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Our latest work Substrate (2025) is showing at @theprivatemuseum until 7th of December this year. We are super grateful for Deborah @deborah.lim for curating and inviting us to contribute to this mega show! 6 curators and 60 artists coming together to reflect on the Singapore spirit.

If you want to read more of Deborah’s writing as shown in the 5th image, click the link in our bio to download the exhibition’s e-publication.

Image courtesy of The Private Museum, Singapore
Image credits: Studio W Photography

Our latest work Substrate (2025) is showing at @theprivatemuseum until 7th of December this year. We are super grateful for Deborah @deborah.lim for curating and inviting us to contribute to this mega show! 6 curators and 60 artists coming together to reflect on the Singapore spirit.

If you want to read more of Deborah’s writing as shown in the 5th image, click the link in our bio to download the exhibition’s e-publication.

Image courtesy of The Private Museum, Singapore
Image credits: Studio W Photography

Our latest work Substrate (2025) is showing at @theprivatemuseum until 7th of December this year. We are super grateful for Deborah @deborah.lim for curating and inviting us to contribute to this mega show! 6 curators and 60 artists coming together to reflect on the Singapore spirit.

If you want to read more of Deborah’s writing as shown in the 5th image, click the link in our bio to download the exhibition’s e-publication.

Image courtesy of The Private Museum, Singapore
Image credits: Studio W Photography

Our latest work Substrate (2025) is showing at @theprivatemuseum until 7th of December this year. We are super grateful for Deborah @deborah.lim for curating and inviting us to contribute to this mega show! 6 curators and 60 artists coming together to reflect on the Singapore spirit.

If you want to read more of Deborah’s writing as shown in the 5th image, click the link in our bio to download the exhibition’s e-publication.

Image courtesy of The Private Museum, Singapore
Image credits: Studio W Photography

Our latest work Substrate (2025) is showing at @theprivatemuseum until 7th of December this year. We are super grateful for Deborah @deborah.lim for curating and inviting us to contribute to this mega show! 6 curators and 60 artists coming together to reflect on the Singapore spirit.

If you want to read more of Deborah’s writing as shown in the 5th image, click the link in our bio to download the exhibition’s e-publication.

Image courtesy of The Private Museum, Singapore
Image credits: Studio W Photography

Our latest work Substrate (2025) is showing at @theprivatemuseum until 7th of December this year. We are super grateful for Deborah @deborah.lim for curating and inviting us to contribute to this mega show! 6 curators and 60 artists coming together to reflect on the Singapore spirit.

If you want to read more of Deborah’s writing as shown in the 5th image, click the link in our bio to download the exhibition’s e-publication.

Image courtesy of The Private Museum, Singapore
Image credits: Studio W Photography

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

𝚊𝚗 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚖𝚎𝚗𝚝 𝚘𝚏/𝚏𝚘𝚛 𝚛𝚊𝚗𝚍𝚘𝚖 𝚠𝚘𝚛𝚍𝚜 by SMU Libraries Artist-in-Residence @joandkapi continues at SMU de Suantio Gallery till Sunday 13 April.

The exhibition responds to this era of generated text where words are scraped, clustered, tokenized, and recombined at scale. Words are no longer chosen so much as they are predicted. And meaning becomes increasingly difficult to hold onto.

The central screen-based installation is 𝐄𝐧𝐳𝐲𝐦𝐞 𝟐.𝟎, an automated system which consumes an artist’s manifesto word by word, breaking it down into characters and tokens. In the process, it begins to undo the very encodings designed to digitally render text, revealing the underlying structures that shape how Large Language Models (LLMs) operate. Some fragments are lost entirely, while others return altered, hallucinated by the very system that erased them. The result is an interface for loss: slow, recursive, and partial. Nearby, a projected latent space visualises the algorithm’s internal state, offering a cartography with no fixed reference point. Further in, a bookshelf holds texts that have shaped the development of the work, spanning Borges to blockchain, from linguistic theory to speculative fiction.

The exhibition invites visitors to reflect on how language behaves when it begins to slip — and to notice what flickers into coherence, if only for a moment.

@joandkapi is a creative collaboration between media artists and creative technologists Jo Ho and Kapilan Naidu. Founded in 2021, the Singapore-based collective creates and curates interactive experiences and media art exhibitions that reflect their shared interests in generative systems, artificial intelligence and the shifting conditions of digital art in the 21st century.

Exhibition is open 12pm-8pm daily till Sunday 13 April.
#linkinbio for more details

📷 @thekytstudio

#SMUArtResidency #SMUArtCollection
#SMULibraries
#sgSMU #Opentoall

[ hearth ] Meet (from L to R): Jo Ho, Kapilan Naidu, Aditi Neti, Chok Si Xuan, and Tisya Wong—the curators and artists behind “Sorry for the Technical Difficulties”, an exhibition that celebrated the glitches, malfunctions, and unexpected twists that arise when working closely with technology. The show concluded after the weekend, and we are glad to have had the opportunity to host this engaging series of works.

Founded in 2021, the Singapore-based collective jo+kapi, led by creative technologists Jo Ho and Kapilan Naidu, curated this immersive exhibition to explore the evolving role of digital art, from questions of ownership to creative agency within AI. The artists brought together for the show shared their unique perspectives—from interactive installations and cybernetic-inspired works to digital sculpture and playful AR explorations—each reimagining technology as a surprising partner in the creative process.

The exhibition was a triumph on many levels, with impeccable curation and installation that allowed each artist’s work to shine. From thought-provoking concepts to technically impressive executions, the show highlighted the collective’s ability to push boundaries while creating a cohesive and deeply engaging experience. We look forward to seeing how these practitioners continue to innovate and challenge perceptions of technology in art.

Not pictured: Arcaneomorph (JJ Low), Darius Ou, and samson.

[ hearth ] Meet (from L to R): Jo Ho, Kapilan Naidu, Aditi Neti, Chok Si Xuan, and Tisya Wong—the curators and artists behind “Sorry for the Technical Difficulties”, an exhibition that celebrated the glitches, malfunctions, and unexpected twists that arise when working closely with technology. The show concluded after the weekend, and we are glad to have had the opportunity to host this engaging series of works.

Founded in 2021, the Singapore-based collective jo+kapi, led by creative technologists Jo Ho and Kapilan Naidu, curated this immersive exhibition to explore the evolving role of digital art, from questions of ownership to creative agency within AI. The artists brought together for the show shared their unique perspectives—from interactive installations and cybernetic-inspired works to digital sculpture and playful AR explorations—each reimagining technology as a surprising partner in the creative process.

The exhibition was a triumph on many levels, with impeccable curation and installation that allowed each artist’s work to shine. From thought-provoking concepts to technically impressive executions, the show highlighted the collective’s ability to push boundaries while creating a cohesive and deeply engaging experience. We look forward to seeing how these practitioners continue to innovate and challenge perceptions of technology in art.

Not pictured: Arcaneomorph (JJ Low), Darius Ou, and samson.

[ hearth ] Meet (from L to R): Jo Ho, Kapilan Naidu, Aditi Neti, Chok Si Xuan, and Tisya Wong—the curators and artists behind “Sorry for the Technical Difficulties”, an exhibition that celebrated the glitches, malfunctions, and unexpected twists that arise when working closely with technology. The show concluded after the weekend, and we are glad to have had the opportunity to host this engaging series of works.

Founded in 2021, the Singapore-based collective jo+kapi, led by creative technologists Jo Ho and Kapilan Naidu, curated this immersive exhibition to explore the evolving role of digital art, from questions of ownership to creative agency within AI. The artists brought together for the show shared their unique perspectives—from interactive installations and cybernetic-inspired works to digital sculpture and playful AR explorations—each reimagining technology as a surprising partner in the creative process.

The exhibition was a triumph on many levels, with impeccable curation and installation that allowed each artist’s work to shine. From thought-provoking concepts to technically impressive executions, the show highlighted the collective’s ability to push boundaries while creating a cohesive and deeply engaging experience. We look forward to seeing how these practitioners continue to innovate and challenge perceptions of technology in art.

Not pictured: Arcaneomorph (JJ Low), Darius Ou, and samson.

[ hearth ] Meet (from L to R): Jo Ho, Kapilan Naidu, Aditi Neti, Chok Si Xuan, and Tisya Wong—the curators and artists behind “Sorry for the Technical Difficulties”, an exhibition that celebrated the glitches, malfunctions, and unexpected twists that arise when working closely with technology. The show concluded after the weekend, and we are glad to have had the opportunity to host this engaging series of works.

Founded in 2021, the Singapore-based collective jo+kapi, led by creative technologists Jo Ho and Kapilan Naidu, curated this immersive exhibition to explore the evolving role of digital art, from questions of ownership to creative agency within AI. The artists brought together for the show shared their unique perspectives—from interactive installations and cybernetic-inspired works to digital sculpture and playful AR explorations—each reimagining technology as a surprising partner in the creative process.

The exhibition was a triumph on many levels, with impeccable curation and installation that allowed each artist’s work to shine. From thought-provoking concepts to technically impressive executions, the show highlighted the collective’s ability to push boundaries while creating a cohesive and deeply engaging experience. We look forward to seeing how these practitioners continue to innovate and challenge perceptions of technology in art.

Not pictured: Arcaneomorph (JJ Low), Darius Ou, and samson.

[ hearth ] Meet (from L to R): Jo Ho, Kapilan Naidu, Aditi Neti, Chok Si Xuan, and Tisya Wong—the curators and artists behind “Sorry for the Technical Difficulties”, an exhibition that celebrated the glitches, malfunctions, and unexpected twists that arise when working closely with technology. The show concluded after the weekend, and we are glad to have had the opportunity to host this engaging series of works.

Founded in 2021, the Singapore-based collective jo+kapi, led by creative technologists Jo Ho and Kapilan Naidu, curated this immersive exhibition to explore the evolving role of digital art, from questions of ownership to creative agency within AI. The artists brought together for the show shared their unique perspectives—from interactive installations and cybernetic-inspired works to digital sculpture and playful AR explorations—each reimagining technology as a surprising partner in the creative process.

The exhibition was a triumph on many levels, with impeccable curation and installation that allowed each artist’s work to shine. From thought-provoking concepts to technically impressive executions, the show highlighted the collective’s ability to push boundaries while creating a cohesive and deeply engaging experience. We look forward to seeing how these practitioners continue to innovate and challenge perceptions of technology in art.

Not pictured: Arcaneomorph (JJ Low), Darius Ou, and samson.

[ hearth ] Meet Jo Ho and Kapilan Naidu, the creative minds behind “Sorry for the Technical Difficulties” showing at Art Outreach from 8 – 17 November 2024. As jo+kapi, this curatorial duo explores generative art, AI, and digital transformations in art creation and experience.

In this reel, they share what’s in store at the exhibition: from glitchy screens to fragmented 3D-prints, you’ll be greeted by the works of Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong that celebrate the unexpected moments when technology misbehaves. Here, glitches aren’t failures—they’re expressions of art. Join us as technology’s flaws create new opportunities for creativity and innovation.

We hope to see you at the show before it ends this Sunday!

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

[ hearth ] Showing from 8 – 17 November 2024 at Art Outreach, “Sorry for the Technical Difficulties” transformed the space into one that reveals the intricacies of turning glitches, faults, and tech ‘errors’ into an immersive exploration of creativity.

Curated by jo+kapi, this exhibition brings together works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong. Through kinetic installations and repurposed devices, the artists blur the boundaries between physical and virtual, revealing technology as more than a tool—an unpredictable collaborator that actively shapes the creative process.

Catch these intriguing pieces in person and witness how flaws become fuel for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

@joandkapi
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

We are extremely excited to be collaborating with our friends from @feelers_feelers to kick off 𝔹𝕦𝕘 𝕄𝕠𝕟𝕥𝕙—starting with 𝐁𝐫𝐢𝐧𝐠 𝐘𝐨𝐮𝐫 𝐎𝐰𝐧 𝐁𝐮𝐠 𝐒𝐩𝐫𝐚𝐲, a speculative writing workshop that responds to the themes in ᦓꪮ᥅᥅ꪗ ꜰᴏʀ the Շєςђภเςคɭ DıʄʄıƈųƖɬıɛʂ. No prerequisite knowledge required. It’s going to be a fun time and it is happening this Saturday!

𝟭𝟲 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿
Bring Your Own Bug Spray, 3pm
$𝟻 𝚙𝚎𝚛 𝚊𝚝𝚝𝚎𝚗𝚍𝚎𝚎, 𝚕𝚒𝚗𝚔 𝚒𝚗 𝚋𝚒𝚘
⁣
The exhibition features works from⁣
@arcaneomorph
@sixuannn
@functionditi
@darius_ou
@samson.img
@twng_

#art #newmedia #exhibition #artistsoninstagram #digitalart #techart #events #artevents #workshop #opening #sgart #artsg

[ hearth ] Are we truly in control of our digital tools, or are we being guided by them in unforeseen directions?

In a world where technology promises precision, “Sorry for the Technical Difficulties” turns this expectation on its head, celebrating the glitches, malfunctions, and unintended consequences that may arise when working closely with machines. Rather than treating these moments as failures, the exhibition embraces them—transforming misbehaving systems and unpredictable outcomes into compelling works of art.

Featuring works by Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong and curated by the collective duo Jo + Kapi, the exhibition showcases works where technology’s flaws create space for exploration. From glitchy screens and malfunctioning objects to fragmented 3D-prints and algorithmic inconsistencies, each piece turns a flaw into an opportunity, redefining what it means to collaborate with technology.

Showing from 8 – 17 Nov 2024 at Art Outreach, this exhibition sheds light on technology’s role not only as a tool but as an active, unpredictable collaborator that influences the creative journey and reshapes the final outcome. Join us to rethink technology’s role in the creative process, and witness art created where failure becomes a catalyst for innovation.

👉Tap the link in our bio for more information.

-

Sorry for the Technical Difficulties
By Aditi Neti, Arcaneomorph (JJ Low), Darius Ou, samson, Chok Si Xuan, and Tisya Wong
Curated by jo+kapi
8 – 17 November 2024 | 11am to 7pm
Art Outreach, 5 Lock Road, #01-06, Gillman Barracks, Singapore 108933

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

ENZYME 1.2 is up at Notes from the Ether for 4 more days! Curated by Deborah Lim and Clara Peh.

Catch it before the exhibition ends this weekend at ArtScience Museum on September 24th.

@kapilan.naidu and I have been working on ENZYME since end of 2021 (still a baby!) and now it's latest version ENZYME 1.2 is up at Art Science Museum until 24 Sept! Please go help it consume 🧚🏻‍♀️

Thanks @claralikesart and @deborah.lim for inviting us to show at Notes from the Ether amongst many many other ✨✨names✨✨

@kapilan.naidu and I have been working on ENZYME since end of 2021 (still a baby!) and now it's latest version ENZYME 1.2 is up at Art Science Museum until 24 Sept! Please go help it consume 🧚🏻‍♀️

Thanks @claralikesart and @deborah.lim for inviting us to show at Notes from the Ether amongst many many other ✨✨names✨✨

@kapilan.naidu and I have been working on ENZYME since end of 2021 (still a baby!) and now it's latest version ENZYME 1.2 is up at Art Science Museum until 24 Sept! Please go help it consume 🧚🏻‍♀️

Thanks @claralikesart and @deborah.lim for inviting us to show at Notes from the Ether amongst many many other ✨✨names✨✨

@kapilan.naidu and I have been working on ENZYME since end of 2021 (still a baby!) and now it's latest version ENZYME 1.2 is up at Art Science Museum until 24 Sept! Please go help it consume 🧚🏻‍♀️

Thanks @claralikesart and @deborah.lim for inviting us to show at Notes from the Ether amongst many many other ✨✨names✨✨

@kapilan.naidu and I have been working on ENZYME since end of 2021 (still a baby!) and now it's latest version ENZYME 1.2 is up at Art Science Museum until 24 Sept! Please go help it consume 🧚🏻‍♀️

Thanks @claralikesart and @deborah.lim for inviting us to show at Notes from the Ether amongst many many other ✨✨names✨✨

@kapilan.naidu and I have been working on ENZYME since end of 2021 (still a baby!) and now it's latest version ENZYME 1.2 is up at Art Science Museum until 24 Sept! Please go help it consume 🧚🏻‍♀️

Thanks @claralikesart and @deborah.lim for inviting us to show at Notes from the Ether amongst many many other ✨✨names✨✨

@kapilan.naidu and I have been working on ENZYME since end of 2021 (still a baby!) and now it's latest version ENZYME 1.2 is up at Art Science Museum until 24 Sept! Please go help it consume 🧚🏻‍♀️

Thanks @claralikesart and @deborah.lim for inviting us to show at Notes from the Ether amongst many many other ✨✨names✨✨