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Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

Performance from @jamesblake capped off a nice moment for the team at Stone Island’s “No Seasons” presentation at Milan Design Week.

Sound was delivered through the Friendly Pressure: Studio One system, originally unveiled at Capsule Plaza for Milan Design Week 2025 and reissued for 2026 with a patinated metal horn and faceplate, while retuned for enhanced clarity and depth.

Designed by Friendly Pressure in collaboration with London sound engineer Bosco Taylor, the system and its Unity Horn technology enable multiple frequencies to converge into a single coherent source, ensuring an emotional sound experience that remains both precise and immersive.

We’re super proud of this system, and glad people can continue to experience it in unique ways.

#FriendlyPressure #StoneIsland

The FP-Y210 Loudspeaker is the culmination of five years of research and development.

Built around our own infilled Yuichi Bi-Radial horn, this model adopts the classic style of a highly sensitive speaker, yet is loaded with heavyweight punch from numerous iterations in crossover design, horn augmentation and Friendly Pressure tuning.

Low-end is dealt with using a 10“ Driver with a hard pressed vented paper cone, producing well rounded bass-weight tuned to 33Hz by a flared 3D-Printed port on the rear of the cabinet. Remaining mid range and high frequencies come from a 1.75” voice coil compression driver, coupled to the Bi-Radial Yuichi, covering all angles of listening.

A pair of Y210s is trusted to supply the house party with serious vibration, with a slight risk of complaints from the neighbours.

See the full specs online at friendlypressure.studio

The FP-Y210 Loudspeaker is the culmination of five years of research and development.

Built around our own infilled Yuichi Bi-Radial horn, this model adopts the classic style of a highly sensitive speaker, yet is loaded with heavyweight punch from numerous iterations in crossover design, horn augmentation and Friendly Pressure tuning.

Low-end is dealt with using a 10“ Driver with a hard pressed vented paper cone, producing well rounded bass-weight tuned to 33Hz by a flared 3D-Printed port on the rear of the cabinet. Remaining mid range and high frequencies come from a 1.75” voice coil compression driver, coupled to the Bi-Radial Yuichi, covering all angles of listening.

A pair of Y210s is trusted to supply the house party with serious vibration, with a slight risk of complaints from the neighbours.

See the full specs online at friendlypressure.studio

The FP-Y210 Loudspeaker is the culmination of five years of research and development.

Built around our own infilled Yuichi Bi-Radial horn, this model adopts the classic style of a highly sensitive speaker, yet is loaded with heavyweight punch from numerous iterations in crossover design, horn augmentation and Friendly Pressure tuning.

Low-end is dealt with using a 10“ Driver with a hard pressed vented paper cone, producing well rounded bass-weight tuned to 33Hz by a flared 3D-Printed port on the rear of the cabinet. Remaining mid range and high frequencies come from a 1.75” voice coil compression driver, coupled to the Bi-Radial Yuichi, covering all angles of listening.

A pair of Y210s is trusted to supply the house party with serious vibration, with a slight risk of complaints from the neighbours.

See the full specs online at friendlypressure.studio

The FP-Y210 Loudspeaker is the culmination of five years of research and development.

Built around our own infilled Yuichi Bi-Radial horn, this model adopts the classic style of a highly sensitive speaker, yet is loaded with heavyweight punch from numerous iterations in crossover design, horn augmentation and Friendly Pressure tuning.

Low-end is dealt with using a 10“ Driver with a hard pressed vented paper cone, producing well rounded bass-weight tuned to 33Hz by a flared 3D-Printed port on the rear of the cabinet. Remaining mid range and high frequencies come from a 1.75” voice coil compression driver, coupled to the Bi-Radial Yuichi, covering all angles of listening.

A pair of Y210s is trusted to supply the house party with serious vibration, with a slight risk of complaints from the neighbours.

See the full specs online at friendlypressure.studio

The FP-Y210 Loudspeaker is the culmination of five years of research and development.

Built around our own infilled Yuichi Bi-Radial horn, this model adopts the classic style of a highly sensitive speaker, yet is loaded with heavyweight punch from numerous iterations in crossover design, horn augmentation and Friendly Pressure tuning.

Low-end is dealt with using a 10“ Driver with a hard pressed vented paper cone, producing well rounded bass-weight tuned to 33Hz by a flared 3D-Printed port on the rear of the cabinet. Remaining mid range and high frequencies come from a 1.75” voice coil compression driver, coupled to the Bi-Radial Yuichi, covering all angles of listening.

A pair of Y210s is trusted to supply the house party with serious vibration, with a slight risk of complaints from the neighbours.

See the full specs online at friendlypressure.studio

Bespoke Friendly Pressure system for the Spotify Lossless Listening Lounge in London, made in collaboration with @cake.architecture and @_bourdeau

Four-way aluminum-clad cabinets with with sand-damped legs, TAD-4001 Alnico Compression Driver, proprietary FP resin SEOS horn, Supravox Alnico 15” bass drivers, Supravox Alnico 10” mid driver and Fostex T500A Super Tweeter.

Designed and assembled by the Friendly Pressure team in London.

📸 @felixspeller

Bespoke Friendly Pressure system for the Spotify Lossless Listening Lounge in London, made in collaboration with @cake.architecture and @_bourdeau

Four-way aluminum-clad cabinets with with sand-damped legs, TAD-4001 Alnico Compression Driver, proprietary FP resin SEOS horn, Supravox Alnico 15” bass drivers, Supravox Alnico 10” mid driver and Fostex T500A Super Tweeter.

Designed and assembled by the Friendly Pressure team in London.

📸 @felixspeller

Bespoke Friendly Pressure system for the Spotify Lossless Listening Lounge in London, made in collaboration with @cake.architecture and @_bourdeau

Four-way aluminum-clad cabinets with with sand-damped legs, TAD-4001 Alnico Compression Driver, proprietary FP resin SEOS horn, Supravox Alnico 15” bass drivers, Supravox Alnico 10” mid driver and Fostex T500A Super Tweeter.

Designed and assembled by the Friendly Pressure team in London.

📸 @felixspeller

Bespoke Friendly Pressure system for the Spotify Lossless Listening Lounge in London, made in collaboration with @cake.architecture and @_bourdeau

Four-way aluminum-clad cabinets with with sand-damped legs, TAD-4001 Alnico Compression Driver, proprietary FP resin SEOS horn, Supravox Alnico 15” bass drivers, Supravox Alnico 10” mid driver and Fostex T500A Super Tweeter.

Designed and assembled by the Friendly Pressure team in London.

📸 @felixspeller

Bespoke Friendly Pressure system for the Spotify Lossless Listening Lounge in London, made in collaboration with @cake.architecture and @_bourdeau

Four-way aluminum-clad cabinets with with sand-damped legs, TAD-4001 Alnico Compression Driver, proprietary FP resin SEOS horn, Supravox Alnico 15” bass drivers, Supravox Alnico 10” mid driver and Fostex T500A Super Tweeter.

Designed and assembled by the Friendly Pressure team in London.

📸 @felixspeller

Bespoke Friendly Pressure system for the Spotify Lossless Listening Lounge in London, made in collaboration with @cake.architecture and @_bourdeau

Four-way aluminum-clad cabinets with with sand-damped legs, TAD-4001 Alnico Compression Driver, proprietary FP resin SEOS horn, Supravox Alnico 15” bass drivers, Supravox Alnico 10” mid driver and Fostex T500A Super Tweeter.

Designed and assembled by the Friendly Pressure team in London.

📸 @felixspeller

The Full Colour Loudspeaker Series is live now on our new webshop.

The FP-Pickney is the junior of the family.

In patois, “Pickney” means child, and with a smaller footprint than traditional large-format loudspeakers, the FP-Pickney (PN1) brings bold, dynamic soundto a compact and versatile form.

At the heart of the Pickney sound is an Egyptian Papyrus bass driver and our signature waveguide. Designed to accentuate a traditional tweeter, we broaden the soundstage and enhance dynamics, delivering the rich, articulate horn sound that defines our entire FP range.

Each FP-PN1 loudspeaker is designed, developed, hand-assembled, and finished in London.

Online at friendlypressure.studio

Photography @sirui.ma

The Full Colour Loudspeaker Series is live now on our new webshop.

The FP-Pickney is the junior of the family.

In patois, “Pickney” means child, and with a smaller footprint than traditional large-format loudspeakers, the FP-Pickney (PN1) brings bold, dynamic soundto a compact and versatile form.

At the heart of the Pickney sound is an Egyptian Papyrus bass driver and our signature waveguide. Designed to accentuate a traditional tweeter, we broaden the soundstage and enhance dynamics, delivering the rich, articulate horn sound that defines our entire FP range.

Each FP-PN1 loudspeaker is designed, developed, hand-assembled, and finished in London.

Online at friendlypressure.studio

Photography @sirui.ma

The Full Colour Loudspeaker Series is live now on our new webshop.

The FP-Pickney is the junior of the family.

In patois, “Pickney” means child, and with a smaller footprint than traditional large-format loudspeakers, the FP-Pickney (PN1) brings bold, dynamic soundto a compact and versatile form.

At the heart of the Pickney sound is an Egyptian Papyrus bass driver and our signature waveguide. Designed to accentuate a traditional tweeter, we broaden the soundstage and enhance dynamics, delivering the rich, articulate horn sound that defines our entire FP range.

Each FP-PN1 loudspeaker is designed, developed, hand-assembled, and finished in London.

Online at friendlypressure.studio

Photography @sirui.ma

The Full Colour Loudspeaker Series is live now on our new webshop.

The FP-Pickney is the junior of the family.

In patois, “Pickney” means child, and with a smaller footprint than traditional large-format loudspeakers, the FP-Pickney (PN1) brings bold, dynamic soundto a compact and versatile form.

At the heart of the Pickney sound is an Egyptian Papyrus bass driver and our signature waveguide. Designed to accentuate a traditional tweeter, we broaden the soundstage and enhance dynamics, delivering the rich, articulate horn sound that defines our entire FP range.

Each FP-PN1 loudspeaker is designed, developed, hand-assembled, and finished in London.

Online at friendlypressure.studio

Photography @sirui.ma

The Full Colour Loudspeaker Series is live now on our new webshop.

The FP-Pickney is the junior of the family.

In patois, “Pickney” means child, and with a smaller footprint than traditional large-format loudspeakers, the FP-Pickney (PN1) brings bold, dynamic soundto a compact and versatile form.

At the heart of the Pickney sound is an Egyptian Papyrus bass driver and our signature waveguide. Designed to accentuate a traditional tweeter, we broaden the soundstage and enhance dynamics, delivering the rich, articulate horn sound that defines our entire FP range.

Each FP-PN1 loudspeaker is designed, developed, hand-assembled, and finished in London.

Online at friendlypressure.studio

Photography @sirui.ma

The Full Colour Loudspeaker Series is live now on our new webshop.

The FP-Pickney is the junior of the family.

In patois, “Pickney” means child, and with a smaller footprint than traditional large-format loudspeakers, the FP-Pickney (PN1) brings bold, dynamic soundto a compact and versatile form.

At the heart of the Pickney sound is an Egyptian Papyrus bass driver and our signature waveguide. Designed to accentuate a traditional tweeter, we broaden the soundstage and enhance dynamics, delivering the rich, articulate horn sound that defines our entire FP range.

Each FP-PN1 loudspeaker is designed, developed, hand-assembled, and finished in London.

Online at friendlypressure.studio

Photography @sirui.ma

We’re proud to announce our new webshop and speaker line, the Full Colour Stereo Series, going live this week.

With these standardized loudspeaker models, we set out to rekindle the lively city-scenes of backyard barbecues in full swing. Doors and windows flung wide open, Dad’s speakers blasting the likes of Wookie and Marvin Gaye, with family and friends flooding in through the front door and neighbours congregating over the back fences. The name itself embodies the essence of our quest: full colour, high vibrations. 

Each loudspeaker is designed, developed, hand-assembled, and finished in London.

Visit friendlypressure.studio to sign up for launch info and full specs.

We’re proud to announce our new webshop and speaker line, the Full Colour Stereo Series, going live this week.

With these standardized loudspeaker models, we set out to rekindle the lively city-scenes of backyard barbecues in full swing. Doors and windows flung wide open, Dad’s speakers blasting the likes of Wookie and Marvin Gaye, with family and friends flooding in through the front door and neighbours congregating over the back fences. The name itself embodies the essence of our quest: full colour, high vibrations. 

Each loudspeaker is designed, developed, hand-assembled, and finished in London.

Visit friendlypressure.studio to sign up for launch info and full specs.

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

A glimpse of our latest standardised model, the FP-Y210, the FP-Turntable, some developments around the studio, some bespoke work and a bit of fun in between

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Our new earform monogram logo, hand-drawn by @gang.box , the first of many exciting things coming early in 2026.

We can’t wait to share the rest with you. Happy holidays in the meantime.

#FriendlyPressure

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Hi-fi or PA, what actually is it?

Happy to say that after a year and a half, we’ve taken our system to a whole new level at our ground zero space for r&d and fun.

It started with a desire to really create a hifi bar where no detail from stylus to speakers was lost in the signal chain. To the sparky’s disdain we ran twisted 12 gauge cable the length of the venue to each speaker, avoiding any power points or cables.

We started with high end class a/b amps which at the beginning were great, but because of the incredible acoustics from @_bourdeau , we realised around this time last year that we could push the spl a bit more while staying within the council db limits. It was a blessing and a curse, because a system that worked so well for your typical mid week programming, always ended up clipping at peak moments when the dancefloor was packed on a Friday or Saturday.

So we tried some class D amps and as expected all the soul was lost. The compromise was to stickto our class a/b amps as the gains of detail were above that kick clipping when a DJ pushed the master a little too much. After all it was supposed to be a hifi bar and not a club, and when DJs behaved it worked so well.

We knew what the solution could be, it just came at a cost. So just before summer I bought a couple of different Bryston’s to test in varying settings to see how they handled our speakers. We weren’t just surprised, we were blown away.

We’ve now installed Bryston’s in tandem with the best sounding class D NAD amplifier to cover the dance-floor, and it was an absolute joy to listen to in the space last weekend.

The funniest thing is that this is the OG way to build and tune any system - understand it as it grows, find out who it is with different genres around different people. This is the way generations before me learnt how to make their boxes sound bigger and tighter, to bring more people together, just like the Japanese man tweaking his system to squeeze every last drop out of his favorite jazz records. It’s all connected and not one or the other.

So thanks to @spacetalk.ldn again for creating a space to feel and learn. We hope you get a chance to hear.

#AnotherStoryWithShiv

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Studio crew applying #FriendlyPressure

A recap of bespoke works from the last little while:

@deathmaskmerchandise FP398 in studded, stitched and de-bossed leather, chemical etched stainless steel face

@stoneisland FPY398 engineered veneer, guildedbi-radial horn

@noisyoyster.london FP395 black stained oak, brushed aluminium faceplates

@thelncc FP212 coaxial with proprietary resin horn, redesigned crossover, active hypex amplifier

@saltsalonlondon roboformed galvanised steel

Thanks to our friends and supporters as always. 🫶🏾

Online store is coming soon!

Friendly Pressure sound for the incredible @devhynes album listening in Barking, East London.

Blood Orange - Essex Honey is out today.

Thank you @devhynes
MGMT @malcolm.club2
EVENT PROD @heyjoco

Friendly Pressure sound for the incredible @devhynes album listening in Barking, East London.

Blood Orange - Essex Honey is out today.

Thank you @devhynes
MGMT @malcolm.club2
EVENT PROD @heyjoco

Friendly Pressure sound for the incredible @devhynes album listening in Barking, East London.

Blood Orange - Essex Honey is out today.

Thank you @devhynes
MGMT @malcolm.club2
EVENT PROD @heyjoco

Friendly Pressure sound for the incredible @devhynes album listening in Barking, East London.

Blood Orange - Essex Honey is out today.

Thank you @devhynes
MGMT @malcolm.club2
EVENT PROD @heyjoco

Friendly Pressure sound for the incredible @devhynes album listening in Barking, East London.

Blood Orange - Essex Honey is out today.

Thank you @devhynes
MGMT @malcolm.club2
EVENT PROD @heyjoco

Friendly Pressure sound for the incredible @devhynes album listening in Barking, East London.

Blood Orange - Essex Honey is out today.

Thank you @devhynes
MGMT @malcolm.club2
EVENT PROD @heyjoco

SALT Salon

@saltsalonlondon has a second home in London’s historic Borough Market. SALT Salon sees the transformation of a Victorian storehouse into a highly crafted listening environment, where hairdressing rituals are shaped by sound and club culture. The project creates a new, experience-led 3-storey sonic salon on Stoney Street.

The bespoke joinery and all specialist metal roboforming for this particular project was designed and developed by Unknown Works and fabricated using salvaged metal and shelves from Blythe House; the storage facility previously used by the V&A, Science Museum and British Museum.

Architect and Lead Design: @unknown.works
Loudspeaker and Sound: @friendly.pressure
Structure: @something.studio
Contractor: @sgshopfitters
Furniture: @twentytwentyone
Photography: @henrywoide

SALT Salon

@saltsalonlondon has a second home in London’s historic Borough Market. SALT Salon sees the transformation of a Victorian storehouse into a highly crafted listening environment, where hairdressing rituals are shaped by sound and club culture. The project creates a new, experience-led 3-storey sonic salon on Stoney Street.

The bespoke joinery and all specialist metal roboforming for this particular project was designed and developed by Unknown Works and fabricated using salvaged metal and shelves from Blythe House; the storage facility previously used by the V&A, Science Museum and British Museum.

Architect and Lead Design: @unknown.works
Loudspeaker and Sound: @friendly.pressure
Structure: @something.studio
Contractor: @sgshopfitters
Furniture: @twentytwentyone
Photography: @henrywoide

SALT Salon

@saltsalonlondon has a second home in London’s historic Borough Market. SALT Salon sees the transformation of a Victorian storehouse into a highly crafted listening environment, where hairdressing rituals are shaped by sound and club culture. The project creates a new, experience-led 3-storey sonic salon on Stoney Street.

The bespoke joinery and all specialist metal roboforming for this particular project was designed and developed by Unknown Works and fabricated using salvaged metal and shelves from Blythe House; the storage facility previously used by the V&A, Science Museum and British Museum.

Architect and Lead Design: @unknown.works
Loudspeaker and Sound: @friendly.pressure
Structure: @something.studio
Contractor: @sgshopfitters
Furniture: @twentytwentyone
Photography: @henrywoide

SALT Salon

@saltsalonlondon has a second home in London’s historic Borough Market. SALT Salon sees the transformation of a Victorian storehouse into a highly crafted listening environment, where hairdressing rituals are shaped by sound and club culture. The project creates a new, experience-led 3-storey sonic salon on Stoney Street.

The bespoke joinery and all specialist metal roboforming for this particular project was designed and developed by Unknown Works and fabricated using salvaged metal and shelves from Blythe House; the storage facility previously used by the V&A, Science Museum and British Museum.

Architect and Lead Design: @unknown.works
Loudspeaker and Sound: @friendly.pressure
Structure: @something.studio
Contractor: @sgshopfitters
Furniture: @twentytwentyone
Photography: @henrywoide

SALT Salon

@saltsalonlondon has a second home in London’s historic Borough Market. SALT Salon sees the transformation of a Victorian storehouse into a highly crafted listening environment, where hairdressing rituals are shaped by sound and club culture. The project creates a new, experience-led 3-storey sonic salon on Stoney Street.

The bespoke joinery and all specialist metal roboforming for this particular project was designed and developed by Unknown Works and fabricated using salvaged metal and shelves from Blythe House; the storage facility previously used by the V&A, Science Museum and British Museum.

Architect and Lead Design: @unknown.works
Loudspeaker and Sound: @friendly.pressure
Structure: @something.studio
Contractor: @sgshopfitters
Furniture: @twentytwentyone
Photography: @henrywoide

SALT Salon

@saltsalonlondon has a second home in London’s historic Borough Market. SALT Salon sees the transformation of a Victorian storehouse into a highly crafted listening environment, where hairdressing rituals are shaped by sound and club culture. The project creates a new, experience-led 3-storey sonic salon on Stoney Street.

The bespoke joinery and all specialist metal roboforming for this particular project was designed and developed by Unknown Works and fabricated using salvaged metal and shelves from Blythe House; the storage facility previously used by the V&A, Science Museum and British Museum.

Architect and Lead Design: @unknown.works
Loudspeaker and Sound: @friendly.pressure
Structure: @something.studio
Contractor: @sgshopfitters
Furniture: @twentytwentyone
Photography: @henrywoide

SALT Salon

@saltsalonlondon has a second home in London’s historic Borough Market. SALT Salon sees the transformation of a Victorian storehouse into a highly crafted listening environment, where hairdressing rituals are shaped by sound and club culture. The project creates a new, experience-led 3-storey sonic salon on Stoney Street.

The bespoke joinery and all specialist metal roboforming for this particular project was designed and developed by Unknown Works and fabricated using salvaged metal and shelves from Blythe House; the storage facility previously used by the V&A, Science Museum and British Museum.

Architect and Lead Design: @unknown.works
Loudspeaker and Sound: @friendly.pressure
Structure: @something.studio
Contractor: @sgshopfitters
Furniture: @twentytwentyone
Photography: @henrywoide

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig

Back Home / I am … I Said by @alvarobarrington at @sadiecoleshq featuring @tiffanycalver @naima_nefertari and Friendly Pressure

The first FP-398 001’s featured as part of the sonic installation at the centre of the exhibition. It’s all come and gone so quickly but the feeling and connection has lasted.

I’ve mentioned this on here before but a lot of the development of Friendly Pressure has been serendipitous, right place right time kinda vibe.

As was this link up between myself and Alvaro. I mentioned to a mutual friend of ours @ajputman that id really like to meet him, having been been lucky enough to see his work in print and read an article about how much his work was rooted in his Carribean experience. At that time I was a week away from going back to Jamaica with my family to go and find my grandmothers grave. When I followed up with Alex he came backwith a date that happened to be the day before I left. It was tight but it had to be done.

I turned up a little early to Alvaro’s studio in Whitechapel to be greeted warmly by Dorus who was handling some 6ft tall paintings of sunsets and was directed upstairs. Typically as I do, I walked straight to what looked like Alvaro’s office, saw him inside and politely knocked and announced… “hey its Shivas the speaker guy”. He looked up with an endearing smile and proceeded to show me around what was a school and what he eventually wants to return to being an education center. We then sat with his team for a Maroush lunch, discussed the forthcoming exhibition which he needed sound for, and I of course said “I gotchu”.

The meeting ended with him playing “I am… I Said” by Mikey Spice, the song that inspired the title of his exhibition. 5 days later myself and my family were sat having dinner at a random hotel in Portland and the live-band played that exact version. I chalked it up to the stars, and the power of sharing music.

Since then working with his team has been nothing less than a privilege. We all know what we can do together, and that purpose will drive what comes next.

#storytimewithshiv

s/o 🫶🏾
@natnusheh
@celestekdoig