인스타그램 스토리 뷰어

NOW AVAILABLE! LAY—OUT No. 11: BEN TOUSLEY

SHOP LINK IN BIO

Super psyched to finally be able to announce Volume 11 in the LAY—OUT series by the fantastic art director/designer @bentousley. Ben’s design work is some of the best out there, the sort of stuff that is technically well designed but also resonant and engaging in a way that the rest of us in the design world aspire to. Very pleased to have him on board!

————

Ben Tousley is a Brooklyn-based designer and art director whose work nimbly jumps from iconic record sleeves (for artists such as Grizzly Bear and Fleet Foxes) to magazine and editorial design (the fantastic Buds Digest) to fashion campaigns and on-screen graphics. He is a designer in the best sense of the word: his visual style varies from project to project — always hitting the mark in terms of feeling ideal for the project at hand — but upon closer inspection his personality shines through in elegant typographical moments or striking photographic manipulations.

For his contribution to the LAY—OUT series, Ben delivers an achingly idyllic set of images, a suite of enveloping nostalgia, culled from photographs taken on trips to Big Sur, Morocco, France, Denmark, Amsterdam and Portugal. Ben has filtered, combined and manipulated these photos and bits of found ephemera into a deeply personal — yet
absolutely universal — collection of images. Presented in three over-printed colors, the hazy Risograph reproduction only amplifies the sense of dreamy remembrance, the longing for the warmth of the past.

44 Pages, 3 color Risograph print on light blue paper, 3 color
silkscreened cover, First edition 2024

————

SHOP LINK IN BIO

NOW AVAILABLE! LAY—OUT No. 11: BEN TOUSLEY

SHOP LINK IN BIO

Super psyched to finally be able to announce Volume 11 in the LAY—OUT series by the fantastic art director/designer @bentousley. Ben’s design work is some of the best out there, the sort of stuff that is technically well designed but also resonant and engaging in a way that the rest of us in the design world aspire to. Very pleased to have him on board!

————

Ben Tousley is a Brooklyn-based designer and art director whose work nimbly jumps from iconic record sleeves (for artists such as Grizzly Bear and Fleet Foxes) to magazine and editorial design (the fantastic Buds Digest) to fashion campaigns and on-screen graphics. He is a designer in the best sense of the word: his visual style varies from project to project — always hitting the mark in terms of feeling ideal for the project at hand — but upon closer inspection his personality shines through in elegant typographical moments or striking photographic manipulations.

For his contribution to the LAY—OUT series, Ben delivers an achingly idyllic set of images, a suite of enveloping nostalgia, culled from photographs taken on trips to Big Sur, Morocco, France, Denmark, Amsterdam and Portugal. Ben has filtered, combined and manipulated these photos and bits of found ephemera into a deeply personal — yet
absolutely universal — collection of images. Presented in three over-printed colors, the hazy Risograph reproduction only amplifies the sense of dreamy remembrance, the longing for the warmth of the past.

44 Pages, 3 color Risograph print on light blue paper, 3 color
silkscreened cover, First edition 2024

————

SHOP LINK IN BIO

NOW AVAILABLE! LAY—OUT No. 11: BEN TOUSLEY

SHOP LINK IN BIO

Super psyched to finally be able to announce Volume 11 in the LAY—OUT series by the fantastic art director/designer @bentousley. Ben’s design work is some of the best out there, the sort of stuff that is technically well designed but also resonant and engaging in a way that the rest of us in the design world aspire to. Very pleased to have him on board!

————

Ben Tousley is a Brooklyn-based designer and art director whose work nimbly jumps from iconic record sleeves (for artists such as Grizzly Bear and Fleet Foxes) to magazine and editorial design (the fantastic Buds Digest) to fashion campaigns and on-screen graphics. He is a designer in the best sense of the word: his visual style varies from project to project — always hitting the mark in terms of feeling ideal for the project at hand — but upon closer inspection his personality shines through in elegant typographical moments or striking photographic manipulations.

For his contribution to the LAY—OUT series, Ben delivers an achingly idyllic set of images, a suite of enveloping nostalgia, culled from photographs taken on trips to Big Sur, Morocco, France, Denmark, Amsterdam and Portugal. Ben has filtered, combined and manipulated these photos and bits of found ephemera into a deeply personal — yet
absolutely universal — collection of images. Presented in three over-printed colors, the hazy Risograph reproduction only amplifies the sense of dreamy remembrance, the longing for the warmth of the past.

44 Pages, 3 color Risograph print on light blue paper, 3 color
silkscreened cover, First edition 2024

————

SHOP LINK IN BIO

NOW AVAILABLE! LAY—OUT No. 11: BEN TOUSLEY

SHOP LINK IN BIO

Super psyched to finally be able to announce Volume 11 in the LAY—OUT series by the fantastic art director/designer @bentousley. Ben’s design work is some of the best out there, the sort of stuff that is technically well designed but also resonant and engaging in a way that the rest of us in the design world aspire to. Very pleased to have him on board!

————

Ben Tousley is a Brooklyn-based designer and art director whose work nimbly jumps from iconic record sleeves (for artists such as Grizzly Bear and Fleet Foxes) to magazine and editorial design (the fantastic Buds Digest) to fashion campaigns and on-screen graphics. He is a designer in the best sense of the word: his visual style varies from project to project — always hitting the mark in terms of feeling ideal for the project at hand — but upon closer inspection his personality shines through in elegant typographical moments or striking photographic manipulations.

For his contribution to the LAY—OUT series, Ben delivers an achingly idyllic set of images, a suite of enveloping nostalgia, culled from photographs taken on trips to Big Sur, Morocco, France, Denmark, Amsterdam and Portugal. Ben has filtered, combined and manipulated these photos and bits of found ephemera into a deeply personal — yet
absolutely universal — collection of images. Presented in three over-printed colors, the hazy Risograph reproduction only amplifies the sense of dreamy remembrance, the longing for the warmth of the past.

44 Pages, 3 color Risograph print on light blue paper, 3 color
silkscreened cover, First edition 2024

————

SHOP LINK IN BIO

NOW AVAILABLE! LAY—OUT No. 13: NOH YUNG HOON

SHOP LINK IN BIO

Overwhelmingly pleased to announce the publication of LAY—OUT No. 13 by @noh_yung_hoon , whose world-building illustration work had been frying our retinas for some time now. Noh’s eye for both the tiniest details and the whole cosmic scope of existence — usually in the same piece — is soothing that we keep coming back to again and again. His volume of LAY—OUT is one we are immensely proud of!

————

Noh Yung Hoon is a Korean American artist and illustrator currently based in the Bay Area. His intricate drawing work is rendered in extraordinarily detailed high contrast drawings, all done by hand. Alternately focused on more straightforward composition and hyper-detailed optical patterns, Noh’s work feels like a universe unto itself; the cosmic ziggurats, personal computers, floating doors leading to unknown dimensions along with undulating background textures and fill patterns combine into a wholly unique set of images. The viewer’s perception is inherently altered when taking in one of these compositions — the mass of black and white recedes into moments of clarity as moments of recognition bubble up from the chaos; bits of arcane symbols, alien faces, eyeballs, buildings and so much more seep into one’s consciousness. These drawings distort our perceptions in a very psychedelic way, feeling like crisply rendered DMT visions or the luminous patterns and vortices that arise when one closes and rubs their eyes long enough.

40 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2024

————

NOW AVAILABLE! LAY—OUT No. 13: NOH YUNG HOON

SHOP LINK IN BIO

Overwhelmingly pleased to announce the publication of LAY—OUT No. 13 by @noh_yung_hoon , whose world-building illustration work had been frying our retinas for some time now. Noh’s eye for both the tiniest details and the whole cosmic scope of existence — usually in the same piece — is soothing that we keep coming back to again and again. His volume of LAY—OUT is one we are immensely proud of!

————

Noh Yung Hoon is a Korean American artist and illustrator currently based in the Bay Area. His intricate drawing work is rendered in extraordinarily detailed high contrast drawings, all done by hand. Alternately focused on more straightforward composition and hyper-detailed optical patterns, Noh’s work feels like a universe unto itself; the cosmic ziggurats, personal computers, floating doors leading to unknown dimensions along with undulating background textures and fill patterns combine into a wholly unique set of images. The viewer’s perception is inherently altered when taking in one of these compositions — the mass of black and white recedes into moments of clarity as moments of recognition bubble up from the chaos; bits of arcane symbols, alien faces, eyeballs, buildings and so much more seep into one’s consciousness. These drawings distort our perceptions in a very psychedelic way, feeling like crisply rendered DMT visions or the luminous patterns and vortices that arise when one closes and rubs their eyes long enough.

40 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2024

————

NOW AVAILABLE! LAY—OUT No. 13: NOH YUNG HOON

SHOP LINK IN BIO

Overwhelmingly pleased to announce the publication of LAY—OUT No. 13 by @noh_yung_hoon , whose world-building illustration work had been frying our retinas for some time now. Noh’s eye for both the tiniest details and the whole cosmic scope of existence — usually in the same piece — is soothing that we keep coming back to again and again. His volume of LAY—OUT is one we are immensely proud of!

————

Noh Yung Hoon is a Korean American artist and illustrator currently based in the Bay Area. His intricate drawing work is rendered in extraordinarily detailed high contrast drawings, all done by hand. Alternately focused on more straightforward composition and hyper-detailed optical patterns, Noh’s work feels like a universe unto itself; the cosmic ziggurats, personal computers, floating doors leading to unknown dimensions along with undulating background textures and fill patterns combine into a wholly unique set of images. The viewer’s perception is inherently altered when taking in one of these compositions — the mass of black and white recedes into moments of clarity as moments of recognition bubble up from the chaos; bits of arcane symbols, alien faces, eyeballs, buildings and so much more seep into one’s consciousness. These drawings distort our perceptions in a very psychedelic way, feeling like crisply rendered DMT visions or the luminous patterns and vortices that arise when one closes and rubs their eyes long enough.

40 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2024

————

NOW AVAILABLE! LAY—OUT No. 13: NOH YUNG HOON

SHOP LINK IN BIO

Overwhelmingly pleased to announce the publication of LAY—OUT No. 13 by @noh_yung_hoon , whose world-building illustration work had been frying our retinas for some time now. Noh’s eye for both the tiniest details and the whole cosmic scope of existence — usually in the same piece — is soothing that we keep coming back to again and again. His volume of LAY—OUT is one we are immensely proud of!

————

Noh Yung Hoon is a Korean American artist and illustrator currently based in the Bay Area. His intricate drawing work is rendered in extraordinarily detailed high contrast drawings, all done by hand. Alternately focused on more straightforward composition and hyper-detailed optical patterns, Noh’s work feels like a universe unto itself; the cosmic ziggurats, personal computers, floating doors leading to unknown dimensions along with undulating background textures and fill patterns combine into a wholly unique set of images. The viewer’s perception is inherently altered when taking in one of these compositions — the mass of black and white recedes into moments of clarity as moments of recognition bubble up from the chaos; bits of arcane symbols, alien faces, eyeballs, buildings and so much more seep into one’s consciousness. These drawings distort our perceptions in a very psychedelic way, feeling like crisply rendered DMT visions or the luminous patterns and vortices that arise when one closes and rubs their eyes long enough.

40 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2024

————

NOW AVAILABLE! LAY—OUT No. 13: NOH YUNG HOON

SHOP LINK IN BIO

Overwhelmingly pleased to announce the publication of LAY—OUT No. 13 by @noh_yung_hoon , whose world-building illustration work had been frying our retinas for some time now. Noh’s eye for both the tiniest details and the whole cosmic scope of existence — usually in the same piece — is soothing that we keep coming back to again and again. His volume of LAY—OUT is one we are immensely proud of!

————

Noh Yung Hoon is a Korean American artist and illustrator currently based in the Bay Area. His intricate drawing work is rendered in extraordinarily detailed high contrast drawings, all done by hand. Alternately focused on more straightforward composition and hyper-detailed optical patterns, Noh’s work feels like a universe unto itself; the cosmic ziggurats, personal computers, floating doors leading to unknown dimensions along with undulating background textures and fill patterns combine into a wholly unique set of images. The viewer’s perception is inherently altered when taking in one of these compositions — the mass of black and white recedes into moments of clarity as moments of recognition bubble up from the chaos; bits of arcane symbols, alien faces, eyeballs, buildings and so much more seep into one’s consciousness. These drawings distort our perceptions in a very psychedelic way, feeling like crisply rendered DMT visions or the luminous patterns and vortices that arise when one closes and rubs their eyes long enough.

40 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2024

————

Very pleased to announce the second printing of our pal @robertbeattyart ‘s ncredible contribution for our LAY—OUT series. For this second printing we have changed the color way to green and black. Still expertly risograph’d by @risolve. Cover still expertly silkscreened by @heavygel.

Shop link in bio. Lot of other great volumes in stock as well!

Here’s what we wrote about Robert’s volume previously:

Robert Beatty is a Lexington, Kentucky based designer, illustrator and musician whose work and techniques have become something of a gold standard in album artwork and editorial design. His work veers from psychedelic-adjacent 1970s airbrush to inscrutable vector linework to graphically downgraded imagery that feels filtered through broken technologies. Oftentimes in the same piece. His use of type and color only add to his formidable visual skills. His work is consistently inspiring and visually addictive.

For his LAY—OUT volume Robert has produced a suite of esoteric graphic design that feels like coded signals from a lost (or not yet found) civilization. In lush green and black tones the compositions seem to exude meaning — quasi letterforms mingle with hazy images of storms or sound waves or maybe planetary collapse. Undulating forms ooze over one another, obscuring cartographies of unknowable sites.

