
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Usługa jest bezpłatna.
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis