in Edwin’s @lablabalaba world, the abnormal is the new normal.
Besok, Edwin Retrospective screening di @krapela.live! Secure your tickets now at ruangevent.com.
#MonsterPabrikRambut
Istri Orang di atas Perahu Suami Orang (2013)
Sebuah film berdurasi 55 menit, respon dari script yang ditulis oleh Seno Gumira Ajidarma, berdasarkan cerpennya Cinta di atas Perahu Cadik.
Di sebuah rumah cantik yang dibangun di tepi tebing 100 tahun yang lalu. Halimah meninggalkan Sukab suaminya. Ia berlari tanpa alas kaki menuruni tebing batu yang tajam hingga kakinya berdarah di air laut.
Sukab menganggap hilangnya sang istri sebagai permainan petak umpet yang menyenangkan untuk menguji cinta.
Demi mencari Halimah yang hilang tanpa jejak, sang suami terus berlayar hingga akhirnya menjadi pelaut dan nelayan paling hebat.
100 tahun kemudian, seorang perempuan terpikat oleh cerita legendaris ini. Dalam perjalanannya menemukan jejak mitos romantis yang telah dilupakan, Ia bertemu gurita jadi-jadian yang mencari saudara kembarnya. Mereka pun melebur hilang bagai ingatan penduduk yang tidak ada sangkut pautnya dengan kisah legenda Halimah dan Sukab 100 tahun yang lalu.
Fiksi jadi-jadian yang melebur dengan Dokumenter jadi-jadian.
Pernah diputar di Jeonju, Tokyo, Locarno dan Yamagata.
Tanggal 19 Mei 2026 diputar di Krapela bersama Dajang Soembi, Kara Anak Sebatang Pohon, Trip To The Wound, dan Hulahoop Soundings.
Istri Orang di atas Perahu Suami Orang (2013)
Sebuah film berdurasi 55 menit, respon dari script yang ditulis oleh Seno Gumira Ajidarma, berdasarkan cerpennya Cinta di atas Perahu Cadik.
Di sebuah rumah cantik yang dibangun di tepi tebing 100 tahun yang lalu. Halimah meninggalkan Sukab suaminya. Ia berlari tanpa alas kaki menuruni tebing batu yang tajam hingga kakinya berdarah di air laut.
Sukab menganggap hilangnya sang istri sebagai permainan petak umpet yang menyenangkan untuk menguji cinta.
Demi mencari Halimah yang hilang tanpa jejak, sang suami terus berlayar hingga akhirnya menjadi pelaut dan nelayan paling hebat.
100 tahun kemudian, seorang perempuan terpikat oleh cerita legendaris ini. Dalam perjalanannya menemukan jejak mitos romantis yang telah dilupakan, Ia bertemu gurita jadi-jadian yang mencari saudara kembarnya. Mereka pun melebur hilang bagai ingatan penduduk yang tidak ada sangkut pautnya dengan kisah legenda Halimah dan Sukab 100 tahun yang lalu.
Fiksi jadi-jadian yang melebur dengan Dokumenter jadi-jadian.
Pernah diputar di Jeonju, Tokyo, Locarno dan Yamagata.
Tanggal 19 Mei 2026 diputar di Krapela bersama Dajang Soembi, Kara Anak Sebatang Pohon, Trip To The Wound, dan Hulahoop Soundings.
Istri Orang di atas Perahu Suami Orang (2013)
Sebuah film berdurasi 55 menit, respon dari script yang ditulis oleh Seno Gumira Ajidarma, berdasarkan cerpennya Cinta di atas Perahu Cadik.
Di sebuah rumah cantik yang dibangun di tepi tebing 100 tahun yang lalu. Halimah meninggalkan Sukab suaminya. Ia berlari tanpa alas kaki menuruni tebing batu yang tajam hingga kakinya berdarah di air laut.
Sukab menganggap hilangnya sang istri sebagai permainan petak umpet yang menyenangkan untuk menguji cinta.
Demi mencari Halimah yang hilang tanpa jejak, sang suami terus berlayar hingga akhirnya menjadi pelaut dan nelayan paling hebat.
100 tahun kemudian, seorang perempuan terpikat oleh cerita legendaris ini. Dalam perjalanannya menemukan jejak mitos romantis yang telah dilupakan, Ia bertemu gurita jadi-jadian yang mencari saudara kembarnya. Mereka pun melebur hilang bagai ingatan penduduk yang tidak ada sangkut pautnya dengan kisah legenda Halimah dan Sukab 100 tahun yang lalu.
Fiksi jadi-jadian yang melebur dengan Dokumenter jadi-jadian.
Pernah diputar di Jeonju, Tokyo, Locarno dan Yamagata.
Tanggal 19 Mei 2026 diputar di Krapela bersama Dajang Soembi, Kara Anak Sebatang Pohon, Trip To The Wound, dan Hulahoop Soundings.
Istri Orang di atas Perahu Suami Orang (2013)
Sebuah film berdurasi 55 menit, respon dari script yang ditulis oleh Seno Gumira Ajidarma, berdasarkan cerpennya Cinta di atas Perahu Cadik.
Di sebuah rumah cantik yang dibangun di tepi tebing 100 tahun yang lalu. Halimah meninggalkan Sukab suaminya. Ia berlari tanpa alas kaki menuruni tebing batu yang tajam hingga kakinya berdarah di air laut.
Sukab menganggap hilangnya sang istri sebagai permainan petak umpet yang menyenangkan untuk menguji cinta.
Demi mencari Halimah yang hilang tanpa jejak, sang suami terus berlayar hingga akhirnya menjadi pelaut dan nelayan paling hebat.
100 tahun kemudian, seorang perempuan terpikat oleh cerita legendaris ini. Dalam perjalanannya menemukan jejak mitos romantis yang telah dilupakan, Ia bertemu gurita jadi-jadian yang mencari saudara kembarnya. Mereka pun melebur hilang bagai ingatan penduduk yang tidak ada sangkut pautnya dengan kisah legenda Halimah dan Sukab 100 tahun yang lalu.
Fiksi jadi-jadian yang melebur dengan Dokumenter jadi-jadian.
Pernah diputar di Jeonju, Tokyo, Locarno dan Yamagata.
Tanggal 19 Mei 2026 diputar di Krapela bersama Dajang Soembi, Kara Anak Sebatang Pohon, Trip To The Wound, dan Hulahoop Soundings.
Istri Orang di atas Perahu Suami Orang (2013)
Sebuah film berdurasi 55 menit, respon dari script yang ditulis oleh Seno Gumira Ajidarma, berdasarkan cerpennya Cinta di atas Perahu Cadik.
Di sebuah rumah cantik yang dibangun di tepi tebing 100 tahun yang lalu. Halimah meninggalkan Sukab suaminya. Ia berlari tanpa alas kaki menuruni tebing batu yang tajam hingga kakinya berdarah di air laut.
Sukab menganggap hilangnya sang istri sebagai permainan petak umpet yang menyenangkan untuk menguji cinta.
Demi mencari Halimah yang hilang tanpa jejak, sang suami terus berlayar hingga akhirnya menjadi pelaut dan nelayan paling hebat.
100 tahun kemudian, seorang perempuan terpikat oleh cerita legendaris ini. Dalam perjalanannya menemukan jejak mitos romantis yang telah dilupakan, Ia bertemu gurita jadi-jadian yang mencari saudara kembarnya. Mereka pun melebur hilang bagai ingatan penduduk yang tidak ada sangkut pautnya dengan kisah legenda Halimah dan Sukab 100 tahun yang lalu.
Fiksi jadi-jadian yang melebur dengan Dokumenter jadi-jadian.
Pernah diputar di Jeonju, Tokyo, Locarno dan Yamagata.
Tanggal 19 Mei 2026 diputar di Krapela bersama Dajang Soembi, Kara Anak Sebatang Pohon, Trip To The Wound, dan Hulahoop Soundings.
We are beyond excited to announce that Mariana Renata @marianardantec is joining the Edwin Retrospective: Before the Monster!
Persiapkan pertanyaan terbaik kalian buat sesi Q&A nanti, because it’s going to be an insightful night deep-diving into the world of cinema.
Sampai bertemu di @krapela.live Row 9, Lantai 5 ya! Open gate dimulai jam 7 malam. Pastikan kalian sudah amanin tiketnya di ruangevent.com 🙌🏼
#MonsterPabrikRambut
We are beyond excited to announce that Mariana Renata @marianardantec is joining the Edwin Retrospective: Before the Monster!
Persiapkan pertanyaan terbaik kalian buat sesi Q&A nanti, because it’s going to be an insightful night deep-diving into the world of cinema.
Sampai bertemu di @krapela.live Row 9, Lantai 5 ya! Open gate dimulai jam 7 malam. Pastikan kalian sudah amanin tiketnya di ruangevent.com 🙌🏼
#MonsterPabrikRambut
We are beyond excited to announce that Mariana Renata @marianardantec is joining the Edwin Retrospective: Before the Monster!
Persiapkan pertanyaan terbaik kalian buat sesi Q&A nanti, because it’s going to be an insightful night deep-diving into the world of cinema.
Sampai bertemu di @krapela.live Row 9, Lantai 5 ya! Open gate dimulai jam 7 malam. Pastikan kalian sudah amanin tiketnya di ruangevent.com 🙌🏼
#MonsterPabrikRambut
We are beyond excited to announce that Mariana Renata @marianardantec is joining the Edwin Retrospective: Before the Monster!
Persiapkan pertanyaan terbaik kalian buat sesi Q&A nanti, because it’s going to be an insightful night deep-diving into the world of cinema.
Sampai bertemu di @krapela.live Row 9, Lantai 5 ya! Open gate dimulai jam 7 malam. Pastikan kalian sudah amanin tiketnya di ruangevent.com 🙌🏼
#MonsterPabrikRambut
[𝙁𝙪𝙡𝙡 𝙝𝙤𝙪𝙨𝙚]
A Producer’s Talk on First Feature Film with Meiske Taurisia: Blind Pig Who Wants to Fly | Babi Buta yang Ingin Terbang 🐽
The first feature-length film produced by @dmeiske2 with the director Edwin @lablabalaba in 2008, marking a new beginning in Indonesian filmmaking. It touches upon stories of Chinese minorities, their hopes and obsessions, and what it means to live a life unfulfilled. It’s a kaleidoscope of personal, absurd, and marginalised experiences.
Meiske Taurisia, producer at @palarifilms, will join us to share her experience in producing this film. We’ll dig into the stories behind the scene, what it took to make a film some 20 years ago, and what we can learn about storytelling in film production. For those interested in kicking off their own, this will be a retrospective and insightful talk.
📅 Friday, 29 May
🕰️ 19:00 - 21:00
🏡 Margin Library & Third Space
🎟️ General Public: IDR 75,000
Limited seats available. Registration through the link in our bio.
[𝙁𝙪𝙡𝙡 𝙝𝙤𝙪𝙨𝙚]
A Producer’s Talk on First Feature Film with Meiske Taurisia: Blind Pig Who Wants to Fly | Babi Buta yang Ingin Terbang 🐽
The first feature-length film produced by @dmeiske2 with the director Edwin @lablabalaba in 2008, marking a new beginning in Indonesian filmmaking. It touches upon stories of Chinese minorities, their hopes and obsessions, and what it means to live a life unfulfilled. It’s a kaleidoscope of personal, absurd, and marginalised experiences.
Meiske Taurisia, producer at @palarifilms, will join us to share her experience in producing this film. We’ll dig into the stories behind the scene, what it took to make a film some 20 years ago, and what we can learn about storytelling in film production. For those interested in kicking off their own, this will be a retrospective and insightful talk.
📅 Friday, 29 May
🕰️ 19:00 - 21:00
🏡 Margin Library & Third Space
🎟️ General Public: IDR 75,000
Limited seats available. Registration through the link in our bio.
[𝙁𝙪𝙡𝙡 𝙝𝙤𝙪𝙨𝙚]
A Producer’s Talk on First Feature Film with Meiske Taurisia: Blind Pig Who Wants to Fly | Babi Buta yang Ingin Terbang 🐽
The first feature-length film produced by @dmeiske2 with the director Edwin @lablabalaba in 2008, marking a new beginning in Indonesian filmmaking. It touches upon stories of Chinese minorities, their hopes and obsessions, and what it means to live a life unfulfilled. It’s a kaleidoscope of personal, absurd, and marginalised experiences.
Meiske Taurisia, producer at @palarifilms, will join us to share her experience in producing this film. We’ll dig into the stories behind the scene, what it took to make a film some 20 years ago, and what we can learn about storytelling in film production. For those interested in kicking off their own, this will be a retrospective and insightful talk.
📅 Friday, 29 May
🕰️ 19:00 - 21:00
🏡 Margin Library & Third Space
🎟️ General Public: IDR 75,000
Limited seats available. Registration through the link in our bio.
[𝙁𝙪𝙡𝙡 𝙝𝙤𝙪𝙨𝙚]
A Producer’s Talk on First Feature Film with Meiske Taurisia: Blind Pig Who Wants to Fly | Babi Buta yang Ingin Terbang 🐽
The first feature-length film produced by @dmeiske2 with the director Edwin @lablabalaba in 2008, marking a new beginning in Indonesian filmmaking. It touches upon stories of Chinese minorities, their hopes and obsessions, and what it means to live a life unfulfilled. It’s a kaleidoscope of personal, absurd, and marginalised experiences.
Meiske Taurisia, producer at @palarifilms, will join us to share her experience in producing this film. We’ll dig into the stories behind the scene, what it took to make a film some 20 years ago, and what we can learn about storytelling in film production. For those interested in kicking off their own, this will be a retrospective and insightful talk.
📅 Friday, 29 May
🕰️ 19:00 - 21:00
🏡 Margin Library & Third Space
🎟️ General Public: IDR 75,000
Limited seats available. Registration through the link in our bio.
[𝙁𝙪𝙡𝙡 𝙝𝙤𝙪𝙨𝙚]
A Producer’s Talk on First Feature Film with Meiske Taurisia: Blind Pig Who Wants to Fly | Babi Buta yang Ingin Terbang 🐽
The first feature-length film produced by @dmeiske2 with the director Edwin @lablabalaba in 2008, marking a new beginning in Indonesian filmmaking. It touches upon stories of Chinese minorities, their hopes and obsessions, and what it means to live a life unfulfilled. It’s a kaleidoscope of personal, absurd, and marginalised experiences.
Meiske Taurisia, producer at @palarifilms, will join us to share her experience in producing this film. We’ll dig into the stories behind the scene, what it took to make a film some 20 years ago, and what we can learn about storytelling in film production. For those interested in kicking off their own, this will be a retrospective and insightful talk.
📅 Friday, 29 May
🕰️ 19:00 - 21:00
🏡 Margin Library & Third Space
🎟️ General Public: IDR 75,000
Limited seats available. Registration through the link in our bio.
[𝙁𝙪𝙡𝙡 𝙝𝙤𝙪𝙨𝙚]
A Producer’s Talk on First Feature Film with Meiske Taurisia: Blind Pig Who Wants to Fly | Babi Buta yang Ingin Terbang 🐽
The first feature-length film produced by @dmeiske2 with the director Edwin @lablabalaba in 2008, marking a new beginning in Indonesian filmmaking. It touches upon stories of Chinese minorities, their hopes and obsessions, and what it means to live a life unfulfilled. It’s a kaleidoscope of personal, absurd, and marginalised experiences.
Meiske Taurisia, producer at @palarifilms, will join us to share her experience in producing this film. We’ll dig into the stories behind the scene, what it took to make a film some 20 years ago, and what we can learn about storytelling in film production. For those interested in kicking off their own, this will be a retrospective and insightful talk.
📅 Friday, 29 May
🕰️ 19:00 - 21:00
🏡 Margin Library & Third Space
🎟️ General Public: IDR 75,000
Limited seats available. Registration through the link in our bio.
Putri @auroramanda95 kehilangan ibunya yang tewas akibat lembur tanpa henti. Saat semua dianggap bunuh diri, Ida @lutesha yakin ada sosok yang merasuki pabrik mereka. Kini, Bona @iqbaal.e pun ikut terancam karena keistimewaannya.
Berani ambil lembur di pabrik ini?
Sebuah film persembahan Palari Films
Karya Sutradara Edwin @lablabalaba
Produser Meiske Taurisia @dmeiske2, Muhammad Zaidy @al_zaidy
Diperankan oleh @auroramanda95 @lutesha @iqbaal.e @salpriadi @luqmanrv @didikninithowok umamidori dan
pemain lainnya.
Fan poster
#MonsterPabrikRambut, tayang 4 Juni 2026 di Bioskop
Eyes Wide Club: Edwin Retrospective — Before the Monster 🎥
@palarifilms returns with a curated selection of films by Edwin (@lablabalaba ), a director and filmmaker known for his surreal, absurd, and intimate approach to everyday life.
Before his newest work, 'Monster Pabrik Rambut,' is released, Palari Films presents a special retrospective screening, discussion, and Q&A session — from Postcards from the Zoo (2012) to a compilation of Edwin’s short films featuring guest talk by @dmeiske2 .
Are you ready for 'Monster Pabrik Rambut' and the Edwin Retrospective?
18–19 May 2026
Open Gate 7 PM - Film Starts 8 PM
125K (Includes Drink + Popcorn)
Available at ruangevent.com
Supported by @whiteboardjournal
RSVP: +62 851 8668 5727
ROW 9, 5TH FLOOR
Eyes Wide Club: Edwin Retrospective — Before the Monster 🎥
@palarifilms returns with a curated selection of films by Edwin (@lablabalaba ), a director and filmmaker known for his surreal, absurd, and intimate approach to everyday life.
Before his newest work, 'Monster Pabrik Rambut,' is released, Palari Films presents a special retrospective screening, discussion, and Q&A session — from Postcards from the Zoo (2012) to a compilation of Edwin’s short films featuring guest talk by @dmeiske2 .
Are you ready for 'Monster Pabrik Rambut' and the Edwin Retrospective?
18–19 May 2026
Open Gate 7 PM - Film Starts 8 PM
125K (Includes Drink + Popcorn)
Available at ruangevent.com
Supported by @whiteboardjournal
RSVP: +62 851 8668 5727
ROW 9, 5TH FLOOR
Eyes Wide Club: Edwin Retrospective — Before the Monster 🎥
@palarifilms returns with a curated selection of films by Edwin (@lablabalaba ), a director and filmmaker known for his surreal, absurd, and intimate approach to everyday life.
Before his newest work, 'Monster Pabrik Rambut,' is released, Palari Films presents a special retrospective screening, discussion, and Q&A session — from Postcards from the Zoo (2012) to a compilation of Edwin’s short films featuring guest talk by @dmeiske2 .
Are you ready for 'Monster Pabrik Rambut' and the Edwin Retrospective?
18–19 May 2026
Open Gate 7 PM - Film Starts 8 PM
125K (Includes Drink + Popcorn)
Available at ruangevent.com
Supported by @whiteboardjournal
RSVP: +62 851 8668 5727
ROW 9, 5TH FLOOR
Eyes Wide Club: Edwin Retrospective — Before the Monster 🎥
@palarifilms returns with a curated selection of films by Edwin (@lablabalaba ), a director and filmmaker known for his surreal, absurd, and intimate approach to everyday life.
Before his newest work, 'Monster Pabrik Rambut,' is released, Palari Films presents a special retrospective screening, discussion, and Q&A session — from Postcards from the Zoo (2012) to a compilation of Edwin’s short films featuring guest talk by @dmeiske2 .
Are you ready for 'Monster Pabrik Rambut' and the Edwin Retrospective?
18–19 May 2026
Open Gate 7 PM - Film Starts 8 PM
125K (Includes Drink + Popcorn)
Available at ruangevent.com
Supported by @whiteboardjournal
RSVP: +62 851 8668 5727
ROW 9, 5TH FLOOR
Apa sih definisi 'film jelek'? Kalau kata Edwin sutradara dari Seperti Dendam, Rindu Harus Dibayar Tuntas : Sesuatu yang di luar ekspektasi, nggak pernah kita alami, memicu diskusi, dan pada akhirnya... bikin kita merasa lebih manusiawi.
Di saat industri kadang terlalu kaku sama aturan teknis, festival ini justru membawa gagasan yang jujur, liar, dan membebaskan. Nggak cuma buat sineas pemula, film-film di sini bahkan bisa menginspirasi filmmaker yang udah lama berproses. Edwin bilang kalau festival dengan spirit independen kayak gini 100% harus diteruskan.
Buat kalian yang selama ini masih nyimpen naskah atau footage nganggur karena insecure hasilnya "jelek", ini tanda buat ide tersebut dieksekusi sekarang juga!
Support terus pergerakan sinema independen lokal! Ada film pendek absurd yang mau lo rekomendasiin ke kita? Tulis di komen ya! 🍿
#FestivalFilmJelek #SinemaIndependen #ClockedOut_SudutSinema #ClockedOutMagz
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.