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markdbeaz
Mark Beasley
PhD MA RCA BA HONS //
// dancing in the panopticon, NYC
// drawing: @markbeasleynyc
// formerly: Hirshhorn Museum, DC
// 🧿
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
While the Music Lasts
Mark Beasley
Gallery
LA PULCE
Via dei Tre Archi 5
Rome, Italy
November 14 - January 10
Friday - Saturday, 3 - 7 pm
@vivalapulce_
2: “Harlequin with Flowers,” 8 x 10 inches, ‘25
6: “Young Man,” 8 x 10 inches, ‘25
7: “Malcolm (Duck Rock),” 8 x 10 inches, ‘25
11: “Lain, Feather III,” 11 x 14 inches, ‘25
13: “Rose Smoking (Teddy Girl),” ‘25
15: “Time Warp Tim,” 8 x 10 inches, ‘25
18: “New Romantic I,” 8 x 8 inches, ‘25
19: Vase/cabinet @temprastudio
Molte grazie @passerbystop, @giuliarubs @polina.nas Tilde, and Simon Drexea for install shots.
❤️ @stephen_beasley & @topogigio312 ♥️
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
⛳️ 🇯🇵
Title: Development
Year: 2016
Artistic Director: Liam Gillick
Curator: Mark Beasley
Okayama Art Summit, Japan
The Okayama Art Summit is an international contemporary art exhibition held every three years in Okayama City, Japan, showcasing experimental works by leading artists in various historical and cultural venues. It aims to make art accessible to the public and often features interactive installations across the city.
As inaugural artistic director, Liam Gillick designed and constructed, an eponymously titled “full-scale” mini golf course. As a key to the triennial it utilized and “playfully engaged golf’s history as an aspirant sport for the nouveau riche and cultural arriviste.”
Participating artists included Cameron Rowland, Rirkrit Tiravanija, Rachel Rose, Angela Bulloch, Dominique Gonzalez-Foerster, Katja Novitskova, Anna Blessman,and Peter Saville, Ryan Gander, Noah Barker, Trisha Baga, Joan Jonas, Pierre Huyghe, Philippe Parreno, Annika Yi, and Peter Fischli and David Weiss. The various venues ranged from Okayama Castle, the Hayashibara Museum of Art, the former Fukuoka Soy Sauce Factory, the Okayama Prefectural Museum of Art, and the Korakukan Tenjin School.
Each iteration of the summit is directed by a prominent artist, who curates the exhibition theme and participating artists. Past directors include Liam Gillick, Pierre Huyghe, Rirkrit Tiravanija and Philippe Parreno.
#5 #liamgillick #okayamaartsummit2016 #development #highball
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning and writing about art.
🎯
Title: Big Legs
Year: 2015
Mark Beasley and Dan Fox
Junior Aspirin Records, London/New York
“Big Legs are too up close and personal for words. As a matter of fact it’s the words you can’t shake, misconstruing them for your own anxieties and nervous habits.There’s no release in the keening sawing rhythms and there will be no relief for you. But now you have Big Legs with you, two of them.”
- Arto Lindsay
Cover photo: @laurie_bartley
Design: @stephen_beasley
Recorded in Brooklyn: @daniel___noonan
LP available via Junior Aspirin Records and Bandcamp.
https://biglegs.bandcamp.com/album/big-legs
//
Big Legs formed in 2011 by Mark Beasley (left leg) and Dan Fox (right leg)., two New York-based Brits looking to understand and co-exist peacefully with the people of their adopted home city. They have played a number of galleries from Margaret Lee to the Kitchen, above NYC restaurants and architecture offices and toured China with the Junior Aspirin label in 2012.
- Junior Aspirin Records
***
Junior Aspirin Records reps The God in Hackney, Skill 7 Stamina 12, Socrates That Practices Music, Big Legs, Advanced Sportswear. Their now rare-as-hen’s-teeth 2006 compilation “Remove Celebrity Centre” featured music by Sue Tompkins, Jack Too Jack, DJ Scotch Egg, Charlottefield, The Rebel and more.
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning, writing about and returning to making art.
