인스타그램 스토리 뷰어

A beautiful trailer for 'Something to do, someone to love, something to look forward to', which will be returning to the stage in the spring!

Subscribe to our newsletter through the link in our bio to ensure you receive news of the performance dates first.

Choreography: Lee Brummer & Cast

Cast: Anoushka Jago, Naomi Kats, Siri Elmqvist and Jennifer Wallén

Video: Donovan von Martens

Let’s come together for a day of Dance-ing!

An opportunity to spend time together and experience dance in different ways – dancing, watching, listening, talking and simply being.

We need events that bring us together around something shared. Dance can be that!

We are launching a new initiative: a series of events that create space to connect, be a community and engage with dance - all in one place, over a single day.

The first ilDance Event takes place on May 17, 2026, from 15:00 to 21:00 at CCAP in Stockholm.

The day includes:
- Gaga/people class led by @leebrummer,

- Work in progress sharing of a new piece titled Intimacy/Intimidation by @israelaloni in collaboration with the creative cast,

- An artist talk about intimacy and consent in contemporary dance and performance practices, addressing the body, the human(e), the inhuman(e), the singular and the collective, with guest artists @johanna.willigrosenstein, @biggestrob, and @_luca_tomaselli, moderated by @israelaloni ,

- A low-key party with music by DJ Johannes Lind @tjli9 , drinks and good vibes.

Book your tickets early to enjoy a special offer.

Early bird tickets for the full day are 350SEK (available until May 1, 2026)!

📅Sunday, 17 May 2026
⏱ 15:00-21:00
📍CCAP - Körsbärsvägen 9, NB, 114 23 Stockholm

For more info and tickets go to link in bio...

#ilDanceevents #ilDance #ildance #contemporarydance #performanceart

>••< REGISTRATION NOW OPEN >••<
(link in bio)

GAGA & MOVEMENT RESEARCH INTENSIVE 2026

•Copenhagen: April 10-12
Registration now open.

•Stuttgart: May 29-31
Registration now open.

•Stockholm: August 7-9 (To be confirmed!)
Registration opens 2nd of March.

We’re back — and expanding!
After last year’s successful pilot, the Gaga & Movement Research Intensive returns for three days of dance, discovery, and creative energy.

Led by Kari Vig Petersen, Smadar Goshen & Lee Brummer, this weekend blends Gaga/people classes, movement research, and space to explore, connect, and move with freedom.

Open to all — no experience needed, just curiosity and a love for movement.

✨ for details & registration check out link in bio.

anoushka Jago in “Making sense”

@amjago1 💜
Photo: @johanneshjorth

In the 1sr development process of “Making sense” with wonderful artists Jennifer Wallen and Anoushka Jago.

Residency at @balettakademiensthlm
Photo: @johanneshjorth

Development for a new work titled "Making Sense" by our Associate Director Lee Brummer. "Making Sense" explores ideas about Loss...

Lee and artists will share the progress of their work at Balettakademien Stockholm on Wednesday, July 30 at 18.00.

To reserve a spot for the studio sharing email: leebrummer@ildance.se

📷Lee Brummer

Development for a new work titled "Making Sense" by our Associate Director Lee Brummer. "Making Sense" explores ideas about Loss...

Lee and artists will share the progress of their work at Balettakademien Stockholm on Wednesday, July 30 at 18.00.

To reserve a spot for the studio sharing email: leebrummer@ildance.se

📷Lee Brummer

Development for a new work titled "Making Sense" by our Associate Director Lee Brummer. "Making Sense" explores ideas about Loss...

Lee and artists will share the progress of their work at Balettakademien Stockholm on Wednesday, July 30 at 18.00.

To reserve a spot for the studio sharing email: leebrummer@ildance.se

📷Lee Brummer

Development for a new work titled "Making Sense" by our Associate Director Lee Brummer. "Making Sense" explores ideas about Loss...

Lee and artists will share the progress of their work at Balettakademien Stockholm on Wednesday, July 30 at 18.00.

To reserve a spot for the studio sharing email: leebrummer@ildance.se

📷Lee Brummer

MEET THE TEACHERS // KARI VIG PETERSEN for
Gaga and Movement Research Intensive - Summer 2025 - in Copenhagen and Stockholm!

Kari is one of the 3 teachers in our upcoming summer intensive. We are beyond excited to have her and are looking forward to her guidance. While asking the other teachers about her they describe her with these words: joyous, generous, astute, curious, charismatic and passionate 🩵

Meet Kari - a dancer, a Gaga teacher and a Fascial Flow guide living and working in Copenhagen, Denmark.
Kari has since 2019 been teaching Gaga in several dance and acting schools and dance companies in Scandinavia, such as Akademi for Scenekunst - Høgskolen i Østfold, Danish Dance Theatre, Skånes Dance Theatre, CISPA etc. She also arranges her own workshops and journeys. Kari is passionate about sharing the joy and benefit of dance and movement, and deeply believes that movement combined with awareness is a key to an alive life.

For more info and tickets;
https://www.ildance.se/gaga-summer

This workshop invites you into a rich, multi-faceted movement experience combining daily Gaga/people classes with movement research sessions led by three teachers—each bringing their own unique background, expertise and artistic voice.

Photo credit: Ulrik Teisner

MEET THE TEACHERS // KARI VIG PETERSEN for
Gaga and Movement Research Intensive - Summer 2025 - in Copenhagen and Stockholm!

Kari is one of the 3 teachers in our upcoming summer intensive. We are beyond excited to have her and are looking forward to her guidance. While asking the other teachers about her they describe her with these words: joyous, generous, astute, curious, charismatic and passionate 🩵

Meet Kari - a dancer, a Gaga teacher and a Fascial Flow guide living and working in Copenhagen, Denmark.
Kari has since 2019 been teaching Gaga in several dance and acting schools and dance companies in Scandinavia, such as Akademi for Scenekunst - Høgskolen i Østfold, Danish Dance Theatre, Skånes Dance Theatre, CISPA etc. She also arranges her own workshops and journeys. Kari is passionate about sharing the joy and benefit of dance and movement, and deeply believes that movement combined with awareness is a key to an alive life.

For more info and tickets;
https://www.ildance.se/gaga-summer

This workshop invites you into a rich, multi-faceted movement experience combining daily Gaga/people classes with movement research sessions led by three teachers—each bringing their own unique background, expertise and artistic voice.

Photo credit: Ulrik Teisner

MEET THE TEACHERS // SMADAR GOSHEN for
Gaga and Movement Research Intensive - Summer 2025 - in Copenhagen and Stockholm!

Smadar is one of the 3 teachers in our upcoming summer intensive. We are beyond excited to have her and are looking forward to her guidance. While asking the other teachers about her they describe her with these words: groove, depth, silliness, creative, witty and tender 🩷

Meet Smadar - a choreographer and dancer, a certified Gaga teacher since 2019 and a Gyrotonic & Gyrokinesis trainer since 2007. She completed her B.A in dance and M.A in choreography at the Jerusalem Academy for Music and Dance. Since 2011 her pieces are performed on various platforms worldwide. In 2019 she had shifted her life center from Israel to Stuttgart, Germany. In the yearbook of magazine tanz 2023, Goshen was honoured as one of the 10 promising choreographers & dance pioneers in Germany. In the past few years Smadar led classes and workshops for companies such as Goteborgsoperans Danskompani, Staatstheater Mainz - Tanz Mainz, Gärtnerplatztheater dance company, Theater Heidelberg dance company, Ballet Pforzheim and more. Her expensive experience with movement, creation and healing opens portals for dancing while supporting longevity, pleasure and connecting to one’s inner forces.

For more info and tickets;
https://www.ildance.se/gaga-summer

This workshop invites you into a rich, multi-faceted movement experience combining daily Gaga/people classes with movement research sessions led by three teachers—each bringing their own unique background, expertise and artistic voice.

Photo credit: Zoia Domaskina

MEET THE TEACHERS // SMADAR GOSHEN for
Gaga and Movement Research Intensive - Summer 2025 - in Copenhagen and Stockholm!

Smadar is one of the 3 teachers in our upcoming summer intensive. We are beyond excited to have her and are looking forward to her guidance. While asking the other teachers about her they describe her with these words: groove, depth, silliness, creative, witty and tender 🩷

Meet Smadar - a choreographer and dancer, a certified Gaga teacher since 2019 and a Gyrotonic & Gyrokinesis trainer since 2007. She completed her B.A in dance and M.A in choreography at the Jerusalem Academy for Music and Dance. Since 2011 her pieces are performed on various platforms worldwide. In 2019 she had shifted her life center from Israel to Stuttgart, Germany. In the yearbook of magazine tanz 2023, Goshen was honoured as one of the 10 promising choreographers & dance pioneers in Germany. In the past few years Smadar led classes and workshops for companies such as Goteborgsoperans Danskompani, Staatstheater Mainz - Tanz Mainz, Gärtnerplatztheater dance company, Theater Heidelberg dance company, Ballet Pforzheim and more. Her expensive experience with movement, creation and healing opens portals for dancing while supporting longevity, pleasure and connecting to one’s inner forces.

For more info and tickets;
https://www.ildance.se/gaga-summer

This workshop invites you into a rich, multi-faceted movement experience combining daily Gaga/people classes with movement research sessions led by three teachers—each bringing their own unique background, expertise and artistic voice.

Photo credit: Zoia Domaskina

MEET THE TEACHERS // LEE BRUMMER for
Gaga and Movement Research Intensive - Summer 2025 - in Copenhagen and Stockholm!

Lee is one of the 3 teachers in our upcoming summer intensive. We are beyond excited to have her and are looking forward to her guidance. While asking the other teachers about her they describe her with these words: power, precision, kindness, colorful, accurate and wise 💛

Meet Lee - a choreographer, dance artist, educator, and co-founder of ilDance, an independent contemporary dance organisation based in Sweden. With an international career spanning performance, teaching, and choreography, she’s led workshops and classes for companies such as DV8, Goteborgsoperans Danskompani, and Sydney Dance Company. Her work blends Gaga, psychology, theatre, and somatic practices to create deeply embodied, creative experiences. In her session, you can expect thoughtful tasks, juicy improvisation, and a strong focus on individuality and honest expression.

For more info and tickets;
https://www.ildance.se/gaga-summer

This workshop invites you into a rich, multi-faceted movement experience combining daily Gaga/people classes with movement research sessions led by three teachers—each bringing their own unique background, expertise, and artistic voice.

Photo credit: Recoil

MEET THE TEACHERS // LEE BRUMMER for
Gaga and Movement Research Intensive - Summer 2025 - in Copenhagen and Stockholm!

Lee is one of the 3 teachers in our upcoming summer intensive. We are beyond excited to have her and are looking forward to her guidance. While asking the other teachers about her they describe her with these words: power, precision, kindness, colorful, accurate and wise 💛

Meet Lee - a choreographer, dance artist, educator, and co-founder of ilDance, an independent contemporary dance organisation based in Sweden. With an international career spanning performance, teaching, and choreography, she’s led workshops and classes for companies such as DV8, Goteborgsoperans Danskompani, and Sydney Dance Company. Her work blends Gaga, psychology, theatre, and somatic practices to create deeply embodied, creative experiences. In her session, you can expect thoughtful tasks, juicy improvisation, and a strong focus on individuality and honest expression.

For more info and tickets;
https://www.ildance.se/gaga-summer

This workshop invites you into a rich, multi-faceted movement experience combining daily Gaga/people classes with movement research sessions led by three teachers—each bringing their own unique background, expertise, and artistic voice.

Photo credit: Recoil

⚡️UPDATE for Copenhagen Intensive⚡️
You can now get a 1 DAY TICKET for our 3 days intensive. In case you’re keen to join us but you can only do 1 or 2 days; we now have a few spots open for day drop in, per day. Sign up via the email in the description to be part of this playground weekend 🎡

3 days - 3.5 hours each day: LED BY Kari Vig Petersen, Smadar Goshen & Lee Brummer

For more info and tickets press link in comment section below.

This workshop invites you into a rich, multi-faceted movement experience combining daily Gaga/people classes with movement research sessions led by three teachers—each bringing their own unique background, expertise, and artistic voice.

Daily Gaga/people classes, taught by all three facilitators, offering diverse interpretations and approaches to the Gaga movement language. These classes focus on deepening sensory awareness, expanding physical possibilities, and connecting to pleasure, texture, and effort in movement. Each teacher’s way into Gaga will give you a new perspective and help you discover different pathways into your dancing body.

In addition to Gaga, the workshop includes movement research sessions drawing from our collective knowledge beyond the Gaga framework. This will incorporate practices such as Fascial Flow, GYROKINESIS(R), Pilates, and choreographic exploration. Using improvisation, tasking, and guided inquiry, these sessions support creative discovery and embodied research.

There will also be space throughout the workshop for dialogue, reflection, and Q&A, supporting a more integrated and conscious learning process.

This workshop welcomes everyone aged 16 and over—no prior experience in dance or Gaga is required. Just bring your curiosity, openness, and willingness to move.

From the 1st development of “Conflicted/ Uncomfortable conversations” A new creation I am working on.
The initial residency was generously hosted by @_nefcd_ in Härnösand and gave us the opportunityto explore, dive, reflect and discuss.

A pleasure to be in the room with inspiring artists
@naomikats @jenniiferwallen and @rutrosner
And of course be supported by the team at @_ildance_

Filming: Mathieu Hebeisen
Soundtrack: Alva Noto, Ryuichi Sakamoto

Supported by @asylumartsnetwork

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!

2024, you have been complicated and filled with all the things; triumphs and failuers, professional and personal.

2024 saw out the end of Wicked at Gothenburg Opera (though officially a 2023 project) I’m accepting with open arms the joy it brought also in 2024, and the brilliant cast and crew that are one in a million.

At “ilDance” with @israelaloni after 4 years in the making, we officially kicked off our creative Europe project @icodaco - International Contemporary Dance Collective, which employed 55 contemporary dance artists from 10 different countries to research and create over the coming 3 years.

Additionally I began the 1st development of a new (and beautifully complex) creation “Conflicted/ Uncomfortable conversations” in Härnösand, created a new work “SURVIVE” in Adelaide Australia, choreographed the glorious and hilarious @evildeadsweden produced by @swann_entertainment in Stockholm and worked as choreographic consultant on the dreamy and heartwarming “A Christmas carol” produced by @levandescenkonst , both shows directed by the one and only @johanjarlerikbark

Its’s been a joy and pleasure to teach and work across Sweden, Finland, Israel and Australia this year sharing Gaga movement language, ballet and my own repertoire, speaking on pannels and leading auditions.

However, the failures are carried with an immensely heavy heart;
the situations in which nothing has changed. As a person, as a people, as a country, we have failed to put an end to this war and we have failed in bringing the remaining 100 hostages home from the hands of terrorists.
Both the personal and collective joys, successes and triumphs will never be full and complete inside this reality in which our brothers and sisters are still held captive and in which innocent civilians (no mater where they live) are being killed daily at the hands of power hungry individuals and terrorists. I hope, pray and will do everything in my power to be able to write differently at the end of 2025.

Stay healthy, stay safe, care for yourself, care for others, be kind.
Dance in the sand, sing in the rain, laugh till your belly aches, take nothing and no one for granted.

Thanks 2024 for the lessons!