Patch collective
Making spatial interventions, designing ephemeral events and curating intimate discussions about the built environment from the lens of the diaspora

SET 91’s Open Series continues this April with ‘A PATCH Sunday Salon’, an exhibition and live programme led by PATCH, an interdisciplinary collective working across architecture, art and research.
Bringing together works by the collective and its members, the exhibition explores diasporic experiences of the city and considers how architecture can be understood through alternative, community-led lenses.
Alongside the exhibition, the evening includes a live talk and Q&A, as well as a conversational salon returning to questions of home and holding space, asking how diasporic communities can be centred within fast-paced metropolitan environments in ways that are tangible, supportive and meaningful.
This session is free to attend, open to artists, architects, spatial practitioners and those interested in the intersections of community, identity and the built environment.
Date: Sunday 12 April
Times: 4.30-7pm
Location: SET 91, Tabernacle Street, Old Street
🔗 Book your free spot on Outsavvy via the link in bio.
**As places are limited, we kindly ask that you only book if you are able to attend so that others who would benefit from the session are able to take part.
If you can no longer attend, please cancel your ticket and contact us at ninetyone@setspace.uk so the space can be offered to someone else.**
Photo credits: Courtesy of the @patch_collective_

SET 91’s Open Series continues this April with ‘A PATCH Sunday Salon’, an exhibition and live programme led by PATCH, an interdisciplinary collective working across architecture, art and research.
Bringing together works by the collective and its members, the exhibition explores diasporic experiences of the city and considers how architecture can be understood through alternative, community-led lenses.
Alongside the exhibition, the evening includes a live talk and Q&A, as well as a conversational salon returning to questions of home and holding space, asking how diasporic communities can be centred within fast-paced metropolitan environments in ways that are tangible, supportive and meaningful.
This session is free to attend, open to artists, architects, spatial practitioners and those interested in the intersections of community, identity and the built environment.
Date: Sunday 12 April
Times: 4.30-7pm
Location: SET 91, Tabernacle Street, Old Street
🔗 Book your free spot on Outsavvy via the link in bio.
**As places are limited, we kindly ask that you only book if you are able to attend so that others who would benefit from the session are able to take part.
If you can no longer attend, please cancel your ticket and contact us at ninetyone@setspace.uk so the space can be offered to someone else.**
Photo credits: Courtesy of the @patch_collective_

SET 91’s Open Series continues this April with ‘A PATCH Sunday Salon’, an exhibition and live programme led by PATCH, an interdisciplinary collective working across architecture, art and research.
Bringing together works by the collective and its members, the exhibition explores diasporic experiences of the city and considers how architecture can be understood through alternative, community-led lenses.
Alongside the exhibition, the evening includes a live talk and Q&A, as well as a conversational salon returning to questions of home and holding space, asking how diasporic communities can be centred within fast-paced metropolitan environments in ways that are tangible, supportive and meaningful.
This session is free to attend, open to artists, architects, spatial practitioners and those interested in the intersections of community, identity and the built environment.
Date: Sunday 12 April
Times: 4.30-7pm
Location: SET 91, Tabernacle Street, Old Street
🔗 Book your free spot on Outsavvy via the link in bio.
**As places are limited, we kindly ask that you only book if you are able to attend so that others who would benefit from the session are able to take part.
If you can no longer attend, please cancel your ticket and contact us at ninetyone@setspace.uk so the space can be offered to someone else.**
Photo credits: Courtesy of the @patch_collective_

Featured in this weeks @bigissueuk - one of five of the @thedavidsonprize longlisters!
Ahead of the deadline tomorrow please do vote for WearWork in the People’s Choice awards.

Reinventing industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards
WearWork, by CARD Projects, PATCH Collective, and Maria Mc Lintock. @katiefisher__, @card.projects, @mariaemclintock, @system.of.systems, @bettsbubbles, @patch_collective_
Vote for your favourite entry to win #TheDavidsonPrize People's Choice Prize via our link in bio, supported by @Humaniseorg
16.8 million people in the UK live in old industrial towns where industries like coal, steel, and shipbuilding have declined, shedding thousands of jobs.
Sunderland's industrial downturn has left communities like Millfield behind. One of the city's most deprived wards, it faces high unemployment, low life expectancy, and a rental rate nearing 50%. Yet, with a quarter of residents born outside the UK, it remains a place of movement, adaptation, and potential.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, for long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
Read more and see every featured idea on our website!

Reinventing industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards
WearWork, by CARD Projects, PATCH Collective, and Maria Mc Lintock. @katiefisher__, @card.projects, @mariaemclintock, @system.of.systems, @bettsbubbles, @patch_collective_
Vote for your favourite entry to win #TheDavidsonPrize People's Choice Prize via our link in bio, supported by @Humaniseorg
16.8 million people in the UK live in old industrial towns where industries like coal, steel, and shipbuilding have declined, shedding thousands of jobs.
Sunderland's industrial downturn has left communities like Millfield behind. One of the city's most deprived wards, it faces high unemployment, low life expectancy, and a rental rate nearing 50%. Yet, with a quarter of residents born outside the UK, it remains a place of movement, adaptation, and potential.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, for long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
Read more and see every featured idea on our website!

Reinventing industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards
WearWork, by CARD Projects, PATCH Collective, and Maria Mc Lintock. @katiefisher__, @card.projects, @mariaemclintock, @system.of.systems, @bettsbubbles, @patch_collective_
Vote for your favourite entry to win #TheDavidsonPrize People's Choice Prize via our link in bio, supported by @Humaniseorg
16.8 million people in the UK live in old industrial towns where industries like coal, steel, and shipbuilding have declined, shedding thousands of jobs.
Sunderland's industrial downturn has left communities like Millfield behind. One of the city's most deprived wards, it faces high unemployment, low life expectancy, and a rental rate nearing 50%. Yet, with a quarter of residents born outside the UK, it remains a place of movement, adaptation, and potential.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, for long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
Read more and see every featured idea on our website!

Reinventing industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards
WearWork, by CARD Projects, PATCH Collective, and Maria Mc Lintock. @katiefisher__, @card.projects, @mariaemclintock, @system.of.systems, @bettsbubbles, @patch_collective_
Vote for your favourite entry to win #TheDavidsonPrize People's Choice Prize via our link in bio, supported by @Humaniseorg
16.8 million people in the UK live in old industrial towns where industries like coal, steel, and shipbuilding have declined, shedding thousands of jobs.
Sunderland's industrial downturn has left communities like Millfield behind. One of the city's most deprived wards, it faces high unemployment, low life expectancy, and a rental rate nearing 50%. Yet, with a quarter of residents born outside the UK, it remains a place of movement, adaptation, and potential.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, for long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
Read more and see every featured idea on our website!

Reinventing industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards
WearWork, by CARD Projects, PATCH Collective, and Maria Mc Lintock. @katiefisher__, @card.projects, @mariaemclintock, @system.of.systems, @bettsbubbles, @patch_collective_
Vote for your favourite entry to win #TheDavidsonPrize People's Choice Prize via our link in bio, supported by @Humaniseorg
16.8 million people in the UK live in old industrial towns where industries like coal, steel, and shipbuilding have declined, shedding thousands of jobs.
Sunderland's industrial downturn has left communities like Millfield behind. One of the city's most deprived wards, it faces high unemployment, low life expectancy, and a rental rate nearing 50%. Yet, with a quarter of residents born outside the UK, it remains a place of movement, adaptation, and potential.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, for long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
Read more and see every featured idea on our website!

We are delighted to have made the longlist of the Davidson Prize 2025!
Our proposal WearWork seeks to reinvent industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, ensuring long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
450 live/work homes, public workshops, and studios form a self-sustaining neighbourhood, arranged around convivial yards - crucibles for industry and social life. Taking cues from vernacular bastle houses and Wearside maisonettes, homes become sites of experimentation and innovation, feeding into a circular economy where feedback refines materials and design over time.

We are delighted to have made the longlist of the Davidson Prize 2025!
Our proposal WearWork seeks to reinvent industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, ensuring long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
450 live/work homes, public workshops, and studios form a self-sustaining neighbourhood, arranged around convivial yards - crucibles for industry and social life. Taking cues from vernacular bastle houses and Wearside maisonettes, homes become sites of experimentation and innovation, feeding into a circular economy where feedback refines materials and design over time.

We are delighted to have made the longlist of the Davidson Prize 2025!
Our proposal WearWork seeks to reinvent industrial heartlands as self-sustaining, self-building neighbourhoods arranged around convivial yards.
WearWork proposes a new model of housing production, embedding mass material manufacturing within communities. On disused land along the River Wear, waste is transformed at scale into high-quality building components, creating an economy that values labour and time over capital. Industries invest directly in the housing and livelihoods of their workforce, funding the production of both materials and homes. These homes are held in a worker-owned trust, ensuring long-term affordability and community stewardship. Residents shape their homes, gaining equity through time and effort rather than traditional finance.
450 live/work homes, public workshops, and studios form a self-sustaining neighbourhood, arranged around convivial yards - crucibles for industry and social life. Taking cues from vernacular bastle houses and Wearside maisonettes, homes become sites of experimentation and innovation, feeding into a circular economy where feedback refines materials and design over time.

Negroni Sbagliato Talks - We invite you to join PATCH and our esteemed panel guest to delve into how people are doing spatial criticism differently.
Introducing the speakers:
Architectural Designer & Visual Artist Rayan Elnayal alongside Civil Engineer and DJ Heba Tabidi’s response to resist the structures and institutions that govern the built environment profession in the UK is Space Black. The studio explores underrepresented and under resourced ideas in the built environment. Together they imagine alternative spatial futures for marginalised communities though Concept Design & Research , Education & Culture.
@spaceblack__

Negroni Sbagliato Talks - We invite you to join PATCH and our esteemed panel guest to delve into how people are doing spatial criticism differently.
Introducing the speakers:
Siraaj Mitha is a Architect, Director of Accelerate At Open City, Postgraduate Design Tutor at the London School of Architecture.
Through multiple disciplines his work aims to ensure underrepresented students have the same opportunities as their more privileged colleagues in accessing the profession. His work addresses ways the profession might enact processes of reform to level the playing field in a profession which has historically been shrouded in exclusivity and class bias.
@siraajmitha
Tickets still on sale! Come hold space with us for a night where we discuss criticism with some of the most forward thinking in the field! This event is not to be missed!!

Negroni Sbagliato Talks - We invite you to join PATCH and our esteemed panel guest to delve into how people are doing spatial criticism differently.
Introducing the Speakers:
Krish Nathaniel is an architectural designer, writer and researcher.
Alongside working as an urban designer in London, Krish serves as architect-in-residence at a number of London-based adventure playgrounds and is an Associate Lecturer on the MArsh Architecture course at Central Saint Martins.
Krish’s research focuses on the spatiocultural dimensions of autonomy and augmentation within urban and rural settings, using the tools of free play as a research methodology. This work is often explored through writing and making, exposing spatial conditions and lesser known histories.
@krish.nathaniel
Tickets still on sale! Come hold space with us for a night where we discuss criticism with some of the most forward thinking in the field! This event is not to be missed!!

Negroni Sbagliato Talks - We invite you to join PATCH and our esteemed panel guest to delve into how people are doing spatial criticism differently.
Introducing the speakers:
Shumi Bose is a lecturer, curator, and editor based in London. She teaches at Central Saint Martins, Royal College of Art and the Architectural Association, and has worked as curator at the RIBA and at the Venice Biennale.
In 2020, she founded Holding Space, and is happy to share any stories from within and outside of institutions, educating, publishing and curating.
Come and ask questions - there will be no wrong answers. Come and share your thoughts, share food, and hold space this event is not to be missed!!!
@tontita00

Negroni Sbagliato Talks - We invite you to join PATCH and our panel guest to delve into how people are doing spatial criticism differently.
Introducing the speakers:
Renowned journalist Jonathan Nunn is a food and city writer based in London who co-edits the magazine Vittles and writes for publications such as Eater London, The Guardian and Prospect Magazine.
His practice aims to diversify food writing and the industry itself. As the author of ‘London Feeds Itself’ his reference to the experiencing cities through food is distinctly spatial, delving into the local geographies and community structures as much as the food itself.

Link for tickets in bio ✨
Swipe to meet our amazing panelists!
Join us @alexander_hills_architects !
In a world where anyone with ideas and internet access can be a critic, does the role of the sole Architectural Critic still hold relevance today? How has the precarity of architectural writing in recent years affected the role of the critic? And is the world of Architectural criticism opening up, or is this just reflective of the declining critic roles available?

Link for tickets in bio ✨
Swipe to meet our amazing panelists!
Join us @alexander_hills_architects !
In a world where anyone with ideas and internet access can be a critic, does the role of the sole Architectural Critic still hold relevance today? How has the precarity of architectural writing in recent years affected the role of the critic? And is the world of Architectural criticism opening up, or is this just reflective of the declining critic roles available?

Link for tickets in bio ✨
Swipe to meet our amazing panelists!
In a world where anyone with ideas and internet access can be a critic, does the role of the sole Architectural Critic still hold relevance today? How has the precarity of architectural writing in recent years affected the role of the critic? And is the world of Architectural criticism opening up, or is this just reflective of the declining critic roles available?
Join PATCH Collective in conversation with a panel of young practitioners, writers, editors and publicists whose work explores some of these questions. ❤️

Link for tickets in bio ✨
Swipe to meet our amazing panelists!
In a world where anyone with ideas and internet access can be a critic, does the role of the sole Architectural Critic still hold relevance today? How has the precarity of architectural writing in recent years affected the role of the critic? And is the world of Architectural criticism opening up, or is this just reflective of the declining critic roles available?
Join PATCH Collective in conversation with a panel of young practitioners, writers, editors and publicists whose work explores some of these questions. ❤️

Join us for a celebratory evening of delicious snacks as we celebrate the launch of our collection and printed publication for Open House Festival "Holding Space" 💫
Shifting the focus from London’s cultural centres, our collection explores the polycentric nature of London to celebrate the diverse network of communities that gives the city its quality. We’re spotlighting buildings, places and eateries that uplift and serve communities around London's periphery.
15.09.23
Host of Leyton , 658 High Road. Leyton, London E10 6JP
link in bio to tickets on Open House Festival website 🔗
With love,
Nyima + Betty
@opencity_uk @hostofleyton

Join us for a celebratory evening of delicious snacks as we celebrate the launch of our collection and printed publication for Open House Festival "Holding Space" 💫
Shifting the focus from London’s cultural centres, our collection explores the polycentric nature of London to celebrate the diverse network of communities that gives the city its quality. We’re spotlighting buildings, places and eateries that uplift and serve communities around London's periphery.
15.09.23
Host of Leyton , 658 High Road. Leyton, London E10 6JP
link in bio to tickets on Open House Festival website 🔗
With love,
Nyima + Betty
@opencity_uk @hostofleyton

Join us for a celebratory evening of delicious snacks as we celebrate the launch of our collection and printed publication for Open House Festival "Holding Space" 💫
Shifting the focus from London’s cultural centres, our collection explores the polycentric nature of London to celebrate the diverse network of communities that gives the city its quality. We’re spotlighting buildings, places and eateries that uplift and serve communities around London's periphery.
15.09.23
Host of Leyton , 658 High Road. Leyton, London E10 6JP
link in bio to tickets on Open House Festival website 🔗
With love,
Nyima + Betty
@opencity_uk @hostofleyton

Join us for a celebratory evening of delicious snacks as we celebrate the launch of our collection and printed publication for Open House Festival "Holding Space" 💫
Shifting the focus from London’s cultural centres, our collection explores the polycentric nature of London to celebrate the diverse network of communities that gives the city its quality. We’re spotlighting buildings, places and eateries that uplift and serve communities around London's periphery.
15.09.23
Host of Leyton , 658 High Road. Leyton, London E10 6JP
link in bio to tickets on Open House Festival website 🔗
With love,
Nyima + Betty
@opencity_uk @hostofleyton
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
이 서비스는 무료로 제공됩니다.
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.