#4 #biglegs #junioraspirinrecords #nyc
🎯
Title: Big Legs
Year: 2015
Mark Beasley and Dan Fox
Junior Aspirin Records, London/New York
“Big Legs are too up close and personal for words. As a matter of fact it’s the words you can’t shake, misconstruing them for your own anxieties and nervous habits.There’s no release in the keening sawing rhythms and there will be no relief for you. But now you have Big Legs with you, two of them.”
- Arto Lindsay
Cover photo: @laurie_bartley
Design: @stephen_beasley
Recorded in Brooklyn: @daniel___noonan
LP available via Junior Aspirin Records and Bandcamp.
https://biglegs.bandcamp.com/album/big-legs
//
Big Legs formed in 2011 by Mark Beasley (left leg) and Dan Fox (right leg)., two New York-based Brits looking to understand and co-exist peacefully with the people of their adopted home city. They have played a number of galleries from Margaret Lee to the Kitchen, above NYC restaurants and architecture offices and toured China with the Junior Aspirin label in 2012.
- Junior Aspirin Records
***
Junior Aspirin Records reps The God in Hackney, Skill 7 Stamina 12, Socrates That Practices Music, Big Legs, Advanced Sportswear. Their now rare-as-hen’s-teeth 2006 compilation “Remove Celebrity Centre” featured music by Sue Tompkins, Jack Too Jack, DJ Scotch Egg, Charlottefield, The Rebel and more.
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning, writing about and returning to making art.
#4 #biglegs #junioraspirinrecords #nyc
🎯
Title: Big Legs
Year: 2015
Mark Beasley and Dan Fox
Junior Aspirin Records, London/New York
“Big Legs are too up close and personal for words. As a matter of fact it’s the words you can’t shake, misconstruing them for your own anxieties and nervous habits.There’s no release in the keening sawing rhythms and there will be no relief for you. But now you have Big Legs with you, two of them.”
- Arto Lindsay
Cover photo: @laurie_bartley
Design: @stephen_beasley
Recorded in Brooklyn: @daniel___noonan
LP available via Junior Aspirin Records and Bandcamp.
https://biglegs.bandcamp.com/album/big-legs
//
Big Legs formed in 2011 by Mark Beasley (left leg) and Dan Fox (right leg)., two New York-based Brits looking to understand and co-exist peacefully with the people of their adopted home city. They have played a number of galleries from Margaret Lee to the Kitchen, above NYC restaurants and architecture offices and toured China with the Junior Aspirin label in 2012.
- Junior Aspirin Records
***
Junior Aspirin Records reps The God in Hackney, Skill 7 Stamina 12, Socrates That Practices Music, Big Legs, Advanced Sportswear. Their now rare-as-hen’s-teeth 2006 compilation “Remove Celebrity Centre” featured music by Sue Tompkins, Jack Too Jack, DJ Scotch Egg, Charlottefield, The Rebel and more.
***
2026 marks twenty years of living in NYC, two decades of curating, commissioning, writing about and returning to making art.
#4 #biglegs #junioraspirinrecords #nyc
⭕️⭕️⭕️
Artist: Mark Leckey
Title: Cinema in the Round
Year: 2008
Curator: Mark Beasley
Creative Time / Solomon R. Guggenheim Museum (Hey Hey, Glossolalia)
“Artworlders turned out in droves at the Guggenheim this past Wednesday for Mark Leckey’s performance-cum-lecture, “Cinema in the Round,” the penultimate event in Creative Time’s Hey Hey Glossolalia series. Pairing a handsome suit with his blonde, surfer shag, Leckey looked every bit the irreverent orator as he assumed the lectern in the museum auditorium and delivered a refreshingly unorthodox reading of art and cinema history. Of particular importance was the question of how something cinematic may move from a state of “pure horizontality” to that of “pure verticality,” which, for Leckey, was analogous to asking how a cinematic image may become an object, sculpture, monument or “beast.” Leckey’s familiarity with his source material bolstered its expressive content, and the narrational pliancy he brought to the lecture’s structure proved thoughtful and engaging.” - Tyler Coburn, Rhizome, May 23, 2008
A video installation of Cinema in the Round later formed the basis of Leckey’s 2008 Turner Prize winning Tate Gallery presentation.
***
Hey Hey Glossolalia: In May 2008 Creative Time presented a month-long series of events that explored the use of the voice in contemporary art. The projects combined sound, image, performance, and writing to investigate issues not limited to, the peripheries of speech, the charged relationship between speaker and audience, and how the artist (and curator) can speak with and through the voice of others.
“Hey Hey Glossolalia” derives from two terms in spoken language: “hey hey,” an exclamation and call for attention, and “glossolalia,” an evangelical term meaning “speaking in tongues”—utterances that resemble speech but are unintelligible. The title was inspired by Dadaist abstraction of language and the seemingly meaningless but often repeated beat marker in popular music. - Mark Beasley
***
2026 marks twenty years of living in NYC, curating, commissioning, writing about and returning to making art.
@mark.leckey
#3 #markleckey #creativetime #meatandpotatoes
***
⭕️⭕️⭕️
Artist: Mark Leckey
Title: Cinema in the Round
Year: 2008
Curator: Mark Beasley
Creative Time / Solomon R. Guggenheim Museum (Hey Hey, Glossolalia)
“Artworlders turned out in droves at the Guggenheim this past Wednesday for Mark Leckey’s performance-cum-lecture, “Cinema in the Round,” the penultimate event in Creative Time’s Hey Hey Glossolalia series. Pairing a handsome suit with his blonde, surfer shag, Leckey looked every bit the irreverent orator as he assumed the lectern in the museum auditorium and delivered a refreshingly unorthodox reading of art and cinema history. Of particular importance was the question of how something cinematic may move from a state of “pure horizontality” to that of “pure verticality,” which, for Leckey, was analogous to asking how a cinematic image may become an object, sculpture, monument or “beast.” Leckey’s familiarity with his source material bolstered its expressive content, and the narrational pliancy he brought to the lecture’s structure proved thoughtful and engaging.” - Tyler Coburn, Rhizome, May 23, 2008
A video installation of Cinema in the Round later formed the basis of Leckey’s 2008 Turner Prize winning Tate Gallery presentation.
***
Hey Hey Glossolalia: In May 2008 Creative Time presented a month-long series of events that explored the use of the voice in contemporary art. The projects combined sound, image, performance, and writing to investigate issues not limited to, the peripheries of speech, the charged relationship between speaker and audience, and how the artist (and curator) can speak with and through the voice of others.
“Hey Hey Glossolalia” derives from two terms in spoken language: “hey hey,” an exclamation and call for attention, and “glossolalia,” an evangelical term meaning “speaking in tongues”—utterances that resemble speech but are unintelligible. The title was inspired by Dadaist abstraction of language and the seemingly meaningless but often repeated beat marker in popular music. - Mark Beasley
***
2026 marks twenty years of living in NYC, curating, commissioning, writing about and returning to making art.
@mark.leckey
#3 #markleckey #creativetime #meatandpotatoes
***
⭕️⭕️⭕️
Artist: Mark Leckey
Title: Cinema in the Round
Year: 2008
Curator: Mark Beasley
Creative Time / Solomon R. Guggenheim Museum (Hey Hey, Glossolalia)
“Artworlders turned out in droves at the Guggenheim this past Wednesday for Mark Leckey’s performance-cum-lecture, “Cinema in the Round,” the penultimate event in Creative Time’s Hey Hey Glossolalia series. Pairing a handsome suit with his blonde, surfer shag, Leckey looked every bit the irreverent orator as he assumed the lectern in the museum auditorium and delivered a refreshingly unorthodox reading of art and cinema history. Of particular importance was the question of how something cinematic may move from a state of “pure horizontality” to that of “pure verticality,” which, for Leckey, was analogous to asking how a cinematic image may become an object, sculpture, monument or “beast.” Leckey’s familiarity with his source material bolstered its expressive content, and the narrational pliancy he brought to the lecture’s structure proved thoughtful and engaging.” - Tyler Coburn, Rhizome, May 23, 2008
A video installation of Cinema in the Round later formed the basis of Leckey’s 2008 Turner Prize winning Tate Gallery presentation.
***
Hey Hey Glossolalia: In May 2008 Creative Time presented a month-long series of events that explored the use of the voice in contemporary art. The projects combined sound, image, performance, and writing to investigate issues not limited to, the peripheries of speech, the charged relationship between speaker and audience, and how the artist (and curator) can speak with and through the voice of others.
“Hey Hey Glossolalia” derives from two terms in spoken language: “hey hey,” an exclamation and call for attention, and “glossolalia,” an evangelical term meaning “speaking in tongues”—utterances that resemble speech but are unintelligible. The title was inspired by Dadaist abstraction of language and the seemingly meaningless but often repeated beat marker in popular music. - Mark Beasley
***
2026 marks twenty years of living in NYC, curating, commissioning, writing about and returning to making art.
@mark.leckey
#3 #markleckey #creativetime #meatandpotatoes
***
🟡🔵🟡
Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City
Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫
“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”
- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013
🔺🔻
2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.
Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️
#2 #toriwranes
🟡🔵🟡
Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City
Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫
“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”
- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013
🔺🔻
2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.
Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️
#2 #toriwranes
🟡🔵🟡
Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City
Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫
“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”
- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013
🔺🔻
2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.
Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️
#2 #toriwranes
🟡🔵🟡
Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City
Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫
“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”
- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013
🔺🔻
2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.
Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️
#2 #toriwranes
🟡🔵🟡
Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City
Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫
“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”
- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013
🔺🔻
2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.
Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️
#2 #toriwranes
🟡🔵🟡
Artist: Tori Wrånes
Title: YES NIX
Year: 2013
Curator: Mark Beasley
Performa 13, SIR Stage37, New York City
Tori’s visual concert YES NIX set the terms for contemporary operatic theater, vocal performance and the necessary need for the weird. Today Tori opens the Nordic pavilion, Venice. 💫
“YES NIX” took place in a room that looked like a nightclub or fashion runway, with two sets of chairs facing each other and colorful lights blasting into a smoke-machine haze. The piece unfolded in four movements. Music began to play as the mechanical rope system slowly dragged Wrånes, who was singing, across the floor, then suspended her above the audience. Her skirt turned out to be a jacket and her shirt, pants, topped off by shoes on her hands: an odd, surrealist touch added to the drama of her upside-down suspension.”
- A Visual Concert of Gestures, Ryan Wong, Hyperallergic, Nov 25, 2013
🔺🔻
2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.
Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️
#2 #toriwranes
🌼 🌸 🌼
Artist: Mike Kelley
Title: “The Judson Church Horse Dance”
Year: 2009
Curator: Mark Beasley
Performa 09, Judson Church, New York City
I wrote an essay about Mike’s last performance in the Performa 09 publication. I haven’t, as yet, written about working with Mike. I will. He was a guiding light to some and a necessary agitator to others. I booked naked and tattooed male go-go dancers for him at midnight, bribed a local rave to turn down the music during performance which we both returned to (Mike impromptu DJ’d) and shared vinyl records of strange (EVT) vocal music with him for a decade. He alongside a couple of others provided a route through. 🙏🏻
🔺🔻
2026 marks twenty years of living in New York City, two decades of curating, commissioning, writing about and joyously returning to making art. (Forthcoming: Harlem ‘26.) I figured if I could last six months it would be something. I chose NY when I first came as a teen, it chose me a decade or so later: from not-for-profit public art, performance biennial, Smithsonian museum to mega gallery. I’ve never archived, there’s too much living to be done but hey it’s been a long trip and continues to be so, so why not.
Lou Reed told me “at the point you love/hate this city you’re a New Yorker.” I’m a fully paid up, love-to-heartbreak-to-love New Yorker: it’s not for the faint of heart. Always meet your heroes and ignore the weakeners, as with the greatest of achievement’s they all melt with the sun. ☀️
#1 #LouReed #MikeKelley #Performa #NYC
Guy Picciotto (Fugazi, Rites of Spring, One Last Wish) at Smilers, March ‘25
Guy Picciotto (Fugazi, Rites of Spring, One Last Wish) at Smilers, March ‘25
HBD Mish DC - NYC - LON - CDMX
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HBD Mish DC - NYC - LON - CDMX
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HBD Mish DC - NYC - LON - CDMX
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HBD Mish DC - NYC - LON - CDMX
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비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.