Instagram Story Viewer
Przeglądaj historie na Instagramie anonimowo
just__practice
just practice
a collective practice @amandaugorji + @swchien
We stand in solidarity with a free Palestine
Reach out for collaborations
It’s the last week to see “The Data at Hand” before the exhibition closes on Apr. 4!
Don’t miss your chance to see the intricate sculptures of @miebachsculpture and the soft, tactile maps of @just__practice.
Gallery hours this week are Monday-Saturday, 12 to 5 p.m.
_________
Installation view of “The Data at Hand: Data Physicalizations of Earth and Space” at Gallery 360, Boston, 2026. Photo: Tim Correira.
It was great to hear more last Friday about the process and ethos behind "Touching Toxicity" and "Soft City," and how the dynamic duo of just practice has evolved their collaborative practice over the years.
Sophie Chien and Amanda Ugorji first started felting together while working on "Soft City" as roommates in grad school at Harvard GSD. In their makeshift apartment studio, they spent a grueling few weeks putting the massive series of rugs together. By the end of that process, Chien's hands were exhausted—she vowed she'd never felt again.
Luckily, our commission for "Touching Toxicity" brought them together again for more textile work. This time, Chien and Ugorji were in different time zones, carefully divvying up the production work asynchronously to produce a striking and cohesive series of panels.
Thank you to everyone who made Friday's event so engaging! Be sure to check out "The Data at Hand" before it closes on Apr. 4 💫
________
Photos by Devyn Rudnick.
It was great to hear more last Friday about the process and ethos behind "Touching Toxicity" and "Soft City," and how the dynamic duo of just practice has evolved their collaborative practice over the years.
Sophie Chien and Amanda Ugorji first started felting together while working on "Soft City" as roommates in grad school at Harvard GSD. In their makeshift apartment studio, they spent a grueling few weeks putting the massive series of rugs together. By the end of that process, Chien's hands were exhausted—she vowed she'd never felt again.
Luckily, our commission for "Touching Toxicity" brought them together again for more textile work. This time, Chien and Ugorji were in different time zones, carefully divvying up the production work asynchronously to produce a striking and cohesive series of panels.
Thank you to everyone who made Friday's event so engaging! Be sure to check out "The Data at Hand" before it closes on Apr. 4 💫
________
Photos by Devyn Rudnick.
It was great to hear more last Friday about the process and ethos behind "Touching Toxicity" and "Soft City," and how the dynamic duo of just practice has evolved their collaborative practice over the years.
Sophie Chien and Amanda Ugorji first started felting together while working on "Soft City" as roommates in grad school at Harvard GSD. In their makeshift apartment studio, they spent a grueling few weeks putting the massive series of rugs together. By the end of that process, Chien's hands were exhausted—she vowed she'd never felt again.
Luckily, our commission for "Touching Toxicity" brought them together again for more textile work. This time, Chien and Ugorji were in different time zones, carefully divvying up the production work asynchronously to produce a striking and cohesive series of panels.
Thank you to everyone who made Friday's event so engaging! Be sure to check out "The Data at Hand" before it closes on Apr. 4 💫
________
Photos by Devyn Rudnick.
It was great to hear more last Friday about the process and ethos behind "Touching Toxicity" and "Soft City," and how the dynamic duo of just practice has evolved their collaborative practice over the years.
Sophie Chien and Amanda Ugorji first started felting together while working on "Soft City" as roommates in grad school at Harvard GSD. In their makeshift apartment studio, they spent a grueling few weeks putting the massive series of rugs together. By the end of that process, Chien's hands were exhausted—she vowed she'd never felt again.
Luckily, our commission for "Touching Toxicity" brought them together again for more textile work. This time, Chien and Ugorji were in different time zones, carefully divvying up the production work asynchronously to produce a striking and cohesive series of panels.
Thank you to everyone who made Friday's event so engaging! Be sure to check out "The Data at Hand" before it closes on Apr. 4 💫
________
Photos by Devyn Rudnick.
It was great to hear more last Friday about the process and ethos behind "Touching Toxicity" and "Soft City," and how the dynamic duo of just practice has evolved their collaborative practice over the years.
Sophie Chien and Amanda Ugorji first started felting together while working on "Soft City" as roommates in grad school at Harvard GSD. In their makeshift apartment studio, they spent a grueling few weeks putting the massive series of rugs together. By the end of that process, Chien's hands were exhausted—she vowed she'd never felt again.
