Christopher Behnen
Director of Photography
.
Plumber of light

Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi
Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi
Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi

Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi
Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi

Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi

Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi

Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi

Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi

Here is some new work that I am incredibly proud of. It is a Branded short film for Joyride candy (YouTube Ryan Trahan and it should show up) Isaac Carlton approached me with this project last fall and him and I put together a stellar team of Minnesota crew and talent to make it happen.
I did the cinematography for this as usual but I also operated as the production company and did the set design and building for the gameshow and the bunker.
The sets ended up being a huge collaboration between myself and @maxmainwood. I built the sets in my garage and Max finished them off with detail work and production design. I am so thrilled with the life he added to these!
Huge thank you to @calebgenheimer who helped me turn sketches of the game show set into CAD designs that ultimately went to a CNC shop for production.
And to @justinelly and my G&E crew who patiently and methodically troubleshot how to wire 130 incandescent bulbs on 8 separate circuits for the chase light effect in the gameshow. we were literally still wiring these as we were shooting.
@paulwinkels256 , produced the hell out of this! And we are both very proud to have shot it in our very own north Minneapolis neighborhood at the historic @thecaprinorthmpls
Minnesota
Director @isaac_carlton
Executive Producer @ryantrahan
Producer Paul Winkels
Production Manager @justin_silvis
Director of Photography Christopher Behnen
1st AC@ginnyhub
Gaffer Justin Meredith
Best Boy Electric @pfifr
Key Grip @honourablementions
Best Boy Grip @kishdaniels
Sound Recordist Nick Wright
Production Designer Max Mainwood
Set designer Christopher Behnen
Key HMU @tentaclehaus
Costume Designer @claire.looker
Craft Services @hsgermaine
Art Assist Pablo Hernandez
DIT @kristarosek
Art Assistant @eugene.langlois
CAD Artist Caleb Genheimer
Lazer cutting Tech Arlo Siemsen
CNC Operator Jake Jorn
Set photographer @haleyfriesenphotography
Valley of Fire
SFX Makeup Crista Llewellyn
SFX Makeup Ashley Aldridge
PA @christarheingans
Props: Samantha Schacht
Post
Editor Isaac Carlton
Colorist @nate.color @the.trafik
Sound Designer / Mixer @tab_sounddesign
VFX @levi.hint
VFX Caleb Natale
CG Artist Mike Ridolfi

Here are some select frames from a @yoursmith music video I shot earlier this year. I was really trying to channel my love for Elswit in this one. Specifically his magical lighting work on Boogie nights.
Thank you thank you thank you to @keithmoechnig and @justinelly for being my “sweet-boy” crew on this one!
And it is always a pleasure to work alongside @mack.hastings. He brings such a playful and cohesive vision to the projects I have been fortunate to collaborate with with him on.

Here are some select frames from a @yoursmith music video I shot earlier this year. I was really trying to channel my love for Elswit in this one. Specifically his magical lighting work on Boogie nights.
Thank you thank you thank you to @keithmoechnig and @justinelly for being my “sweet-boy” crew on this one!
And it is always a pleasure to work alongside @mack.hastings. He brings such a playful and cohesive vision to the projects I have been fortunate to collaborate with with him on.

Here are some select frames from a @yoursmith music video I shot earlier this year. I was really trying to channel my love for Elswit in this one. Specifically his magical lighting work on Boogie nights.
Thank you thank you thank you to @keithmoechnig and @justinelly for being my “sweet-boy” crew on this one!
And it is always a pleasure to work alongside @mack.hastings. He brings such a playful and cohesive vision to the projects I have been fortunate to collaborate with with him on.

Here are some select frames from a @yoursmith music video I shot earlier this year. I was really trying to channel my love for Elswit in this one. Specifically his magical lighting work on Boogie nights.
Thank you thank you thank you to @keithmoechnig and @justinelly for being my “sweet-boy” crew on this one!
And it is always a pleasure to work alongside @mack.hastings. He brings such a playful and cohesive vision to the projects I have been fortunate to collaborate with with him on.

Here are some select frames from a @yoursmith music video I shot earlier this year. I was really trying to channel my love for Elswit in this one. Specifically his magical lighting work on Boogie nights.
Thank you thank you thank you to @keithmoechnig and @justinelly for being my “sweet-boy” crew on this one!
And it is always a pleasure to work alongside @mack.hastings. He brings such a playful and cohesive vision to the projects I have been fortunate to collaborate with with him on.

35
(a little late)
1. Bedroom Self portrait
2. Portugal, Atlantic Ocean 📷 @christarheingans
3. Happy place (affectionately titled “the sound canoe”) between my two speakers 🎥 @kristarosek

35
(a little late)
1. Bedroom Self portrait
2. Portugal, Atlantic Ocean 📷 @christarheingans
3. Happy place (affectionately titled “the sound canoe”) between my two speakers 🎥 @kristarosek
35
(a little late)
1. Bedroom Self portrait
2. Portugal, Atlantic Ocean 📷 @christarheingans
3. Happy place (affectionately titled “the sound canoe”) between my two speakers 🎥 @kristarosek
One of my favorite shots from my new project for Caroline Smith, alongside a couple pieces of inspiration I carried into production from Karen Dalton and Bob Dylan. @yoursmith @mack.hastings @__iohnny @feelslike95films @calebgenheimer @justinelly
One of my favorite shots from my new project for Caroline Smith, alongside a couple pieces of inspiration I carried into production from Karen Dalton and Bob Dylan. @yoursmith @mack.hastings @__iohnny @feelslike95films @calebgenheimer @justinelly

A couple sigma+atlas mercury frames from a work trip to Arizona last week.
After we wrapped I was able to spend some time with @jon_t_vinson, speaking in one of his film classes about the pre production process as well as getting some good hiking, running and food in.

A couple sigma+atlas mercury frames from a work trip to Arizona last week.
After we wrapped I was able to spend some time with @jon_t_vinson, speaking in one of his film classes about the pre production process as well as getting some good hiking, running and food in.

A couple sigma+atlas mercury frames from a work trip to Arizona last week.
After we wrapped I was able to spend some time with @jon_t_vinson, speaking in one of his film classes about the pre production process as well as getting some good hiking, running and food in.

A couple sigma+atlas mercury frames from a work trip to Arizona last week.
After we wrapped I was able to spend some time with @jon_t_vinson, speaking in one of his film classes about the pre production process as well as getting some good hiking, running and food in.

A couple sigma+atlas mercury frames from a work trip to Arizona last week.
After we wrapped I was able to spend some time with @jon_t_vinson, speaking in one of his film classes about the pre production process as well as getting some good hiking, running and food in.

A couple sigma+atlas mercury frames from a work trip to Arizona last week.
After we wrapped I was able to spend some time with @jon_t_vinson, speaking in one of his film classes about the pre production process as well as getting some good hiking, running and food in.
Here is a scene from Dysmorphic written and Directed by @swanson_grant and shot by me.
It is a haunting scene where the main character begins turning to demonic forces to attempt to free himself of his incapacitating self loathing.
From the beginning of pre-production Grant always said he wanted the apartment to feel like the inside of a cave, as a visual metaphor for being stuck and isolated. This meant lots of plants around the windows and all of the light being motivated by moonlight streaming in through the windows “cave openings”, mixed with candles and small practicals. After much testing we landed on a Lee #117 steel blue gel over daylight balanced fixtures to get our moon tone and incandescent bulbs dancing around 30% intensity or so for the warm candlelight.
This scene also features a dolly move. We kept all the movement in the film heavy and omniscient, usually motivated by the interior world of the character rather than their physical movement. This approach I believe suggests a spiritual presence but leaves room for moral ambiguity in the audience. I operated the entire film on a traditional dolly and fluid head and had the amazing @tylermilky pushing the dolly.
I had an amazing crew on this but special shoutouts to @bmsuerth for keeping me sharp, and @veelandur for keeping the lights low.

"A lot of the emotional content in this short came from personal experience and making it was my way of reckoning with and saying goodbye to a very specific, tumultuous chapter of my life."
A couple’s romantic getaway is derailed by a declaration of love and a tiny fly.
🪰 Tiny Thing
Dir. Joshua Giuliano
▶️ Watch Now 🔗 Link in Bio
"Deftly blending comedy and horror, the film pushes its simple premise to the extreme to explore the fear of intimacy." - S/W Curator, @irinaastari
CREDITS
@jacobskinsuit
@thebrittharris
@joshuagiuliano
@christopherbehnen
@kellenwitschen
@kristarosek
@dena.winter
@calebgenheimer
@bilywarp1
@justinnelly
@ethandorercamera
@adambaudio
#ShortFilm #ShortoftheWeek #Filmmaking #TinyThing
"A lot of the emotional content in this short came from personal experience and making it was my way of reckoning with and saying goodbye to a very specific, tumultuous chapter of my life."
A couple’s romantic getaway is derailed by a declaration of love and a tiny fly.
🪰 Tiny Thing
Dir. Joshua Giuliano
▶️ Watch Now 🔗 Link in Bio
"Deftly blending comedy and horror, the film pushes its simple premise to the extreme to explore the fear of intimacy." - S/W Curator, @irinaastari
CREDITS
@jacobskinsuit
@thebrittharris
@joshuagiuliano
@christopherbehnen
@kellenwitschen
@kristarosek
@dena.winter
@calebgenheimer
@bilywarp1
@justinnelly
@ethandorercamera
@adambaudio
#ShortFilm #ShortoftheWeek #Filmmaking #TinyThing

"A lot of the emotional content in this short came from personal experience and making it was my way of reckoning with and saying goodbye to a very specific, tumultuous chapter of my life."
A couple’s romantic getaway is derailed by a declaration of love and a tiny fly.
🪰 Tiny Thing
Dir. Joshua Giuliano
▶️ Watch Now 🔗 Link in Bio
"Deftly blending comedy and horror, the film pushes its simple premise to the extreme to explore the fear of intimacy." - S/W Curator, @irinaastari
CREDITS
@jacobskinsuit
@thebrittharris
@joshuagiuliano
@christopherbehnen
@kellenwitschen
@kristarosek
@dena.winter
@calebgenheimer
@bilywarp1
@justinnelly
@ethandorercamera
@adambaudio
#ShortFilm #ShortoftheWeek #Filmmaking #TinyThing
Last year I had the privilege of spending a week in Maui with director Tristan Carnahan documenting one of my favorites chefs, Karyn Tomlinson’s exploration of Maui’s vibrant and complicated food ecosystem.
Tristan and I spent the weeks leading up to the shoot discussing the visual style, our goal being to strike a balance between formalism and freedom. One of the things he told me early on was that we would never be filming a traditional sit down interview and if we were capturing a conversation, I didn’t have to be filming the face of the person talking. On the day this allowed me to engage with my intuition and the immense nature that we were always enveloped in. As a result this became one of the most rewarding documentary shoots I have been a part of and I am incredibly proud of the footage and stories we captured.
We shot this both on 16mm film as well as digitally on my Alexa Mini in super 16 mode. This allowed us to carry just one lens, the Canon 8-64mm from @cinemechanics which has become a favorite of mine.
This video Is a little teaser of more to come.

Another travel journal entry from my last day in Japan. These photos were taken in Hiroshima on illford HP5.
—————— 9/17/24
Our final stop on our japan tour is the A-bomb memorial museum and the A-bomb dome and surrounding grounds. We walked through the museum in a silent malaise and then made our way to the dome as the sun was setting. The dome is a building that was very close to the epicenter of the explosion but was one of the few to remain partially intact. It has been preserved as it stood as a memorial of those murdered and a monument to world peace. It is sickening to me growing up and learning about this event that it was always justified in some way or another. We don’t seem to have a national sense of guilt for this. The atomic bombing of Hiroshima by the American government is one of the great evil acts of human history. There is no justification. It is pure evil, and we did it not once but twice. Outside the dome, a man stood protesting the genocide in Palestine and my heart deepens its fracture over the well worn pilgrimage my tax dollar makes on its way to becoming a bomb.
…We are easing back into American culture by eating wings and burgers at a brew pub and staying at a Hilton hotel that has American sized rooms and a regular pool and hot tub in place of the Onsen we have grown so accustomed too. An older American woman yells across the pool at a young Asian man for touching her unused towel and it sets in that I am going home. The three of us have our final drinks together at the Hilton hotel bar…the next time I will see Andrew will be in November when he comes to live with me for three months before moving here to Japan “for good”. I cannot express how grateful I am for Andrew, he was the instigator of this trip nearly a year ago to the day and he did an incredible job with all of the planning. Him and I exchange a big hug in the hallway. “I love you man” he says. “thank you so much” I reply. These fairwell’s are spoken as those whose friendship and lives are forever changed. I depart to my room on the 12th floor with it’s big window overlooking the bustling night of Hiroshima Japan. Tomorrow, home.

Another travel journal entry from my last day in Japan. These photos were taken in Hiroshima on illford HP5.
—————— 9/17/24
Our final stop on our japan tour is the A-bomb memorial museum and the A-bomb dome and surrounding grounds. We walked through the museum in a silent malaise and then made our way to the dome as the sun was setting. The dome is a building that was very close to the epicenter of the explosion but was one of the few to remain partially intact. It has been preserved as it stood as a memorial of those murdered and a monument to world peace. It is sickening to me growing up and learning about this event that it was always justified in some way or another. We don’t seem to have a national sense of guilt for this. The atomic bombing of Hiroshima by the American government is one of the great evil acts of human history. There is no justification. It is pure evil, and we did it not once but twice. Outside the dome, a man stood protesting the genocide in Palestine and my heart deepens its fracture over the well worn pilgrimage my tax dollar makes on its way to becoming a bomb.
…We are easing back into American culture by eating wings and burgers at a brew pub and staying at a Hilton hotel that has American sized rooms and a regular pool and hot tub in place of the Onsen we have grown so accustomed too. An older American woman yells across the pool at a young Asian man for touching her unused towel and it sets in that I am going home. The three of us have our final drinks together at the Hilton hotel bar…the next time I will see Andrew will be in November when he comes to live with me for three months before moving here to Japan “for good”. I cannot express how grateful I am for Andrew, he was the instigator of this trip nearly a year ago to the day and he did an incredible job with all of the planning. Him and I exchange a big hug in the hallway. “I love you man” he says. “thank you so much” I reply. These fairwell’s are spoken as those whose friendship and lives are forever changed. I depart to my room on the 12th floor with it’s big window overlooking the bustling night of Hiroshima Japan. Tomorrow, home.

Another travel journal entry from my last day in Japan. These photos were taken in Hiroshima on illford HP5.
—————— 9/17/24
Our final stop on our japan tour is the A-bomb memorial museum and the A-bomb dome and surrounding grounds. We walked through the museum in a silent malaise and then made our way to the dome as the sun was setting. The dome is a building that was very close to the epicenter of the explosion but was one of the few to remain partially intact. It has been preserved as it stood as a memorial of those murdered and a monument to world peace. It is sickening to me growing up and learning about this event that it was always justified in some way or another. We don’t seem to have a national sense of guilt for this. The atomic bombing of Hiroshima by the American government is one of the great evil acts of human history. There is no justification. It is pure evil, and we did it not once but twice. Outside the dome, a man stood protesting the genocide in Palestine and my heart deepens its fracture over the well worn pilgrimage my tax dollar makes on its way to becoming a bomb.
…We are easing back into American culture by eating wings and burgers at a brew pub and staying at a Hilton hotel that has American sized rooms and a regular pool and hot tub in place of the Onsen we have grown so accustomed too. An older American woman yells across the pool at a young Asian man for touching her unused towel and it sets in that I am going home. The three of us have our final drinks together at the Hilton hotel bar…the next time I will see Andrew will be in November when he comes to live with me for three months before moving here to Japan “for good”. I cannot express how grateful I am for Andrew, he was the instigator of this trip nearly a year ago to the day and he did an incredible job with all of the planning. Him and I exchange a big hug in the hallway. “I love you man” he says. “thank you so much” I reply. These fairwell’s are spoken as those whose friendship and lives are forever changed. I depart to my room on the 12th floor with it’s big window overlooking the bustling night of Hiroshima Japan. Tomorrow, home.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.

Here are a few of my favorite images from the New York Jets piece I posted yesterday.
This is one of 3 projects I have had the pleasure to work with @danieldevue_colorist for the color grade and he is an absolute dream machine.
Directed by @ryan__thielen
Produced by @triglassproductions
Edited by @benkrych
Shout out to @ginnyhub and @keithmoechnig for keeping me sharp and @veelandur and @zachary.vanheel for keeping the lights on.
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Usługa jest bezpłatna.
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis