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dut.mac
Eduardo Machado
SÃO PAULO/NYC • writer-producer-director
@guarana.films | @saopaulonewyorkfilm
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
São Paulo, New York won an Audience Award at @nfftyfilm 2026!
What an incredible time! Very special thanks to the nffty team for organizing this all-encompassing experience we won’t soon forget. It was a pleasure to screen alongside so many amazing films and to meet so many different, talented voices in film.
NFFTY gave our film a platform to connect with a heartfelt community of international students and spark real conversation. Thank you to everyone who watched and engaged in its story. We are very grateful 💚
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
Proud to announce that ENQUANTO NADA ACONTECE (or While I Wait) is premiering at NoBudge Live at Nitehawk Cinema tomorrow! Tickets in their bio @nobudge @nitehawkcinema 💚
Starring @juliabraine
With Special Guest @paulaburlamaquioficial
Written and Directed by @malkafleischman
Produced by @dut.mac @guarana.films
Director of Photography @abuchmu
Production Designers @ella.braff @lucie.bisbee
Gaffer @luizfelipe_aranha
1st Assistant Camera @evan.rubenzahl
2nd AC/Swing @timsnguyen_
Sound Mixers liv_greenfield and @enzofp.mov
PA + BTS @ckowarick
Edited by @malkafleischman, @abuchmu and @evan.rubenzahl
Sound designer/re-recording mixer @lucas_pumarejo
Color by @evan.rubenzahl and @abuchmu
Original Score by @john.roseboro
2 years after wrapping, and thousands of drawings later, I’m so thrilled to announce The In Between will be premiering at the Big Apple Film Festival! 🍎
Mon, May 11th, 7:15 PM @ Village East by Angelika, Theater #3 ❤️🔥
Tickets for the premiere are available at the link in our bio.
Thank you to the @bigapplefilmfestival and to everyone who gave their time and love to this film!
After an attempt on her life, June wakes up in her ex-girlfriend’s bed with no way of leaving the apartment or being seen. Forced to haunt her ex in this purgatory state, June begins to remember what she loved about her and must grapple with the decisions she tried to run from.
Written, Directed, and Animated by: @ella.braff
Starring: @aitanadoyle @housesp0use @meriselle
Produced by: @dut.mac @robynhaddad_ @ella.braff @guarana.films
1st AD: @robynhaddad_
DP: @dut.mac
Animation Supervisor: @amandabonaiuto
1st AC: @jo.brosseau.mp4
Gaffer: @nengggle
Art Director: @michelle.rembert
HMU: @avabodyy
Production Sound: Tyler Phillips, @blythe.graz
Post Sound: @lucas_pumarejo
Script Supervisor: @lixngeles
PA: @mercedesriege @mckennnnnnaaa
Original Music: @niczom
Colorist: @tygiff
👻
2 years after wrapping, and thousands of drawings later, I’m so thrilled to announce The In Between will be premiering at the Big Apple Film Festival! 🍎
Mon, May 11th, 7:15 PM @ Village East by Angelika, Theater #3 ❤️🔥
Tickets for the premiere are available at the link in our bio.
Thank you to the @bigapplefilmfestival and to everyone who gave their time and love to this film!
After an attempt on her life, June wakes up in her ex-girlfriend’s bed with no way of leaving the apartment or being seen. Forced to haunt her ex in this purgatory state, June begins to remember what she loved about her and must grapple with the decisions she tried to run from.
Written, Directed, and Animated by: @ella.braff
Starring: @aitanadoyle @housesp0use @meriselle
Produced by: @dut.mac @robynhaddad_ @ella.braff @guarana.films
1st AD: @robynhaddad_
DP: @dut.mac
Animation Supervisor: @amandabonaiuto
1st AC: @jo.brosseau.mp4
Gaffer: @nengggle
Art Director: @michelle.rembert
HMU: @avabodyy
Production Sound: Tyler Phillips, @blythe.graz
Post Sound: @lucas_pumarejo
Script Supervisor: @lixngeles
PA: @mercedesriege @mckennnnnnaaa
Original Music: @niczom
Colorist: @tygiff
👻
2 years after wrapping, and thousands of drawings later, I’m so thrilled to announce The In Between will be premiering at the Big Apple Film Festival! 🍎
Mon, May 11th, 7:15 PM @ Village East by Angelika, Theater #3 ❤️🔥
Tickets for the premiere are available at the link in our bio.
Thank you to the @bigapplefilmfestival and to everyone who gave their time and love to this film!
After an attempt on her life, June wakes up in her ex-girlfriend’s bed with no way of leaving the apartment or being seen. Forced to haunt her ex in this purgatory state, June begins to remember what she loved about her and must grapple with the decisions she tried to run from.
Written, Directed, and Animated by: @ella.braff
Starring: @aitanadoyle @housesp0use @meriselle
Produced by: @dut.mac @robynhaddad_ @ella.braff @guarana.films
1st AD: @robynhaddad_
DP: @dut.mac
Animation Supervisor: @amandabonaiuto
1st AC: @jo.brosseau.mp4
Gaffer: @nengggle
Art Director: @michelle.rembert
HMU: @avabodyy
Production Sound: Tyler Phillips, @blythe.graz
Post Sound: @lucas_pumarejo
Script Supervisor: @lixngeles
PA: @mercedesriege @mckennnnnnaaa
Original Music: @niczom
Colorist: @tygiff
👻
2 years after wrapping, and thousands of drawings later, I’m so thrilled to announce The In Between will be premiering at the Big Apple Film Festival! 🍎
Mon, May 11th, 7:15 PM @ Village East by Angelika, Theater #3 ❤️🔥
Tickets for the premiere are available at the link in our bio.
Thank you to the @bigapplefilmfestival and to everyone who gave their time and love to this film!
After an attempt on her life, June wakes up in her ex-girlfriend’s bed with no way of leaving the apartment or being seen. Forced to haunt her ex in this purgatory state, June begins to remember what she loved about her and must grapple with the decisions she tried to run from.
Written, Directed, and Animated by: @ella.braff
Starring: @aitanadoyle @housesp0use @meriselle
Produced by: @dut.mac @robynhaddad_ @ella.braff @guarana.films
1st AD: @robynhaddad_
DP: @dut.mac
Animation Supervisor: @amandabonaiuto
1st AC: @jo.brosseau.mp4
Gaffer: @nengggle
Art Director: @michelle.rembert
HMU: @avabodyy
Production Sound: Tyler Phillips, @blythe.graz
Post Sound: @lucas_pumarejo
Script Supervisor: @lixngeles
PA: @mercedesriege @mckennnnnnaaa
Original Music: @niczom
Colorist: @tygiff
👻
2 years after wrapping, and thousands of drawings later, I’m so thrilled to announce The In Between will be premiering at the Big Apple Film Festival! 🍎
Mon, May 11th, 7:15 PM @ Village East by Angelika, Theater #3 ❤️🔥
Tickets for the premiere are available at the link in our bio.
Thank you to the @bigapplefilmfestival and to everyone who gave their time and love to this film!
After an attempt on her life, June wakes up in her ex-girlfriend’s bed with no way of leaving the apartment or being seen. Forced to haunt her ex in this purgatory state, June begins to remember what she loved about her and must grapple with the decisions she tried to run from.
Written, Directed, and Animated by: @ella.braff
Starring: @aitanadoyle @housesp0use @meriselle
Produced by: @dut.mac @robynhaddad_ @ella.braff @guarana.films
1st AD: @robynhaddad_
DP: @dut.mac
Animation Supervisor: @amandabonaiuto
1st AC: @jo.brosseau.mp4
Gaffer: @nengggle
Art Director: @michelle.rembert
HMU: @avabodyy
Production Sound: Tyler Phillips, @blythe.graz
Post Sound: @lucas_pumarejo
Script Supervisor: @lixngeles
PA: @mercedesriege @mckennnnnnaaa
Original Music: @niczom
Colorist: @tygiff
👻
2 years after wrapping, and thousands of drawings later, I’m so thrilled to announce The In Between will be premiering at the Big Apple Film Festival! 🍎
Mon, May 11th, 7:15 PM @ Village East by Angelika, Theater #3 ❤️🔥
Tickets for the premiere are available at the link in our bio.
Thank you to the @bigapplefilmfestival and to everyone who gave their time and love to this film!
After an attempt on her life, June wakes up in her ex-girlfriend’s bed with no way of leaving the apartment or being seen. Forced to haunt her ex in this purgatory state, June begins to remember what she loved about her and must grapple with the decisions she tried to run from.
Written, Directed, and Animated by: @ella.braff
Starring: @aitanadoyle @housesp0use @meriselle
Produced by: @dut.mac @robynhaddad_ @ella.braff @guarana.films
1st AD: @robynhaddad_
DP: @dut.mac
Animation Supervisor: @amandabonaiuto
1st AC: @jo.brosseau.mp4
Gaffer: @nengggle
Art Director: @michelle.rembert
HMU: @avabodyy
Production Sound: Tyler Phillips, @blythe.graz
Post Sound: @lucas_pumarejo
Script Supervisor: @lixngeles
PA: @mercedesriege @mckennnnnnaaa
Original Music: @niczom
Colorist: @tygiff
👻
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
winter in america music video | @zoharandadam ft. @noryaronfeld @samsellersmusic
label. @mackavenuerecords
prod. @guarana.films
dir. @dut.mac
shot by @abuchmu
ad. @zipporahfornah
gaff. @romi___az
pa. @zaneraven13
pa + bts. @montserratlamb_
titles. @ella.braff
color. @dut.mac
thank you for the trust and opportunity to co-sign the message 🙏❄️
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
some behind the scenes of the set of São Paulo, New York as we prepare to premiere at NFFTY (@nfftyfilm) this Friday in Seattle, WA!
Straight from the NYC hiphop scene to the São Paulo music scene, SPNY brought together amazing artists to create a world of contrasting sounds, ideas, and textures that complement each other.
We are playing Friday, March 27th, 12:15 PM PDT @ SIFF Cinema Uptown (Theater 3) along with other amazing films in the “outside the lines” block.
We’re grateful our film’s journey starts here (nffty pun intended) 💚
We are happy to announce that São Paulo, New York will premiere at the National Film Festival of Talented Youth (@nfftyfilm) on March 27th in Seattle, WA. Grateful to begin its festival journey here!
Shot between São Paulo, Brazil, and New York, US, with two entirely separate crews, this film is an exploration of cultural identity and belonging, a personal statement for the uncertain road ahead.
I have nothing but immense gratitude for all the talented artists who worked on this film. Between hip-hop and bossa nova songs, late-night shoots, and countless rehearsals, we made something special, a story across the continent, and we are excited for the world to see it.
Written & Directed by: @dut.mac
Starring: @dut.mac @vellosomax @noryaronfeld @guircorrea @chrisjasonstraker @danmcvey79 & more
🇧🇷 SÃO PAULO UNIT
Produced by: @joao.vera_ @dut.mac
AP: @isa.savassi @gabi.tsbo
1st AD: @coelhoceciliaa
2nd AD: @paulabarzi
DP: @luizfelipe_aranha
1st AC: @rodrigo.nelli
2nd AC: @bruno_miguelez_
Swing: @mmedina_a
Gaffer: @antonionegrisoli @pedro.morales__
Grip: @migueldsrodrigues @zidoro_g
PD: @claclaracruz
HMU: @nimanaria
Art Assist: @riiiioooos
Prep. Elenco: @fla_trapp
PA: @vvagner.silvaa
Production Sound: @vicentexavier
Boom Op/Sound Assist: @igor_yamawaki
Live Music Recordist: @pedrocarboni_
Original Music: @niczom @tom.arantes_
Vocal coach: @juliana_ceglio
Color by @clandes.tino
Special thanks @fatiado_discos @julinho_clubeoficial @spcine_ @naterciatiba @m_machado
🇺🇸 NEW YORK UNIT
Produced by: @ella.braff @malkafleischman
1st AD: @robynhaddad_
DP: @abuchmu
1st AC: @evan.rubenzahl
2nd AC: @timsnguyen_
Gaffer: @not_your_bully
Grip: @e_belsky @zap_art.mp4
PD: @ella.braff
Art Assist: @rictmachado
PA/BTS: @ckowarick
Production Sound: @hunterxhawke
Original Music: @noryaronfeld @late4dinner_
Sound Mix: @lucas_pumarejo
Special thanks @brooklynrecordexchange @eugenelang
We are happy to announce that São Paulo, New York will premiere at the National Film Festival of Talented Youth (@nfftyfilm) on March 27th in Seattle, WA. Grateful to begin its festival journey here!
Shot between São Paulo, Brazil, and New York, US, with two entirely separate crews, this film is an exploration of cultural identity and belonging, a personal statement for the uncertain road ahead.
I have nothing but immense gratitude for all the talented artists who worked on this film. Between hip-hop and bossa nova songs, late-night shoots, and countless rehearsals, we made something special, a story across the continent, and we are excited for the world to see it.
Written & Directed by: @dut.mac
Starring: @dut.mac @vellosomax @noryaronfeld @guircorrea @chrisjasonstraker @danmcvey79 & more
🇧🇷 SÃO PAULO UNIT
Produced by: @joao.vera_ @dut.mac
AP: @isa.savassi @gabi.tsbo
1st AD: @coelhoceciliaa
2nd AD: @paulabarzi
DP: @luizfelipe_aranha
1st AC: @rodrigo.nelli
2nd AC: @bruno_miguelez_
Swing: @mmedina_a
Gaffer: @antonionegrisoli @pedro.morales__
Grip: @migueldsrodrigues @zidoro_g
PD: @claclaracruz
HMU: @nimanaria
Art Assist: @riiiioooos
Prep. Elenco: @fla_trapp
PA: @vvagner.silvaa
Production Sound: @vicentexavier
Boom Op/Sound Assist: @igor_yamawaki
Live Music Recordist: @pedrocarboni_
Original Music: @niczom @tom.arantes_
Vocal coach: @juliana_ceglio
Color by @clandes.tino
Special thanks @fatiado_discos @julinho_clubeoficial @spcine_ @naterciatiba @m_machado
🇺🇸 NEW YORK UNIT
Produced by: @ella.braff @malkafleischman
1st AD: @robynhaddad_
DP: @abuchmu
1st AC: @evan.rubenzahl
2nd AC: @timsnguyen_
Gaffer: @not_your_bully
Grip: @e_belsky @zap_art.mp4
PD: @ella.braff
Art Assist: @rictmachado
PA/BTS: @ckowarick
Production Sound: @hunterxhawke
Original Music: @noryaronfeld @late4dinner_
Sound Mix: @lucas_pumarejo
Special thanks @brooklynrecordexchange @eugenelang
We are happy to announce that São Paulo, New York will premiere at the National Film Festival of Talented Youth (@nfftyfilm) on March 27th in Seattle, WA. Grateful to begin its festival journey here!
Shot between São Paulo, Brazil, and New York, US, with two entirely separate crews, this film is an exploration of cultural identity and belonging, a personal statement for the uncertain road ahead.
I have nothing but immense gratitude for all the talented artists who worked on this film. Between hip-hop and bossa nova songs, late-night shoots, and countless rehearsals, we made something special, a story across the continent, and we are excited for the world to see it.
Written & Directed by: @dut.mac
Starring: @dut.mac @vellosomax @noryaronfeld @guircorrea @chrisjasonstraker @danmcvey79 & more
🇧🇷 SÃO PAULO UNIT
Produced by: @joao.vera_ @dut.mac
AP: @isa.savassi @gabi.tsbo
1st AD: @coelhoceciliaa
2nd AD: @paulabarzi
DP: @luizfelipe_aranha
1st AC: @rodrigo.nelli
2nd AC: @bruno_miguelez_
Swing: @mmedina_a
Gaffer: @antonionegrisoli @pedro.morales__
Grip: @migueldsrodrigues @zidoro_g
PD: @claclaracruz
HMU: @nimanaria
Art Assist: @riiiioooos
Prep. Elenco: @fla_trapp
PA: @vvagner.silvaa
Production Sound: @vicentexavier
Boom Op/Sound Assist: @igor_yamawaki
Live Music Recordist: @pedrocarboni_
Original Music: @niczom @tom.arantes_
Vocal coach: @juliana_ceglio
Color by @clandes.tino
Special thanks @fatiado_discos @julinho_clubeoficial @spcine_ @naterciatiba @m_machado
🇺🇸 NEW YORK UNIT
Produced by: @ella.braff @malkafleischman
1st AD: @robynhaddad_
DP: @abuchmu
1st AC: @evan.rubenzahl
2nd AC: @timsnguyen_
Gaffer: @not_your_bully
Grip: @e_belsky @zap_art.mp4
PD: @ella.braff
Art Assist: @rictmachado
PA/BTS: @ckowarick
Production Sound: @hunterxhawke
Original Music: @noryaronfeld @late4dinner_
Sound Mix: @lucas_pumarejo
Special thanks @brooklynrecordexchange @eugenelang
We are happy to announce that São Paulo, New York will premiere at the National Film Festival of Talented Youth (@nfftyfilm) on March 27th in Seattle, WA. Grateful to begin its festival journey here!
Shot between São Paulo, Brazil, and New York, US, with two entirely separate crews, this film is an exploration of cultural identity and belonging, a personal statement for the uncertain road ahead.
I have nothing but immense gratitude for all the talented artists who worked on this film. Between hip-hop and bossa nova songs, late-night shoots, and countless rehearsals, we made something special, a story across the continent, and we are excited for the world to see it.
Written & Directed by: @dut.mac
Starring: @dut.mac @vellosomax @noryaronfeld @guircorrea @chrisjasonstraker @danmcvey79 & more
🇧🇷 SÃO PAULO UNIT
Produced by: @joao.vera_ @dut.mac
AP: @isa.savassi @gabi.tsbo
1st AD: @coelhoceciliaa
2nd AD: @paulabarzi
DP: @luizfelipe_aranha
1st AC: @rodrigo.nelli
2nd AC: @bruno_miguelez_
Swing: @mmedina_a
Gaffer: @antonionegrisoli @pedro.morales__
Grip: @migueldsrodrigues @zidoro_g
PD: @claclaracruz
HMU: @nimanaria
Art Assist: @riiiioooos
Prep. Elenco: @fla_trapp
PA: @vvagner.silvaa
Production Sound: @vicentexavier
Boom Op/Sound Assist: @igor_yamawaki
Live Music Recordist: @pedrocarboni_
Original Music: @niczom @tom.arantes_
Vocal coach: @juliana_ceglio
Color by @clandes.tino
Special thanks @fatiado_discos @julinho_clubeoficial @spcine_ @naterciatiba @m_machado
🇺🇸 NEW YORK UNIT
Produced by: @ella.braff @malkafleischman
1st AD: @robynhaddad_
DP: @abuchmu
1st AC: @evan.rubenzahl
2nd AC: @timsnguyen_
Gaffer: @not_your_bully
Grip: @e_belsky @zap_art.mp4
PD: @ella.braff
Art Assist: @rictmachado
PA/BTS: @ckowarick
Production Sound: @hunterxhawke
Original Music: @noryaronfeld @late4dinner_
Sound Mix: @lucas_pumarejo
Special thanks @brooklynrecordexchange @eugenelang
We are happy to announce that São Paulo, New York will premiere at the National Film Festival of Talented Youth (@nfftyfilm) on March 27th in Seattle, WA. Grateful to begin its festival journey here!
Shot between São Paulo, Brazil, and New York, US, with two entirely separate crews, this film is an exploration of cultural identity and belonging, a personal statement for the uncertain road ahead.
I have nothing but immense gratitude for all the talented artists who worked on this film. Between hip-hop and bossa nova songs, late-night shoots, and countless rehearsals, we made something special, a story across the continent, and we are excited for the world to see it.
Written & Directed by: @dut.mac
Starring: @dut.mac @vellosomax @noryaronfeld @guircorrea @chrisjasonstraker @danmcvey79 & more
🇧🇷 SÃO PAULO UNIT
Produced by: @joao.vera_ @dut.mac
AP: @isa.savassi @gabi.tsbo
1st AD: @coelhoceciliaa
2nd AD: @paulabarzi
DP: @luizfelipe_aranha
1st AC: @rodrigo.nelli
2nd AC: @bruno_miguelez_
Swing: @mmedina_a
Gaffer: @antonionegrisoli @pedro.morales__
Grip: @migueldsrodrigues @zidoro_g
PD: @claclaracruz
HMU: @nimanaria
Art Assist: @riiiioooos
Prep. Elenco: @fla_trapp
PA: @vvagner.silvaa
Production Sound: @vicentexavier
Boom Op/Sound Assist: @igor_yamawaki
Live Music Recordist: @pedrocarboni_
Original Music: @niczom @tom.arantes_
Vocal coach: @juliana_ceglio
Color by @clandes.tino
Special thanks @fatiado_discos @julinho_clubeoficial @spcine_ @naterciatiba @m_machado
🇺🇸 NEW YORK UNIT
Produced by: @ella.braff @malkafleischman
1st AD: @robynhaddad_
DP: @abuchmu
1st AC: @evan.rubenzahl
2nd AC: @timsnguyen_
Gaffer: @not_your_bully
Grip: @e_belsky @zap_art.mp4
PD: @ella.braff
Art Assist: @rictmachado
PA/BTS: @ckowarick
Production Sound: @hunterxhawke
Original Music: @noryaronfeld @late4dinner_
Sound Mix: @lucas_pumarejo
Special thanks @brooklynrecordexchange @eugenelang
We are happy to announce that São Paulo, New York will premiere at the National Film Festival of Talented Youth (@nfftyfilm) on March 27th in Seattle, WA. Grateful to begin its festival journey here!
Shot between São Paulo, Brazil, and New York, US, with two entirely separate crews, this film is an exploration of cultural identity and belonging, a personal statement for the uncertain road ahead.
I have nothing but immense gratitude for all the talented artists who worked on this film. Between hip-hop and bossa nova songs, late-night shoots, and countless rehearsals, we made something special, a story across the continent, and we are excited for the world to see it.
Written & Directed by: @dut.mac
Starring: @dut.mac @vellosomax @noryaronfeld @guircorrea @chrisjasonstraker @danmcvey79 & more
🇧🇷 SÃO PAULO UNIT
Produced by: @joao.vera_ @dut.mac
AP: @isa.savassi @gabi.tsbo
1st AD: @coelhoceciliaa
2nd AD: @paulabarzi
DP: @luizfelipe_aranha
1st AC: @rodrigo.nelli
2nd AC: @bruno_miguelez_
Swing: @mmedina_a
Gaffer: @antonionegrisoli @pedro.morales__
Grip: @migueldsrodrigues @zidoro_g
PD: @claclaracruz
HMU: @nimanaria
Art Assist: @riiiioooos
Prep. Elenco: @fla_trapp
PA: @vvagner.silvaa
Production Sound: @vicentexavier
Boom Op/Sound Assist: @igor_yamawaki
Live Music Recordist: @pedrocarboni_
Original Music: @niczom @tom.arantes_
Vocal coach: @juliana_ceglio
Color by @clandes.tino
Special thanks @fatiado_discos @julinho_clubeoficial @spcine_ @naterciatiba @m_machado
🇺🇸 NEW YORK UNIT
Produced by: @ella.braff @malkafleischman
1st AD: @robynhaddad_
DP: @abuchmu
1st AC: @evan.rubenzahl
2nd AC: @timsnguyen_
Gaffer: @not_your_bully
Grip: @e_belsky @zap_art.mp4
PD: @ella.braff
Art Assist: @rictmachado
PA/BTS: @ckowarick
Production Sound: @hunterxhawke
Original Music: @noryaronfeld @late4dinner_
Sound Mix: @lucas_pumarejo
Special thanks @brooklynrecordexchange @eugenelang
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
Four months ago F*CK THAT THIS THE RHYTHM dropped — a LOUD, DIRTY, RAW, UNASHAMED, FUNKY, HIP-HOP statement album by Nory, which I had the pleasure of creative directing. Between live shows, countless shoots, listening parties, and crossing paths with so many authentic voices along the way, it’s been an invigorating journey I’m proud to be part of.
Nory and I first grew close while shooting my film Killing A Vice. Since then, we’ve been sharing work, ideas, and a constant urge to collaborate again.
About six months ago, during pre-production for São Paulo, New York — where he once again plays a kind of prophetic rapper — he showed me early demos of the album. “We locked ourselves in the studio and did what we felt we had to do. No genre, no structure, no tonal restrictions. Just a giant jam session where the band and I pushed ideas as far as they could go,” I remember him telling me. I immediately knew that it was something special and unique.
A few weeks later, he played me the full album. What followed was a caffeine-fueled rush of ideas: monochromatic grit, dirt, live show under the overpass by Purgatory, saturated graffiti, a collision with polished, shiny, MTV-era imagery. Over the next few weeks, we went on a journey trying to understand what the album wanted to be.
“The look should feel like Iggy Pop, but hip-hop, baggy-pants, grunge-rocker, tribal-face-paint, ready-for-war energy.” Huge thanks to @dreamrack_ for translating that chaos into a real, living look.
The album became a collage of the past aimed straight at the future — with a strong political, cathartic, and chaotic spine. This process was an exercise in character exploration and creative freedom: embracing limitations, ignoring rules, and protecting our weird, distorted, ambitious vision at all costs. We hope that energy lives not only in the music, but in every frame of the visuals.
Thank you @noryaronfeld and incredible band @odd.jord.music @skipalicious @soundsbycatt for trusting me with your music. And huge thanks to @ari.kantor @ella.braff @ckfilmsny @ethanfelizzari and to all the extras/dancers/moshpiters.
All visuals produced, directed, and shot by @dut.mac
@guarana.films
📼 TAPE OF ‘25 is finally floating around online ~ link in bio!
WHERE ARE YOU GONNA BE IN 5 YEARS?
In the final week of college, a tight-knit group of friends unravels when an Al-generated sextape throws them into a spiral of paranoia, jealousy, and identity crises. Especially Jack, whose girlfriend appears in the video with a mysterious but confident outcast.
~
Starring
@caviarantichrist @ryen.hilton @jackcoltonclark @rivmando @devonhortonn @j_ncredible
Director: @dut.mac
Producers: @ella.braff @robynhaddad_
AP: @rebecca___booth @mercedesriege
AD: @robynhaddad_
DP: @azvagelsky603
Prod. Design: @ella.braff
1AC: @jo.brosseau.mp4
Gaffers: @oye_vato @nengggle
Grip: @ch444ndni
Sound: @coconutsbam, @blythe.graz
Music Supervisor: @1ay1ablu3
PA/BTS: @rictmachado
Sound Mix: @lucas_pumarejo
Colorist: @tygiff
AI Supervisor: Maya Georgieva
Music by @itslebang @novembergirl___ @pishapost and @juniorvarsity
#studentfilm #studentshortfilm #nyfilmmaker
📼 TAPE OF ‘25 is finally floating around online ~ link in bio!
WHERE ARE YOU GONNA BE IN 5 YEARS?
In the final week of college, a tight-knit group of friends unravels when an Al-generated sextape throws them into a spiral of paranoia, jealousy, and identity crises. Especially Jack, whose girlfriend appears in the video with a mysterious but confident outcast.
~
Starring
@caviarantichrist @ryen.hilton @jackcoltonclark @rivmando @devonhortonn @j_ncredible
Director: @dut.mac
Producers: @ella.braff @robynhaddad_
AP: @rebecca___booth @mercedesriege
AD: @robynhaddad_
DP: @azvagelsky603
Prod. Design: @ella.braff
1AC: @jo.brosseau.mp4
Gaffers: @oye_vato @nengggle
Grip: @ch444ndni
Sound: @coconutsbam, @blythe.graz
Music Supervisor: @1ay1ablu3
PA/BTS: @rictmachado
Sound Mix: @lucas_pumarejo
Colorist: @tygiff
AI Supervisor: Maya Georgieva
Music by @itslebang @novembergirl___ @pishapost and @juniorvarsity
#studentfilm #studentshortfilm #nyfilmmaker
📼 TAPE OF ‘25 is finally floating around online ~ link in bio!
WHERE ARE YOU GONNA BE IN 5 YEARS?
In the final week of college, a tight-knit group of friends unravels when an Al-generated sextape throws them into a spiral of paranoia, jealousy, and identity crises. Especially Jack, whose girlfriend appears in the video with a mysterious but confident outcast.
~
Starring
@caviarantichrist @ryen.hilton @jackcoltonclark @rivmando @devonhortonn @j_ncredible
Director: @dut.mac
Producers: @ella.braff @robynhaddad_
AP: @rebecca___booth @mercedesriege
AD: @robynhaddad_
DP: @azvagelsky603
Prod. Design: @ella.braff
1AC: @jo.brosseau.mp4
Gaffers: @oye_vato @nengggle
Grip: @ch444ndni
Sound: @coconutsbam, @blythe.graz
Music Supervisor: @1ay1ablu3
PA/BTS: @rictmachado
Sound Mix: @lucas_pumarejo
Colorist: @tygiff
AI Supervisor: Maya Georgieva
Music by @itslebang @novembergirl___ @pishapost and @juniorvarsity
#studentfilm #studentshortfilm #nyfilmmaker
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
📼 tape of 25 did a festival run in new york
every single person who’s worked on this had an essential role in bringing this tape to the world and I am extremely grateful. Watching hi8 on the big screen was a special treat. I am glad we could capture some of this generational uncertainty right as we head into the real world 🎓
📼 coming out in 25, not 26 — probably friday or sooner. follow @tapeof25
@guarana.films
@boweryfilmfestival
@nyshorts
@bigapplefilmfestival
@ruffcuts_tns
Think AI is surreal now? Oh, just wait... Come see this timely short film @tapeof25 directed by Eduardo Machado on Tuesday 840pm in the opening night shorts block!
In the final week of college, a tight-knit group of friends unravels when an AI-generated sextape throws them into a spiral of paranoia, jealousy, and identity crises. Especially for Jack, whose girlfriend appears in the video with another man.
GET TIX: boweryfilmfestival.com (link in bio)
#bowery2025 #boweryfilmfestival #indiefilm #shortfilm #nycevents #madeinny #thingstodonyc #tapeof25
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis