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knprvd
K i N o P R a V D a
Directors & artists collective
BP⚡LA⚡BCN⚡️LDN
Kinopravda’s very own @vadkezu returns to the @sxsw Music Video Program for the 5th time. This year with “PRESSO” for @dzsudlo Screening tonight at 6:30pm at the Alamo — come say hi if you’re around
Kinopravda’s very own @vadkezu returns to the @sxsw Music Video Program for the 5th time. This year with “PRESSO” for @dzsudlo Screening tonight at 6:30pm at the Alamo — come say hi if you’re around
Kinopravda’s very own @vadkezu returns to the @sxsw Music Video Program for the 5th time. This year with “PRESSO” for @dzsudlo Screening tonight at 6:30pm at the Alamo — come say hi if you’re around
Kinopravda’s very own @vadkezu returns to the @sxsw Music Video Program for the 5th time. This year with “PRESSO” for @dzsudlo Screening tonight at 6:30pm at the Alamo — come say hi if you’re around
A special night for Kinopravda at the 45th Hungarian Film Week. 🏆 @sosbalintdaniel won Best Director for his first feature "Growing Down", and @vadkezu took home Best Music Video for "PRESSO" with @dzsudlo. Grateful to our teams and everyone who trusted us! @magyar_filmszemle
A special night for Kinopravda at the 45th Hungarian Film Week. 🏆 @sosbalintdaniel won Best Director for his first feature "Growing Down", and @vadkezu took home Best Music Video for "PRESSO" with @dzsudlo. Grateful to our teams and everyone who trusted us! @magyar_filmszemle
A special night for Kinopravda at the 45th Hungarian Film Week. 🏆 @sosbalintdaniel won Best Director for his first feature "Growing Down", and @vadkezu took home Best Music Video for "PRESSO" with @dzsudlo. Grateful to our teams and everyone who trusted us! @magyar_filmszemle
A special night for Kinopravda at the 45th Hungarian Film Week. 🏆 @sosbalintdaniel won Best Director for his first feature "Growing Down", and @vadkezu took home Best Music Video for "PRESSO" with @dzsudlo. Grateful to our teams and everyone who trusted us! @magyar_filmszemle
A special night for Kinopravda at the 45th Hungarian Film Week. 🏆 @sosbalintdaniel won Best Director for his first feature "Growing Down", and @vadkezu took home Best Music Video for "PRESSO" with @dzsudlo. Grateful to our teams and everyone who trusted us! @magyar_filmszemle
A special night for Kinopravda at the 45th Hungarian Film Week. 🏆 @sosbalintdaniel won Best Director for his first feature "Growing Down", and @vadkezu took home Best Music Video for "PRESSO" with @dzsudlo. Grateful to our teams and everyone who trusted us! @magyar_filmszemle
A special night for Kinopravda at the 45th Hungarian Film Week. 🏆 @sosbalintdaniel won Best Director for his first feature "Growing Down", and @vadkezu took home Best Music Video for "PRESSO" with @dzsudlo. Grateful to our teams and everyone who trusted us! @magyar_filmszemle
Kinopravda’s bursting with pride and inviting everyone in LA to come watch our very own @vadkezu show off his music video & presentation at @fluxfestival @hammer_museum this Thursday, the 13th
Kinopravda’s bursting with pride and inviting everyone in LA to come watch our very own @vadkezu show off his music video & presentation at @fluxfestival @hammer_museum this Thursday, the 13th
Kinopravda’s bursting with pride and inviting everyone in LA to come watch our very own @vadkezu show off his music video & presentation at @fluxfestival @hammer_museum this Thursday, the 13th
Kinopravda’s bursting with pride and inviting everyone in LA to come watch our very own @vadkezu show off his music video & presentation at @fluxfestival @hammer_museum this Thursday, the 13th
Kinopravda’s bursting with pride and inviting everyone in LA to come watch our very own @vadkezu show off his music video & presentation at @fluxfestival @hammer_museum this Thursday, the 13th
Kinopravda’s bursting with pride and inviting everyone in LA to come watch our very own @vadkezu show off his music video & presentation at @fluxfestival @hammer_museum this Thursday, the 13th
Happily whatever you’re after at Disney Springs.
