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workerbird
Kim Fox
I love dirty hands.
Huge news (that I can finally talk about!) I’m beyond stoked to be collaborating with the @nfl on the @nfldraft happening in my favorite place, Pittsburgh. I am creating 32 tin assemblages - one for each team - that will be in the Players Hallway as they each take their walk to the big stage. Such a honor to be working on this.
And grateful to @412matt for documenting the process from the jump.
Huge news (that I can finally talk about!) I’m beyond stoked to be collaborating with the @nfl on the @nfldraft happening in my favorite place, Pittsburgh. I am creating 32 tin assemblages - one for each team - that will be in the Players Hallway as they each take their walk to the big stage. Such a honor to be working on this.
And grateful to @412matt for documenting the process from the jump.
Huge news (that I can finally talk about!) I’m beyond stoked to be collaborating with the @nfl on the @nfldraft happening in my favorite place, Pittsburgh. I am creating 32 tin assemblages - one for each team - that will be in the Players Hallway as they each take their walk to the big stage. Such a honor to be working on this.
And grateful to @412matt for documenting the process from the jump.
Huge news (that I can finally talk about!) I’m beyond stoked to be collaborating with the @nfl on the @nfldraft happening in my favorite place, Pittsburgh. I am creating 32 tin assemblages - one for each team - that will be in the Players Hallway as they each take their walk to the big stage. Such a honor to be working on this.
And grateful to @412matt for documenting the process from the jump.
Huge news (that I can finally talk about!) I’m beyond stoked to be collaborating with the @nfl on the @nfldraft happening in my favorite place, Pittsburgh. I am creating 32 tin assemblages - one for each team - that will be in the Players Hallway as they each take their walk to the big stage. Such a honor to be working on this.
And grateful to @412matt for documenting the process from the jump.
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
Our November 2024 featured artist is Kim Fox!
@workerbird was born in New Wilmington, PA and raised in Stahlstown, PA, a rural area east of Pittsburgh. She earned her BFA in Printmaking from the College of Charleston in Charleston, SC, in 1994.
Her childhood in rural Western Pennsylvania informs her aesthetic, subject matter, and choice of materials. She has been making art and showing her work for over 20 years––beginning with more traditional painting and collage when she lived in Florida. After moving back to Pennsylvania and reclaiming her roots, she started to explore the regional arts and crafts from a more rural perspective. Over a decade ago she began working with vintage tins and salvaged wood, patchworking the tin in a way that felt like quilting.
To learn more about Kim Fox and her work, visit the link in our bio!
Image 1: Untitled, 2024, wood, fabric, paper, ink, paint - framed with salvaged lath, 18 x 18 in.
Image 2: Gradient, 2019, vintage lithographed tin on reclaimed wood glass cutting table from a hardware store in Clairton, PA, 40 x 48 in.
Image 3: Untitled, 2019, vintage lithographed tin on wood mold from the Jeannette Glass Factory, 14 in. diameter
Image 4: Untitled, 2016, vintage lithographed tin on patchwork reclaimed wood substrate, framed in lath, 30 x 48 in.
Image 5: Honeycomb, 2018, vintage lithographed tin on reclaimed wood, 30 in. diameter
Image 6: Superposition, 2021, vintage lithographed tin on wood, framed in salvaged lath, 18 x 50 in.
Image 7: Argo AI mural, 2020, reclaimed steel license plates, 47 in. x 30 ft.
Image 8: Kim Fox
I got the last batch of photos from @412matt of the @argoai project and it’s bittersweet to look at these. I loved this project and while I’m excited to move #onward I will also miss this particular work. #process #contemporaryquilting
I got the last batch of photos from @412matt of the @argoai project and it’s bittersweet to look at these. I loved this project and while I’m excited to move #onward I will also miss this particular work. #process #contemporaryquilting
I got the last batch of photos from @412matt of the @argoai project and it’s bittersweet to look at these. I loved this project and while I’m excited to move #onward I will also miss this particular work. #process #contemporaryquilting
I got the last batch of photos from @412matt of the @argoai project and it’s bittersweet to look at these. I loved this project and while I’m excited to move #onward I will also miss this particular work. #process #contemporaryquilting
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
Beginning to end. Six sheets of maple ply, 32 finished pieces, countless offcuts, a farewellburn. Grateful to @dan.rugh for building the beautiful pyre and to @412matt for the 🔥 photo.
Et fin.
PROCESS :: check this out. I’m planning/building the @philadelphiaeagles piece while @412matt tacks in the final nails of the @ravens piece. Towards the final days it got pretty crazy (but still fun). #handmade #tinassemblage
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
PROCESS :: @nygiants @nyjets
I had to do a little digging on these and figure out how locals decide on whether they’ll love the Giants or the Jets. And yes, I know they both play in East Rutherford, New Jersey. (If you read 1/100th of the comments on the @nfl post everybody has very big thoughts on these two pieces)
Anyhow - I loved building both of these.
#newyork #giants #jets #nfldraft2026 #handmade
GRATITUDE :: this is a big one.
A week has passed since the @nfl Draft ended and I’ve been processing (or attempting to) the last few months.
It was an incredibly exciting honor to get a random email in January asking if I had time for a quick meeting…with the NFL.
I have been on the other side of this equation many times - looking for artists for certain jobs, checking out their work, putting presentations together to showcase their work… it’s something I love doing and to be able to contact an artist and say “how would you like to do this thing that you love…and get paid for it?” is a special kind of fulfillment.
My late-winter/spring was a flurry of activity: planning, researching, building, cutting, sanding, finishing, painting, more cutting, more research, affixing, sourcing, more cutting, designing, refining, a bit more cutting and finally, hammering. So much hammering.
Stringing together 10-, 12- hour days back to back to back - bookended by rides to and from my studio on the train, processing constantly. I loved it so much.
I have so many people to thank. First my team at the NFL was incredible from start to (hopefully not) finish - curious, supportive of my ideas, trusting of my process, funny, kind, and very, very cool. @horatiu.nyc @cinders_swan and Gray (can’t imagine he’s on here) - you are my forever stars. @dan.rugh thank you for letting me take over every inch of space at your wonderful warehouse that I could. It’s one of my favorite places to be and having that access made this whole project possible. @412matt where do I start? Your constant affirmation, your incredible, gorgeous documenting of the work, lots of turkey wraps and tangerine lunches, and hours of putting the final, tiny nails in while I built more pieces - seriously you were a rock.@rrrawr.xddd for the hours to tack in all those nails! ⚡️My glorious friend crew who graciously emotionally supported me throughout. My sweet family that put up with me rarely being available for visits, phone calls or FaceTimes…
And @stevenfoxbury and @whis_cheesy - my world. You spin me ‘round. I couldn’t do any of what I do with you two in my corner.
Cont in comments
PROCESS :: @bengals - this is a favorite! I love their simple, bold mark and rendering it in tin was so much fun. Eternal thanks to my team at the @nfl for trusting me.
#nfl #nfldraft #patchwork #tin #folkart
PROCESS :: @bengals - this is a favorite! I love their simple, bold mark and rendering it in tin was so much fun. Eternal thanks to my team at the @nfl for trusting me.
#nfl #nfldraft #patchwork #tin #folkart
PROCESS :: @bengals - this is a favorite! I love their simple, bold mark and rendering it in tin was so much fun. Eternal thanks to my team at the @nfl for trusting me.
#nfl #nfldraft #patchwork #tin #folkart
PROCESS :: @bengals - this is a favorite! I love their simple, bold mark and rendering it in tin was so much fun. Eternal thanks to my team at the @nfl for trusting me.
#nfl #nfldraft #patchwork #tin #folkart
PROCESS :: @bengals - this is a favorite! I love their simple, bold mark and rendering it in tin was so much fun. Eternal thanks to my team at the @nfl for trusting me.
#nfl #nfldraft #patchwork #tin #folkart
PROCESS::: Now that the Big Project is complete I can share some delicious process pics (my favorite!)
1. Vintage map of Miami
2. Hand cut wood substrate, painted, applying map
3. Various tin, cut and placed, for client approval
4. Completed @miamidolphins piece
If you have specific process pics of this @nflproject you want to see - lemme know.
#nfldraft2026 #miami #dolphinsnation #handmade
PROCESS::: Now that the Big Project is complete I can share some delicious process pics (my favorite!)
1. Vintage map of Miami
2. Hand cut wood substrate, painted, applying map
3. Various tin, cut and placed, for client approval
4. Completed @miamidolphins piece
If you have specific process pics of this @nflproject you want to see - lemme know.
#nfldraft2026 #miami #dolphinsnation #handmade
PROCESS::: Now that the Big Project is complete I can share some delicious process pics (my favorite!)
1. Vintage map of Miami
2. Hand cut wood substrate, painted, applying map
3. Various tin, cut and placed, for client approval
4. Completed @miamidolphins piece
If you have specific process pics of this @nflproject you want to see - lemme know.
#nfldraft2026 #miami #dolphinsnation #handmade
PROCESS::: Now that the Big Project is complete I can share some delicious process pics (my favorite!)
1. Vintage map of Miami
2. Hand cut wood substrate, painted, applying map
3. Various tin, cut and placed, for client approval
4. Completed @miamidolphins piece
If you have specific process pics of this @nflproject you want to see - lemme know.
#nfldraft2026 #miami #dolphinsnation #handmade
Monday morning QB…
Coming down off of Draft week and getting back to reality. Thank you all for your amazing comments, posts, reposts, messages…all of it just filled me up.
And here’s the Bears. A tough one to make that I now love.
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.