Luckily, our commission for "Touching Toxicity" brought them together again for more textile work. This time, Chien and Ugorji were in different time zones, carefully divvying up the production work asynchronously to produce a striking and cohesive series of panels.
Thank you to everyone who made Friday's event so engaging! Be sure to check out "The Data at Hand" before it closes on Apr. 4 💫
________
Photos by Devyn Rudnick.
It was great to hear more last Friday about the process and ethos behind "Touching Toxicity" and "Soft City," and how the dynamic duo of just practice has evolved their collaborative practice over the years.
Sophie Chien and Amanda Ugorji first started felting together while working on "Soft City" as roommates in grad school at Harvard GSD. In their makeshift apartment studio, they spent a grueling few weeks putting the massive series of rugs together. By the end of that process, Chien's hands were exhausted—she vowed she'd never felt again.
Luckily, our commission for "Touching Toxicity" brought them together again for more textile work. This time, Chien and Ugorji were in different time zones, carefully divvying up the production work asynchronously to produce a striking and cohesive series of panels.
Thank you to everyone who made Friday's event so engaging! Be sure to check out "The Data at Hand" before it closes on Apr. 4 💫
________
Photos by Devyn Rudnick.
There's just three weeks left to see "The Data at Hand" at Gallery 360! As we get into the home stretch of this show, we're excited to welcome artist duo @just__practice to campus next Friday for a conversation about their "Soft City" and "Touching Toxicity" projects and process.
Following the discussion at @nu_cfd, we'll move to the gallery for a reception and some light refreshments.
If you're interested in learning more about just practice's work or meeting the artists, now is your chance!
Sign up at the 🔗 in bio
_________
Installation view of "The Data at Hand: Data Physicalizations of Earth and Space" at Gallery 360, Boston, 2026. Photo: Tim Correira.
Next Friday, Mar. 20 at 2pm, join us for a conversation between exhibiting artists Amanda Ugorji and Sophie Weston Chien of @just__practice with Northeastern's Cara Michell.
By weaving data into material form in their series "Soft City" and "Touching Toxicity" on view in Gallery 360, Ugorji and Weston Chien invite viewers to imagine planning processes grounded in care, participation, and ecological justice.
Presented as part of Design Research Week 2026, this program will explore how structural inequities become embedded in ecological systems and the built environment and how creative practice research can model approaches to urban-scale thinking that move beyond top-down decision-making, centering the lived experiences and spatial knowledge of residents as essential to imagining more just futures.
Reception with light refreshments and snacks to follow at Gallery 360.
This event is free and open to the public. RSVP at the link in bio 🔗
__________
Installation view of "The Data at Hand: Data Physicalizations of Earth and Space" at Gallery 360, Boston, 2026. Photo: Tim Correira.
Touching Toxicity are textiles connecting environmental justice in the Bay Area through a series of sections of generic site-based ground conditions to document the relationship between toxicity and the common environments residents (humans, plants, and others) live with every day.
The locations of the sections were selected after conversation with local organizers, artists, and government workers who shared stories of their organizing and environmental justice work.
Photo by Tim Correira
The piece illustrates examples of advocacy and areas that need working toward reform, remediation, and/or rematriation on the ground of the people and ecologies that live amongst it.
We are excited to share that both Soft City and our newest textile series, Touching Toxicity, are part of the exhibition, The Data at Hand: Data Physicalizations of Earth and Space. The pieces will be on view until April 4, 2026, at Northeastern alongside the work of Nathalie Miebach.
More about the exhibition -
From political forecasting to the charting of global temperatures, data visualization has become a trusted tool to translate and give form to information. As scientists and activists have struggled to accurately communicate the enormity and urgency of humanity’s impact on the Earth, they’ve looked to data visualizations as a key means of communication. Yet these tools—which saturate so much popular media—can be difficult to engage with on a personal level, and at worst can engender feelings of numbness and powerlessness. Data physicalization, or the act of giving a data set physical form, can counteract the data fatigue that we face in a world of digital visualizations.
Organized by Kayleigh Perkov, guest curator, with Juliana Rowen Barton, Director of the Center for the Arts and University Art Collections, and Stephanie Hanor, Director of the Mills College Art Museum
Photos by Tim Correira
We are excited to share that both Soft City and our newest textile series, Touching Toxicity, are part of the exhibition, The Data at Hand: Data Physicalizations of Earth and Space. The pieces will be on view until April 4, 2026, at Northeastern alongside the work of Nathalie Miebach.
More about the exhibition -
From political forecasting to the charting of global temperatures, data visualization has become a trusted tool to translate and give form to information. As scientists and activists have struggled to accurately communicate the enormity and urgency of humanity’s impact on the Earth, they’ve looked to data visualizations as a key means of communication. Yet these tools—which saturate so much popular media—can be difficult to engage with on a personal level, and at worst can engender feelings of numbness and powerlessness. Data physicalization, or the act of giving a data set physical form, can counteract the data fatigue that we face in a world of digital visualizations.
Organized by Kayleigh Perkov, guest curator, with Juliana Rowen Barton, Director of the Center for the Arts and University Art Collections, and Stephanie Hanor, Director of the Mills College Art Museum
Photos by Tim Correira
We are excited to share that both Soft City and our newest textile series, Touching Toxicity, are part of the exhibition, The Data at Hand: Data Physicalizations of Earth and Space. The pieces will be on view until April 4, 2026, at Northeastern alongside the work of Nathalie Miebach.
More about the exhibition -
From political forecasting to the charting of global temperatures, data visualization has become a trusted tool to translate and give form to information. As scientists and activists have struggled to accurately communicate the enormity and urgency of humanity’s impact on the Earth, they’ve looked to data visualizations as a key means of communication. Yet these tools—which saturate so much popular media—can be difficult to engage with on a personal level, and at worst can engender feelings of numbness and powerlessness. Data physicalization, or the act of giving a data set physical form, can counteract the data fatigue that we face in a world of digital visualizations.
Organized by Kayleigh Perkov, guest curator, with Juliana Rowen Barton, Director of the Center for the Arts and University Art Collections, and Stephanie Hanor, Director of the Mills College Art Museum
Photos by Tim Correira
Touching Toxicity is up now in Boston! 1/21-4/4 and free to the public ✨
Touching Tox is a collection of six narrative sections about remediation, the concept of natural space, and ecological justice work in the California Bay Area.
The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.
Touching Toxicity is up now in Boston! 1/21-4/4 and free to the public ✨
Touching Tox is a collection of six narrative sections about remediation, the concept of natural space, and ecological justice work in the California Bay Area.
The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.
Touching Toxicity is up now in Boston! 1/21-4/4 and free to the public ✨
Touching Tox is a collection of six narrative sections about remediation, the concept of natural space, and ecological justice work in the California Bay Area.
The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.
Touching Toxicity is up now in Boston! 1/21-4/4 and free to the public ✨
Touching Tox is a collection of six narrative sections about remediation, the concept of natural space, and ecological justice work in the California Bay Area.
The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.
Touching Toxicity is up now in Boston! 1/21-4/4 and free to the public ✨
Touching Tox is a collection of six narrative sections about remediation, the concept of natural space, and ecological justice work in the California Bay Area.
The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.
Touching Toxicity is up now in Boston! 1/21-4/4 and free to the public ✨
Touching Tox is a collection of six narrative sections about remediation, the concept of natural space, and ecological justice work in the California Bay Area.
The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.
Touching Toxicity is up now in Boston! 1/21-4/4 and free to the public ✨
Touching Tox is a collection of six narrative sections about remediation, the concept of natural space, and ecological justice work in the California Bay Area.
The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.
It's all coming together! Our team has been hard at work installing "The Data at Hand" at Gallery 360 over the past few days.
From large-scale textile maps to mixed media sculptures, the artworks on view turn datasets into tactile narratives.
The exhibition opens next Wednesday, Jan. 21. We can't wait to share it with you next week!
It's all coming together! Our team has been hard at work installing "The Data at Hand" at Gallery 360 over the past few days.
From large-scale textile maps to mixed media sculptures, the artworks on view turn datasets into tactile narratives.
The exhibition opens next Wednesday, Jan. 21. We can't wait to share it with you next week!
It's all coming together! Our team has been hard at work installing "The Data at Hand" at Gallery 360 over the past few days.
From large-scale textile maps to mixed media sculptures, the artworks on view turn datasets into tactile narratives.
The exhibition opens next Wednesday, Jan. 21. We can't wait to share it with you next week!
It's all coming together! Our team has been hard at work installing "The Data at Hand" at Gallery 360 over the past few days.
From large-scale textile maps to mixed media sculptures, the artworks on view turn datasets into tactile narratives.
The exhibition opens next Wednesday, Jan. 21. We can't wait to share it with you next week!
It's all coming together! Our team has been hard at work installing "The Data at Hand" at Gallery 360 over the past few days.
From large-scale textile maps to mixed media sculptures, the artworks on view turn datasets into tactile narratives.
The exhibition opens next Wednesday, Jan. 21. We can't wait to share it with you next week!
Some photos from our site visit in the bay a earlier this fall~
Look out for our upcoming piece in 2026!
Views from near The Point, MLK Jr Shoreline, and the Golden Gate
Some photos from our site visit in the bay a earlier this fall~
Look out for our upcoming piece in 2026!
Views from near The Point, MLK Jr Shoreline, and the Golden Gate
Some photos from our site visit in the bay a earlier this fall~
Look out for our upcoming piece in 2026!
Views from near The Point, MLK Jr Shoreline, and the Golden Gate
Some photos from our site visit in the bay a earlier this fall~
Look out for our upcoming piece in 2026!
Views from near The Point, MLK Jr Shoreline, and the Golden Gate
****The MIT Museum Soft City Exhibition closes on February 19th****
Visit at 314 Main St in Cambridge.
We have been told the maps have been touched by over 20,000 hands at this point! Very exciting!💫
Photo Credit: Anna Olivella
****The MIT Museum Soft City Exhibition closes on February 19th****
Visit at 314 Main St in Cambridge.
We have been told the maps have been touched by over 20,000 hands at this point! Very exciting!💫
Photo Credit: Anna Olivella
****The MIT Museum Soft City Exhibition closes on February 19th****
Visit at 314 Main St in Cambridge.
We have been told the maps have been touched by over 20,000 hands at this point! Very exciting!💫
Photo Credit: Anna Olivella
****The MIT Museum Soft City Exhibition closes on February 19th****
Visit at 314 Main St in Cambridge.
We have been told the maps have been touched by over 20,000 hands at this point! Very exciting!💫
Photo Credit: Anna Olivella
****The MIT Museum Soft City Exhibition closes on February 19th****
Visit at 314 Main St in Cambridge.
We have been told the maps have been touched by over 20,000 hands at this point! Very exciting!💫
Photo Credit: Anna Olivella
2023
Passing On
Radcliffe Institute Public Art Competition Finalist
Harvard University
Passing On is an ecological installation that honors the labor of building stories. Over the 18 months, various foliage literally exterts labor by growing within the spatial conditions of the Radcliffe campus. Through a diversity and maturity of local and internationally cultivated plants, flora describes the diverse “ecosystem” of Boston in 2023.
2023
Passing On
Radcliffe Institute Public Art Competition Finalist
Harvard University
Passing On is an ecological installation that honors the labor of building stories. Over the 18 months, various foliage literally exterts labor by growing within the spatial conditions of the Radcliffe campus. Through a diversity and maturity of local and internationally cultivated plants, flora describes the diverse “ecosystem” of Boston in 2023.
2023
Passing On
Radcliffe Institute Public Art Competition Finalist
Harvard University
Passing On is an ecological installation that honors the labor of building stories. Over the 18 months, various foliage literally exterts labor by growing within the spatial conditions of the Radcliffe campus. Through a diversity and maturity of local and internationally cultivated plants, flora describes the diverse “ecosystem” of Boston in 2023.
2023
Passing On
Radcliffe Institute Public Art Competition Finalist
Harvard University
Passing On is an ecological installation that honors the labor of building stories. Over the 18 months, various foliage literally exterts labor by growing within the spatial conditions of the Radcliffe campus. Through a diversity and maturity of local and internationally cultivated plants, flora describes the diverse “ecosystem” of Boston in 2023.
2023
Passing On
Radcliffe Institute Public Art Competition Finalist
Harvard University
Passing On is an ecological installation that honors the labor of building stories. Over the 18 months, various foliage literally exterts labor by growing within the spatial conditions of the Radcliffe campus. Through a diversity and maturity of local and internationally cultivated plants, flora describes the diverse “ecosystem” of Boston in 2023.
Welcome to the panel Taylor!
Hopefully, we will see you all on 12/17 at 6pm at the MIT Museum.
😊
tickets here - > https://mitmuseum.mit.edu/programs/making-space
dm us before 12/10 to RSVP if you would like a free ticket.
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis