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jongoulder
Jon Goulder
Jon Goulder Studio
Designer / Craftsperson
Handmade Australian design
Private & Trade
Tomorrow night feels special.
We're launching Conversations and celebrating @jongoulder winning the 2026 Melbourne Design Week Award, presented by @mercedesbenzau.
Join us, it's going to be a good one!
Thursday May 14, 6–9pm.
L2, 195 Flinders Lane, Melbourne.
@ngvmelbourne @jongoulder
#melbournedesignweek #MDW #ngv
Alpha60 presents Conversations by Jon Goulder and collaborators, as part of Melbourne Design Week 2026.
Our very own Chapter House will open as a curated design showcase and cultural event space.
Join us for the launch, Thursday May 14, 6–9pm.
L2, 195 Flinders Lane, Melbourne.
More to discover via the link in bio.
@jongoulder
@henrywilliamsstudio
@andrewcarvolth
@craftedhardwoodscom
Images @jvdkphoto
#MelbourneDesignWeek #MDW2026 #Alpha60
Alpha60 presents Conversations by Jon Goulder and collaborators, as part of Melbourne Design Week 2026.
Our very own Chapter House will open as a curated design showcase and cultural event space.
Join us for the launch, Thursday May 14, 6–9pm.
L2, 195 Flinders Lane, Melbourne.
More to discover via the link in bio.
@jongoulder
@henrywilliamsstudio
@andrewcarvolth
@craftedhardwoodscom
Images @jvdkphoto
#MelbourneDesignWeek #MDW2026 #Alpha60
Alpha60 presents Conversations by Jon Goulder and collaborators, as part of Melbourne Design Week 2026.
Our very own Chapter House will open as a curated design showcase and cultural event space.
Join us for the launch, Thursday May 14, 6–9pm.
L2, 195 Flinders Lane, Melbourne.
More to discover via the link in bio.
@jongoulder
@henrywilliamsstudio
@andrewcarvolth
@craftedhardwoodscom
Images @jvdkphoto
#MelbourneDesignWeek #MDW2026 #Alpha60
Alpha60 presents Conversations by Jon Goulder and collaborators, as part of Melbourne Design Week 2026.
Our very own Chapter House will open as a curated design showcase and cultural event space.
Join us for the launch, Thursday May 14, 6–9pm.
L2, 195 Flinders Lane, Melbourne.
More to discover via the link in bio.
@jongoulder
@henrywilliamsstudio
@andrewcarvolth
@craftedhardwoodscom
Images @jvdkphoto
#MelbourneDesignWeek #MDW2026 #Alpha60
Alpha60 presents Conversations by Jon Goulder and collaborators, as part of Melbourne Design Week 2026.
Our very own Chapter House will open as a curated design showcase and cultural event space.
Join us for the launch, Thursday May 14, 6–9pm.
L2, 195 Flinders Lane, Melbourne.
More to discover via the link in bio.
@jongoulder
@henrywilliamsstudio
@andrewcarvolth
@craftedhardwoodscom
Images @jvdkphoto
#MelbourneDesignWeek #MDW2026 #Alpha60
The chair for a restaurant is maybe the most important decision you make when selecting and designing a venue. We literally spent three years looking at chairs. We just couldn’t find the perfect one. John Wardle and I must have spent hundreds of hours discussing chairs. (Sometimes after dinner service… sorry john)
Eventually, after meeting at Melbourne Design Week, we spoke with @jongoulder . We were drawn to his formed-leather work, something we had never really seen applied to dining chairs, especially in a restaurant setting.
Jon then spent over 12 months developing the chair, with many prototypes and rounds of refinement, to create what we think is a masterpiece: the Pavilion Dining Room Chair. Formed leather, plated brass, and Tasmanian Blackwood.
I reckon this chair will become an icon of Australian furniture design in the years to come. Well done, Jon.
Go give him a follow and support Australian makers!
The chair for a restaurant is maybe the most important decision you make when selecting and designing a venue. We literally spent three years looking at chairs. We just couldn’t find the perfect one. John Wardle and I must have spent hundreds of hours discussing chairs. (Sometimes after dinner service… sorry john)
Eventually, after meeting at Melbourne Design Week, we spoke with @jongoulder . We were drawn to his formed-leather work, something we had never really seen applied to dining chairs, especially in a restaurant setting.
Jon then spent over 12 months developing the chair, with many prototypes and rounds of refinement, to create what we think is a masterpiece: the Pavilion Dining Room Chair. Formed leather, plated brass, and Tasmanian Blackwood.
I reckon this chair will become an icon of Australian furniture design in the years to come. Well done, Jon.
Go give him a follow and support Australian makers!
The chair for a restaurant is maybe the most important decision you make when selecting and designing a venue. We literally spent three years looking at chairs. We just couldn’t find the perfect one. John Wardle and I must have spent hundreds of hours discussing chairs. (Sometimes after dinner service… sorry john)
Eventually, after meeting at Melbourne Design Week, we spoke with @jongoulder . We were drawn to his formed-leather work, something we had never really seen applied to dining chairs, especially in a restaurant setting.
Jon then spent over 12 months developing the chair, with many prototypes and rounds of refinement, to create what we think is a masterpiece: the Pavilion Dining Room Chair. Formed leather, plated brass, and Tasmanian Blackwood.
I reckon this chair will become an icon of Australian furniture design in the years to come. Well done, Jon.
Go give him a follow and support Australian makers!
The chair for a restaurant is maybe the most important decision you make when selecting and designing a venue. We literally spent three years looking at chairs. We just couldn’t find the perfect one. John Wardle and I must have spent hundreds of hours discussing chairs. (Sometimes after dinner service… sorry john)
Eventually, after meeting at Melbourne Design Week, we spoke with @jongoulder . We were drawn to his formed-leather work, something we had never really seen applied to dining chairs, especially in a restaurant setting.
Jon then spent over 12 months developing the chair, with many prototypes and rounds of refinement, to create what we think is a masterpiece: the Pavilion Dining Room Chair. Formed leather, plated brass, and Tasmanian Blackwood.
I reckon this chair will become an icon of Australian furniture design in the years to come. Well done, Jon.
Go give him a follow and support Australian makers!
The chair for a restaurant is maybe the most important decision you make when selecting and designing a venue. We literally spent three years looking at chairs. We just couldn’t find the perfect one. John Wardle and I must have spent hundreds of hours discussing chairs. (Sometimes after dinner service… sorry john)
Eventually, after meeting at Melbourne Design Week, we spoke with @jongoulder . We were drawn to his formed-leather work, something we had never really seen applied to dining chairs, especially in a restaurant setting.
Jon then spent over 12 months developing the chair, with many prototypes and rounds of refinement, to create what we think is a masterpiece: the Pavilion Dining Room Chair. Formed leather, plated brass, and Tasmanian Blackwood.
I reckon this chair will become an icon of Australian furniture design in the years to come. Well done, Jon.
Go give him a follow and support Australian makers!
The chair for a restaurant is maybe the most important decision you make when selecting and designing a venue. We literally spent three years looking at chairs. We just couldn’t find the perfect one. John Wardle and I must have spent hundreds of hours discussing chairs. (Sometimes after dinner service… sorry john)
Eventually, after meeting at Melbourne Design Week, we spoke with @jongoulder . We were drawn to his formed-leather work, something we had never really seen applied to dining chairs, especially in a restaurant setting.
Jon then spent over 12 months developing the chair, with many prototypes and rounds of refinement, to create what we think is a masterpiece: the Pavilion Dining Room Chair. Formed leather, plated brass, and Tasmanian Blackwood.
I reckon this chair will become an icon of Australian furniture design in the years to come. Well done, Jon.
Go give him a follow and support Australian makers!
Fun times, sharing the Festival Chair for 100 CHAIRS!
The exhibition brings together the work of over 100 Australian creatives, studios, artists, architects and practices exploring the chair as a medium.
OPENING TONIGHT, big love to @friends.associates @tom_skeehan @dale.hardiman for their generosity to the design design and craft community 🤎
Ingrid Rhule - Creative Director & Photographer @florenceflorence_au
Ellen Keillar - Creative Director & Producer @eskeillar
Mark Harper - Lighting and Technical Director
Chad Weerasighe - Technical Support and Video Production
Kayell Australia & Boncolor - Lighting Equipment @kayellaustralia
#MelbourneDesignWeek #NGV @ngvmelbourne
Fun times, sharing the Festival Chair for 100 CHAIRS!
The exhibition brings together the work of over 100 Australian creatives, studios, artists, architects and practices exploring the chair as a medium.
OPENING TONIGHT, big love to @friends.associates @tom_skeehan @dale.hardiman for their generosity to the design design and craft community 🤎
Ingrid Rhule - Creative Director & Photographer @florenceflorence_au
Ellen Keillar - Creative Director & Producer @eskeillar
Mark Harper - Lighting and Technical Director
Chad Weerasighe - Technical Support and Video Production
Kayell Australia & Boncolor - Lighting Equipment @kayellaustralia
#MelbourneDesignWeek #NGV @ngvmelbourne
Presented as part of Conversations @alpha60thelabel Chapter House for Melbourne Design Week 2026.
Mantle is a lighting collection by @andrewcarvolth and @jongoulder , developed through an ongoing collaboration across teaching, architectural projects, and studio practice.
Realised in water-formed leather, the work explores tension between softness and structure.
Contact for purchase.
#MelbourneDesignWeek #NGV @ngvmelbourne
Photos @tomross.xyz
Presented as part of Conversations @alpha60thelabel Chapter House for Melbourne Design Week 2026.
Mantle is a lighting collection by @andrewcarvolth and @jongoulder , developed through an ongoing collaboration across teaching, architectural projects, and studio practice.
Realised in water-formed leather, the work explores tension between softness and structure.
Contact for purchase.
#MelbourneDesignWeek #NGV @ngvmelbourne
Photos @tomross.xyz
Presented as part of Conversations @alpha60thelabel Chapter House for Melbourne Design Week 2026.
Mantle is a lighting collection by @andrewcarvolth and @jongoulder , developed through an ongoing collaboration across teaching, architectural projects, and studio practice.
Realised in water-formed leather, the work explores tension between softness and structure.
Contact for purchase.
#MelbourneDesignWeek #NGV @ngvmelbourne
Photos @tomross.xyz
I am so excited to present conversations, with @alpha60thelabel for @ngvmelbourne Melbourne Design Week.
The exhibition gives rise to collaborations with @alpha60thelabel @andrewcarvolth @henrywilliamsstudio @craftedhardwoodscom
Open from 14-24 May.
A big thank you to everyone involved, in making this show and Melbourne Design Week possible. @ewanmceoin @_timothymoore @createsa_ @simoneleamon beautiful images by @eugenehyland #ngv #melbournedesignweek @creative_vic
I am so excited to present conversations, with @alpha60thelabel for @ngvmelbourne Melbourne Design Week.
The exhibition gives rise to collaborations with @alpha60thelabel @andrewcarvolth @henrywilliamsstudio @craftedhardwoodscom
Open from 14-24 May.
A big thank you to everyone involved, in making this show and Melbourne Design Week possible. @ewanmceoin @_timothymoore @createsa_ @simoneleamon beautiful images by @eugenehyland #ngv #melbournedesignweek @creative_vic
“Conversations by @jongoulder opens at @alpha60thelabel on Thursday 14 May for @ngvmelbourne #melbournedesignweek. The exhibition is presented in collaboration with @andrewcarvolth @henrywilliamsstudio and @craftedhardwoodscom
The timber frame Festival Chair, shown alongside the debut of the Mantle lighting collection in water-formed leather.
Developed through an ongoing dialogue between material, process, and form, both collections are grounded in a shared belief that things are resolved through making. Exploring leather, steel, timber, and light, the Festival Chair will be presented in leather, steel, and timber editions.
Presented as part of Conversations by @alpha60thelabel and @jongoulder at Chapter House during @ngvmelbourne Melbourne Design Week.
Photo @deantoepfer 🤎🫰
The timber frame Festival Chair, shown alongside the debut of the Mantle lighting collection in water-formed leather.
Developed through an ongoing dialogue between material, process, and form, both collections are grounded in a shared belief that things are resolved through making. Exploring leather, steel, timber, and light, the Festival Chair will be presented in leather, steel, and timber editions.
Presented as part of Conversations by @alpha60thelabel and @jongoulder at Chapter House during @ngvmelbourne Melbourne Design Week.
Photo @deantoepfer 🤎🫰
The timber frame Festival Chair, shown alongside the debut of the Mantle lighting collection in water-formed leather.
Developed through an ongoing dialogue between material, process, and form, both collections are grounded in a shared belief that things are resolved through making. Exploring leather, steel, timber, and light, the Festival Chair will be presented in leather, steel, and timber editions.
Presented as part of Conversations by @alpha60thelabel and @jongoulder at Chapter House during @ngvmelbourne Melbourne Design Week.
Photo @deantoepfer 🤎🫰
The timber frame Festival Chair, shown alongside the debut of the Mantle lighting collection in water-formed leather.
Developed through an ongoing dialogue between material, process, and form, both collections are grounded in a shared belief that things are resolved through making. Exploring leather, steel, timber, and light, the Festival Chair will be presented in leather, steel, and timber editions.
Presented as part of Conversations by @alpha60thelabel and @jongoulder at Chapter House during @ngvmelbourne Melbourne Design Week.
Photo @deantoepfer 🤎🫰
The timber frame Festival Chair, shown alongside the debut of the Mantle lighting collection in water-formed leather.
Developed through an ongoing dialogue between material, process, and form, both collections are grounded in a shared belief that things are resolved through making. Exploring leather, steel, timber, and light, the Festival Chair will be presented in leather, steel, and timber editions.
Presented as part of Conversations by @alpha60thelabel and @jongoulder at Chapter House during @ngvmelbourne Melbourne Design Week.
Photo @deantoepfer 🤎🫰
Squeezing into my benchroom
Intersection Table
by Jon Goulder and Henry Williams
The most recent outcome of an ongoing exchange on architecture, craft, and technology. Having first met a decade ago while working at Snøhetta - their collaboration continues through an active dialogue of critique, testing ideas through both conversation and making. The work explores tensions between craft and technology, nature and artifice, material control and material expression, and legibility and deception.
Designed and made for Melbourne Design Week using Crafted Hardwoods.
Presenting at Chapter House with Alpha 60 from the 14th to the 24th May.
Image @jvdkphoto
@craftedhardwoodscom
@alpha60thelabel
@henrywilliamsstudio
@ngvmelbourne
@createsa_
Intersection Table
by Jon Goulder and Henry Williams
The most recent outcome of an ongoing exchange on architecture, craft, and technology. Having first met a decade ago while working at Snøhetta - their collaboration continues through an active dialogue of critique, testing ideas through both conversation and making. The work explores tensions between craft and technology, nature and artifice, material control and material expression, and legibility and deception.
For Melbourne Design Week with Crafted Hardwoods.
Presenting at Chapter House with Alpha 60 from the 14th to the 24th May.
Image @jvdkphoto
@craftedhardwoodscom
@alpha60thelabel
@henrywilliamsstudio
@ngvmelbourne
A monumental table created with @jongoulder using @craftedhardwoodscom for @alpha60thelabel #MelbourneDesignWeek
Photography by @jvdkphoto
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria
@ngvmelbourne
Pavilion Dining Chair
Ghan Railway
Referencing the legacy of transcontinental rail, the Gold Premium carriages reinterpret the romance of slow travel through an Australian lens. Designed by Woods Bagot, the interiors draw on Federation-era and arts-and-crafts influences, with a palette shaped by the landscape and the work of Albert Namatjira.
Within this setting, Jon Goulder designed and handmade the dining chairs—crafted for enduring comfort and aligned with the project’s focus on authenticity, durability, and connection to place.
Project: @woodsbagot
Client : @journeybeyondrail
Images: @inbedwith.me
#australia
Pavilion Dining Chair
Ghan Railway
Referencing the legacy of transcontinental rail, the Gold Premium carriages reinterpret the romance of slow travel through an Australian lens. Designed by Woods Bagot, the interiors draw on Federation-era and arts-and-crafts influences, with a palette shaped by the landscape and the work of Albert Namatjira.
Within this setting, Jon Goulder designed and handmade the dining chairs—crafted for enduring comfort and aligned with the project’s focus on authenticity, durability, and connection to place.
Project: @woodsbagot
Client : @journeybeyondrail
Images: @inbedwith.me
#australia
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Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
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