Greg Bushell
London

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

Installation views and film screening at Ex Nihilo.
Alongside the exhibition, Ex Nihilo presents a short documentary by Greg Bushell, portraying Vic Bakin during the making of his previous project Epitome. The film offers an intimate glimpse into the artist’s darkroom practice — a world of light, chemistry, and patience — that later gave shape to the works now gathered in FADE.
Together, the film and exhibition trace a quiet continuum: from the solitude of creation to the presence of the finished work — from what once appeared, to what now fades.
On view at Ex Nihilo until October 26.

My guest mix on @nts_radio is today at 1PM BST. I talk through the music choices in Safe Light.
@o.rudovskyi joins halfway through the mix to show us some Ukrainian gems.
Thank you @nts_radio @o.rudovskyi @vicbakin@livhetherington and the artists that kindly let me feature their music:
Bryozone @zibazabadu
Cukor Bila Smert’ @mus.cut @shukairecords
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings

Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌
Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌
Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌

Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌
Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌

Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌
Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌
Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌

Together we raised £5048.50 / 263,358.49 UAH with your help. At a crucial time, this will help @hospitallers.charity provide life-saving medical attention to those in need.
Our deepest thanks to everyone who has watched “Safe Light” and supported with sales and donations. 🤍
The premiere night in London had an unbelievable turnout and the print sale fundraiser was a massive success. Thank you to those in attendance and to our incredible volunteers that worked so hard rigging, selling prints and providing amazing Ukrainian wine, food and coffee:
@uawines_uk
City Fine Bites / Green Apple Cafe
@vadimgranovskiy
@markandmarko
💌💌💌
NEW! Meet Ukrainian photographer Vic Bákin documenting youth and queer subcultures in Kyiv against the scars of war for short film ‘Safe Light’🇺🇦
Highlighting themes of masculinity and fragility amid the full-scale invasion of Ukraine, Bákin confronts unprocessed memories of his new reality as the landscape evolves for his latest photo book ‘Epitome’
Tap the link in bio to watch the full film on NOWNESS🎥
Director @bygregbushell
Photographer @vicbakin
The screening of Safe Light and the fundraiser for @hospitallers.charity is tomorrow night at MKII, London, E5 OPT.
Doors: 7PM
Screening: 7:30PM
« The film opens on Irpin bridge, destroyed to impede the advancement of the Russian army towards Kyiv.
When editing the film, I discovered a 3D scan of the same site. This discovery led me to the honorable work of Serhii Revenko @serhii_revenko_ and his volunteer scanning initiative, ScanUA. Their mission is to scan historical Ukrainian landmarks that are at risk of further destruction and erasure. »
Music by @liamsinigoi
Join us for a screening of “Safe Light: a Portrait of Vic Bakin” (10 mins, dir. Greg Bushell)
WHEN
7PM SATURDAY 22ND FEBRUARY
WHERE
MKII, 71-75 POWERSCROFT RD, CLAPTON, LONDON, E5 0PT
Alongside this preview screening, we will also be raising money through a print sale - in aid of the Ukrainian volunteer paramedic organisation, Hospitallers @hospitallers.charity
Hospitallers are volunteers from diverse professions who provide life-saving support to people and animals in need. They offer medical care, evacuations, and safe shelter for those in challenging conditions. Donations ensure paramedics have the necessary equipment to deliver emergency care and conduct rescues effectively.
A DJ set will follow the film. Artist TBA.
Join us for a screening of “Safe Light: a Portrait of Vic Bakin” (10 mins, dir. Greg Bushell)
WHEN
7PM SATURDAY 22ND FEBRUARY
WHERE
MKII, 71-75 POWERSCROFT RD, CLAPTON, LONDON, E5 0PT
Alongside this preview screening, we will also be raising money through a print sale - in aid of the Ukrainian volunteer paramedic organisation, Hospitallers @hospitallers.charity
Hospitallers are volunteers from diverse professions who provide life-saving support to people and animals in need. They offer medical care, evacuations, and safe shelter for those in challenging conditions. Donations ensure paramedics have the necessary equipment to deliver emergency care and conduct rescues effectively.
A DJ set will follow the film. Artist TBA.
Join us for a screening of “Safe Light: a Portrait of Vic Bakin” (10 mins, dir. Greg Bushell)
WHEN
7PM SATURDAY 22ND FEBRUARY
WHERE
MKII, 71-75 POWERSCROFT RD, CLAPTON, LONDON, E5 0PT
Alongside this preview screening, we will also be raising money through a print sale - in aid of the Ukrainian volunteer paramedic organisation, Hospitallers @hospitallers.charity
Hospitallers are volunteers from diverse professions who provide life-saving support to people and animals in need. They offer medical care, evacuations, and safe shelter for those in challenging conditions. Donations ensure paramedics have the necessary equipment to deliver emergency care and conduct rescues effectively.
A DJ set will follow the film. Artist TBA.
Join us for a screening of “Safe Light: a Portrait of Vic Bakin” (10 mins, dir. Greg Bushell)
WHEN
7PM SATURDAY 22ND FEBRUARY
WHERE
MKII, 71-75 POWERSCROFT RD, CLAPTON, LONDON, E5 0PT
Alongside this preview screening, we will also be raising money through a print sale - in aid of the Ukrainian volunteer paramedic organisation, Hospitallers @hospitallers.charity
Hospitallers are volunteers from diverse professions who provide life-saving support to people and animals in need. They offer medical care, evacuations, and safe shelter for those in challenging conditions. Donations ensure paramedics have the necessary equipment to deliver emergency care and conduct rescues effectively.
A DJ set will follow the film. Artist TBA.
Join us for a screening of “Safe Light: a Portrait of Vic Bakin” (10 mins, dir. Greg Bushell)
WHEN
7PM SATURDAY 22ND FEBRUARY
WHERE
MKII, 71-75 POWERSCROFT RD, CLAPTON, LONDON, E5 0PT
Alongside this preview screening, we will also be raising money through a print sale - in aid of the Ukrainian volunteer paramedic organisation, Hospitallers @hospitallers.charity
Hospitallers are volunteers from diverse professions who provide life-saving support to people and animals in need. They offer medical care, evacuations, and safe shelter for those in challenging conditions. Donations ensure paramedics have the necessary equipment to deliver emergency care and conduct rescues effectively.
A DJ set will follow the film. Artist TBA.

Join us for a screening of “Safe Light: a Portrait of Vic Bakin” (10 mins, dir. Greg Bushell)
WHEN
7PM SATURDAY 22ND FEBRUARY
WHERE
MKII, 71-75 POWERSCROFT RD, CLAPTON, LONDON, E5 0PT
Alongside this preview screening, we will also be raising money through a print sale - in aid of the Ukrainian volunteer paramedic organisation, Hospitallers @hospitallers.charity
Hospitallers are volunteers from diverse professions who provide life-saving support to people and animals in need. They offer medical care, evacuations, and safe shelter for those in challenging conditions. Donations ensure paramedics have the necessary equipment to deliver emergency care and conduct rescues effectively.
A DJ set will follow the film. Artist TBA.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
“Safe Light” is a short documentary by Greg Bushell, exploring how the full-scale invasion of Ukraine has affected the practice of photographer Vic Bákin.
A “safelight” is a light source used in a photographic darkroom, illuminating parts of the visible spectrum that the photographic material is nearly or completely insensitive to. But what if the “safe” in safelight carries a meaning beyond its technical definition?
“In the darkness and the safety light’s red glow, Bákin found a whole new world, womb-like in its reassurance and comfort.” The project is shot on 16mm and Super-8 film to mirror the tactile and uncanny imperfections of Bákin’s “Epitome” photo series.
Music by:
Bryozone @zibazabadu
Cukor Bila Smert’
Yuri Lugovskoy
Polje @local.joke
É. Motherway @betweenfieldsrecordings
@mus.cut @shukairecords
Colour Grading by Evo Boeck @evo.colour
Sound Design by Mae-li Evans @maelizzzle
Publicity by Olivia Hetherington @livhetherington
Words by Kris Kozlowski Moore @kriskozlowskimoore
Exhibition and online premiere details to follow.
Edit work for @vogue.polska w/ @kunz.veronika
Director @daniel.jackont
Producer @ellisloftus @thecoralproduction
Casting @meganmccluskiecasting
Photography by @simonell
Editor @bygregbushell
Colourist @evo.colour
Styling @lorna.mc.gee
Make up & hair @emilzedhair
Music by @eyalaradmusic
#vogue #voguepolska #filmmaking #16mm #fashion #fashionfilm #cinematography #italy #lighting #kodakfilm #analog #analogphotography #shootfilm
Massive thanks to the team 🤍
@amitasuman_
@schonmagazine
Director. @bygregbushell
b-cam operator/gaffer. @angelos_tzouanakis
music. @lu____laurence___
photography. @daniel.jackont
fashion. @galkln
production. @claralarosa
hair. @miguelmartinperezldn
make up. @victoriabond007 using @chanel.beauty
set design. @giliofir
interview. @sydneybolen
Lab. @on8mil
SPECIAL THANKS ✨
@molly.mcgregor_
Ambrine Hocine ambrinedraws
#schonmagazine #shadowandbone #AmitaSuman #netflix #fashion #interview
I know our attention spans are shot to pieces these days and I’d probably scroll past an 8 minute video on IG but, for those interested, here is the full film I made on @ellieaiwang ‘s practice.
I was inspired by Wim Wenders’ Notebook on Cities and Clothes, particularly how the filmmaker combined 16mm film with what was at the time a cutting-edge tape format. As with Wenders documenting the fashion designer Yohji Yamamoto, I could appreciate the beauty and spontaneity of shooting on film but also the less pressured and intrusive feel my hi-8 camcorder gave me.
I also particularly love how Liam Baker and Laurence Unger created original music that combined their own ambient tastes with Ellie’s viola recordings.
Can’t praise Ellie enough. Her work is stunning, she was so organised and was extremely open in letting me depict a very special period in her life -her first solo show and child! Massive love to all my other great collaborators 💙
Director: Greg Bushell
Producer: Sarah Emily Green
Styling/Set Design: Hannah Bushell
Research: Asia Éléonore Feliks
Original Music: Eleanor Wang, Liam Baker & Laurence Unger
For sales and enquiries please contact @art___mama or sarah@artmama.co.uk
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#film #filmcamera #filmcinematography #filmmaking #filmmaker #cinema #cinematography #kodakshootfilm #shootfilm #analog #analogue #16mm #analogphotography #lighting #color #womenartists #artist #art #artwork #painting #painter #oilpainting
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Usługa jest bezpłatna.
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis