인스타그램 스토리 뷰어

🎧 𝗔𝗨𝗗𝗜𝗢 & 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘 𝗟𝗔𝗕 — 𝗔𝗣𝗣𝗟𝗜𝗖𝗔𝗧𝗜𝗢𝗡𝗦 𝗢𝗣𝗘𝗡

Join our 𝗜𝗡𝗙𝗢 𝗦𝗘𝗦𝗦𝗜𝗢𝗡 next week 𝗼𝗻 𝗠𝗔𝗬 13 𝗮𝘁 𝟭𝟭𝗔𝗠 𝗘𝗦𝗧, 🔗 𝗜𝗡 𝗕𝗜𝗢!

UnionDocs is thrilled to launch the next iteration of the 𝗔𝗨𝗗𝗜𝗢 & 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘 𝗟𝗔𝗕 — a 3-month exploratory program where a cohort of sound-based artists collaboratively develops an original collection of audio-first performance works for a live audience.

Expanding beyond the confines of your headphones, APL engages sound in shared physical space, inviting 12 artists working across sound design, oral history, music, audio documentary, field recording, theater, improv, experimental spatial audio, and more to collectively conceive, produce, and stage a slate of bold new pieces.

From September through December, participants will work together to create 6–8 sound-focused performances, guided by interdisciplinary director, the brilliant 𝗔𝗮𝗿𝗼𝗻 𝗘𝗱𝘄𝗮𝗿𝗱𝘀 [ @aaronmedwards ] alongside a slate of visiting artists, technical mentorship, and a crew of fellow practitioners. The lab culminates in a series of live public performances in December.

Through weekly meetings, collaborative production teams, shared source material, and a rigorous staging process, APL offers space to experiment, rehearse, and build a collective audio-driven performance from the ground up.

If your practice engages sound, voice, performance, or listening, this lab could be for you!

𝗔𝗣𝗣𝗟𝗬 𝗡𝗢𝗪 — 🔗 𝗜𝗡 𝗕𝗜𝗢

WOW, thank you for all the love on our NUEVAYOL x LOS SURES post — so many of you saw the same echoes, textures, and neighborhood spirit across decades.

Today, we wanted to spotlight LOS SURES (1984), the film from the video, directed by Diego Echeverría and offer folks a chance to watch the whole thing!

If you haven’t seen it yet: you can stream LOS SURES for FREE through the UnionDocs Membership with a 7-day free trial.

The film is an intimate portrait of South Williamsburg during a time of massive change, capturing everyday life and struggle, joy, resilience, and the culture that shaped the neighborhood.

“Both an invaluable record of pre-gentrification Brooklyn and an ode to a community’s resilience.” -@bam_brooklyn

UnionDocs restored LOS SURES over a decade ago, and it became the foundation for our ongoing Living Los Sures project, work rooted in the same community we called home for 18 years.

🎥 LINK IN BIO

🧱 💫 Past → Present → Future: Unearthing a Little Piece of Ridgewood History for Our Rebuild!

When we first landed on Onderdonk, we went digging through the NYC historic tax photo archive and stumbled onto an enchanting 1930s snapshot of our building, taken just 10 years after it was built. There it was — the original corner-cut entrance, a distinctive architectural flourish found across Ridgewood, documented thanks to the immense effort of the Works Progress Administration and stewarded by the incredible NYC Municipal Archives

Fast forward to the 1980’s tax photo and that beautiful entrance had been sealed over — a small loss in the long timeline of the neighborhood.

Now, in this rebuild, we’re bringing it back.

The restored corner entrance will soon welcome you directly into our new entry and restored storefront — a bright, communal space for gathering, making, sharing a toast or a drink, and seeing installed works from artists across our programs. It’s the heart we’ve always imagined for UNDO, and we cannot wait to open those doors very soon.

We’ll be sharing more transformation updates as we continue the project, but right now we’re reaching out for help.

To get over the finish line, we’ve created a 🎁 GIFT REGISTRY 🎁 — a collection of the everyday essentials that future visiting artists and residents will rely on.

Choose an item that speaks to you, or contribute any amount that feels right.

LINK IN BIO — and thank you for helping build this next chapter with us. 💙

🧱 💫 Past → Present → Future: Unearthing a Little Piece of Ridgewood History for Our Rebuild!

When we first landed on Onderdonk, we went digging through the NYC historic tax photo archive and stumbled onto an enchanting 1930s snapshot of our building, taken just 10 years after it was built. There it was — the original corner-cut entrance, a distinctive architectural flourish found across Ridgewood, documented thanks to the immense effort of the Works Progress Administration and stewarded by the incredible NYC Municipal Archives

Fast forward to the 1980’s tax photo and that beautiful entrance had been sealed over — a small loss in the long timeline of the neighborhood.

Now, in this rebuild, we’re bringing it back.

The restored corner entrance will soon welcome you directly into our new entry and restored storefront — a bright, communal space for gathering, making, sharing a toast or a drink, and seeing installed works from artists across our programs. It’s the heart we’ve always imagined for UNDO, and we cannot wait to open those doors very soon.

We’ll be sharing more transformation updates as we continue the project, but right now we’re reaching out for help.

To get over the finish line, we’ve created a 🎁 GIFT REGISTRY 🎁 — a collection of the everyday essentials that future visiting artists and residents will rely on.

Choose an item that speaks to you, or contribute any amount that feels right.

LINK IN BIO — and thank you for helping build this next chapter with us. 💙

🧱 💫 Past → Present → Future: Unearthing a Little Piece of Ridgewood History for Our Rebuild!

When we first landed on Onderdonk, we went digging through the NYC historic tax photo archive and stumbled onto an enchanting 1930s snapshot of our building, taken just 10 years after it was built. There it was — the original corner-cut entrance, a distinctive architectural flourish found across Ridgewood, documented thanks to the immense effort of the Works Progress Administration and stewarded by the incredible NYC Municipal Archives

Fast forward to the 1980’s tax photo and that beautiful entrance had been sealed over — a small loss in the long timeline of the neighborhood.

Now, in this rebuild, we’re bringing it back.

The restored corner entrance will soon welcome you directly into our new entry and restored storefront — a bright, communal space for gathering, making, sharing a toast or a drink, and seeing installed works from artists across our programs. It’s the heart we’ve always imagined for UNDO, and we cannot wait to open those doors very soon.

We’ll be sharing more transformation updates as we continue the project, but right now we’re reaching out for help.

To get over the finish line, we’ve created a 🎁 GIFT REGISTRY 🎁 — a collection of the everyday essentials that future visiting artists and residents will rely on.

Choose an item that speaks to you, or contribute any amount that feels right.

LINK IN BIO — and thank you for helping build this next chapter with us. 💙

Applications are open for the 𝗨𝗡𝗗𝗢 𝗖𝗢𝗟𝗟𝗔𝗕𝗢𝗥𝗔𝗧𝗜𝗩𝗘 𝗦𝗧𝗨𝗗𝗜𝗢!

Our longest running and most beloved program is back! We’re seeking 12 intrepid interdisciplinary artists with a burning desire to build a lasting community and push the boundaries of their own artistic practice. The cohort works together to conceive, research, produce, and exhibit a collection of short films together from OCT 6 2026 — JUN 16 2027.

Come through and spend 8 months in Ridgewood, Queens alongside visionary peers, developing new work, exchanging ideas, and exploring the documentary form in fresh, collaborative ways. With weekly production meetings, visiting artist sessions, public events, and plenty of creative momentum, CoLAB is a space to grow your practice and connect with a community that’s as curious and committed as you are.

Our EARLY DEADLINE is MAY 31 and FINAL DEADLINE is JUN 21! 𝗔𝗣𝗣𝗟𝗬 𝗡𝗢𝗪 𝗮𝘁 𝘁𝗵𝗲 🔗 𝗶𝗻 𝗕𝗜𝗢!

Applications are open for the 𝗨𝗡𝗗𝗢 𝗖𝗢𝗟𝗟𝗔𝗕𝗢𝗥𝗔𝗧𝗜𝗩𝗘 𝗦𝗧𝗨𝗗𝗜𝗢!

Our longest running and most beloved program is back! We’re seeking 12 intrepid interdisciplinary artists with a burning desire to build a lasting community and push the boundaries of their own artistic practice. The cohort works together to conceive, research, produce, and exhibit a collection of short films together from OCT 6 2026 — JUN 16 2027.

Come through and spend 8 months in Ridgewood, Queens alongside visionary peers, developing new work, exchanging ideas, and exploring the documentary form in fresh, collaborative ways. With weekly production meetings, visiting artist sessions, public events, and plenty of creative momentum, CoLAB is a space to grow your practice and connect with a community that’s as curious and committed as you are.

Our EARLY DEADLINE is MAY 31 and FINAL DEADLINE is JUN 21! 𝗔𝗣𝗣𝗟𝗬 𝗡𝗢𝗪 𝗮𝘁 𝘁𝗵𝗲 🔗 𝗶𝗻 𝗕𝗜𝗢!

Applications are open for the 𝗨𝗡𝗗𝗢 𝗖𝗢𝗟𝗟𝗔𝗕𝗢𝗥𝗔𝗧𝗜𝗩𝗘 𝗦𝗧𝗨𝗗𝗜𝗢!

Our longest running and most beloved program is back! We’re seeking 12 intrepid interdisciplinary artists with a burning desire to build a lasting community and push the boundaries of their own artistic practice. The cohort works together to conceive, research, produce, and exhibit a collection of short films together from OCT 6 2026 — JUN 16 2027.

Come through and spend 8 months in Ridgewood, Queens alongside visionary peers, developing new work, exchanging ideas, and exploring the documentary form in fresh, collaborative ways. With weekly production meetings, visiting artist sessions, public events, and plenty of creative momentum, CoLAB is a space to grow your practice and connect with a community that’s as curious and committed as you are.

Our EARLY DEADLINE is MAY 31 and FINAL DEADLINE is JUN 21! 𝗔𝗣𝗣𝗟𝗬 𝗡𝗢𝗪 𝗮𝘁 𝘁𝗵𝗲 🔗 𝗶𝗻 𝗕𝗜𝗢!

TOMORROW, FRI, MAY 8 — 7:30PM

𝗪𝗘’𝗥𝗘 𝗦𝗜𝗖𝗞 𝗧𝗢 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗛𝗜𝗦 𝗡𝗢𝗡𝗦𝗘𝗡𝗦𝗘 returns with: SAFFRON TIME.

Our shape-shifting multimedia series curated by poet 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗻𝗲 𝗟𝗮𝗿𝘂𝘀𝘀𝗼 [ @______kiki___________ ] and writer/curator 𝗥𝗮𝗰𝗵𝗮𝗲𝗹 𝗥𝗮𝗸𝗲𝘀 [ @rachaelrakes ] merges live performance, reading, sound, and moving image — not quite a reading, not quite performance, not ekphrasis. WS2DOATN is a porous encounter between words, images, and whatever slips through.

This month, we’ll be thinking about: SAFFRON TIME, seasons folding into one another, tears that don’t dry, flowers blooming before they can live, and the strange work of continuing together.

Featuring:
— Readings by 𝗝𝗵𝗮𝗻𝗶 𝗥𝗮𝗻𝗱𝗵𝗮𝘄𝗮 [ qjhanip ] & 𝗦𝗮𝗺𝗽𝘀𝗼𝗻 𝗦𝘁𝗮𝗿𝗸𝘄𝗲𝗮𝘁𝗵𝗲𝗿 [ @sampsonstarkweather ]
— A screening of 𝘛𝘏𝘌 𝘎𝘈𝘙𝘋𝘌𝘕 𝘈𝘔𝘐𝘋𝘚𝘛 𝘛𝘏𝘌 𝘍𝘓𝘈𝘔𝘌 by 𝗡𝗮𝘁𝗮𝘀𝗵𝗮 𝗧𝗼𝗻𝘁𝗲𝘆 [ @krazykosmickid ]

Each edition begins with a phrase and unfolds through fragments, performances, and images — loosely structured, collectively shaped, and resistant to resolution.

Come through! 𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢

TOMORROW, FRI, MAY 8 — 7:30PM

𝗪𝗘’𝗥𝗘 𝗦𝗜𝗖𝗞 𝗧𝗢 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗛𝗜𝗦 𝗡𝗢𝗡𝗦𝗘𝗡𝗦𝗘 returns with: SAFFRON TIME.

Our shape-shifting multimedia series curated by poet 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗻𝗲 𝗟𝗮𝗿𝘂𝘀𝘀𝗼 [ @______kiki___________ ] and writer/curator 𝗥𝗮𝗰𝗵𝗮𝗲𝗹 𝗥𝗮𝗸𝗲𝘀 [ @rachaelrakes ] merges live performance, reading, sound, and moving image — not quite a reading, not quite performance, not ekphrasis. WS2DOATN is a porous encounter between words, images, and whatever slips through.

This month, we’ll be thinking about: SAFFRON TIME, seasons folding into one another, tears that don’t dry, flowers blooming before they can live, and the strange work of continuing together.

Featuring:
— Readings by 𝗝𝗵𝗮𝗻𝗶 𝗥𝗮𝗻𝗱𝗵𝗮𝘄𝗮 [ qjhanip ] & 𝗦𝗮𝗺𝗽𝘀𝗼𝗻 𝗦𝘁𝗮𝗿𝗸𝘄𝗲𝗮𝘁𝗵𝗲𝗿 [ @sampsonstarkweather ]
— A screening of 𝘛𝘏𝘌 𝘎𝘈𝘙𝘋𝘌𝘕 𝘈𝘔𝘐𝘋𝘚𝘛 𝘛𝘏𝘌 𝘍𝘓𝘈𝘔𝘌 by 𝗡𝗮𝘁𝗮𝘀𝗵𝗮 𝗧𝗼𝗻𝘁𝗲𝘆 [ @krazykosmickid ]

Each edition begins with a phrase and unfolds through fragments, performances, and images — loosely structured, collectively shaped, and resistant to resolution.

Come through! 𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢

Ceres X at @uniondocs 🎬

An evening of films where food became memory, ritual, and resistance... across neighborhoods and ecosystems.

Grateful to everyone who gathered with us, and to the filmmakers and collaborators who shaped the evening: Astrid Malter, @anitavolker_hl, @jake_sumo, @alisonbartlett1, Jordana Rubenstein-Edberg & Marshall Hanig, and @fenixcommunityfridge.

From Ridgewood to global perspectives, each story offered a glimpse into how food carries care, culture, and connection.

A thoughtful panel with Astrid Malter, Fenix, Jordana Rubenstein-Edberg, and Natalia Fuentes, moderated by @missmolinga, followed by ice cream from @icecreamwindow, brownies, and @enjoyacid.nyc tastings.

💛 Thank you for being part of it
👉 Here are some moments from the night
📸 Naveen Thomas

TOMORROW, 𝗧𝗛𝗨𝗥𝗦, 𝗠𝗔𝗬 𝟳 — 𝟳:𝟯𝟬𝗣𝗠

We’re thrilled to co-present a special screening of 𝘕𝘌𝘞 𝘒𝘐𝘕𝘎𝘚𝘛𝘖𝘕 with @rockawayfilmfest, the filmmaking debut of artist 𝗞𝗲𝘃𝗶𝗻 𝗕𝗲𝘄𝗲𝗿𝘀𝗱𝗼𝗿𝗳, followed by a conversation with filmmaker 𝗝𝗮𝗺𝗲𝘀 𝗡. 𝗞𝗶𝗲𝗻𝗶𝘁𝘇 𝗪𝗶𝗹𝗸𝗶𝗻𝘀.

Filmed entirely on an iPhone and scored with Bewersdorf’s own music, the film moves through the seasons in upstate New York, patiently documenting the rhythms of building, repairing, and living. James first encountered the film at @rockawayfilmfest, where it was described as “a refreshingly understated portrait of craftsmanship and the satisfaction that comes from a job well done.” It screened before James’ own feature. Reflecting on the lineup, he writes:

“While our movies couldn’t be more different in execution and worldly expectation… they share a feeling of having been made despite themselves… New Kingston, in particular, offers a vision (a documentary? an essay? an ode?) of the artist pausing during his day job, not to imagine the movie he could be making under more ideal conditions, but rather to continue making the movie already in the making, which is to say life.”

As UNDO continues to exist in a state of construction, we’re especially excited to share a film that dwells so thoughtfully within the rhythms and meaning of that process.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢

📣 EARLY BIRD REGISTRATION ENDS TOMORROW, MAY 5! Get $55 off.

𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗙𝗘𝗘𝗗: 𝗘𝗫𝗣𝗔𝗡𝗗𝗜𝗡𝗚 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗢𝗙 𝗔𝗨𝗗𝗜𝗢 𝗡𝗢𝗡-𝗙𝗜𝗖𝗧𝗜𝗢𝗡

𝗠𝗔𝗬 𝟭𝟱–𝟭𝟳 — Join us for a 3-day workshop with award-winning podcast producer and documentary artist 𝗠𝗶𝘁𝗿𝗮 𝗞𝗮𝗯𝗼𝗹𝗶 exploring what comes next for audio storytelling.

Sound leaks, echoes, overlaps, and surrounds us. It can be staged, performed, walked through, and shared. Inherently spatial, collaborative, and shape-shifting, sound offers possibilities far beyond traditional podcast forms. As the podcasting landscape shifts, how can we treat this moment as a creative opening?

Through guided exercises, artist talks, and deep listening sessions, participants will:
— Explore formats beyond podcasts, including performance + installation
— Rethink research, structure, and sonic storytelling
— Consider alternative ways to present and distribute audio

Mitra will be joined by an inspiring group of artists:
— 𝗔𝗮𝗿𝗼𝗻 𝗘𝗱𝘄𝗮𝗿𝗱𝘀 [ @aaronmedwards ] on multi-modal performance + field recording
— 𝗩𝗶𝘃 𝗖𝗼𝗿𝗿𝗶𝗻𝗴𝗵𝗮𝗺 [ @vivcorringham ] on soundwalks, listening, and place
— 𝗚𝗲𝗹𝘀𝗲𝘆 𝗕𝗲𝗹𝗹 [ @gelseybell ] on the expressive possibilities of the voice

Whether you’re a podcaster looking to expand your form, a sound artist exploring documentary, or simply curious about working with audio in new ways, this workshop offers a space to experiment, reflect, and push your practice forward.

Seats are limited. 𝗘𝗔𝗥𝗟𝗬 𝗕𝗜𝗥𝗗 ends 𝗠𝗔𝗬 𝟱 — get $55 off.

𝗚𝗥𝗔𝗕 𝗬𝗢𝗨𝗥 𝗦𝗘𝗔𝗧 🔗 𝗜𝗡 𝗕𝗜𝗢 🎧

Use your little treat allowance for a big treat this Friday, May 8…

(sorry @lacabrabaker ! No shade, that cardamom bun is 🔥)

FRI, MAY 8 — 7:30PM

𝗪𝗘’𝗥𝗘 𝗦𝗜𝗖𝗞 𝗧𝗢 𝗗𝗘𝗔𝗧𝗛 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗛𝗜𝗦 𝗡𝗢𝗡𝗦𝗘𝗡𝗦𝗘 returns with: SAFFRON TIME.

Our shape-shifting multimedia series curated by poet 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗻𝗲 𝗟𝗮𝗿𝘂𝘀𝘀𝗼 [ @______kiki___________ ] and writer/curator 𝗥𝗮𝗰𝗵𝗮𝗲𝗹 𝗥𝗮𝗸𝗲𝘀 [ @rachaelrakes ] merges live performance, reading, sound, and moving image — not quite a reading, not quite performance, not ekphrasis. WS2DOATN is a porous encounter between words, images, and whatever slips through.

This month, we’ll be thinking about: SAFFRON TIME, seasons folding into one another, tears that don’t dry, flowers blooming before they can live, and the strange work of continuing together.

Featuring:
— Readings by 𝗝𝗵𝗮𝗻𝗶 𝗥𝗮𝗻𝗱𝗵𝗮𝘄𝗮 [ qjhanip ] & 𝗦𝗮𝗺𝗽𝘀𝗼𝗻 𝗦𝘁𝗮𝗿𝗸𝘄𝗲𝗮𝘁𝗵𝗲𝗿 [ @sampsonstarkweather ]
— A screening of 𝘛𝘏𝘌 𝘎𝘈𝘙𝘋𝘌𝘕 𝘈𝘔𝘐𝘋𝘚𝘛 𝘛𝘏𝘌 𝘍𝘓𝘈𝘔𝘌 by 𝗡𝗮𝘁𝗮𝘀𝗵𝗮 𝗧𝗼𝗻𝘁𝗲𝘆 [ @krazykosmickid ]
— Vocal performance by 𝗔𝗺𝗶𝗿𝘁𝗵𝗮 𝗞𝗶𝗱𝗮𝗺𝗯𝗶 [ @kidominator ]

Each edition begins with a phrase and unfolds through fragments, performances, and images — loosely structured, collectively shaped, and resistant to resolution.

Come through! 𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢

𝗦𝗨𝗡, 𝗠𝗔𝗬 𝟭𝟬 — 𝟳:𝟯𝟬𝗣𝗠
𝗔𝗟𝗖𝗛𝗘𝗠𝗬 𝗜𝗡 𝗧𝗛𝗘 𝗔𝗥𝗖𝗛𝗜𝗩𝗘

We’re thrilled to welcome 𝗔𝗻𝘁𝗵𝗼𝗻𝘆 𝗕𝗮𝗻𝘂𝗮-𝗦𝗶𝗺𝗼𝗻 [ @anthonybanuasimon ] to UnionDocs for an evening of cinema and conversation!

The night begins with 𝘞𝘖𝘙𝘓𝘋 𝘌𝘕𝘛𝘌𝘙𝘗𝘙𝘐𝘚𝘌𝘚 (2026), a sharp and surprising found footage work assembled from a 1940 mail-order film program shown to sugar plantation workers in Hawaiʻi, tracing how images were used to narrate empire, labor, and “progress.”

We’ll then move into a special in-progress presentation of Banua-Simon’s upcoming feature 𝘛𝘏𝘌 𝘗𝘐𝘕𝘒 𝘗𝘈𝘓𝘈𝘊𝘌, a hybrid documentary-fiction project where the Hawaiʻi of 1939 and today converge into a transhistorical blend of fiction and documentary film as a mysterious public relations agent residing in the Royal Hawaiian Hotel is tasked with maintaining the island’s unraveling image.

Come through!

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

𝗦𝗨𝗡, 𝗠𝗔𝗬 𝟭𝟬 — 𝟳:𝟯𝟬𝗣𝗠
𝗔𝗟𝗖𝗛𝗘𝗠𝗬 𝗜𝗡 𝗧𝗛𝗘 𝗔𝗥𝗖𝗛𝗜𝗩𝗘

We’re thrilled to welcome 𝗔𝗻𝘁𝗵𝗼𝗻𝘆 𝗕𝗮𝗻𝘂𝗮-𝗦𝗶𝗺𝗼𝗻 [ @anthonybanuasimon ] to UnionDocs for an evening of cinema and conversation!

The night begins with 𝘞𝘖𝘙𝘓𝘋 𝘌𝘕𝘛𝘌𝘙𝘗𝘙𝘐𝘚𝘌𝘚 (2026), a sharp and surprising found footage work assembled from a 1940 mail-order film program shown to sugar plantation workers in Hawaiʻi, tracing how images were used to narrate empire, labor, and “progress.”

We’ll then move into a special in-progress presentation of Banua-Simon’s upcoming feature 𝘛𝘏𝘌 𝘗𝘐𝘕𝘒 𝘗𝘈𝘓𝘈𝘊𝘌, a hybrid documentary-fiction project where the Hawaiʻi of 1939 and today converge into a transhistorical blend of fiction and documentary film as a mysterious public relations agent residing in the Royal Hawaiian Hotel is tasked with maintaining the island’s unraveling image.

Come through!

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

𝗦𝗨𝗡, 𝗠𝗔𝗬 𝟭𝟬 — 𝟳:𝟯𝟬𝗣𝗠
𝗔𝗟𝗖𝗛𝗘𝗠𝗬 𝗜𝗡 𝗧𝗛𝗘 𝗔𝗥𝗖𝗛𝗜𝗩𝗘

We’re thrilled to welcome 𝗔𝗻𝘁𝗵𝗼𝗻𝘆 𝗕𝗮𝗻𝘂𝗮-𝗦𝗶𝗺𝗼𝗻 [ @anthonybanuasimon ] to UnionDocs for an evening of cinema and conversation!

The night begins with 𝘞𝘖𝘙𝘓𝘋 𝘌𝘕𝘛𝘌𝘙𝘗𝘙𝘐𝘚𝘌𝘚 (2026), a sharp and surprising found footage work assembled from a 1940 mail-order film program shown to sugar plantation workers in Hawaiʻi, tracing how images were used to narrate empire, labor, and “progress.”

We’ll then move into a special in-progress presentation of Banua-Simon’s upcoming feature 𝘛𝘏𝘌 𝘗𝘐𝘕𝘒 𝘗𝘈𝘓𝘈𝘊𝘌, a hybrid documentary-fiction project where the Hawaiʻi of 1939 and today converge into a transhistorical blend of fiction and documentary film as a mysterious public relations agent residing in the Royal Hawaiian Hotel is tasked with maintaining the island’s unraveling image.

Come through!

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

𝗦𝗨𝗡, 𝗠𝗔𝗬 𝟭𝟬 — 𝟳:𝟯𝟬𝗣𝗠
𝗔𝗟𝗖𝗛𝗘𝗠𝗬 𝗜𝗡 𝗧𝗛𝗘 𝗔𝗥𝗖𝗛𝗜𝗩𝗘

We’re thrilled to welcome 𝗔𝗻𝘁𝗵𝗼𝗻𝘆 𝗕𝗮𝗻𝘂𝗮-𝗦𝗶𝗺𝗼𝗻 [ @anthonybanuasimon ] to UnionDocs for an evening of cinema and conversation!

The night begins with 𝘞𝘖𝘙𝘓𝘋 𝘌𝘕𝘛𝘌𝘙𝘗𝘙𝘐𝘚𝘌𝘚 (2026), a sharp and surprising found footage work assembled from a 1940 mail-order film program shown to sugar plantation workers in Hawaiʻi, tracing how images were used to narrate empire, labor, and “progress.”

We’ll then move into a special in-progress presentation of Banua-Simon’s upcoming feature 𝘛𝘏𝘌 𝘗𝘐𝘕𝘒 𝘗𝘈𝘓𝘈𝘊𝘌, a hybrid documentary-fiction project where the Hawaiʻi of 1939 and today converge into a transhistorical blend of fiction and documentary film as a mysterious public relations agent residing in the Royal Hawaiian Hotel is tasked with maintaining the island’s unraveling image.

Come through!

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

We were so happy to be featured alongside several other incredible community spaces by @filmmakermag in their recent piece on communal cinema in Ridgewood — and to see 𝘈𝘍𝘛𝘌𝘙𝘐𝘔𝘈𝘎𝘌, a film created during the 2024 UNDO CoLAB, highlighted as part of that story ✨

Centered on the Ridgewood Theater, once a cornerstone for moviegoing in the area, the film traces its afterlife through the memories of former residents and the ongoing efforts of local artist James Torres, who has recreated the theater’s marquee beneath the Seneca Ave M train. What emerges is not just a story about a building, but about the loss of a shared cultural space, and the ways communities hold onto it.

Developed during CoLAB while UNDO was newly rooted in Ridgewood, the project grew out of conversations with neighbors about borders, belonging, and the shifting landscape between Queens and Brooklyn. It’s incredibly meaningful to see that process reflected back in this article, and to have the film contribute to a larger conversation about place, memory, and communal cinema.

We’re grateful to @filmmakermag for bringing new audiences to this story. Congrats to the 𝘈𝘍𝘛𝘌𝘙𝘐𝘔𝘈𝘎𝘌 team —

Co-director / Producer: 𝗣𝗶𝗮 𝗥𝗶𝗼𝘀 [ @piarios ]
Co-director / Cinematographer / Sound: 𝗔𝗻𝗱𝗿𝗲𝘄 𝗧𝗵𝗼𝗺𝗮𝘀 [ @andrewsthomas ]
Editor: 𝗝𝘂𝘀𝘁𝗶𝗻 𝗦𝗰𝗵𝗲𝗲𝗿 [ @justinscheer2 ]
Collage Artist / Additional Cinematographer: 𝗝𝗲𝗳𝗳 𝗢𝗹𝗶𝘃𝗲𝗿 [ @thatjeffoliver ]

🔗 Read + watch at the link in bio

𝗙𝗥𝗜, 𝗠𝗔𝗬 𝟭 — 𝟳:𝟯𝟬𝗣𝗠
𝗣𝗢𝗥𝗧𝗔𝗟𝗦 𝗜𝗡 𝗕𝗘𝗧𝗪𝗘𝗘𝗡

We’re thrilled to announce the three short films that were selected via our open call and will join our lineup for tomorrow’s program -

— 𝘋𝘈𝘐𝘓𝘠 𝘞𝘖𝘙𝘒𝘌𝘙 by 𝗧𝗶𝗻𝗴 𝗦𝘂 [ @tingsu_u ]
— 𝘕𝘖𝘞 𝘛𝘏𝘈𝘛 𝘞𝘌 𝘈𝘙𝘌 𝘚𝘌𝘕𝘋𝘐𝘕𝘎 𝘠𝘖𝘜 𝘛𝘖 𝘛𝘏𝘌 𝘌𝘕𝘋 by 𝗕𝗹𝗮𝗸𝗲 𝗞𝗻𝗲𝗰𝗵𝘁 [ @blakekne ]
— 𝘓𝘐𝘝𝘌 𝘍𝘙𝘖𝘔 𝘛𝘏𝘌 𝘊𝘓𝘖𝘜𝘋𝘚 by 𝗠𝗮𝗰𝗸𝗶𝗲 𝗠𝗮𝗹𝗹𝗶𝘀𝗼𝗻 [ @mackiemallison ]

Alongside 𝗔𝘀𝗹ı 𝗕𝗮𝘆𝗸𝗮𝗹’𝘀 [ @aslikasli ] 𝘋𝘈𝘙𝘒𝘙𝘖𝘖𝘔 and 𝗞𝗶𝗺 𝗧𝗼𝗿𝗿𝗲𝘀’ [ @kim__torrent ] 𝘚𝘖𝘓𝘖 𝘓𝘈 𝘓𝘜𝘕𝘈 𝘊𝘖𝘔𝘗𝘙𝘌𝘕𝘋𝘌𝘙Á, each film explores time, memory, and the concept of home.

The open call invited films that resonate with these themes: portraits of home that construct alternate realities, reimagining time and memory. We were blown away by the range of submissions! A huge thanks to everyone who submitted thoughtful, inventive, and deeply felt works from across contexts. After a painstaking deliberation with Aslı and Kim, we’re so excited to share these three additions with you!

Organized with @airtime.world and @speciwomen’s @at.magnet Residency, this evening foregrounds porous boundaries between maker and audience, and celebrates imagination as a form of resilience. A conversation with filmmakers will follow.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

𝗙𝗥𝗜, 𝗠𝗔𝗬 𝟭 — 𝟳:𝟯𝟬𝗣𝗠
𝗣𝗢𝗥𝗧𝗔𝗟𝗦 𝗜𝗡 𝗕𝗘𝗧𝗪𝗘𝗘𝗡

We’re thrilled to announce the three short films that were selected via our open call and will join our lineup for tomorrow’s program -

— 𝘋𝘈𝘐𝘓𝘠 𝘞𝘖𝘙𝘒𝘌𝘙 by 𝗧𝗶𝗻𝗴 𝗦𝘂 [ @tingsu_u ]
— 𝘕𝘖𝘞 𝘛𝘏𝘈𝘛 𝘞𝘌 𝘈𝘙𝘌 𝘚𝘌𝘕𝘋𝘐𝘕𝘎 𝘠𝘖𝘜 𝘛𝘖 𝘛𝘏𝘌 𝘌𝘕𝘋 by 𝗕𝗹𝗮𝗸𝗲 𝗞𝗻𝗲𝗰𝗵𝘁 [ @blakekne ]
— 𝘓𝘐𝘝𝘌 𝘍𝘙𝘖𝘔 𝘛𝘏𝘌 𝘊𝘓𝘖𝘜𝘋𝘚 by 𝗠𝗮𝗰𝗸𝗶𝗲 𝗠𝗮𝗹𝗹𝗶𝘀𝗼𝗻 [ @mackiemallison ]

Alongside 𝗔𝘀𝗹ı 𝗕𝗮𝘆𝗸𝗮𝗹’𝘀 [ @aslikasli ] 𝘋𝘈𝘙𝘒𝘙𝘖𝘖𝘔 and 𝗞𝗶𝗺 𝗧𝗼𝗿𝗿𝗲𝘀’ [ @kim__torrent ] 𝘚𝘖𝘓𝘖 𝘓𝘈 𝘓𝘜𝘕𝘈 𝘊𝘖𝘔𝘗𝘙𝘌𝘕𝘋𝘌𝘙Á, each film explores time, memory, and the concept of home.

The open call invited films that resonate with these themes: portraits of home that construct alternate realities, reimagining time and memory. We were blown away by the range of submissions! A huge thanks to everyone who submitted thoughtful, inventive, and deeply felt works from across contexts. After a painstaking deliberation with Aslı and Kim, we’re so excited to share these three additions with you!

Organized with @airtime.world and @speciwomen’s @at.magnet Residency, this evening foregrounds porous boundaries between maker and audience, and celebrates imagination as a form of resilience. A conversation with filmmakers will follow.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

𝗙𝗥𝗜, 𝗠𝗔𝗬 𝟭 — 𝟳:𝟯𝟬𝗣𝗠
𝗣𝗢𝗥𝗧𝗔𝗟𝗦 𝗜𝗡 𝗕𝗘𝗧𝗪𝗘𝗘𝗡

We’re thrilled to announce the three short films that were selected via our open call and will join our lineup for tomorrow’s program -

— 𝘋𝘈𝘐𝘓𝘠 𝘞𝘖𝘙𝘒𝘌𝘙 by 𝗧𝗶𝗻𝗴 𝗦𝘂 [ @tingsu_u ]
— 𝘕𝘖𝘞 𝘛𝘏𝘈𝘛 𝘞𝘌 𝘈𝘙𝘌 𝘚𝘌𝘕𝘋𝘐𝘕𝘎 𝘠𝘖𝘜 𝘛𝘖 𝘛𝘏𝘌 𝘌𝘕𝘋 by 𝗕𝗹𝗮𝗸𝗲 𝗞𝗻𝗲𝗰𝗵𝘁 [ @blakekne ]
— 𝘓𝘐𝘝𝘌 𝘍𝘙𝘖𝘔 𝘛𝘏𝘌 𝘊𝘓𝘖𝘜𝘋𝘚 by 𝗠𝗮𝗰𝗸𝗶𝗲 𝗠𝗮𝗹𝗹𝗶𝘀𝗼𝗻 [ @mackiemallison ]

Alongside 𝗔𝘀𝗹ı 𝗕𝗮𝘆𝗸𝗮𝗹’𝘀 [ @aslikasli ] 𝘋𝘈𝘙𝘒𝘙𝘖𝘖𝘔 and 𝗞𝗶𝗺 𝗧𝗼𝗿𝗿𝗲𝘀’ [ @kim__torrent ] 𝘚𝘖𝘓𝘖 𝘓𝘈 𝘓𝘜𝘕𝘈 𝘊𝘖𝘔𝘗𝘙𝘌𝘕𝘋𝘌𝘙Á, each film explores time, memory, and the concept of home.

The open call invited films that resonate with these themes: portraits of home that construct alternate realities, reimagining time and memory. We were blown away by the range of submissions! A huge thanks to everyone who submitted thoughtful, inventive, and deeply felt works from across contexts. After a painstaking deliberation with Aslı and Kim, we’re so excited to share these three additions with you!

Organized with @airtime.world and @speciwomen’s @at.magnet Residency, this evening foregrounds porous boundaries between maker and audience, and celebrates imagination as a form of resilience. A conversation with filmmakers will follow.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️

𝗙𝗥𝗜, 𝗠𝗔𝗬 𝟭 — 𝟳:𝟯𝟬𝗣𝗠
𝗣𝗢𝗥𝗧𝗔𝗟𝗦 𝗜𝗡 𝗕𝗘𝗧𝗪𝗘𝗘𝗡

We’re thrilled to announce the three short films that were selected via our open call and will join our lineup for tomorrow’s program -

— 𝘋𝘈𝘐𝘓𝘠 𝘞𝘖𝘙𝘒𝘌𝘙 by 𝗧𝗶𝗻𝗴 𝗦𝘂 [ @tingsu_u ]
— 𝘕𝘖𝘞 𝘛𝘏𝘈𝘛 𝘞𝘌 𝘈𝘙𝘌 𝘚𝘌𝘕𝘋𝘐𝘕𝘎 𝘠𝘖𝘜 𝘛𝘖 𝘛𝘏𝘌 𝘌𝘕𝘋 by 𝗕𝗹𝗮𝗸𝗲 𝗞𝗻𝗲𝗰𝗵𝘁 [ @blakekne ]
— 𝘓𝘐𝘝𝘌 𝘍𝘙𝘖𝘔 𝘛𝘏𝘌 𝘊𝘓𝘖𝘜𝘋𝘚 by 𝗠𝗮𝗰𝗸𝗶𝗲 𝗠𝗮𝗹𝗹𝗶𝘀𝗼𝗻 [ @mackiemallison ]

Alongside 𝗔𝘀𝗹ı 𝗕𝗮𝘆𝗸𝗮𝗹’𝘀 [ @aslikasli ] 𝘋𝘈𝘙𝘒𝘙𝘖𝘖𝘔 and 𝗞𝗶𝗺 𝗧𝗼𝗿𝗿𝗲𝘀’ [ @kim__torrent ] 𝘚𝘖𝘓𝘖 𝘓𝘈 𝘓𝘜𝘕𝘈 𝘊𝘖𝘔𝘗𝘙𝘌𝘕𝘋𝘌𝘙Á, each film explores time, memory, and the concept of home.

The open call invited films that resonate with these themes: portraits of home that construct alternate realities, reimagining time and memory. We were blown away by the range of submissions! A huge thanks to everyone who submitted thoughtful, inventive, and deeply felt works from across contexts. After a painstaking deliberation with Aslı and Kim, we’re so excited to share these three additions with you!

Organized with @airtime.world and @speciwomen’s @at.magnet Residency, this evening foregrounds porous boundaries between maker and audience, and celebrates imagination as a form of resilience. A conversation with filmmakers will follow.

𝗚𝗥𝗔𝗕 𝗧𝗜𝗖𝗞𝗘𝗧𝗦 🔗 𝗜𝗡 𝗕𝗜𝗢 🎟️