New work from @knprvd for Disney Springs
Director – Kinopravda @knprvd @vadkezu
Managing Director / Executive Producer – Avtar Kay @avtar_k
Head of Production – Todd Ruhnau @truhnau
Line Producer – John McWhirter @jmcwhirter21
1st Assistant Director – Gio Cotto-Ortiz @groc257
Director of Photography – Daniel Vignal @danielvignal
1st AC – Michael DiCarlo
Key Grip – Pat Meng
Gaffer – Ira Hartig
Production Designer – Chris Dugan
Wardrobe Stylist – Lisa Bae @lisabae
HMU – Lindsay Matacchiero
Production Supervisor – Dax Alvarez
Dearest Instagram Follower, true luxury lies in the little conveniences one refuses to live without. Behold this new work from @knprvd for T-Mobile x Bridgerton
Production Co: Imposter @imposter.tv
Director - Kinopravda @knprvd @xeniafekete @victorcarrey
MD/Executive Producer – Avtar Kay @avtar_k
Producer – Taeko Masuyama @taekomas
Director of Photography – Bet Rourich @betrourich
Agency: Monks @madebymonks
Executive Producer – Ryan Reels @4reels
Executive Producer – Whitney Husnik @whitneyhusnik
Sr Producer – Justin Ramirez @hammerofram
Executive Creative Director - Laura McCarthy @lauraholmesmccarthy
Creative Director - Kayla Nixdorf @kaylanixdorf
Associate Creative Director, Art - Maggie McClurken maggiedoesnthaveinstagram
Associate Creative Director, Copy - Jake Palumbo @ronald_reggae
Sr. Account Director - Peter Jacobs
Sr. Brand Director - Braden Rindlisbacher
VP, Group Account Director - Katy Wellhousen
Client: T-Mobile @tmobile & Netflix @netflix for Bridgerton @bridgertonnetflix
Post: Cosmo Street @cosmostreeteditorial
Executive Producer - Karen Hennegan @kshbklyn
Editor - Marlo Caine @marlocaine
VFX Supervisor - Philip Akka
Production Service Co: Habitant @habitantproductions
Managing Director – Arturo Arroyo
Executive Producer – Iván Pérez @ivannperex
Line Producer – Antonio Thibaut
Unit Manager – Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st Assistant Director – Renan Bendersky
Script Supervisor – Adolfo Portilla
Location Manager – Alberto Polanco
1st Camera Assistant – Jonathan Alexis Porcayo
Gaffer – Cristo A. Domínguez Munguía
Makeup Artist – Ivana Kiss
Stylists – Paola Alfaro & Zyanya Galván
Casting & Extras – Nico Bernat
Art Director – Luciano Lasca @lucianolasca
Food Stylist – Beatriz Martínez Nogueira
Direct Sound – Al Rey Bolaño
Choreographer – Carolina Patiño
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
CDMX x KNPRVD 🇲🇽 Taco 'bout a good time!
Directed by @knprvd @xeniafekete @victorcarrey
Production: @imposter.tv
Agency: @madebymonks
Client: @tmobile @netflix @bridgertonnetflix
MD/EP: @avtar_k
Producer: @taekomas
DOP: @betrourich
Executive Producer: @4reels
Executive Producer: @whitneyhusnik
Sr Producer: @hammerofram
Executive Creative Director: @lauraholmesmccarthy
Creative Director: @kaylanixdorf
Associate Creative Director, Art: maggiedoesnthaveinstagram
Associate Creative Director, Copy: @ronald_reggae
Sr. Account Director: Peter Jacobs
Sr. Brand Director: Braden Rindlisbacher
VP, Group Account Director: Katy Wellhousen
Production Service Co: @habitantproductions
Managing Director: Arturo Arroyo
Executive Producer: @ivannperex
Line Producer: Antonio Thibaut
Unit Manager: Isaac Ahuactzin & Luis Fernando Higuera “Molo”
1st AD: Renan Bendersky
Script Supervisor: Adolfo Portilla
Location Manager: Alberto Polanco
1st Camera Assistant: Jonathan Alexis Porcayo
Gaffer: Cristo A. Domínguez Munguía
Makeup Artist: @ivi_kiss_make_it_up
Stylist: @lajapo void_4
Casting & Extras: Nico Bernat
Art Director: @lucianolasca
Food Stylist: Beatriz Martínez Nogueira
Direct Sound: Al Rey Bolaño
Choreographer: Carolina Patiño @caropatotas
Post: @cosmostreeteditorial
Executive Producer: @kshbklyn
Editor: @marlocaine
VFX Supervisor: Philip Akka
Cast: @robz_______
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Shania Twain, a puppy, and a white horse walk into a McDonald’s… Life’s more fun when you’re All Dressed Up @shaniatwain
Directed by @vadkezu @knprvd
DOP: Damian Acevedo
Production: @imposter.tv
Client: @mcdonaldscanada
Agency: @wiedenkennedy
Canadian Representation: @frankcontent
Executive Producer: @avtar_k
Head of Production: @truhnau
Line Producer: @taekomas
Production Manager: @smoothvenetian
@wiedenkennedy New York
Creative Director: @floridatrashpanda
Creative Director: @paddytreacy
Art Director: @nikkifofikki
Copywriter: @mikayla_caitlin
Account Director: @mary_cao
Account Supervisor: Erica Francis
Account Executive: Sharlyn Barahona
Assistant Account Executive: @gracehyeo
Business Affairs Manager: Maria Gagliardi
Senior Producer: @sparkle_ponie
Project Manager: Cassie Sombat
@cossette.fr Montreal
Associate Creative Director: Marc-André Vigneault
Copywriter: @_penino
Copywriter: @compagna_michel
Account Director: Maria-Laura Laubenthal
Account Executive: Maude Tessiera
Producer: Vicki Gagnon
1stAD: @samsonhaveland
Supporting Director: @elkostil
Production Designer: @emmafairleyproddesign
Art Director: @spoomaunte
Set Dresser: @stabbymcdaddy
Set Dresser: @woolfy_official
Set Dresser: @dustysnowcat
Wardrobe Stylist: @lisabae
Photographer: @justfeng
Casting: @broad_cast.tv
Cast: @candyce_ha @amoghxkapoor @notsamstapp
Editorial: @daydreamedit
Editor: @redbarbaza
Assistant: @erickvalentic
Executive producer: @ainslo
Producer: @dezidezz
Socials editor: @prohji
Colour, VFX & CG: @studiofeather
Executive Producer: @sarawindrim
VFX: @blownchunks
VFX set supervisor: @cozydq
Colourist: @bykevinwu
Audio House: Oso @osoaudio
Creative Director: @harryknazan
Engineer: @omid.geadizadeh
Sound Editor: Dylan Groff
Executive Producer: @hannahgraham
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Hungarian National Lottery | 250D & 500T 35mm
“Two commercials on 35mm in one year is a dream come true for us! We went with 250D and 500T, pushing both 1 stop to get a little more texture. The results as always were stunning, but helped even further of course by our colorist@nikolorist. We shot on 3 perf using an Arri 435 Xtreme, and lensing it with Cooke S4s and an Optimo 24-290. Not to anyone’s surprise, we had a blast on this 5 day shoot. It just hits different when celluloid is in the camera” - @akos9
Watch at the link in our bio.
Prod Co: @kinomoto.tv
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Prod Designer: @richardilles
Stylist: @maria.glaser
Editor: @nademarci
Composer: @abris.gryllus
VHS & Stills unit: @andigaldi
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
Art Dir: @megszokod
Sound Design: Tamás Bohács - bohitomi_sound @infazestudio
VFX: @we.are.jumpcut
VFX Supervisor: @adamgyoergy
Lab & Scan: @focusfoxstudio
Color: @nikolorist
Sound Engineer: @j.csaki86
Prod Mgr: @vyf_budapest
Prod Coord: @f.mate.96
Prod Asst: trudihuttl
Location manager + Asst: @bzslkm Vilmos Romvárijuditszabo + @zumionfire
1st AD: @adamkolos
2nd AD: @forestembemba
2nd Unit AD:@asemmidramaturgiaja
1st AC: @telekzz
2nd AC: Gergely Garam
Loader: Bálint Seress
Video Assist: Janos Szabados
Camera trainee: @csaba_tasnadi
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh
Key Grip: Daniel Kecskeméti
Grips: Máté Papucsek, Kristóf Kiss
SFX: Robert Horvát
Stand by props: Róbert Noszlopi, Bálint Szabó
2nd Unit props: Szabolcs Győrffy @tht.bohoc
Set Dressers: Dáinel Gyócsi, Gábor Seprűs, Tibor Koch, Balázs Slemmer
Casting: @open.casting Elvira Csajkó, @elod_zsofia
BTS.: @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Good energy is all around. You just have to notice it!
