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daniel_diskodanny
Daniel Kok Diskodanny
Choreographer / Artistic Director / Shibari
Based: Singapore + Berlin
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Some images of Still Lives: Auckland that concluded last Saturday. Major thanks to F.O.L.A. (Festival of Live Art)!
Photo Credits: Jo Caird
Team Credits:
Artists: Luke George & Daniel Kok
Creative Producers: Nisha Madhan & Julia Croft
Videographer/ Marketing: Nahyeon Lee
Sound Design: Nick Roux
Production Manager: Hannah Moore
Players: Vita Dryden, Paula George, Samaria Kapio, Paea Longopoa, Rochelle Martin, Petra Ong, Nina Sio, Alice Soper
Lead Consultant: Jo Caird
Cultural Consultants: Rosabel Tan & James Nokise
Supported by Creative New Zealand, National Arts Council (Singapore), NZ Rugby, Satellites, Auckland Live, TAPAC and Auckland Arts Festival. This project has been assisted by the Australian Government through Creative Australia, its arts funding and advisory body.
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Sharing some photos of previous (rope-related) works
Bunny (2016 - )
Creation & Performance: Luke George & Daniel Kok
Dramaturgy: Tang Fu Kuen
Lighting design: Matthew Adey / House of Vnholy
Technical Stage Manager: Gene Hedley
Touring Producer (2016-2021): Alison Halit
Bunny was commissioned by Campbelltown Arts Centre (AUS), co-produced by The Substation (SIN), with support from the Playking Foundation (AUS), Australia Council for the Arts, Victorian Government through Creative Victoria, the National Arts Council (SIN),
Singapore International Foundation, Abrons Arts Centre (NYC) and Tanzfabrik (BER).
Bunny received a nomination for Best Contemporary and Experimental Production at Green Room Awards 2018 (Australia). It was voted as one of the Top 8 Moments at TBA Festival in Portland 2017 by Portland Monthly (U.S.A.), and also one of the top 10 shows performed Australia wide by a national or international performing artist / group for 2017 by Arts Hub (Melbourne, Australia.)
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Still my favourite edition of Still Lives.
Still Lives: Melbourne Commissioned by RISING 2022
Presented with National Gallery of Victoria
Artists: Luke George and Daniel Kok
Players: Annie Mack, Jason Ball, Jasper Pittard, Jim Marks, Simona Castricum
Rehearsal Models: Ash Snare, David Prakash, Leah Landau, Richard McKimm and Emily Blyth (standing in for Simona Castricum)
Videography and Editing: Non Studio (James Wright, Eugene Perepletchikov)
Lighting design: Katie Sfetkidis
Sound design: Nick Roux
Production Manager: Emily O’Brien
Technical Stage Manager: Zara Jones
Rigging: Element Rigging
Rope Consultant: Ash Snare
Project Consultant: Jerril Rechter
Guest-of-Honour: Andrew Krakouer
Photography: Tim Carafa, Gregory Lorenzutti, Michelle Li
Recipient of two 2022 Green Room Awards - Contemporary & Experimental Performance: Outstanding Achievement + Design & Technical Achievement
Home Bound is growing by the day!
📸 by Luz Soria & Allard Willemse
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Home Bound is growing by the day!
📸 by Luz Soria & Allard Willemse
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Home Bound is growing by the day!
📸 by Luz Soria & Allard Willemse
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Home Bound is growing by the day!
📸 by Luz Soria & Allard Willemse
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Home Bound is growing by the day!
📸 by Luz Soria & Allard Willemse
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
The installation of Home Bound is getting expanded by the day 😍✨ also, the Adventure Book of Engeki Quest is officially launched! Are we going to see you soon?
Get your tickets and be part of SPRING!
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound and Engeki Quest are a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Moments of the opening of Home Bound ✨😍🧵
Over 10 days, Neude transforms into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
You can visit and participate all SPRING 2026 long!
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound, Wait To Be Seated and the opening performance are a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
📸 Allard Willemse @allardwillemsefotografie
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Moments of the opening of Home Bound ✨😍🧵
Over 10 days, Neude transforms into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
You can visit and participate all SPRING 2026 long!
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound, Wait To Be Seated and the opening performance are a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
📸 Allard Willemse @allardwillemsefotografie
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Moments of the opening of Home Bound ✨😍🧵
Over 10 days, Neude transforms into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
You can visit and participate all SPRING 2026 long!
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound, Wait To Be Seated and the opening performance are a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
📸 Allard Willemse @allardwillemsefotografie
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Moments of the opening of Home Bound ✨😍🧵
Over 10 days, Neude transforms into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
You can visit and participate all SPRING 2026 long!
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound, Wait To Be Seated and the opening performance are a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
📸 Allard Willemse @allardwillemsefotografie
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Moments of the opening of Home Bound ✨😍🧵
Over 10 days, Neude transforms into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
You can visit and participate all SPRING 2026 long!
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound, Wait To Be Seated and the opening performance are a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
📸 Allard Willemse @allardwillemsefotografie
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
Moments of the opening of Home Bound ✨😍🧵
Over 10 days, Neude transforms into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
You can visit and participate all SPRING 2026 long!
SPRING Performing Arts Festival – May 14–23
ℹ & 🩷 tickets springutrecht.nl
Home Bound, Wait To Be Seated and the opening performance are a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#AECFest) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360 @AsiaEuropeFoundation
📸 Allard Willemse @allardwillemsefotografie
#spring #springutrecht #springperformingartsfestival #performingartsfestival #springfestival #performingarts #uitagendautrecht #AECFest2026 #ASEFCulture
From 14–23 May, during SPRING Performing Arts Festival in Utrecht,Daniel Kok and Luke George will transform Neude Square in Utrecht into Home Bound, a growing participatory installation made from rope, stories, movement and community.
Created during the SPRING Performing Arts Festival, the project brings together artists, craftspeople, local residents and visitors to collectively weave, knot and build a monumental installation.
Over ten days, communities from across Utrecht — from knitters and carpet weavers to circus artists, bell ringers and rope practitioners — will gather daily to share knowledge, stories and practices.
Participation is free and open to everyone.
📍 Neude Square, Utrecht
📅 14–23 May@springutrecht
🕛 Daily from 12:00
More information via SPRING Festival @springutrecht
Trailer (excerpt) credits: Home Bound at Arts Centre Melbourne as part of Asia Topa, 2025. Cinematography: James Wright, Eugene Perepletchikov, Angus Kemp / Editor: James Wright / Sound Designer: Nick Roux
@daniel_diskodanny @lukeandgeorge
"A temporary gathering can produce real bonds, even if those bonds do not last in the same form."
In our latest interview, we speak with Daniel Kok (#Singapore🇸🇬) who shares more about his decade-long creative partnership with Luke George (#Australia🇦🇺) - apartnership that has produced intimate and relational works including Home Bound, a monumental #art #installation made with rope, knots and community contributions in various forms. Daniel also shares more about the process behind Home Bound's second iteration, which will take shape in Utrecht as part of #AECFest2026, in collaboration with SPRING Performing Arts Festival.
Come be a part of Home Bound at the Asia-Europe Cultural Festival 2026, landing in Utrecht in 1️⃣1️⃣ days!
🔗Visit our website via the link in bio to read the full interview
📅 14-23 May, 9:30am-9pm daily
⏰ FULLACTIVITY SCHEDULE OUT NOW - Visit our website to learn how you can participate in Home Bound!
📍Neude Public Square, #Utrecht, #Netherlands 🇳🇱
🎟️ Admission: Free/Pay-what-you-want
#ASEFCulture #AECFestxSPRING #Asia #Europe
---
The #AECFest 2026 is organised by the @asiaeuropefoundation The Main Festival is in partnership with the SPRING Performing Arts Festival (@springutrecht) and funded by the People's Republic of China and the Ministry of Foreign Affairs of Denmark (@udenrigsministeriet). Thanks to Instituto Cervantes Netherlands (@institutocervantesutrecht), Casa Asia (@casa.asia), Japan Foundation (@japanfoundation), and Incheon Foundation of Art and Culture.
"A temporary gathering can produce real bonds, even if those bonds do not last in the same form."
In our latest interview, we speak with Daniel Kok (#Singapore🇸🇬) who shares more about his decade-long creative partnership with Luke George (#Australia🇦🇺) - apartnership that has produced intimate and relational works including Home Bound, a monumental #art #installation made with rope, knots and community contributions in various forms. Daniel also shares more about the process behind Home Bound's second iteration, which will take shape in Utrecht as part of #AECFest2026, in collaboration with SPRING Performing Arts Festival.
Come be a part of Home Bound at the Asia-Europe Cultural Festival 2026, landing in Utrecht in 1️⃣1️⃣ days!
🔗Visit our website via the link in bio to read the full interview
📅 14-23 May, 9:30am-9pm daily
⏰ FULLACTIVITY SCHEDULE OUT NOW - Visit our website to learn how you can participate in Home Bound!
📍Neude Public Square, #Utrecht, #Netherlands 🇳🇱
🎟️ Admission: Free/Pay-what-you-want
#ASEFCulture #AECFestxSPRING #Asia #Europe
---
The #AECFest 2026 is organised by the @asiaeuropefoundation The Main Festival is in partnership with the SPRING Performing Arts Festival (@springutrecht) and funded by the People's Republic of China and the Ministry of Foreign Affairs of Denmark (@udenrigsministeriet). Thanks to Instituto Cervantes Netherlands (@institutocervantesutrecht), Casa Asia (@casa.asia), Japan Foundation (@japanfoundation), and Incheon Foundation of Art and Culture.
"A temporary gathering can produce real bonds, even if those bonds do not last in the same form."
In our latest interview, we speak with Daniel Kok (#Singapore🇸🇬) who shares more about his decade-long creative partnership with Luke George (#Australia🇦🇺) - apartnership that has produced intimate and relational works including Home Bound, a monumental #art #installation made with rope, knots and community contributions in various forms. Daniel also shares more about the process behind Home Bound's second iteration, which will take shape in Utrecht as part of #AECFest2026, in collaboration with SPRING Performing Arts Festival.
Come be a part of Home Bound at the Asia-Europe Cultural Festival 2026, landing in Utrecht in 1️⃣1️⃣ days!
🔗Visit our website via the link in bio to read the full interview
📅 14-23 May, 9:30am-9pm daily
⏰ FULLACTIVITY SCHEDULE OUT NOW - Visit our website to learn how you can participate in Home Bound!
📍Neude Public Square, #Utrecht, #Netherlands 🇳🇱
🎟️ Admission: Free/Pay-what-you-want
#ASEFCulture #AECFestxSPRING #Asia #Europe
---
The #AECFest 2026 is organised by the @asiaeuropefoundation The Main Festival is in partnership with the SPRING Performing Arts Festival (@springutrecht) and funded by the People's Republic of China and the Ministry of Foreign Affairs of Denmark (@udenrigsministeriet). Thanks to Instituto Cervantes Netherlands (@institutocervantesutrecht), Casa Asia (@casa.asia), Japan Foundation (@japanfoundation), and Incheon Foundation of Art and Culture.
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
The timetable of Home Bound is here!
During SPRING, Neude transforms for 10 days into Home Bound as artists, craftspeople, and community groups weave diverse rope materials and their stories together to build a giant rope installation. As fibres intertwine, communities who do not typically share the same space collaborate in a choreography of knots that represents the social dialogue in the Netherlands. You’re invited to enter the woven landscape, witness the makers, learn their skills, hear their stories, or add your own hands to this growing tapestry, woven by and for Utrecht.
Creator Daniel Kok: “We’re very curious to see how the group of participants in Utrecht differs from that in Naarm/Melbourne, as the two places are very different. In any case, we expect that rope, weaving and social discussions about multiculturalism, human migration and the sense of belonging will be recognisable all over the world. And that the political message behind this work is, in this way, easy to understand, yet at the same time nuanced.”
🩷SPRING Performance Arts Festival - May 14-23
ℹ & 🎫 springutrecht.nl
Home Bound is a part of AECFest, a multidisciplinary public arts festival that alternates annually between Asia and Europe. In 2026, it will be presented as a festival-in-a-festival within SPRING, taking place from May 14 to 23. This edition marks the third consecutive year that AECFest is hosted within a major international festival platform, following editions in Italy (2024) and China (2025).
The Asia-Europe Cultural Festival (#aecfest2026) is organized by @asiaeuropefoundation with the financial support of the People's Republic of China and the Ministry of Foreign Affairs of Denmark.
@culture360_asef @asiaeuropefoundation
#springutrecht #springperformingartsfestival #performingartsfestival #uitagendautrecht
📣 OPEN CALL FOR PARTICIPANTS:
Certificate Programme for Critical Practice in Contemporary Performance, [CP]³
❗️We are inviting 12 independent performance makers from the Asia-Pacific to form our 6th cohort. Applications are open from 9th MAR to 30th APR 2026.
[CP]³ is an online mentoring for the development of critical praxes in contemporary choreography and performance making, with a focus on the Asian context.
Led by Daniel Kok (Singapore), the 5-month programme (22nd JUN to 27th NOV 2026) consists of lectures and mentorship sessions by mentors Arco Renz, Eisa Jocson (Manila), Luke George (Melbourne), Melati Suryodarmo (Surakarta), Nanako Nakajima (PhD, Kyoto), Padmini Chettur (Chennai), Pichet Klunchun (Bangkok), and Xiaoke x Zihan (Shanghai).
@daniel_diskodanny @kobalt_works @eisajocson @lukeandgeorge @suryodarmomelati @nanakonakajima @padminichettur @pichet_klunchun @xiaokelee @zihan004
🔗 Links in Bio
Programme prospectus | Programme schedule |Application form
Image: Chapter Two (2025) by Pichet Klunchun
Photo: Bernie Ng, Courtesy of Esplanade
A converge of Brisbane’s punk legacy and raw, vulnerable human experience.
Still Lives: Brisbane, a performance-installation series that bound and captured moments in time as part of the art palette of Melt Festival and Night Feast 2025.
By Luke George and Daniel Kok
📸 @contentby.sam
A converge of Brisbane’s punk legacy and raw, vulnerable human experience.
Still Lives: Brisbane, a performance-installation series that bound and captured moments in time as part of the art palette of Melt Festival and Night Feast 2025.
By Luke George and Daniel Kok
📸 @contentby.sam
A converge of Brisbane’s punk legacy and raw, vulnerable human experience.
Still Lives: Brisbane, a performance-installation series that bound and captured moments in time as part of the art palette of Melt Festival and Night Feast 2025.
By Luke George and Daniel Kok
📸 @contentby.sam
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
STILL LIVES: BRISBANE
Luke George x Daniel Kok
Installation + Performance
Oct - Nov 2025
NIGHT FEAST and MELT Festival
Brisbane Powerhouse
Magandjin
Still Lives is a performance-installation series that captures – literally through rope bondage – significant moments or movements in relation to specific cultural contexts. Each edition of Still Lives is a durational, site-responsive, and context-specific process of binding bodies and cultural objects to their place. This approach allows new conversations to emerge and unveils narratives about local history, political tensions, social connections, and personal attachments.
Still Lives: Brisbane revisits the city’s legacy of punk and counterculture, specifically referencing The Saints and their renowned single (I’m) Stranded. Instruments are bound and suspended in intricate webs of rope high in the Turbine Platform of Brisbane Powerhouse. Still Lives: Brisbane is a sonic, sculptural invocation of punk’s defiance, a tribute to the band that pioneered the modern music scene in Brisbane, and a meditation on how history lingers in the air.
Lead Artists: @lukeandgeorge x @daniel_diskodanny
Sound Design: @enjay.are
Lighting Design: @katiesfet
Head Rigger: Helen Clifford
Videography: @jack.j.martin
Musicians (Models):
Luke “Lenny” Lennon (Guitartist, @dadfight420)
Teigan le Plastrier (Lead Singer & Guitarist, @beingjanelane)
Photography: Jack Martin, Sam Neil, PixelFrame, especiellieheinous
International Distribution: @somethinggreat_livearts
-
Commissioned and Presented by Brisbane Powerhouse for Night Feast and MELT Festival 2025. This project was developed as part of Museum of Brisbane’s Artist in Residence program, generously supported by Tim Fairfax AC. Supported by the National Arts Council (NAC) of Singapore
We acknowledge the Yuggera and Turrbal peoples, the First Nation Traditional Owners of the land on which we gathered and created this work.
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis