인스타그램 스토리 뷰어

Something chill/lofi on the big screen 👁️

Open for Collabs 📩

#glitchart #glitchcore #dreampunk #lostfuture #visuals #noise #lofi #distortion #acid #glitchartistcollective #visuals #videosynth #slitscan #vfx #analogvideo #glitch #crt #analogvisuals #generative #feedback #cyberpunk #vhs #randwavevisuals

Fresh POV VJing part 3 👁️🎛️

Booking 2026 OPEN - HMU!

Music by Krasne Zítřky

#glitchart #visuals #glitchartistcollective #analogvisuals #randwavevisuals

Last year I had a wonderful opportunity to work with @avanti_garda on their newest film Jugo Grad.

The concept behind the film was to emulate a footage on VHS tape, which was then rewritten by another video.

We utilised glitches made by real analog video processors and my own circuit bent machines in order to get “real VHS glitches/corruption”.

The result? Some neat glitches anda level up to what PK films can deliver!
Its not just about cool effects, but to use them in a way that makes sense, and for that I am so grateful to be part of this project!

#randwave

Last year I had a wonderful opportunity to work with @avanti_garda on their newest film Jugo Grad.

The concept behind the film was to emulate a footage on VHS tape, which was then rewritten by another video.

We utilised glitches made by real analog video processors and my own circuit bent machines in order to get “real VHS glitches/corruption”.

The result? Some neat glitches anda level up to what PK films can deliver!
Its not just about cool effects, but to use them in a way that makes sense, and for that I am so grateful to be part of this project!

#randwave

Last year I had a wonderful opportunity to work with @avanti_garda on their newest film Jugo Grad.

The concept behind the film was to emulate a footage on VHS tape, which was then rewritten by another video.

We utilised glitches made by real analog video processors and my own circuit bent machines in order to get “real VHS glitches/corruption”.

The result? Some neat glitches anda level up to what PK films can deliver!
Its not just about cool effects, but to use them in a way that makes sense, and for that I am so grateful to be part of this project!

#randwave

Last year I had a wonderful opportunity to work with @avanti_garda on their newest film Jugo Grad.

The concept behind the film was to emulate a footage on VHS tape, which was then rewritten by another video.

We utilised glitches made by real analog video processors and my own circuit bent machines in order to get “real VHS glitches/corruption”.

The result? Some neat glitches anda level up to what PK films can deliver!
Its not just about cool effects, but to use them in a way that makes sense, and for that I am so grateful to be part of this project!

#randwave

Last year I had a wonderful opportunity to work with @avanti_garda on their newest film Jugo Grad.

The concept behind the film was to emulate a footage on VHS tape, which was then rewritten by another video.

We utilised glitches made by real analog video processors and my own circuit bent machines in order to get “real VHS glitches/corruption”.

The result? Some neat glitches anda level up to what PK films can deliver!
Its not just about cool effects, but to use them in a way that makes sense, and for that I am so grateful to be part of this project!

#randwave

Last year I had a wonderful opportunity to work with @avanti_garda on their newest film Jugo Grad.

The concept behind the film was to emulate a footage on VHS tape, which was then rewritten by another video.

We utilised glitches made by real analog video processors and my own circuit bent machines in order to get “real VHS glitches/corruption”.

The result? Some neat glitches anda level up to what PK films can deliver!
Its not just about cool effects, but to use them in a way that makes sense, and for that I am so grateful to be part of this project!

#randwave

Last year I had a wonderful opportunity to work with @avanti_garda on their newest film Jugo Grad.

The concept behind the film was to emulate a footage on VHS tape, which was then rewritten by another video.

We utilised glitches made by real analog video processors and my own circuit bent machines in order to get “real VHS glitches/corruption”.

The result? Some neat glitches anda level up to what PK films can deliver!
Its not just about cool effects, but to use them in a way that makes sense, and for that I am so grateful to be part of this project!

#randwave

BOOKING 2026 OPEN 🎛️👁️📺

Lets do some crazy live AV shows together!

Write me a DM 📩

#randwavevisuals #glitchartistscollective #glitchcore #analogvisuals

Bleeding sun in the evening goes away 🌞

Analog video feedback loop 🤞📺

Lovely music by @daffodil_pill 🎧

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#glitchart #glitchcore #dreampunk #lostfuture #visuals noise lofi distortion acid glitchartistcollective visuals videosynth slitscan vfx analogvideo glitch crt analogvisuals generative feedback cyberpunk vhs randwavevisuals

POV: Making analog music visuals part 2 👁️

Tyhle vizuály jsem dělal na event ShyNight od @shy.event 29.11. 🎛️

V pozadí část live setu od @krasnezitrky 🎧

Open for Collabs 📩

#glitchart #visuals #glitchartistcollective #analogvisuals #randwavevisuals

RANDWAVE VISUALS Showreel 2025

Analog glitch chaos used in many different ways 🎛️

👉 Live shows / VJing
👉 Music videos
👉 VFX Glitches
👉 Abstract art
👉 pure chaos 🎛️

Soundtrack AVOLT - RAID @znamy_slidil

Open for Collabs 📩
#glitchart #glitchcore #dreampunk #lostfuture #visuals #noise #lofi #distortion #acid #glitchartistcollective #visuals #videosynth #slitscan #vfx #analogvideo #glitch #crt #analogvisuals #generative #feedback #cyberpunk #vhs #randwavevisuals

RANDWAVE VISUALS Showreel 2025

Analog glitch chaos used in many different ways 🎛️

👉 Live shows / VJing
👉 Music videos
👉 VFX Glitches
👉 Abstract art
👉 pure chaos 🎛️

Soundtrack AVOLT - RAID @znamy_slidil

Open for Collabs 📩
#glitchart #glitchcore #dreampunk #lostfuture #visuals #noise #lofi #distortion #acid #glitchartistcollective #visuals #videosynth #slitscan #vfx #analogvideo #glitch #crt #analogvisuals #generative #feedback #cyberpunk #vhs #randwavevisuals

RANDWAVE VISUALS Showreel 2025

Analog glitch chaos used in many different ways 🎛️

👉 Live shows / VJing
👉 Music videos
👉 VFX Glitches
👉 Abstract art
👉 pure chaos 🎛️

Soundtrack AVOLT - RAID @znamy_slidil

Open for Collabs 📩
#glitchart #glitchcore #dreampunk #lostfuture #visuals #noise #lofi #distortion #acid #glitchartistcollective #visuals #videosynth #slitscan #vfx #analogvideo #glitch #crt #analogvisuals #generative #feedback #cyberpunk #vhs #randwavevisuals

POV: Making analog music visuals part 1 👀

Tyhle vizuály jsem dělal na event ShyNight od @shy.event 29.11. 🎛️

V pozadí část live setu od @krasnezitrky 🎧

Open for Collabs 📩

#glitchart #glitchcore #dreampunk #lostfuture #visuals #noise #lofi #distortion #acid #glitchartistcollective #visuals #videosynth #slitscan #vfx #analogvideo #glitch #crt #analogvisuals #generative #feedback #cyberpunk #vhs #randwavevisuals

Exploring analong spaces 🧑‍🚀🌌

Open for Collabs 📩

#glitchart #glitchcore #dreampunk #lostfuture #visuals #noise #lofi #distortion #acid #glitchartistcollective #visuals #videosynth #slitscan #vfx #analogvideo #glitch #crt #analogvisuals #generative #feedback #cyberpunk #vhs #randwavevisuals

Drift Cars Analog Glitch Edit 🛞💨🔥

Done using live video + Lord of Lightning analog gear!

Open for Collabs 📩
#glitchart #glitchcore #dreampunk #lostfuture #visuals #noise #lofi #distortion #acid #glitchartistcollective #visuals #videosynth #slitscan #vfx #analogvideo #glitch #crt #analogvisuals #generative #feedback #cyberpunk #vhs #randwavevisuals

Analog glitches wooohooo

Lets start a new journey on this IG

#analogglitch #glitchartistscollective #randwavevisuals #randwave

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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.
#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals

Fragmenty z videoartu: On the dillema between jumps and effects

Videoart, který jsem dělal minulý rok pro @avanti_garda Holding Hands Gallery za pomocí analogových glitchů a parkour videí, které mistrovsky natočil @venda.benda

Popis:

This video art is a dilemma between the amount of editing / effects and the visibility of the actual jumps in parkour videos. We have the tendency to stylize parkour films (or potentially skate), firstly for the aesthetical reasons, but also for standing out and creating something unique.
However, there is a line that, when crossed, defeats the original point of the film - to show the movement recorded.
Where is this line? And what happens if you cross it?
Can you turn this approach on its head and use the movement recorded not to show the movement, but to make the effects stand out even more?
I chose the second approach in this video art - the jumps are shown secondary to the edit/effects.
This piece was made using old analog-video processor (Carena MVP4000), which I circuit bent at home by rewiring the video chips and circuits. Then I used masterfully shot clips from films by Avanti Garda, and thanks to Venda’s amazing camera skills, managed to create this

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.
#randwave #projekce #liveshow #synthesis #synthetic #electronics #postdigital #glitch #glitchart #glitchartist #glitchartistscollective #feedback #analog #trippy #nostalgia #videoart #trippyvideos #analogvideo #analogvibes #generativeart #newmedia #commodore #psychedelic #newmediaart #electronicart #experimental #visualization #visuals #vjing #livevisuals