FORMSOPHY
ROMANTIC BRUTALISM
Artistic practice by Alicja Prussakowska and Jakub Kijowski

We’re very happy that •Isen• has become part of the collection of @michalborowik at the @borowikfoundation 🤍
Created as a bespoke piece, Isen became an opportunity to further develop a new idea within our practice - a removable sculptural vase element embedded directly into the form. A singular, stalactite-like presence emerging from the surface.
The work continues our exploration of geological processes translated into material language.
Materials: Recycled aluminum casting, marble
Dimensions: 175 cm L x 35 cm W x 91 cm H
Edition: Unique piece
Year: 2026
Photos: @duawdt

We’re very happy that •Isen• has become part of the collection of @michalborowik at the @borowikfoundation 🤍
Created as a bespoke piece, Isen became an opportunity to further develop a new idea within our practice - a removable sculptural vase element embedded directly into the form. A singular, stalactite-like presence emerging from the surface.
The work continues our exploration of geological processes translated into material language.
Materials: Recycled aluminum casting, marble
Dimensions: 175 cm L x 35 cm W x 91 cm H
Edition: Unique piece
Year: 2026
Photos: @duawdt

We’re very happy that •Isen• has become part of the collection of @michalborowik at the @borowikfoundation 🤍
Created as a bespoke piece, Isen became an opportunity to further develop a new idea within our practice - a removable sculptural vase element embedded directly into the form. A singular, stalactite-like presence emerging from the surface.
The work continues our exploration of geological processes translated into material language.
Materials: Recycled aluminum casting, marble
Dimensions: 175 cm L x 35 cm W x 91 cm H
Edition: Unique piece
Year: 2026
Photos: @duawdt

We’re very happy that •Isen• has become part of the collection of @michalborowik at the @borowikfoundation 🤍
Created as a bespoke piece, Isen became an opportunity to further develop a new idea within our practice - a removable sculptural vase element embedded directly into the form. A singular, stalactite-like presence emerging from the surface.
The work continues our exploration of geological processes translated into material language.
Materials: Recycled aluminum casting, marble
Dimensions: 175 cm L x 35 cm W x 91 cm H
Edition: Unique piece
Year: 2026
Photos: @duawdt

We’re very happy that •Isen• has become part of the collection of @michalborowik at the @borowikfoundation 🤍
Created as a bespoke piece, Isen became an opportunity to further develop a new idea within our practice - a removable sculptural vase element embedded directly into the form. A singular, stalactite-like presence emerging from the surface.
The work continues our exploration of geological processes translated into material language.
Materials: Recycled aluminum casting, marble
Dimensions: 175 cm L x 35 cm W x 91 cm H
Edition: Unique piece
Year: 2026
Photos: @duawdt

Aurea shifts with every angle - compact and still, then open and unfolding, revealing its depth through perspective.
Photo @duawdt

•Aurea•
Light, diffused through rose quartz, gives the object a soft, mineral glow and a subtle, otherworldly presence.
Photo by @duawdt

Aurea shifts with every angle - compact and still, then open and unfolding, revealing its depth through persperctive.
Photo @duawdt

Rooted in our language of romantic brutalism, Aurea balances rawness with sensitivity. Light, diffused through rose quartz, gives the object a soft, mineral glow and a subtle, otherworldly presence.
240 H x 55 L x 50 W
Cast recycled aluminium, onyx monolith, pink quartz
2026
Edition: unique piece
Photos: @duawdt

Rooted in our language of romantic brutalism, Aurea balances rawness with sensitivity. Light, diffused through rose quartz, gives the object a soft, mineral glow and a subtle, otherworldly presence.
240 H x 55 L x 50 W
Cast recycled aluminium, onyx monolith, pink quartz
2026
Edition: unique piece
Photos: @duawdt

Rooted in our language of romantic brutalism, Aurea balances rawness with sensitivity. Light, diffused through rose quartz, gives the object a soft, mineral glow and a subtle, otherworldly presence.
240 H x 55 L x 50 W
Cast recycled aluminium, onyx monolith, pink quartz
2026
Edition: unique piece
Photos: @duawdt

Semiophores: Obiecta Animata
Objects are often understood as passive tools designed to serve everyday functions and disappear into daily routines. This exhibition proposes another
perspective: the object as a living presence. Drawing on Krzysztof Pomian’s concept of the semiophore, objects gain meaning when removed from use and
placed on display. In this moment, their function is suspended and their symbolic value emerges. Here, the works become Obiecta Animata—objects activated
through human attention. Their vitality unfolds through three stages: creation by the artist, interpretation by the viewer, and recontextualization by the collector. Through this process, functional forms evolve into collectible design objects that transform ordinary gestures—such as eating, drinking, or storing—into
moments of reflection and experience.
Curated by Oliwia Maria Studio X Curator Bureau
Artists: @ale.zawistowska @obbbio @roman.delorenzo @william.guillon@camille.tan_@stanek.wichlinski
Exhibition design: @kwietnywoz
Photos: @studio.brinth @jacobbrinth
Alcova Milano @alcova.milano
Milan Design Week 2026
Baggio Military Hospital
Via Giovanni Labus, 10
20147 Milano, Italy
We would also like to thank everyone who visited our exhibition and took the time to speak with us - we truly appreciate all the conversations and connections made during this week.
Our participation in Alcova during MDW 2026 was supported by the Adam Mickiewicz Institute @mickiewicz_institute as part of the NetWorks programme, which fosters international exchange and collaboration.

Semiophores: Obiecta Animata
Objects are often understood as passive tools designed to serve everyday functions and disappear into daily routines. This exhibition proposes another
perspective: the object as a living presence. Drawing on Krzysztof Pomian’s concept of the semiophore, objects gain meaning when removed from use and
placed on display. In this moment, their function is suspended and their symbolic value emerges. Here, the works become Obiecta Animata—objects activated
through human attention. Their vitality unfolds through three stages: creation by the artist, interpretation by the viewer, and recontextualization by the collector. Through this process, functional forms evolve into collectible design objects that transform ordinary gestures—such as eating, drinking, or storing—into
moments of reflection and experience.
Curated by Oliwia Maria Studio X Curator Bureau
Artists: @ale.zawistowska @obbbio @roman.delorenzo @william.guillon@camille.tan_@stanek.wichlinski
Exhibition design: @kwietnywoz
Photos: @studio.brinth @jacobbrinth
Alcova Milano @alcova.milano
Milan Design Week 2026
Baggio Military Hospital
Via Giovanni Labus, 10
20147 Milano, Italy
We would also like to thank everyone who visited our exhibition and took the time to speak with us - we truly appreciate all the conversations and connections made during this week.
Our participation in Alcova during MDW 2026 was supported by the Adam Mickiewicz Institute @mickiewicz_institute as part of the NetWorks programme, which fosters international exchange and collaboration.

Semiophores: Obiecta Animata
Objects are often understood as passive tools designed to serve everyday functions and disappear into daily routines. This exhibition proposes another
perspective: the object as a living presence. Drawing on Krzysztof Pomian’s concept of the semiophore, objects gain meaning when removed from use and
placed on display. In this moment, their function is suspended and their symbolic value emerges. Here, the works become Obiecta Animata—objects activated
through human attention. Their vitality unfolds through three stages: creation by the artist, interpretation by the viewer, and recontextualization by the collector. Through this process, functional forms evolve into collectible design objects that transform ordinary gestures—such as eating, drinking, or storing—into
moments of reflection and experience.
Curated by Oliwia Maria Studio X Curator Bureau
Artists: @ale.zawistowska @obbbio @roman.delorenzo @william.guillon@camille.tan_@stanek.wichlinski
Exhibition design: @kwietnywoz
Photos: @studio.brinth @jacobbrinth
Alcova Milano @alcova.milano
Milan Design Week 2026
Baggio Military Hospital
Via Giovanni Labus, 10
20147 Milano, Italy
We would also like to thank everyone who visited our exhibition and took the time to speak with us - we truly appreciate all the conversations and connections made during this week.
Our participation in Alcova during MDW 2026 was supported by the Adam Mickiewicz Institute @mickiewicz_institute as part of the NetWorks programme, which fosters international exchange and collaboration.

Semiophores: Obiecta Animata
Objects are often understood as passive tools designed to serve everyday functions and disappear into daily routines. This exhibition proposes another
perspective: the object as a living presence. Drawing on Krzysztof Pomian’s concept of the semiophore, objects gain meaning when removed from use and
placed on display. In this moment, their function is suspended and their symbolic value emerges. Here, the works become Obiecta Animata—objects activated
through human attention. Their vitality unfolds through three stages: creation by the artist, interpretation by the viewer, and recontextualization by the collector. Through this process, functional forms evolve into collectible design objects that transform ordinary gestures—such as eating, drinking, or storing—into
moments of reflection and experience.
Curated by Oliwia Maria Studio X Curator Bureau
Artists: @ale.zawistowska @obbbio @roman.delorenzo @william.guillon@camille.tan_@stanek.wichlinski
Exhibition design: @kwietnywoz
Photos: @studio.brinth @jacobbrinth
Alcova Milano @alcova.milano
Milan Design Week 2026
Baggio Military Hospital
Via Giovanni Labus, 10
20147 Milano, Italy
We would also like to thank everyone who visited our exhibition and took the time to speak with us - we truly appreciate all the conversations and connections made during this week.
Our participation in Alcova during MDW 2026 was supported by the Adam Mickiewicz Institute @mickiewicz_institute as part of the NetWorks programme, which fosters international exchange and collaboration.

Semiophores: Obiecta Animata
Objects are often understood as passive tools designed to serve everyday functions and disappear into daily routines. This exhibition proposes another
perspective: the object as a living presence. Drawing on Krzysztof Pomian’s concept of the semiophore, objects gain meaning when removed from use and
placed on display. In this moment, their function is suspended and their symbolic value emerges. Here, the works become Obiecta Animata—objects activated
through human attention. Their vitality unfolds through three stages: creation by the artist, interpretation by the viewer, and recontextualization by the collector. Through this process, functional forms evolve into collectible design objects that transform ordinary gestures—such as eating, drinking, or storing—into
moments of reflection and experience.
Curated by Oliwia Maria Studio X Curator Bureau
Artists: @ale.zawistowska @obbbio @roman.delorenzo @william.guillon@camille.tan_@stanek.wichlinski
Exhibition design: @kwietnywoz
Photos: @studio.brinth @jacobbrinth
Alcova Milano @alcova.milano
Milan Design Week 2026
Baggio Military Hospital
Via Giovanni Labus, 10
20147 Milano, Italy
We would also like to thank everyone who visited our exhibition and took the time to speak with us - we truly appreciate all the conversations and connections made during this week.
Our participation in Alcova during MDW 2026 was supported by the Adam Mickiewicz Institute @mickiewicz_institute as part of the NetWorks programme, which fosters international exchange and collaboration.

Semiophores: Obiecta Animata
Objects are often understood as passive tools designed to serve everyday functions and disappear into daily routines. This exhibition proposes another
perspective: the object as a living presence. Drawing on Krzysztof Pomian’s concept of the semiophore, objects gain meaning when removed from use and
placed on display. In this moment, their function is suspended and their symbolic value emerges. Here, the works become Obiecta Animata—objects activated
through human attention. Their vitality unfolds through three stages: creation by the artist, interpretation by the viewer, and recontextualization by the collector. Through this process, functional forms evolve into collectible design objects that transform ordinary gestures—such as eating, drinking, or storing—into
moments of reflection and experience.
Curated by Oliwia Maria Studio X Curator Bureau
Artists: @ale.zawistowska @obbbio @roman.delorenzo @william.guillon@camille.tan_@stanek.wichlinski
Exhibition design: @kwietnywoz
Photos: @studio.brinth @jacobbrinth
Alcova Milano @alcova.milano
Milan Design Week 2026
Baggio Military Hospital
Via Giovanni Labus, 10
20147 Milano, Italy
We would also like to thank everyone who visited our exhibition and took the time to speak with us - we truly appreciate all the conversations and connections made during this week.
Our participation in Alcova during MDW 2026 was supported by the Adam Mickiewicz Institute @mickiewicz_institute as part of the NetWorks programme, which fosters international exchange and collaboration.
Kolorowe kilimy, amorficzne szkło, wyrafinowane formy z polerowanej stali. Hanna Rydlewska @haniarydlewska, redaktor naczelna „Vogue Polska Living” przemierza tegoroczną wystawę @alcova.milano tropem polskich twórczyń i twórców.
Aurea evokes the moment when solid matter begins to open - revealing a luminous interior held within its core.
Inspired by mineral formations developing within the earth, the piece reflects processes of accumulation, crystallization, and gradual unveiling, where what is hidden becomes softly present.
📹 @rasiu

Ylve,
bespoke piece
A console created for a client from Milan, who discovered our work during last year’s Romantic Brutalism exhibition.
A continuation of Ylva, reimagined as a bespoke piece within a new, site-specific context.
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Usługa jest bezpłatna.
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis