인스타그램 스토리 뷰어

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盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

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The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

—
盧廣仲《傷心早餐店 HeartBreakFast》
Visual Design for @captain.lu

—
專輯以翻唱 10首獨立音樂人的作品為主。從「傷心早餐店」的名稱出發，將情感敘事延伸、發展成一套完整的視覺語彙。

翻唱是將不同創作者的故事重新整理，並置於同一個脈絡下，如同把情緒拆解再重新組合；也因此在視覺上以多層次的結構呼應概念，讓線索在翻閱與觸碰的過程中被逐步拼湊、還原。

報紙、早餐袋、杯墊、結帳收據、急救指南......整張專輯被構築成一處可以翻閱的場域，將歌曲轉化為早餐店的日常碎片，故事散落在不同角落，隨著閱覽的過程被逐一拾起。

—
The project features 10 covers of independent artists, using ”HeartBreakFast“ as a foundation to develop a cohesive visual language and emotional narrative. Covering is a process of deconstructing and reassembling emotions—reorganizing stories from different creators into a shared thread. Visually, a multi-layered structure responds to this concept, allowing clues to be recovered through flipping and touching. Items like newspapers, paper bags, and receipts transform the songs into fragments of a morning routine. The entire album is constructed as a space to be explored, where stories are scattered in every corner, waiting to be rediscovered through interaction.

–
Produced by @teamear_music
Marketing & New Media Manager → @dchong1989
Art Directors → @blobclub_blobclub @fkkwu
Graphic Design → @luoooo_studio

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
忒修斯：未擇之路（凡勢我）
Album design and visual identity for @theseustaiwan @hsiangyukao @theseus_jeffery

–
忒修斯成團十年，這次的視覺從日常街景出發，把團員放回一個很生活、很台灣的場景。如同他們的音樂一樣，真誠、直接，又帶著說不上來的熟悉感。

在設計上，我們大量運用殘影、斑駁與紋理來營造時間感。文字的部分則參考路邊常見的老牆塗鴉，帶著焦化、噴漆被沖刷剝落的質感。模糊卻仍留下痕跡，彷彿曾經很用力地說過什麼。這些未竟的筆觸與模糊的影子，像生活裡被隨手捕捉的一瞬間，介於記錄與記憶之間。

這些痕跡不僅象徵時間，也呼應了忒修斯的十年歷程——不是每個選擇都說出口，不是每條路都有結果，但留下的累積與未擇之路，反而成為最動人的部分。

To mark their tenth anniversary, Theseus’ visual identity draws from everyday street scenes, placing the band back into familiar, lived-in Taiwanese settings. Just like their music, it feels honest, direct, and filled with a subtle sense of familiarity.

In the design, we incorporated shadows, textures, and traces of wear to convey the passage of time. The typography takes cues from graffiti on old walls—burnt, spray-painted, and weathered away. Though blurred, it still leaves behind a mark, as if something had once been spoken with force. These unfinished strokes and hazy silhouettes resemble fleeting moments in daily life, caught somewhere between documentation and memory.

These traces are not only symbols of time, but also echo Theseus’ ten-year journey—not every choice is voiced, not every road leads to an ending, but the accumulation of those unchosen paths has become the most moving part of their story.

–
Distributed by @drama.culture
Graphic Design → @luoooo_studio 
Photography Producer → @yu98.design
Photographer → @hellohenryboy
Styling → @kaynkenchen
Artist Manager → Yu Yu
Executive Manager → Atung Liu
Photographer for Album → @darrenshaoshao

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

–
艾蜜莉AMILI：悲劇演員 Tragedian
Album & Vinyl Design for @heylilmamabemysunshine

–
Produced by → @shabby_boyz_
A&R Supervisor → @greyoct @hsiangyukao
Creative & Marking → GREY @zzjimmy_
Photographer → @noodos.errik @sfdisco.errik
Mackup → @ziiiu__u
Dress Support → @cozyluok_
Design Team → @luoooo_studio @whit3river

#DUNGEONS2026
2026 年 5 月 16 日，
地下城的大門將再次為各位開啟。

今年不單是一場地下城演唱會，
而是一座被噪音與光影餵養的「瘋狂實驗室」。

這裡沒有安全牌，只有不斷升級的質感與實驗性的一切。
透過我們最拿手的燈光設計，演出者們的能量將在你面前徹底炸開；讓你完全迷失在這個地下世界裡。

邀請各位新舊居民，
一同感受這場視覺與聽覺的全面超載。

✨
地下城 Dungeons 2026
📅 日期： 2026 / 05 / 16（六）
📍 地點： 高雄後台 Backstage
⏰ 進場時間：
VIP 整隊：16:00
VIP 入場：17:00 - 17:20
一般入場：17:20 - 18:00
⏰ 活動時間： 18:00 – 21:15
🎟 購票通路： KKTIX官網及KKTIX APP
（#可使用文化幣）

🎫 票價 / 售票時間：
預售票開賣｜03/21 中午 12:00

💰 票價資訊：
VIP 優先入場｜$1299 (限量 100 份)
預售四人套票｜$3800 ($950/人，限量 150 組)
預售雙人套票｜$1998 ($999/人)
預售單人票｜$1099
現場單人票｜$1200
主辦單位｜ @joshh_g2sls @g2sls_official
美術設計 @goodboixian @luoooo_studio

#DUNGEONS2026
2026 年 5 月 16 日，
地下城的大門將再次為各位開啟。

今年不單是一場地下城演唱會，
而是一座被噪音與光影餵養的「瘋狂實驗室」。

這裡沒有安全牌，只有不斷升級的質感與實驗性的一切。
透過我們最拿手的燈光設計，演出者們的能量將在你面前徹底炸開；讓你完全迷失在這個地下世界裡。

邀請各位新舊居民，
一同感受這場視覺與聽覺的全面超載。

✨
地下城 Dungeons 2026
📅 日期： 2026 / 05 / 16（六）
📍 地點： 高雄後台 Backstage
⏰ 進場時間：
VIP 整隊：16:00
VIP 入場：17:00 - 17:20
一般入場：17:20 - 18:00
⏰ 活動時間： 18:00 – 21:15
🎟 購票通路： KKTIX官網及KKTIX APP
（#可使用文化幣）

🎫 票價 / 售票時間：
預售票開賣｜03/21 中午 12:00

💰 票價資訊：
VIP 優先入場｜$1299 (限量 100 份)
預售四人套票｜$3800 ($950/人，限量 150 組)
預售雙人套票｜$1998 ($999/人)
預售單人票｜$1099
現場單人票｜$1200
主辦單位｜ @joshh_g2sls @g2sls_official
美術設計 @goodboixian @luoooo_studio

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
YoungLee《仙人掌花 IN A FLASH》
Album Design for @younglee_337

—
YoungLee 的音樂一直以來，不管是歌詞或想傳遞的精神，都帶著一種很純粹、真誠的力量，拳拳到肉的 punchline 與到位的storytelling。這次的視覺也希望能回應並留下這樣的感受。

專輯概念來自仙人掌花短暫的花期，也許只盛開一夜，卻依然完整綻放。這樣的狀態，讓我聯想到一種接近禪意的時間感，不為了等待結果，而是在那個瞬間完整地發生。

視覺上以仙人掌花與植物的局部構造作為主要語彙，透過大量留白，搭配不均勻、隨機的墨暈染與材質處理，營造侘寂之美所談的不完美與痕跡感。粗糙的紙張與不平整的金屬油墨，讓畫面保留未被修平的狀態，成為時間留下的表層。

YoungLee’s music has always carried a sense of purity and sincerity, present in both the lyrics and the spirit behind them. This visual approach aims to respond to and preserve that same feeling. The album concept is drawn from the brief blooming period of a cactus flower. It may bloom for only a single night, yet it does so fully. This state evokes a sense of time close to Zen, not driven by outcomes, but complete in the moment it happens.Visually, the design draws from the cactus flower and plant details, using generous white space alongside uneven ink washes and material treatments. Referencing the wabi-sabi appreciation of imperfection and traces, rough paper and uneven metallic ink are used to retain an unpolished surface, forming a visible layer of time.

–
Graphic Design → @luoooo_studio @f_ckn2
Photographer for Album → @darrenshaoshao

—
今年明年。設計師新春賀卡單年展
IMA-SIGHT New Year Card Design
Invited by @imaexhibi.taiwan_1

—
Same shit again?

This phrase has become the most honest reaction to the arrival of a new year.
Every year, we set new goals and expectations for growth and change, only to realize that life repeats itself, differing only by the number of the year.
26 Same Shit Again? is not a declaration of the future, but a confirmation of the present.

No reset. No upgrade. Just continuation.

—
今年明年。設計師新春賀卡單年展
IMA-SIGHT New Year Card Design
Invited by @imaexhibi.taiwan_1

—
Same shit again?

This phrase has become the most honest reaction to the arrival of a new year.
Every year, we set new goals and expectations for growth and change, only to realize that life repeats itself, differing only by the number of the year.
26 Same Shit Again? is not a declaration of the future, but a confirmation of the present.

No reset. No upgrade. Just continuation.

—
今年明年。設計師新春賀卡單年展
IMA-SIGHT New Year Card Design
Invited by @imaexhibi.taiwan_1

—
Same shit again?

This phrase has become the most honest reaction to the arrival of a new year.
Every year, we set new goals and expectations for growth and change, only to realize that life repeats itself, differing only by the number of the year.
26 Same Shit Again? is not a declaration of the future, but a confirmation of the present.

No reset. No upgrade. Just continuation.

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

—
傷心欲絕《我以為我們沒事了》
Visual Design for @waynes_so_sad

—
跟傷心欲絕合作的過程很有趣，對我來說比較接近一種觀察的狀態。許多事情不急著被定義，而是在交談中，逐漸浮現出彼此在意的地方。比起精準地給出答案或定位，更多時間停在談論想像與感受，讓討論在不那麼確定的狀態裡來回，也因此整個過程保持在一個相對有機的狀態。

像是分享了「我以為我們沒事了」這句話在不同情境下聽起來的重量，又或者看著模糊的人像，覺得好像太嚴肅了，於是團員們在海報上畫出各種表情，而對於線條風格又糾結了幾根菸的時間...最後乾脆開放原圖，讓歌迷自由在海報上繪畫並上傳，讓這張畫面屬於每個願意留下痕跡的人🚬

這些來回沒有一個標準答案，但也正是這樣的狀態，讓整個合作得以在邊走邊調整中慢慢成形。

.
主視覺以模糊的人像輪廓呈現，刻意淡化五官細節，只保留簡單的邊線。大面積的藍色讓人物像是被情緒包住，在平靜裡掙扎，也像是把感受稀釋後，反覆對自己說著「我以為我們沒事了」...

The final key visual features a blurred human silhouette, with facial details intentionally reduced to simple outlines. A large field of blue envelops the figure, suggesting a quiet struggle beneath the surface — as if emotions have been diluted, repeating the phrase “I thought we were fine” to oneself, over and over again.

–
Creative & Marketing → @lululin199026 @yoy_yay @chenetang
Graphic Design → @luoooo_studio @yoinook
Live Visuals → @nnn.creative @moshi_mo_shi@y_shin_visual
Photographer → @chenetang
Photographer for Poster → @darrenshaoshao

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走 Go With The Flow》
Album & Vinyl Design for @ayalkomod1974 ‏‏‎ ‎
‎
–
視覺從歌手本身的性格與身份出發，把山形、石紋、波浪等原生輪廓揉成貼近土地的語言。專輯封套以不規則邊緣呈現有機感，選用再生羊毛紙並以銀墨印出如石紋拓印般的質地，帶來粗獷卻細膩的觸感，像拾起一塊自然留下的記憶。

整體延續同樣氣息，保留足夠留白，讓照片本身去敘事，凸顯阿嶽率性、生活感的面向。視覺順著創作節奏流動，呈現跟著感覺走的輕鬆與未經修飾的生命狀態。

The visual identity begins with Ayal Komod’s natural and sincere presence, shaping raw contours of mountains, stone textures, and waves into a grounded visual language.
This atmosphere extends through the entire design, with generous white space that lets the photos speak for themselves and reveals Ayal Komod’s unfiltered, easygoing character. The visuals flow with the rhythm of the music, presenting a relaxed, everyday, and unpolished sense of life.

–
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio

–
張震嶽《跟著感覺走》
Album & Digital Cover Design for @ayalkomod1974 ‏‏‎ ‎
‏‏‎ ‎
➊ 跟著感覺走 ❷ 浪人的 ❸ 媽媽的眼睛 ❹ 跟著感覺走 ❺ 好糟糕的派對‏‏‎‏‏‎ ‎
‎
– ‏‏‎ ‎
喜歡的音樂人很多，但阿嶽的音樂總能在不同的生命維度中找到共鳴點 ～
小時候跟著媽媽聽〈自由〉、〈分手吧〉、〈愛我別走〉、〈小宇〉、〈思念是一種病〉…某種程度上也奠定了我對華語金曲年代的想像。‏‏‎ ‎

往往在設計時，總想把創作者的私心放進畫面裡──更藝術、更抽象、更花俏、更現代，用各種方式去包裝，試圖制定觀眾的觀看感受。但阿嶽的音樂本身就很恰到好處：沒有多餘的裝飾，直白的剛剛好。也因此在設計時更著重於減法，讓視覺回到照片的意境與故事性，文字單純地扮演傳遞資訊的角色。

總之這是一張真誠、輕鬆、很有人味的專輯。
喜歡〈搬家〉的情感割捨、〈跟著感覺走〉的積極生命力、〈虧欠〉的感傷，還有〈答案〉的靈魂共鳴！

也感謝萬萬總是耐心地溝通，將想法跟善意傳遞～還有東的手寫支援！

–
Produced by @truecolormusic
Distributed by @rock_records_taipei
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio
Mother’s Eyes Lettering → @eastlin8333

–
張震嶽《跟著感覺走》
Album & Digital Cover Design for @ayalkomod1974 ‏‏‎ ‎
‏‏‎ ‎
➊ 跟著感覺走 ❷ 浪人的 ❸ 媽媽的眼睛 ❹ 跟著感覺走 ❺ 好糟糕的派對‏‏‎‏‏‎ ‎
‎
– ‏‏‎ ‎
喜歡的音樂人很多，但阿嶽的音樂總能在不同的生命維度中找到共鳴點 ～
小時候跟著媽媽聽〈自由〉、〈分手吧〉、〈愛我別走〉、〈小宇〉、〈思念是一種病〉…某種程度上也奠定了我對華語金曲年代的想像。‏‏‎ ‎

往往在設計時，總想把創作者的私心放進畫面裡──更藝術、更抽象、更花俏、更現代，用各種方式去包裝，試圖制定觀眾的觀看感受。但阿嶽的音樂本身就很恰到好處：沒有多餘的裝飾，直白的剛剛好。也因此在設計時更著重於減法，讓視覺回到照片的意境與故事性，文字單純地扮演傳遞資訊的角色。

總之這是一張真誠、輕鬆、很有人味的專輯。
喜歡〈搬家〉的情感割捨、〈跟著感覺走〉的積極生命力、〈虧欠〉的感傷，還有〈答案〉的靈魂共鳴！

也感謝萬萬總是耐心地溝通，將想法跟善意傳遞～還有東的手寫支援！

–
Produced by @truecolormusic
Distributed by @rock_records_taipei
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio
Mother’s Eyes Lettering → @eastlin8333

–
張震嶽《跟著感覺走》
Album & Digital Cover Design for @ayalkomod1974 ‏‏‎ ‎
‏‏‎ ‎
➊ 跟著感覺走 ❷ 浪人的 ❸ 媽媽的眼睛 ❹ 跟著感覺走 ❺ 好糟糕的派對‏‏‎‏‏‎ ‎
‎
– ‏‏‎ ‎
喜歡的音樂人很多，但阿嶽的音樂總能在不同的生命維度中找到共鳴點 ～
小時候跟著媽媽聽〈自由〉、〈分手吧〉、〈愛我別走〉、〈小宇〉、〈思念是一種病〉…某種程度上也奠定了我對華語金曲年代的想像。‏‏‎ ‎

往往在設計時，總想把創作者的私心放進畫面裡──更藝術、更抽象、更花俏、更現代，用各種方式去包裝，試圖制定觀眾的觀看感受。但阿嶽的音樂本身就很恰到好處：沒有多餘的裝飾，直白的剛剛好。也因此在設計時更著重於減法，讓視覺回到照片的意境與故事性，文字單純地扮演傳遞資訊的角色。

總之這是一張真誠、輕鬆、很有人味的專輯。
喜歡〈搬家〉的情感割捨、〈跟著感覺走〉的積極生命力、〈虧欠〉的感傷，還有〈答案〉的靈魂共鳴！

也感謝萬萬總是耐心地溝通，將想法跟善意傳遞～還有東的手寫支援！

–
Produced by @truecolormusic
Distributed by @rock_records_taipei
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio
Mother’s Eyes Lettering → @eastlin8333

–
張震嶽《跟著感覺走》
Album & Digital Cover Design for @ayalkomod1974 ‏‏‎ ‎
‏‏‎ ‎
➊ 跟著感覺走 ❷ 浪人的 ❸ 媽媽的眼睛 ❹ 跟著感覺走 ❺ 好糟糕的派對‏‏‎‏‏‎ ‎
‎
– ‏‏‎ ‎
喜歡的音樂人很多，但阿嶽的音樂總能在不同的生命維度中找到共鳴點 ～
小時候跟著媽媽聽〈自由〉、〈分手吧〉、〈愛我別走〉、〈小宇〉、〈思念是一種病〉…某種程度上也奠定了我對華語金曲年代的想像。‏‏‎ ‎

往往在設計時，總想把創作者的私心放進畫面裡──更藝術、更抽象、更花俏、更現代，用各種方式去包裝，試圖制定觀眾的觀看感受。但阿嶽的音樂本身就很恰到好處：沒有多餘的裝飾，直白的剛剛好。也因此在設計時更著重於減法，讓視覺回到照片的意境與故事性，文字單純地扮演傳遞資訊的角色。

總之這是一張真誠、輕鬆、很有人味的專輯。
喜歡〈搬家〉的情感割捨、〈跟著感覺走〉的積極生命力、〈虧欠〉的感傷，還有〈答案〉的靈魂共鳴！

也感謝萬萬總是耐心地溝通，將想法跟善意傳遞～還有東的手寫支援！

–
Produced by @truecolormusic
Distributed by @rock_records_taipei
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio
Mother’s Eyes Lettering → @eastlin8333

–
張震嶽《跟著感覺走》
Album & Digital Cover Design for @ayalkomod1974 ‏‏‎ ‎
‏‏‎ ‎
➊ 跟著感覺走 ❷ 浪人的 ❸ 媽媽的眼睛 ❹ 跟著感覺走 ❺ 好糟糕的派對‏‏‎‏‏‎ ‎
‎
– ‏‏‎ ‎
喜歡的音樂人很多，但阿嶽的音樂總能在不同的生命維度中找到共鳴點 ～
小時候跟著媽媽聽〈自由〉、〈分手吧〉、〈愛我別走〉、〈小宇〉、〈思念是一種病〉…某種程度上也奠定了我對華語金曲年代的想像。‏‏‎ ‎

往往在設計時，總想把創作者的私心放進畫面裡──更藝術、更抽象、更花俏、更現代，用各種方式去包裝，試圖制定觀眾的觀看感受。但阿嶽的音樂本身就很恰到好處：沒有多餘的裝飾，直白的剛剛好。也因此在設計時更著重於減法，讓視覺回到照片的意境與故事性，文字單純地扮演傳遞資訊的角色。

總之這是一張真誠、輕鬆、很有人味的專輯。
喜歡〈搬家〉的情感割捨、〈跟著感覺走〉的積極生命力、〈虧欠〉的感傷，還有〈答案〉的靈魂共鳴！

也感謝萬萬總是耐心地溝通，將想法跟善意傳遞～還有東的手寫支援！

–
Produced by @truecolormusic
Distributed by @rock_records_taipei
Creative Producer → @wannaw_
Graphic Design → @luoooo_studio
Mother’s Eyes Lettering → @eastlin8333

–
man mun s2 @manmun.space

–
在系列視覺上，透過文字的巧妙排列，我們展現了多種煙霧型態，包括縈繞、像上發散、線圈型的流動等等，這些意象相互交織著，引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

–
The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

–
DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa

–
man mun s2 @manmun.space

–
在系列視覺上，透過文字的巧妙排列，我們展現了多種煙霧型態，包括縈繞、像上發散、線圈型的流動等等，這些意象相互交織著，引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

–
The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

–
DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa

–
man mun s2 @manmun.space

–
在系列視覺上，透過文字的巧妙排列，我們展現了多種煙霧型態，包括縈繞、像上發散、線圈型的流動等等，這些意象相互交織著，引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

–
The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

–
DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa

–
man mun s2 @manmun.space

–
在系列視覺上，透過文字的巧妙排列，我們展現了多種煙霧型態，包括縈繞、像上發散、線圈型的流動等等，這些意象相互交織著，引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

–
The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

–
DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa

–
man mun s2 @manmun.space

–
在系列視覺上，透過文字的巧妙排列，我們展現了多種煙霧型態，包括縈繞、像上發散、線圈型的流動等等，這些意象相互交織著，引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

–
The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

–
DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa

–
man mun s2 @manmun.space

–
在系列視覺上，透過文字的巧妙排列，我們展現了多種煙霧型態，包括縈繞、像上發散、線圈型的流動等等，這些意象相互交織著，引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

–
The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

–
DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa

–
man mun s2 @manmun.space

–
在系列視覺上，透過文字的巧妙排列，我們展現了多種煙霧型態，包括縈繞、像上發散、線圈型的流動等等，這些意象相互交織著，引領您探索無限的想像空間。

“Memories linger like fading echoes, Leaving traces of love in hidden hollows.”

–
The Art of Slow Living

A mindful, intentional lifestyle that values experiences, self-care, and presence, offering a gentle alternative to the hustle of modern life. By finding balance and purpose, we create a more grounded and fulfilling way of living.Slow living begins with the smallest rituals. In a world of constant motion, fragrance has the power to slow us down, grounding us in the present. With every stick of incense, we create a mindful pause — a gentle reminder to breathe, to reflect, and to simply be

–
DESIGN → @luoooo_studio
PHOTOGRAPHY → ZALA @z______xa