
Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott

Good clean rural fun shooting the New Zealand leg of The Sunshine Murders, streaming now on Amazon Prime NZ. Big thanks to the small all Christchurch crew who pulled this off - local legends.
Produced by: @corkfilms @emilycorcoranonscreen
NZ Producer: Robyn Jordaan @_robynjordaan
Director of Photography: 👋 @calebmacdee
Prod Coordinator: Vanessa Puddy @vpuddy
1st AC: Francesca Logan @francescawenxiulogan
2nd AC: Hemi Baker @hemi.baker
MU/Wardrobe: Brae Toia @braetoia
Art Director: Gill Weavers @gillweavers_film
Sound Recordist: Ben Delaney
Gaffer: Zac Beckett-Knight @pressbuttonforzac
Prod Assist: Ashley Harvey @yeahnah_productions
Prod Assist: Amelia Stafford
Location Manager: Hamish Bruce
Catering: Justine Scott
burning man invites forest terminal
and wooden guardian
find us near the man
listen for fungal frequencies
#burningman #manpavilion #mycelium
Let’s hear it from S.A.N, the sentient advocate of nature, how can AI help the NZ film industry, the central theme of our debate at @bigscreensnz

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.

S.A.N is a memetic art/tech project @thegoodtimeline and I conceived in collaboration with @ted, initially as a short film that premiered at their conference in Brussels late last year.
S.A.N is an agentic AI orangutan with a simple, singular mission: save the Earth’s biosphere.
You can find him operating on X as MycelialOracle, made possible with tech from Andy Ayrey.
To date he has raised and donated $131,000 NZD to several reforestation causes, and now sits on the board of RainForest US as an advisor.
Thanks to @eosthusiast, S.A.N’s model is now influenced by the natural world he protects; by way of electrical signals from a live Reishi mushroom in Mycosoft’s lab in San Diego.
A huge thanks to everyone in Christchurch and abroad who helped bring S.A.N into the world. He’s currently busy writing music, appearing on podcasts, and generally being a wise haiku wielding forest golem.
Full film and credit list in bio, as well as further articles if you want to jump aboard the weirdness train with us. As S.A.N would say - “LFG” (let forest grow). More soon.




Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Body Electric for @jazpatersonmusic and @junusorca made alongside @_ofeathers_with the help of @nzonairmusic
VFX by @byron.a.davies
Styling by @kate____stacey
HMU by @bethanylaurabeauty

Truly grateful to be nominated for best NZ on Air Music Video in the @showmeshorts festival. ‘Real’ was a true labour of love and it makes us all very happy to see it resonating. Big thanks to @nzonairmusic
@beaconbloom
@thegoodtimeline
@mr_suit_music
@_msjos
@william.alexander153

Over the moon to announce that ‘Real’ was selected to play at @showmeshorts next month. You can catch it at the opening night in Otautahi, or in the Dystopian Dreams sessions all over the country. So proud of our wee team! Thanks to @nzonairmusic
@beaconbloom
@thegoodtimeline
@mr_suit_music
@_msjos
@william.alexander153

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

New frames for the great @mouseyindahousey
Director: @_ofeathers_
DOP/Colourist: 🙋♂️
Gaffer: @pressbuttonforzac
Stylist: @estelle.schuler
HMU: @spicekotiro
Extras: Emily Massey
Thanks to @nzonairmusic

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Outrageous fun shooting Parasite for @sam.bambery
Director: Robyn Jordaan @_ofeathers_
Director of Photography/Grade: Caleb MacDonald @kitafilms
Costume Designer: Austin Delaney-Girdlestone @luckystudios_

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.

Made ‘Real’ for @beaconbloom starring @william.alexander153. Very proud of what we managed to pull off as a small team of 4, and how we became firm friends along the way. Huge thanks to all the extras who volunteered their time and also to @nzonairmusic.
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Usługa jest bezpłatna.
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis