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‘She’s a woman that dreams in patterns’, says Matteo Norzi, the co-curator of ‘Sara Flores: From Other Worlds’.
Watch as Matteo Norzi (@matteonorzi) reflects on Sara Flores’s (@sarafloresvalera) work at the Peru Pavilion at La Biennale di Venezia 2026.
Rooted in Kené, the ancestral visual language of the Shipibo-Konibo, Sara’s practice articulates a system of relationships that extends beyond the human, encompassing plants, animals, land and spirit.
Across the pavilion, painting, sculpture and film unfold as interconnected structures, inviting a sensory and introspective encounter with a worldview grounded in reciprocity and interconnection.
🔗 Click the link in our bio to learn more
📍 ‘Sara Flores: From Other Worlds’ is on view from 9 May – 22 November 2026 at the 61st International Art Exhibition of La Biennale di Venezia
Following her presentation in Venice, White Cube New York will present a solo exhibition by Sara Flores from 25 June – 14 August 2026.
@issela.ccoyllo @pacupe.peru @labiennale @icarosavision
Video © White Cube (Maco Film) 2026
‘Colour proposes many different possibilities for understanding the world. It is a very direct medium.’ – Katharina Grosse
Working without preparatory sketches, Katharina’s (@katharina_grosse) paintings emerge through a direct engagement with the surface, where thinking, doing and acting converge in a single process.
In this way, colour operates independently of the ground on which it is applied, transforming what we see and shifting our perception of space.
📍 ‘I Set Out, I Walked Fast’ is on view at White Cube Bermondsey until 31 May 2026.
🔗 Click the link in our bio to learn more about the exhibition.
Video © White Cube (Sam Smith)
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
This summer, White Cube presents a major group exhibition hosted by the National Trust across the eighteenth-century interiors of Claydon House and its surrounding grounds.
Installed throughout the house’s historic rooms and across the estate, works by more than 20 artists engage in dialogue with the site’s layered history, unfolding across spaces including the grand staterooms, the Black and White Hall and the Chinese Room.
Featuring artists including Enrico David, Tracey Emin (@traceyeminstudio), Antony Gormley, Cai Guo-Qiang (@caistudio), Mona Hatoum and Marguerite Humeau (@marguerite_humeau), the exhibition extends across both interior and landscape, activating the architecture and grounds of the estate.
📍 ‘White Cube at Claydon’ will be on view from 6 June – 14 September 2026 at Claydon House, Buckinghamshire
🔗 Click the link in our bio to learn more
@nationaltrust
@tunjiaj @daltmejd @elanatsui.art @juliecurtissartist #EnricoDavid #TraceyEmin #CerithWynEvans#AntonyGormley #MonaHatoum @richardhuntsculptor #AnselmKiefer#RachelKneebone #IsamuNoguchi@minoru_nomata @_gabrrriel.orozco_ @virginiaovertonstudio @cinga_samson @raqibshawstudio @tarwuk #DanhVo #JeffWall
This summer, White Cube presents a major group exhibition hosted by the National Trust across the eighteenth-century interiors of Claydon House and its surrounding grounds.
Installed throughout the house’s historic rooms and across the estate, works by more than 20 artists engage in dialogue with the site’s layered history, unfolding across spaces including the grand staterooms, the Black and White Hall and the Chinese Room.
Featuring artists including Enrico David, Tracey Emin (@traceyeminstudio), Antony Gormley, Cai Guo-Qiang (@caistudio), Mona Hatoum and Marguerite Humeau (@marguerite_humeau), the exhibition extends across both interior and landscape, activating the architecture and grounds of the estate.
📍 ‘White Cube at Claydon’ will be on view from 6 June – 14 September 2026 at Claydon House, Buckinghamshire
🔗 Click the link in our bio to learn more
@nationaltrust
@tunjiaj @daltmejd @elanatsui.art @juliecurtissartist #EnricoDavid #TraceyEmin #CerithWynEvans#AntonyGormley #MonaHatoum @richardhuntsculptor #AnselmKiefer#RachelKneebone #IsamuNoguchi@minoru_nomata @_gabrrriel.orozco_ @virginiaovertonstudio @cinga_samson @raqibshawstudio @tarwuk #DanhVo #JeffWall
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
‘Kené comes from the heart and from ways of life.’ – Sara Flores
Watch as Sara Flores (@sarafloresvalera) reflects on her practice at the Peru Pavilion, La Biennale di Venezia 2026.
Rooted in Kené, the ancestral visual language of the Shipibo-Konibo, Sara’s practice articulates a system of relationships that extends beyond the human, encompassing plants, animals, land and spirit.
Emerging through a process of deep concentration and drawing on knowledge of the forest and its materials, the works reflect an understanding of culture and environment as part of a shared, interconnected whole.
🔗 Click the link in our bio to learn more
📍 ‘Sara Flores: From Other Worlds’ is on view from 9 May – 22 November 2026 at the 61st International Art Exhibition of La Biennale di Venezia
Following her presentation in Venice, White Cube New York will present a solo exhibition by Sara Flores from 25 June – 14 August 2026.
Video © White Cube (Maco Film) 2026
@matteonorzi @issela.ccoyllo @pacupe.peru @labiennale @icarosavision
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
‘The relationship between Hammons and Kounellis is very multi-levelled … in terms of their conceptual approach to making art, and their ability to fuse a very distinct vision.’ – Judd Tully
Watch as critic Judd Tully explores ‘David Hammons and Jannis Kounellis’ at White Cube New York.
Bringing into dialogue the practices of Hammons and Kounellis for the first time in over three decades, the exhibition reflects on the artists’ shared material intelligence and poetics of resistance.
Across works spanning more than 50 years, both artists engage notions of displacement, vulnerability and fragmentation, foregrounding the ways in which established systems of meaning may be challenged.
🔗 Click the link in our bio to learn more about the exhibition.
📍 ‘David Hammons and Jannis Kounellis’ is on view at White Cube New York until 13 June 2026.
@judd.tully #DavidHammons #JannisKounellis
Video: © White Cube (Martin Awano)
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.