인스타그램 스토리 뷰어
인스타그램 스토리를 익명으로 보기
stevesguide
Steve Lawson
Director / Story Artist / Animator / Writer / Lecturer
BAFTA Connect 2023 & NFTS Alumnus 🎥
Director of @bmufilm 🤖 🤖 available now on @watchdust!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
I don’t often post on here. Perhaps that ought to change… But in any case, this weekend was worth a shout out. Armed with some new headshots, silly stories and fabulous knowledge c/o @bafta195 @bafta, it was also an occasion of beautiful catch ups that has wrapped up a week of lovely birthday celebrations and reminders of why I do what I do. Wonderful stuff. Onwards!
This would have been great news any year, but right now - against the backdrop of a great deal of uncertainty - it feels extra special. I look forward to making the most of what @bafta #baftaconnect has to offer, and offering what I can in return 😌
Artist Announcment:
@stevesguide
Based in York but born in the North East, Steve is a multi-award-winning animation director, animator, story artist and writer with over a decade of experience in film, television and media. In 2021, Steve graduated from the MA Directing Animation course at the National Film and Television School, and has since worked on projects for the likes of Nickelodeon, Lego/Universal, Disney/Hasbro and more.
In 2024, Steve brought his industry expertise with him when he joined the Northern School of Art as an Animation Lecturer. Originally hailing from ‘up here’, Steve has found a renewed sense of what ‘home’ means to him as he reconnects with his roots and re-explores Newcastle, Hartlepool and beyond.
Steve’s current illustrative work is driven by his cast of original characters, showcasing his love for character design and visual storytelling. Driven by his heritage, fascination with machines and technology, and the juxtaposition of this with feeling a sense of stewardship for a struggling planet, Steve combines familial themes with an awareness of AI and robotics to present a vision for a more hopeful future.
We are proud to welcome Steve Lawson to the Creators Academy masterclass family!👏
Steve will host the next masterclass to go live on our platform, ‘Drafting Narratives with Visuals’
Find out more and learn about our platform via the link in our bio
In September 2014, I finally started on the right path after leaving school. I’d gone to Goldsmiths the previous year and hated it, and had abandoned ship before even getting so much as an interview at Oxford Brookes.
It turned out okay. More than okay. And it led me on a journey that would include working on feature films, series, museum exhibits and the completion of a masters at @nftsfilmtv, which changed my life and gave me some of my very best friends.
Ten years later, in September of this year, I once again found myself at a new university; only this time, I was there to lecture. To share everything I’d learned, and am yet to learn, with budding animators. They say nerves are good; but that first day, despite my experience, credits, connections, awards and all that ‘stuff’, I still found it surreal. Surely it wasn’t long since I’d had my first day at uni? But of course, time flies.
Two months in, then, it seemed right to make a post about the fact I’ve joined the BA (Hons) Animation programme at the Northern School of Art, lecturing on a part-time basis in subjects that include the 12 Principles, theory and history, storyboarding, storytelling and more. I suppose I was waiting to post in case they realised there had been a huge mistake and that it actually wasn’t me they wanted, but a different Steve Lawson with years of actual experience. That imposter syndrome is part and parcel of this industry; but I’m learning to deal with it, and to realise that I actually *am* that person with years of actual experience.
So far, the role and the warm welcome have both been fantastic, and - as the industry picks back up again - I’ve been enjoying meeting and working with a wonderful group of students, colleagues and industry professionals. Lecturing two days a week has been a great boon for my freelance work too. I’m feeling more inspired than I have in years!
I will post next about my first official dispatch, which was down to @aardmananimations last week with @theo_scott; for now, though, a huge thanks to @thenorthern_animation for the warm welcome and fantastic opportunity!
Here we go 🤖🤖
And you all thought I would let @inktober pass on by 🙃 but it wouldn’t be October without me trying and failing to churn out 31 daily drawings now, would it? Like many, I hate the prompts they’ve come up with this year, and originally had deigned to have a year off. But instead, I’m picking up where I left off last year. This was Day 16, Angel; and so naturally here we have… @mrbean, expertly played by Quentin (my #tortoise), and #Sprocket from #buildmeup @bmufilm as Mr Bean’s Mini. My very loose justification here was that Mr Bean is no angel… But truthfully I just wanted to shoehorn this one in! I’ll pick up as many other Sprocket variants as I have time for. Stay tuned 🙂 // #inktober #inktober2024 #procreate @truegrittexturesupply #truegritbrushes #robot #mrbean #teddy #tortoise #mini #car
Today is - or was - a ‘Minecraft day’. A day where it’s cosy inside and rainy or stormy outside. I love rainy days on Minecraft, and the feeling of being ‘inside’; but I also love days like that in real life. Even the sound of rain is magic to me. So, days like this are some of my favourites, and I like to use them to take time over coffee, mull over ideas and noodle away with this and that. Recently, however, I’ve finally settled into reading as a hobby, which is something I’ve always wanted to do but never quite been able to manage. There’s a pleasure in discovering and exploring new worlds, which - when cosied up against the cold - seems ever-more wondrous.
🌕 my debut EP 𝑰𝑵𝑺𝑶𝑴𝑵𝑰𝑨𝑪 is out today ! 🌕
climb through to the video; directed by @stevesguide and produced by @singlemaltproductions, it’s about sleepless nights, coping with loss, and their impacts on mental health. it was thoughtfully crafted and brought to life through many friends’ time, care and creative energies: from Sherry Heather’s poetry to Phoebe Stapleton’s insomnia-inspired choreography 🌗
watch and listen in full ~ link in bio 🌑
supported by the amazing folks at Help Musicians @helpmusicians, to whom we say a huge 𝐭𝐡𝐚𝐧𝐤 𝐲𝐨𝐮
ARTIST / Nikita Faie / @nikitafaie
with funding support from Help Musicians @helpmusicians
CREATIVE CONCEPT / Nikita Faie
PRODUCTION COMPANY / Single Malt Productions / @singlemaltproductions
DIRECTOR / Steve Lawson / @stevesguide
PRODUCER / Emma Hanson / @emmahanson13
DOP / Jamie Touche / @jamietouche
PRODUCTION DESIGNER / Kate Beard / @k.l.b.design
MOVEMENT DIRECTOR / Phoebe Stapleton / @phoebestapleton
ANIMATORS / Steve Lawson
Joey Hawks / @joeyhawksanimation
Eve Bannister / @evebannisterart
ARTWORK / Nikita Faie
KIT SUPPLIED BY / SLV / @slvstudios
STUDIO SPACE / Single Malt Studios
EDIT AND VFX / Steve Lawson
GRADE / Jamie Touche
SONGWRITERS / Sherry Heather & Christopher Roberts / @rainbowemeralds @musicfanconnection
ARRANGEMENT / Nikita Faie
PRODUCTION / Nikita Faie & Ian Flynn / @werkhouse
VOCALS / Nikita Faie
HARP / Laura Marquino / @lauramarquino
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
Earlier this year, on the 19th of January, singer/songwriter Nikita Faie (@nikitafaie) popped into my Instagram DMs. Prompted by fellow York storyteller @dsthrace - thanks for the recommendation, mate - she introduced herself; but I had no idea then that it would lead somewhere quite so special.
In fact, at this point, it’s hard to remember a time where we didn’t know each other. That’s because we’ve been on a bit of a journey together into the world of pixilation, a form of stop-motion involving the animation of live actors. For those who have forayed into this realm themselves, you’ll know that it demands a lot of patience, a lot of care and a lot of trust; and in our case, a lot of laughs. On a pixilation set, time blurs, ideas osmose and magic is made.
The scope of Nikita’s pitch was ambitious, and I knew I’d need some practiced hands if I was to pull off directing and animating such a thing: @singlemaltproductions shaped hands, to be precise. Camera wizard Jamie Touche (@jamietouche), production design sorceress Kate Beard (@k.l.b.design) and I first met at the NFTS on a pixilation shoot (see ‘One Minute Workshop’ on my website), while producing machine Emma Hanson (@emmahanson13) and I connected when the four of us began working on our award-winning grad animation ‘Build Me Up’.
Fast forward to now, and we’ve had brilliant support from movement director Phoebe Stapleton (@phoebestapleton) - who crafted shapes and lines so gorgeous that I fancy she may secretly be an animator herself - as well as from fellow Build Me Up & NFTS alum Eve Bannister (@evebannisterart) and animation extraordinaire Joey Hawks (@joeyhawksanimation).
So, what do you get when you put all of these people together? Good soup, that’s what.
With a final word of thanks (for now) to this wonderful bunch, to @helpmusicians for their funding support and to everyone else that helped us out, I want to invite you all to look forward to INSOMNIAC, releasing August 30th.
More to come… #Insomniac, #StopMotion, #Pixelation, #IndieMusic, #Animation, #NikitaFaie, #NewMusic
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
9 years later… @acdc at Wembley once again with my Stepdad. T-shirt has aged better than we have! My fifth time seeing my favourite band. Last time was in 2016 with Axl, and as amazing as that was, I’m glad that my lasting memory of them will be with @brianjohnson up front. I don’t usually post about stuff like this any more but had to do it for the sake of the comparison! 😂
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.