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sodaobjects
SODA
Design and Art Store.
Brands: @b_line_it @ringadate @_saturdayyardwork_
Open Wed to Sun 11 - 5
Gallery @staffonly.art
Studio @soda__studios
For the last few months we've been working in the background on a new release into our functional sculpture range with our friends over at @chongoffice
Introducing the ‘Deflated Balloon Hanger” by @chongshopp . A fun but aesthetically and functionally pleasing clothes hanger, sustainably made from 100% @defy_design recycled plastic in Sydney, Australia.
Now available by order as a one piece item in 'Ink Black', Barbie Pink', 'Pool Blue', 'Sunny Lime' and 'Laundry White' or as a three pack (Pink, Blue and Lime). Order via the website, in store or contact us by email. Also available in commercial quantites.
Please kindly note that due to the nature of the material, recycled plastics, slight variation of colours across our ‘Deflated Balloon Hangers’ might be visible, making your piece unique and one-of-a-kind!
Please visit our website where you can find the product up the top on the home page!
About Chong Shop
Chong Shop is a new venture of Chong Office, an independent artist practice based in Melbourne. Initiated as a fun passion project back in 2022, we talk, source, and experiment with things we see, hear, and feel in our daily lives. Throughout our journeys, we explore conversations between forms, materials and functionality of everyday objects, venturing into new, endless possibilities.
Material responsibility informs how our creations come to life. Working closely with our manufacturing partner, Defy Design, a Sydney-based plastic recycling company pioneering in closed-loop production, every hanger is made in Sydney from 100% locally sourced recycled plastic, shaped through thoughtful processes and dedication to a sustainable future.
Adelaide friends! Visit @sodaobjects to see our ‘Deflated Balloon Hanger’ in person 🩵 You’ll be surprised
100% Recycled Plastic. Made in Sydney.
Photography SODA OBJECTS
#ChongShop #DeflatedBalloonHanger #RecycledPlastic #Homeware #ContemporaryDesign
'Globe' chair in motion by Pierre Paulin for Artifort. Made in the Netherlands.
See sodaobjects.com for all details, DM or email
MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025
Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast
Images taken at @soda__studios
MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025
Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast
Images taken at @soda__studios
MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025
Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast
Images taken at @soda__studios
MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025
Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast
Images taken at @soda__studios
MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025
Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast
Images taken at @soda__studios
MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025
Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast
Images taken at @soda__studios
MELANCHOLY | Side Table 02
350x300x750mmH
Aluminium, glass
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adl Adelaide Design Week 2025
Glass cast by @drew_spangenberg, @bindinimmoglass and @artbybeast
Images taken at @soda__studios
Cast Coffee Table
1000x600x400mmH
Aluminium
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025
Images taken at @soda__studios
Cast Coffee Table
1000x600x400mmH
Aluminium
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025
Images taken at @soda__studios
Cast Coffee Table
1000x600x400mmH
Aluminium
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025
Images taken at @soda__studios
Cast Coffee Table
1000x600x400mmH
Aluminium
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025
Images taken at @soda__studios
Cast Coffee Table
1000x600x400mmH
Aluminium
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025
Images taken at @soda__studios
Cast Coffee Table
1000x600x400mmH
Aluminium
2025
Made for @sodaobjects group show “Clockwork” curated by @mazmis for @every_where_adlAdelaide Design Week 2025
Images taken at @soda__studios
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
Chene Armchair by Mathieu Cottin. Solid American Oak with an boucle upholstered seat and formed leather backrest. First designed 2019 and made locally in South Australia.
Mathieu Cottin is a French-origin furniture maker based in Adelaide, South Australia, known for handmade, design-driven, craft-inspired furniture. He combines his European upholstery background with local woodwork, participates in design events (like Denfair), and is part of Adelaide’s maker community.
Listing is specifically for the chair in stock and can be viewed instore. For bespoke options or quantities more than one, please use the enquiry option on our website or DM/email hello@sodaobjects.com
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
'Anfibio’ lounge in tan leather, 3 seater, in the style of Alessandro Becchi, first designed 1971. Named Anfibio, Italian for amphibian, the design draws inspiration from fold-out life rafts, expressed through its fluid form and transformative functionality. Capable of four distinct configurations, it is a refined study in adaptability, balancing sculptural presence with everyday use.
Originally designed in 1971 by Alessandro Becchi, the Anfibio was selected for exhibition at Museum of Modern Art in New York and now resides in MoMA’s permanent collection, alongside those of 12 other major modern art museums worldwide, cementing its status as a landmark of radical Italian design.
Condition: The lounge was made recently and has seen very little use.
Please visit our website via the product link for all details and delivery quote request.
CAMPUS — 22.02.26
Introducing a series of educational driven talks and presentations ☆
1:00pm
How exhibitions structure attention, narrative, and spatial experience by @drefuzz.tes
2:00pm
@every_where_adl: adelaide design week - open meeting about eoi’s
With @samiagostino , @lara_merrington and @drefuzz.tes
4:00pm
How a retail incubator shapes taste, value and everyday design with Sam McLaren of @sodaobjects and @sabrinasterk
6:00pm
Influence Through Disruption: Analysis of Hood By Air’s FW15 DADDY by @raedhanifie
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248 Flinders Street, Kaurna Yarta
Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.
625L x 310D x 490H
Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.
For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com
@clairmar
Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.
625L x 310D x 490H
Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.
For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com
@clairmar
Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.
625L x 310D x 490H
Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.
For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com
@clairmar
Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.
625L x 310D x 490H
Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.
For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com
@clairmar
Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.
625L x 310D x 490H
Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.
For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com
@clairmar
Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.
625L x 310D x 490H
Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.
For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com
@clairmar
Surface 004 Side-Table by Claire Markwick-Smith. Made with sanded aluminium, stainless steel fittings and found granite. Manufactured 2024 with some minor signs of use.
625L x 310D x 490H
Claire Markwick-Smith is a designer and maker from Tarntanya/Adelaide. For the past decade, Claire has worked across spatial, installation and object design in Australia and Los Angeles. Making and presenting work at the intersection of design and sculpture, Claire explores the relationship between composition, construction processes and materiality. Trained in interior architecture, Markwick-Smith undertook a year-long residency in 2021 at Adelaide’s George Street Studios, where she developed skills in metal fabrication. Her work has appeared at JamFactory, Adelaide in 2022, at Melbourne Design Week in 2024 and the National Gallery of Victoria in 2025 as a Rigg Design Prize nominee.
For quantities more than one or bespoke options, please DM or email hello@sodaobjects.com
@clairmar
Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.
Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.
For delivery options and more details, please visit our website, DM or email.
Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.
Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.
For delivery options and more details, please visit our website, DM or email.
Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.
Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.
For delivery options and more details, please visit our website, DM or email.
Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.
Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.
For delivery options and more details, please visit our website, DM or email.
Set of 4, ‘Chair 66’ by Alvar Aalto for Artek, in Natural Birch. First designed 1935, Made in Finland. Originally purchased from Anibou Sydney.
Condition: Very Good, some minor signs of use – minor wear and marking. One chair has a small minimal loss at the top of the back rest. Retains manufacturers tags.
For delivery options and more details, please visit our website, DM or email.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
A wonderfully kept pair of 1980's era 'Wassily' chairs in heavy black leather over chrome frames. Chairs of this age are becoming very rare to find in such original "lived in" condition. Reproduction yes, but in our opinion, a very well considered option next to Gavina or Knoll productions.
Condition: Very good with the detailed age and wear.
Leather is firm in the right placed with a small amount of slouch, also in the right places. Chrome very good.
Note: Price for the pair, currently not separating.
Please DM, email or visit sodaobjects.com for purchase and delivery options.
Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.
Table retains original Herman Miller sticker.
72cm W x 55cm H
Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.
For availability and delivery, please visit sodaobjects.com
Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.
Table retains original Herman Miller sticker.
72cm W x 55cm H
Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.
For availability and delivery, please visit sodaobjects.com
Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.
Table retains original Herman Miller sticker.
72cm W x 55cm H
Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.
For availability and delivery, please visit sodaobjects.com
Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.
Table retains original Herman Miller sticker.
72cm W x 55cm H
Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.
For availability and delivery, please visit sodaobjects.com
Nelson pedestal table by George Nelson for Herman Miller 1954, made in USA early 2000's. An iconic aluminium based design with bevelled black, compact laminate top and veneered edge.
Table retains original Herman Miller sticker.
72cm W x 55cm H
Condition: Good, consistent with age and use. Some marking to the top laminate. Small loss on veneer edge.
For availability and delivery, please visit sodaobjects.com
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.