32 Pages, 2 color Risograph print, 2 color silkscreened cover, hand stamped inner back cover
Second edition 2024, green/black colorway

Very pleased to announce the second printing of our pal @robertbeattyart ‘s ncredible contribution for our LAY—OUT series. For this second printing we have changed the color way to green and black. Still expertly risograph’d by @risolve. Cover still expertly silkscreened by @heavygel.

Shop link in bio. Lot of other great volumes in stock as well!

Here’s what we wrote about Robert’s volume previously:

Robert Beatty is a Lexington, Kentucky based designer, illustrator and musician whose work and techniques have become something of a gold standard in album artwork and editorial design. His work veers from psychedelic-adjacent 1970s airbrush to inscrutable vector linework to graphically downgraded imagery that feels filtered through broken technologies. Oftentimes in the same piece. His use of type and color only add to his formidable visual skills. His work is consistently inspiring and visually addictive.

For his LAY—OUT volume Robert has produced a suite of esoteric graphic design that feels like coded signals from a lost (or not yet found) civilization. In lush green and black tones the compositions seem to exude meaning — quasi letterforms mingle with hazy images of storms or sound waves or maybe planetary collapse. Undulating forms ooze over one another, obscuring cartographies of unknowable sites.

32 Pages, 2 color Risograph print, 2 color silkscreened cover, hand stamped inner back cover
Second edition 2024, green/black colorway

Very pleased to announce the second printing of our pal @robertbeattyart ‘s ncredible contribution for our LAY—OUT series. For this second printing we have changed the color way to green and black. Still expertly risograph’d by @risolve. Cover still expertly silkscreened by @heavygel.

Shop link in bio. Lot of other great volumes in stock as well!

Here’s what we wrote about Robert’s volume previously:

Robert Beatty is a Lexington, Kentucky based designer, illustrator and musician whose work and techniques have become something of a gold standard in album artwork and editorial design. His work veers from psychedelic-adjacent 1970s airbrush to inscrutable vector linework to graphically downgraded imagery that feels filtered through broken technologies. Oftentimes in the same piece. His use of type and color only add to his formidable visual skills. His work is consistently inspiring and visually addictive.

For his LAY—OUT volume Robert has produced a suite of esoteric graphic design that feels like coded signals from a lost (or not yet found) civilization. In lush green and black tones the compositions seem to exude meaning — quasi letterforms mingle with hazy images of storms or sound waves or maybe planetary collapse. Undulating forms ooze over one another, obscuring cartographies of unknowable sites.

32 Pages, 2 color Risograph print, 2 color silkscreened cover, hand stamped inner back cover
Second edition 2024, green/black colorway

Very pleased to announce the second printing of our pal @robertbeattyart ‘s ncredible contribution for our LAY—OUT series. For this second printing we have changed the color way to green and black. Still expertly risograph’d by @risolve. Cover still expertly silkscreened by @heavygel.

Shop link in bio. Lot of other great volumes in stock as well!

Here’s what we wrote about Robert’s volume previously:

Robert Beatty is a Lexington, Kentucky based designer, illustrator and musician whose work and techniques have become something of a gold standard in album artwork and editorial design. His work veers from psychedelic-adjacent 1970s airbrush to inscrutable vector linework to graphically downgraded imagery that feels filtered through broken technologies. Oftentimes in the same piece. His use of type and color only add to his formidable visual skills. His work is consistently inspiring and visually addictive.

For his LAY—OUT volume Robert has produced a suite of esoteric graphic design that feels like coded signals from a lost (or not yet found) civilization. In lush green and black tones the compositions seem to exude meaning — quasi letterforms mingle with hazy images of storms or sound waves or maybe planetary collapse. Undulating forms ooze over one another, obscuring cartographies of unknowable sites.

32 Pages, 2 color Risograph print, 2 color silkscreened cover, hand stamped inner back cover
Second edition 2024, green/black colorway

Very pleased to announce the second printing of our pal @robertbeattyart ‘s ncredible contribution for our LAY—OUT series. For this second printing we have changed the color way to green and black. Still expertly risograph’d by @risolve. Cover still expertly silkscreened by @heavygel.

Shop link in bio. Lot of other great volumes in stock as well!

Here’s what we wrote about Robert’s volume previously:

Robert Beatty is a Lexington, Kentucky based designer, illustrator and musician whose work and techniques have become something of a gold standard in album artwork and editorial design. His work veers from psychedelic-adjacent 1970s airbrush to inscrutable vector linework to graphically downgraded imagery that feels filtered through broken technologies. Oftentimes in the same piece. His use of type and color only add to his formidable visual skills. His work is consistently inspiring and visually addictive.

For his LAY—OUT volume Robert has produced a suite of esoteric graphic design that feels like coded signals from a lost (or not yet found) civilization. In lush green and black tones the compositions seem to exude meaning — quasi letterforms mingle with hazy images of storms or sound waves or maybe planetary collapse. Undulating forms ooze over one another, obscuring cartographies of unknowable sites.

32 Pages, 2 color Risograph print, 2 color silkscreened cover, hand stamped inner back cover
Second edition 2024, green/black colorway

NOW AVAILABLE! LAY—OUT No. 12: BRÁULIO AMADO

SHOP LINK IN BIO

Part two of our double-whammy LAY—OUT release is from our other pal @braulioamado , whose work and attitude is a source of constant inspiration to us here at the studio!

Bráulio Amado is a Portuguese designer and illustrator currently based in New York City. His visual work is a buzzing cacophony of searing color, scrawled letters, mushed up figures and insightful humor. His work is equally at home in the pages of The New York Times, flyposted on a wall under the BQE, or on seemingly endless numbers of record covers. His work pretty much destroys any lines between design, illustration and so-called "art." His use of color, layering and expressive conceptual gesture is a life raft on the sea of bland mediocrity that is the commercial art world.

For his LAY—OUT volume Novas Habitações Para a Periferia de Lisboa (New Buildings for the Lisbon Suburbs), Bráulio presents a set of jarring juxtapositions -- a suite of technicolor explorations of shape and layering on white pages, interrupted by smaller, pink paper pages with monochromatic gilded drawings. These two interleaved books playfully separate, hide, reveal, and interact with one another, creating all new compositions as one moves through them.

44 Pages, some pages Digital Offset printed, other pages Risograph printed
Split fountain silkscreened cover, the particulars of the gradient vary from copy to copy
First edition 2023

NOW AVAILABLE! LAY—OUT No. 12: BRÁULIO AMADO

SHOP LINK IN BIO

Part two of our double-whammy LAY—OUT release is from our other pal @braulioamado , whose work and attitude is a source of constant inspiration to us here at the studio!

Bráulio Amado is a Portuguese designer and illustrator currently based in New York City. His visual work is a buzzing cacophony of searing color, scrawled letters, mushed up figures and insightful humor. His work is equally at home in the pages of The New York Times, flyposted on a wall under the BQE, or on seemingly endless numbers of record covers. His work pretty much destroys any lines between design, illustration and so-called "art." His use of color, layering and expressive conceptual gesture is a life raft on the sea of bland mediocrity that is the commercial art world.

For his LAY—OUT volume Novas Habitações Para a Periferia de Lisboa (New Buildings for the Lisbon Suburbs), Bráulio presents a set of jarring juxtapositions -- a suite of technicolor explorations of shape and layering on white pages, interrupted by smaller, pink paper pages with monochromatic gilded drawings. These two interleaved books playfully separate, hide, reveal, and interact with one another, creating all new compositions as one moves through them.

44 Pages, some pages Digital Offset printed, other pages Risograph printed
Split fountain silkscreened cover, the particulars of the gradient vary from copy to copy
First edition 2023

NOW AVAILABLE! LAY—OUT No. 12: BRÁULIO AMADO

SHOP LINK IN BIO

Part two of our double-whammy LAY—OUT release is from our other pal @braulioamado , whose work and attitude is a source of constant inspiration to us here at the studio!

Bráulio Amado is a Portuguese designer and illustrator currently based in New York City. His visual work is a buzzing cacophony of searing color, scrawled letters, mushed up figures and insightful humor. His work is equally at home in the pages of The New York Times, flyposted on a wall under the BQE, or on seemingly endless numbers of record covers. His work pretty much destroys any lines between design, illustration and so-called "art." His use of color, layering and expressive conceptual gesture is a life raft on the sea of bland mediocrity that is the commercial art world.

For his LAY—OUT volume Novas Habitações Para a Periferia de Lisboa (New Buildings for the Lisbon Suburbs), Bráulio presents a set of jarring juxtapositions -- a suite of technicolor explorations of shape and layering on white pages, interrupted by smaller, pink paper pages with monochromatic gilded drawings. These two interleaved books playfully separate, hide, reveal, and interact with one another, creating all new compositions as one moves through them.

44 Pages, some pages Digital Offset printed, other pages Risograph printed
Split fountain silkscreened cover, the particulars of the gradient vary from copy to copy
First edition 2023

NOW AVAILABLE! LAY—OUT No. 12: BRÁULIO AMADO

SHOP LINK IN BIO

Part two of our double-whammy LAY—OUT release is from our other pal @braulioamado , whose work and attitude is a source of constant inspiration to us here at the studio!

Bráulio Amado is a Portuguese designer and illustrator currently based in New York City. His visual work is a buzzing cacophony of searing color, scrawled letters, mushed up figures and insightful humor. His work is equally at home in the pages of The New York Times, flyposted on a wall under the BQE, or on seemingly endless numbers of record covers. His work pretty much destroys any lines between design, illustration and so-called "art." His use of color, layering and expressive conceptual gesture is a life raft on the sea of bland mediocrity that is the commercial art world.

For his LAY—OUT volume Novas Habitações Para a Periferia de Lisboa (New Buildings for the Lisbon Suburbs), Bráulio presents a set of jarring juxtapositions -- a suite of technicolor explorations of shape and layering on white pages, interrupted by smaller, pink paper pages with monochromatic gilded drawings. These two interleaved books playfully separate, hide, reveal, and interact with one another, creating all new compositions as one moves through them.

44 Pages, some pages Digital Offset printed, other pages Risograph printed
Split fountain silkscreened cover, the particulars of the gradient vary from copy to copy
First edition 2023

NOW AVAILABLE! LAY—OUT No. 12: BRÁULIO AMADO

SHOP LINK IN BIO

Part two of our double-whammy LAY—OUT release is from our other pal @braulioamado , whose work and attitude is a source of constant inspiration to us here at the studio!

Bráulio Amado is a Portuguese designer and illustrator currently based in New York City. His visual work is a buzzing cacophony of searing color, scrawled letters, mushed up figures and insightful humor. His work is equally at home in the pages of The New York Times, flyposted on a wall under the BQE, or on seemingly endless numbers of record covers. His work pretty much destroys any lines between design, illustration and so-called "art." His use of color, layering and expressive conceptual gesture is a life raft on the sea of bland mediocrity that is the commercial art world.

For his LAY—OUT volume Novas Habitações Para a Periferia de Lisboa (New Buildings for the Lisbon Suburbs), Bráulio presents a set of jarring juxtapositions -- a suite of technicolor explorations of shape and layering on white pages, interrupted by smaller, pink paper pages with monochromatic gilded drawings. These two interleaved books playfully separate, hide, reveal, and interact with one another, creating all new compositions as one moves through them.

44 Pages, some pages Digital Offset printed, other pages Risograph printed
Split fountain silkscreened cover, the particulars of the gradient vary from copy to copy
First edition 2023

NOW AVAILABLE: LAY—OUT No. 4: DEREK BEAULIEU

SHOP LINK IN BIO

@derek.a.beaulieu is a poet, artist, writer and the author of twenty-six books of poetry, conceptual fiction, and critical writing, as well as a voluminous amount of chapbooks. His LAY—OUT contribution centers on his visual poetry work using dry-transfer lettering (think Letraset and the like) to create disorienting and expressive works that point towards meaning but center on feeling and expression above all else. Instead of simply presenting these hypnotic pieces in a polite and archival manner, Beaulieu -- working with SEEN Studio -- has elected to combine the poems, overprinting them in saturated pink, blue and yellow, making totally new disorienting compositions out of the old. Colors blend, compositions expand, and one's retinas grow woozy taking it all in.

What's more, much to the chagrin of a number of printers that will no longer return LAY—OUT's calls, the Beaulieu's poems are combined and printed in a random manner such that each copy of the book is a totally unique. To be sure: every copy of the book has 32 pink images, 32 blue images and 32 yellow images. But one yellow image may appear on page 12 or one copy of the book and on 29 of another. And the blue poem that is overprinted with a particular blue and pink image will be combines with two totally different poems in another copy of the book. So while your copy contains the same 96 pieces as every other copy of this volume the particular combination and order of your book does not exist anywhere else. This is (literally) a one-of-a-kind book!

32 Pages, 3 color Risograph print in randomized combinations,
2 color silkscreened cover
First edition 2023

Cover Silkscreen Printing: @heavygel
Over-the-top Risograph Interior Printing: @mudlust.industries
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 4: DEREK BEAULIEU

SHOP LINK IN BIO

@derek.a.beaulieu is a poet, artist, writer and the author of twenty-six books of poetry, conceptual fiction, and critical writing, as well as a voluminous amount of chapbooks. His LAY—OUT contribution centers on his visual poetry work using dry-transfer lettering (think Letraset and the like) to create disorienting and expressive works that point towards meaning but center on feeling and expression above all else. Instead of simply presenting these hypnotic pieces in a polite and archival manner, Beaulieu -- working with SEEN Studio -- has elected to combine the poems, overprinting them in saturated pink, blue and yellow, making totally new disorienting compositions out of the old. Colors blend, compositions expand, and one's retinas grow woozy taking it all in.

What's more, much to the chagrin of a number of printers that will no longer return LAY—OUT's calls, the Beaulieu's poems are combined and printed in a random manner such that each copy of the book is a totally unique. To be sure: every copy of the book has 32 pink images, 32 blue images and 32 yellow images. But one yellow image may appear on page 12 or one copy of the book and on 29 of another. And the blue poem that is overprinted with a particular blue and pink image will be combines with two totally different poems in another copy of the book. So while your copy contains the same 96 pieces as every other copy of this volume the particular combination and order of your book does not exist anywhere else. This is (literally) a one-of-a-kind book!

32 Pages, 3 color Risograph print in randomized combinations,
2 color silkscreened cover
First edition 2023

Cover Silkscreen Printing: @heavygel
Over-the-top Risograph Interior Printing: @mudlust.industries
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 4: DEREK BEAULIEU

SHOP LINK IN BIO

@derek.a.beaulieu is a poet, artist, writer and the author of twenty-six books of poetry, conceptual fiction, and critical writing, as well as a voluminous amount of chapbooks. His LAY—OUT contribution centers on his visual poetry work using dry-transfer lettering (think Letraset and the like) to create disorienting and expressive works that point towards meaning but center on feeling and expression above all else. Instead of simply presenting these hypnotic pieces in a polite and archival manner, Beaulieu -- working with SEEN Studio -- has elected to combine the poems, overprinting them in saturated pink, blue and yellow, making totally new disorienting compositions out of the old. Colors blend, compositions expand, and one's retinas grow woozy taking it all in.

What's more, much to the chagrin of a number of printers that will no longer return LAY—OUT's calls, the Beaulieu's poems are combined and printed in a random manner such that each copy of the book is a totally unique. To be sure: every copy of the book has 32 pink images, 32 blue images and 32 yellow images. But one yellow image may appear on page 12 or one copy of the book and on 29 of another. And the blue poem that is overprinted with a particular blue and pink image will be combines with two totally different poems in another copy of the book. So while your copy contains the same 96 pieces as every other copy of this volume the particular combination and order of your book does not exist anywhere else. This is (literally) a one-of-a-kind book!

32 Pages, 3 color Risograph print in randomized combinations,
2 color silkscreened cover
First edition 2023

Cover Silkscreen Printing: @heavygel
Over-the-top Risograph Interior Printing: @mudlust.industries
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 4: DEREK BEAULIEU

SHOP LINK IN BIO

@derek.a.beaulieu is a poet, artist, writer and the author of twenty-six books of poetry, conceptual fiction, and critical writing, as well as a voluminous amount of chapbooks. His LAY—OUT contribution centers on his visual poetry work using dry-transfer lettering (think Letraset and the like) to create disorienting and expressive works that point towards meaning but center on feeling and expression above all else. Instead of simply presenting these hypnotic pieces in a polite and archival manner, Beaulieu -- working with SEEN Studio -- has elected to combine the poems, overprinting them in saturated pink, blue and yellow, making totally new disorienting compositions out of the old. Colors blend, compositions expand, and one's retinas grow woozy taking it all in.

What's more, much to the chagrin of a number of printers that will no longer return LAY—OUT's calls, the Beaulieu's poems are combined and printed in a random manner such that each copy of the book is a totally unique. To be sure: every copy of the book has 32 pink images, 32 blue images and 32 yellow images. But one yellow image may appear on page 12 or one copy of the book and on 29 of another. And the blue poem that is overprinted with a particular blue and pink image will be combines with two totally different poems in another copy of the book. So while your copy contains the same 96 pieces as every other copy of this volume the particular combination and order of your book does not exist anywhere else. This is (literally) a one-of-a-kind book!

32 Pages, 3 color Risograph print in randomized combinations,
2 color silkscreened cover
First edition 2023

Cover Silkscreen Printing: @heavygel
Over-the-top Risograph Interior Printing: @mudlust.industries
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 4: DEREK BEAULIEU

SHOP LINK IN BIO

@derek.a.beaulieu is a poet, artist, writer and the author of twenty-six books of poetry, conceptual fiction, and critical writing, as well as a voluminous amount of chapbooks. His LAY—OUT contribution centers on his visual poetry work using dry-transfer lettering (think Letraset and the like) to create disorienting and expressive works that point towards meaning but center on feeling and expression above all else. Instead of simply presenting these hypnotic pieces in a polite and archival manner, Beaulieu -- working with SEEN Studio -- has elected to combine the poems, overprinting them in saturated pink, blue and yellow, making totally new disorienting compositions out of the old. Colors blend, compositions expand, and one's retinas grow woozy taking it all in.

What's more, much to the chagrin of a number of printers that will no longer return LAY—OUT's calls, the Beaulieu's poems are combined and printed in a random manner such that each copy of the book is a totally unique. To be sure: every copy of the book has 32 pink images, 32 blue images and 32 yellow images. But one yellow image may appear on page 12 or one copy of the book and on 29 of another. And the blue poem that is overprinted with a particular blue and pink image will be combines with two totally different poems in another copy of the book. So while your copy contains the same 96 pieces as every other copy of this volume the particular combination and order of your book does not exist anywhere else. This is (literally) a one-of-a-kind book!

32 Pages, 3 color Risograph print in randomized combinations,
2 color silkscreened cover
First edition 2023

Cover Silkscreen Printing: @heavygel
Over-the-top Risograph Interior Printing: @mudlust.industries
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 9: MATT DORFMAN

@matt.dorfman , when he is not working as the art director of the New York Times Book Review, is a designer and illustrator with a staggering list of truly notable projects under his belt. On top of all that — how could he possibly have time for more?? — he creates a seeming multitude of insightful, funny and just super remarkable collages. These pieces are a world unto themselves: disassociated mid century banality twisted into pointed gags; concrete text pieces stuck onto pieces of visual detritus, construction paper color field compositions sharing space with cheekily reconfigured classical sculpture and bits of yellowed comic book anatomy. His LAY—OUT volume
in a fantastically tweaked collection of collage inspiration.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 9: MATT DORFMAN

@matt.dorfman , when he is not working as the art director of the New York Times Book Review, is a designer and illustrator with a staggering list of truly notable projects under his belt. On top of all that — how could he possibly have time for more?? — he creates a seeming multitude of insightful, funny and just super remarkable collages. These pieces are a world unto themselves: disassociated mid century banality twisted into pointed gags; concrete text pieces stuck onto pieces of visual detritus, construction paper color field compositions sharing space with cheekily reconfigured classical sculpture and bits of yellowed comic book anatomy. His LAY—OUT volume
in a fantastically tweaked collection of collage inspiration.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 9: MATT DORFMAN

@matt.dorfman , when he is not working as the art director of the New York Times Book Review, is a designer and illustrator with a staggering list of truly notable projects under his belt. On top of all that — how could he possibly have time for more?? — he creates a seeming multitude of insightful, funny and just super remarkable collages. These pieces are a world unto themselves: disassociated mid century banality twisted into pointed gags; concrete text pieces stuck onto pieces of visual detritus, construction paper color field compositions sharing space with cheekily reconfigured classical sculpture and bits of yellowed comic book anatomy. His LAY—OUT volume
in a fantastically tweaked collection of collage inspiration.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 9: MATT DORFMAN

@matt.dorfman , when he is not working as the art director of the New York Times Book Review, is a designer and illustrator with a staggering list of truly notable projects under his belt. On top of all that — how could he possibly have time for more?? — he creates a seeming multitude of insightful, funny and just super remarkable collages. These pieces are a world unto themselves: disassociated mid century banality twisted into pointed gags; concrete text pieces stuck onto pieces of visual detritus, construction paper color field compositions sharing space with cheekily reconfigured classical sculpture and bits of yellowed comic book anatomy. His LAY—OUT volume
in a fantastically tweaked collection of collage inspiration.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

LAY—OUT No. 8: NIKKO GARY

***OUT OF PRINT***

@nikkogary is a multidisciplinary designer, working variously in film, design and photography. His work manages to evoke all of these disciplines while also pushing visuals into striking new places. Dense grids of portraiture become wholly new compositions, images are deeply saturated RGB eye candy, throwaway gestures are framed and amplified and presented in striking purposefulness. His work is personal and evocative, referencing lines from Clipse lyrics, surveillance video screen grabs and text chains from loved ones. His LAY—OUT contribution compiles a number of personal projects made in between his work for BUCK, High Snobiety and Boiler Room and includes a 230 x 380mm fold out poster of his excellent 2021 Juneteenth poster.

44 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Riso Printing: @tinysplendor
Binding: Miller Sherwood
Published by @seenstudio

LAY—OUT No. 8: NIKKO GARY

***OUT OF PRINT***

@nikkogary is a multidisciplinary designer, working variously in film, design and photography. His work manages to evoke all of these disciplines while also pushing visuals into striking new places. Dense grids of portraiture become wholly new compositions, images are deeply saturated RGB eye candy, throwaway gestures are framed and amplified and presented in striking purposefulness. His work is personal and evocative, referencing lines from Clipse lyrics, surveillance video screen grabs and text chains from loved ones. His LAY—OUT contribution compiles a number of personal projects made in between his work for BUCK, High Snobiety and Boiler Room and includes a 230 x 380mm fold out poster of his excellent 2021 Juneteenth poster.

44 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Riso Printing: @tinysplendor
Binding: Miller Sherwood
Published by @seenstudio

LAY—OUT No. 8: NIKKO GARY

***OUT OF PRINT***

@nikkogary is a multidisciplinary designer, working variously in film, design and photography. His work manages to evoke all of these disciplines while also pushing visuals into striking new places. Dense grids of portraiture become wholly new compositions, images are deeply saturated RGB eye candy, throwaway gestures are framed and amplified and presented in striking purposefulness. His work is personal and evocative, referencing lines from Clipse lyrics, surveillance video screen grabs and text chains from loved ones. His LAY—OUT contribution compiles a number of personal projects made in between his work for BUCK, High Snobiety and Boiler Room and includes a 230 x 380mm fold out poster of his excellent 2021 Juneteenth poster.

44 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Riso Printing: @tinysplendor
Binding: Miller Sherwood
Published by @seenstudio

LAY—OUT No. 8: NIKKO GARY

***OUT OF PRINT***

@nikkogary is a multidisciplinary designer, working variously in film, design and photography. His work manages to evoke all of these disciplines while also pushing visuals into striking new places. Dense grids of portraiture become wholly new compositions, images are deeply saturated RGB eye candy, throwaway gestures are framed and amplified and presented in striking purposefulness. His work is personal and evocative, referencing lines from Clipse lyrics, surveillance video screen grabs and text chains from loved ones. His LAY—OUT contribution compiles a number of personal projects made in between his work for BUCK, High Snobiety and Boiler Room and includes a 230 x 380mm fold out poster of his excellent 2021 Juneteenth poster.

44 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Riso Printing: @tinysplendor
Binding: Miller Sherwood
Published by @seenstudio

LAY—OUT No. 8: NIKKO GARY

***OUT OF PRINT***

@nikkogary is a multidisciplinary designer, working variously in film, design and photography. His work manages to evoke all of these disciplines while also pushing visuals into striking new places. Dense grids of portraiture become wholly new compositions, images are deeply saturated RGB eye candy, throwaway gestures are framed and amplified and presented in striking purposefulness. His work is personal and evocative, referencing lines from Clipse lyrics, surveillance video screen grabs and text chains from loved ones. His LAY—OUT contribution compiles a number of personal projects made in between his work for BUCK, High Snobiety and Boiler Room and includes a 230 x 380mm fold out poster of his excellent 2021 Juneteenth poster.

44 Pages, Digital offset print, 1 color silkscreened cover, with additional poster
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Riso Printing: @tinysplendor
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 7: HLLBNT

@h_l_l_b_n_t is the visionary & contrarian visual alter-ego of Simon Bent, the head of io Design Company (@io_design_company ). The HLLBNT visual universe feels like a fever-dream suture of Lichentstein, Peter Max, Jenny Hozer and Thomas Bayrle. Thick lined illustrations radiate like an acid-drenched/plasticine take on Eadweard Muybridge's time-lapse experiments. Sarcastic inversions of corporate platitudes are set in humongous Frankfurter type are clouded by a barrage of bubbles. Visionscapes out of a late-70s 7-up ad are peppered with dystopian takes on ineffectual governmental propaganda. Oversized halftones abound. And the net effect is alternately hilarious and thought
provoking, with tracers of eye candy ebbing and flowing as the book progresses.

48 Pages, 3 color Risograph print, 2 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 7: HLLBNT

@h_l_l_b_n_t is the visionary & contrarian visual alter-ego of Simon Bent, the head of io Design Company (@io_design_company ). The HLLBNT visual universe feels like a fever-dream suture of Lichentstein, Peter Max, Jenny Hozer and Thomas Bayrle. Thick lined illustrations radiate like an acid-drenched/plasticine take on Eadweard Muybridge's time-lapse experiments. Sarcastic inversions of corporate platitudes are set in humongous Frankfurter type are clouded by a barrage of bubbles. Visionscapes out of a late-70s 7-up ad are peppered with dystopian takes on ineffectual governmental propaganda. Oversized halftones abound. And the net effect is alternately hilarious and thought
provoking, with tracers of eye candy ebbing and flowing as the book progresses.

48 Pages, 3 color Risograph print, 2 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 7: HLLBNT

@h_l_l_b_n_t is the visionary & contrarian visual alter-ego of Simon Bent, the head of io Design Company (@io_design_company ). The HLLBNT visual universe feels like a fever-dream suture of Lichentstein, Peter Max, Jenny Hozer and Thomas Bayrle. Thick lined illustrations radiate like an acid-drenched/plasticine take on Eadweard Muybridge's time-lapse experiments. Sarcastic inversions of corporate platitudes are set in humongous Frankfurter type are clouded by a barrage of bubbles. Visionscapes out of a late-70s 7-up ad are peppered with dystopian takes on ineffectual governmental propaganda. Oversized halftones abound. And the net effect is alternately hilarious and thought
provoking, with tracers of eye candy ebbing and flowing as the book progresses.

48 Pages, 3 color Risograph print, 2 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 7: HLLBNT

@h_l_l_b_n_t is the visionary & contrarian visual alter-ego of Simon Bent, the head of io Design Company (@io_design_company ). The HLLBNT visual universe feels like a fever-dream suture of Lichentstein, Peter Max, Jenny Hozer and Thomas Bayrle. Thick lined illustrations radiate like an acid-drenched/plasticine take on Eadweard Muybridge's time-lapse experiments. Sarcastic inversions of corporate platitudes are set in humongous Frankfurter type are clouded by a barrage of bubbles. Visionscapes out of a late-70s 7-up ad are peppered with dystopian takes on ineffectual governmental propaganda. Oversized halftones abound. And the net effect is alternately hilarious and thought
provoking, with tracers of eye candy ebbing and flowing as the book progresses.

48 Pages, 3 color Risograph print, 2 color silkscreened cover
First edition 2023

SHOP LINK IN BIO

Cover Silkscreen Printing: @heavygel
Interior Page Printing: Smartpress
Binding: Miller Sherwood
Published by @seenstudio

NOW AVAILABLE: LAY—OUT No. 6: MY NAME IS WENDY

My Name is Wendy (@mynameiswendystudio ) is the artistic and design collaboration of Carole Gautier and Eugénie Favre, whose visual output is immersive, eye-popping and densely layered. They make work that is just as uncompromisingly strange and beautiful when the client is a huge corporation as they do when collaborating with a small cultural organization. For LAY—OUT, My Name is Wendy drops the viewer into a world awash with candy-colored gradients, optical dissonance, and fantastical three-dimensional renderings. The pages seem to physically vibrate with energy as one's eyes devour their compositions. The effect is hypnotizing, meditative, and joyous.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2022

Over-the-top incredible gradients on black screen printing by Jayes @heavygel

SHOP LINK IN BIO

NOW AVAILABLE: LAY—OUT No. 6: MY NAME IS WENDY

My Name is Wendy (@mynameiswendystudio ) is the artistic and design collaboration of Carole Gautier and Eugénie Favre, whose visual output is immersive, eye-popping and densely layered. They make work that is just as uncompromisingly strange and beautiful when the client is a huge corporation as they do when collaborating with a small cultural organization. For LAY—OUT, My Name is Wendy drops the viewer into a world awash with candy-colored gradients, optical dissonance, and fantastical three-dimensional renderings. The pages seem to physically vibrate with energy as one's eyes devour their compositions. The effect is hypnotizing, meditative, and joyous.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2022

Over-the-top incredible gradients on black screen printing by Jayes @heavygel

SHOP LINK IN BIO

NOW AVAILABLE: LAY—OUT No. 6: MY NAME IS WENDY

My Name is Wendy (@mynameiswendystudio ) is the artistic and design collaboration of Carole Gautier and Eugénie Favre, whose visual output is immersive, eye-popping and densely layered. They make work that is just as uncompromisingly strange and beautiful when the client is a huge corporation as they do when collaborating with a small cultural organization. For LAY—OUT, My Name is Wendy drops the viewer into a world awash with candy-colored gradients, optical dissonance, and fantastical three-dimensional renderings. The pages seem to physically vibrate with energy as one's eyes devour their compositions. The effect is hypnotizing, meditative, and joyous.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2022

Over-the-top incredible gradients on black screen printing by Jayes @heavygel

SHOP LINK IN BIO

NOW AVAILABLE: LAY—OUT No. 6: MY NAME IS WENDY

My Name is Wendy (@mynameiswendystudio ) is the artistic and design collaboration of Carole Gautier and Eugénie Favre, whose visual output is immersive, eye-popping and densely layered. They make work that is just as uncompromisingly strange and beautiful when the client is a huge corporation as they do when collaborating with a small cultural organization. For LAY—OUT, My Name is Wendy drops the viewer into a world awash with candy-colored gradients, optical dissonance, and fantastical three-dimensional renderings. The pages seem to physically vibrate with energy as one's eyes devour their compositions. The effect is hypnotizing, meditative, and joyous.

44 Pages, Digital offset print, 3 color silkscreened cover
First edition 2022

Over-the-top incredible gradients on black screen printing by Jayes @heavygel

SHOP LINK IN BIO

NOW AVAILABLE: LAY—OUT No. 5: KEVIN STEBNER.

Kevin Stebner (@revolutionwinter ) is an artist, poet and musician from Calgary, Alberta. He is also the proprietor of Calgary's best bookstore that's in a shed, Shed Books. His typewriter-based concrete poetry compositions are intricate, expressive and psychedelic, hearkening back to the groundbreaking work of Dom Sylvester Houedard while exploring totally new modes of expression. For his contribution to LAY—OUT Stebner presents 39 new works (plus a 40th if you count both the intense mountainscape cover done entirely with underlines!) created entirely — laboriously! — by hand on various typewriters. These poems are a deep dive into nearly physical spaces, with expressive dollops, vast mechanical assemblages and the beginnings of whole new worlds that have been coaxed out of clunky machines of yesteryear.

40 Pages, Digital offset print, 2 color silkscreened cover
First edition 2022

Cover screen printing by @heavygel

SHOP LINK IN BIO

NOW AVAILABLE: LAY—OUT No. 5: KEVIN STEBNER.

Kevin Stebner (@revolutionwinter ) is an artist, poet and musician from Calgary, Alberta. He is also the proprietor of Calgary's best bookstore that's in a shed, Shed Books. His typewriter-based concrete poetry compositions are intricate, expressive and psychedelic, hearkening back to the groundbreaking work of Dom Sylvester Houedard while exploring totally new modes of expression. For his contribution to LAY—OUT Stebner presents 39 new works (plus a 40th if you count both the intense mountainscape cover done entirely with underlines!) created entirely — laboriously! — by hand on various typewriters. These poems are a deep dive into nearly physical spaces, with expressive dollops, vast mechanical assemblages and the beginnings of whole new worlds that have been coaxed out of clunky machines of yesteryear.

40 Pages, Digital offset print, 2 color silkscreened cover
First edition 2022

Cover screen printing by @heavygel

SHOP LINK IN BIO

NOW AVAILABLE: LAY—OUT No. 5: KEVIN STEBNER.

Kevin Stebner (@revolutionwinter ) is an artist, poet and musician from Calgary, Alberta. He is also the proprietor of Calgary's best bookstore that's in a shed, Shed Books. His typewriter-based concrete poetry compositions are intricate, expressive and psychedelic, hearkening back to the groundbreaking work of Dom Sylvester Houedard while exploring totally new modes of expression. For his contribution to LAY—OUT Stebner presents 39 new works (plus a 40th if you count both the intense mountainscape cover done entirely with underlines!) created entirely — laboriously! — by hand on various typewriters. These poems are a deep dive into nearly physical spaces, with expressive dollops, vast mechanical assemblages and the beginnings of whole new worlds that have been coaxed out of clunky machines of yesteryear.

40 Pages, Digital offset print, 2 color silkscreened cover
First edition 2022

Cover screen printing by @heavygel

SHOP LINK IN BIO

NOW AVAILABLE: LAY—OUT No. 5: KEVIN STEBNER.

Kevin Stebner (@revolutionwinter ) is an artist, poet and musician from Calgary, Alberta. He is also the proprietor of Calgary's best bookstore that's in a shed, Shed Books. His typewriter-based concrete poetry compositions are intricate, expressive and psychedelic, hearkening back to the groundbreaking work of Dom Sylvester Houedard while exploring totally new modes of expression. For his contribution to LAY—OUT Stebner presents 39 new works (plus a 40th if you count both the intense mountainscape cover done entirely with underlines!) created entirely — laboriously! — by hand on various typewriters. These poems are a deep dive into nearly physical spaces, with expressive dollops, vast mechanical assemblages and the beginnings of whole new worlds that have been coaxed out of clunky machines of yesteryear.

40 Pages, Digital offset print, 2 color silkscreened cover
First edition 2022

Cover screen printing by @heavygel

SHOP LINK IN BIO

LAY—OUT no 3: SUZY POLING

***OUT OF PRINT***

Suzy Polinga.k.a. Pod Blotz ( @suz.pol.pod.blotz ) is a musician, artist, and photographer based in Los Angeles. Her volume, titled Geo Resequence, is a selection of experimental photographic, xeroxed, digitized, and painted collages that examine ways of transforming, restructuring, and cloning infrastructures through repetition. These works explore and minimal geometry, complex spaces, and cyclical patterns within nature, ecology, and geology during the daunting age of climate change. The use of 'Geo' in the title references geological time, geometry, geomancy, and geography. 'Resequence' refers to how the effects of human activity are resequencing planetary time — resulting in the collapse of human time and accelerating the need to redesign human structures to be in accordance with the earth system.

44 Pages, Digital offset print, 2 color silkscreened cover
First edition 2021

Available at shop.seenstudio.com, link in bio.

LAY—OUT no 3: SUZY POLING

***OUT OF PRINT***

Suzy Polinga.k.a. Pod Blotz ( @suz.pol.pod.blotz ) is a musician, artist, and photographer based in Los Angeles. Her volume, titled Geo Resequence, is a selection of experimental photographic, xeroxed, digitized, and painted collages that examine ways of transforming, restructuring, and cloning infrastructures through repetition. These works explore and minimal geometry, complex spaces, and cyclical patterns within nature, ecology, and geology during the daunting age of climate change. The use of 'Geo' in the title references geological time, geometry, geomancy, and geography. 'Resequence' refers to how the effects of human activity are resequencing planetary time — resulting in the collapse of human time and accelerating the need to redesign human structures to be in accordance with the earth system.

44 Pages, Digital offset print, 2 color silkscreened cover
First edition 2021

Available at shop.seenstudio.com, link in bio.

LAY—OUT no 3: SUZY POLING

***OUT OF PRINT***

Suzy Polinga.k.a. Pod Blotz ( @suz.pol.pod.blotz ) is a musician, artist, and photographer based in Los Angeles. Her volume, titled Geo Resequence, is a selection of experimental photographic, xeroxed, digitized, and painted collages that examine ways of transforming, restructuring, and cloning infrastructures through repetition. These works explore and minimal geometry, complex spaces, and cyclical patterns within nature, ecology, and geology during the daunting age of climate change. The use of 'Geo' in the title references geological time, geometry, geomancy, and geography. 'Resequence' refers to how the effects of human activity are resequencing planetary time — resulting in the collapse of human time and accelerating the need to redesign human structures to be in accordance with the earth system.

44 Pages, Digital offset print, 2 color silkscreened cover
First edition 2021

Available at shop.seenstudio.com, link in bio.

LAY—OUT no 3: SUZY POLING

***OUT OF PRINT***

Suzy Polinga.k.a. Pod Blotz ( @suz.pol.pod.blotz ) is a musician, artist, and photographer based in Los Angeles. Her volume, titled Geo Resequence, is a selection of experimental photographic, xeroxed, digitized, and painted collages that examine ways of transforming, restructuring, and cloning infrastructures through repetition. These works explore and minimal geometry, complex spaces, and cyclical patterns within nature, ecology, and geology during the daunting age of climate change. The use of 'Geo' in the title references geological time, geometry, geomancy, and geography. 'Resequence' refers to how the effects of human activity are resequencing planetary time — resulting in the collapse of human time and accelerating the need to redesign human structures to be in accordance with the earth system.

44 Pages, Digital offset print, 2 color silkscreened cover
First edition 2021

Available at shop.seenstudio.com, link in bio.

BACK IN STOCK! LAY—OUT no 2: OMIT

OMIT is the audio and visual project of Clinton Williams, who works in Blenheim, New Zealand. He operates in near isolation, forgoing most online interconnectedness while crafting whole worlds of hermetically realized sound and visuals. His volume for LAY—OUT is titled "Skymatics: Synopsis for Skymatic Reinforcement of Photocopyers" and is a set of schematics and investigations into a dystopian world of human/sentient-photocopier interactions.

40 Pages, BW, 2 color silkscreened cover
Second edition 2023

Available at shop.seenstudio.com, link in bio.

BACK IN STOCK! LAY—OUT no 2: OMIT

OMIT is the audio and visual project of Clinton Williams, who works in Blenheim, New Zealand. He operates in near isolation, forgoing most online interconnectedness while crafting whole worlds of hermetically realized sound and visuals. His volume for LAY—OUT is titled "Skymatics: Synopsis for Skymatic Reinforcement of Photocopyers" and is a set of schematics and investigations into a dystopian world of human/sentient-photocopier interactions.

40 Pages, BW, 2 color silkscreened cover
Second edition 2023

Available at shop.seenstudio.com, link in bio.

BACK IN STOCK! LAY—OUT no 2: OMIT

OMIT is the audio and visual project of Clinton Williams, who works in Blenheim, New Zealand. He operates in near isolation, forgoing most online interconnectedness while crafting whole worlds of hermetically realized sound and visuals. His volume for LAY—OUT is titled "Skymatics: Synopsis for Skymatic Reinforcement of Photocopyers" and is a set of schematics and investigations into a dystopian world of human/sentient-photocopier interactions.

40 Pages, BW, 2 color silkscreened cover
Second edition 2023

Available at shop.seenstudio.com, link in bio.

BACK IN STOCK! LAY—OUT no 2: OMIT

OMIT is the audio and visual project of Clinton Williams, who works in Blenheim, New Zealand. He operates in near isolation, forgoing most online interconnectedness while crafting whole worlds of hermetically realized sound and visuals. His volume for LAY—OUT is titled "Skymatics: Synopsis for Skymatic Reinforcement of Photocopyers" and is a set of schematics and investigations into a dystopian world of human/sentient-photocopier interactions.

40 Pages, BW, 2 color silkscreened cover
Second edition 2023

Available at shop.seenstudio.com, link in bio.