⚡⚡⚡
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: @p_radov
Head of Art: @tomi_ungor
Head of Copy: @marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo @origostudios
Color: Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96 @herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit: @the.pjok
1st AC @telekzz
1st AC 2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz @jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo @rob_ontheroadagain
Dressers: @annarokusfalvy Luca Susla, @petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
@mvm4you | 2-perf 500T 35mm
“Credit where credit is due—director Luka Kostil was the driving force behind the decision to shoot this commercial on film, specifically 35mm. So when I got the call asking how five days on 35 sounded, I didn’t hesitate for a second. I knew instinctively that Luka was right: this was exactly the kind of project where shooting on film makes all the difference. We chose to shoot 2-perf on Kodak 5219 500T, pushed to 1000 ASA, which gave us a gorgeous image with just the right amount of grain to remind you of the medium. The final result speaks for itself—there’s an intangible quality to the images, something tactile and cinematic that digital just can’t quite replicate.” DP @akos9
Directed by @elkostil @knprvd
DP: @akos9
Producer: @zsoltvereckei
Production Designer: @richardilles
Stylist: @maria.glaser
Production Company: @kinomoto.tv
Agency: @lounge.group
Agency Producer: @agimilian
Creative Director: p_radov
Head of Art: @tomi_ungor
Head of Copy: marotimea
2nd Unit Director: @danila.kostil
2nd Unit DOP.: @kiszlerdani
Editor: @nademarci
Composer: @abris.gryllus
Sound Design: @petb626
VFX: @we.are.jumpcut
Lab: @focusfoxstudio
Scan: @hargittailaszlo@origostudios
Color:Goran Todoric, @forgrade.studio @tostpost
Production Manager: @vyf_budapest
Production coordinator: @f.mate.96@herrersara
Production assistant:@trudihuttl
Location manager: @adamzsiros
Location assistant: @kornelkodor
1st AD: @adamkolos
1st AD 2nd Unit:@the.pjok
1st AC @telekzz
1st AC2nd Unit: @kerykovacspeter
Scuba Cam Operator: @cofilm
Gaffer: Attilla Dóczi, Imre Korcz@jimmy_csak_jimmy
Best Boy: István Balogh gorgo_o
Key Grip: Tamás Matolcsy
Grip: Bence Bálint, Pál Bartos
Set Decorators: @kittykmjt, @friskozsofi
Set Dressers: @cirucazzo@rob_ontheroadagain
Dressers: @annarokusfalvyLuca Susla,@petitefurians
Make up artist: @ricsesz
Hair Stylist: @svegelgergo
Casting: @open.casting
BTS.: @galcusi @bencedarvas
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
Behavior that screams ‘security to aisle 3’ anywhere else — but @lidlus said ‘let them be weird'
Directed by @vadkezu @knprvd
Production: @imposter.tv
MD / EP: @avtar_k
HOP: @truhnau
Producer: @jmcwhirter21
Production Manager: Kimberly Carey
DP: @maxgoldmandp
PD: @thebritttt
1st AD: Pam Satterfield
Art Director: @ianpesta
Wardrobe: @laurenoppelt
HMU: @sheenarazmi
Food Stylist: @jamesherrin
Agency: @monoagency
Chief Marketing Officer: @soozelangdootin
Chief Creative Officer: @langempls
Agency Producer: Jakk Beckett
Art Director: @shannonmpls
Copywriter: @maggiedoesthing
Editor: Arianna Tomasettig @finalcutedit
Post house: @jamm.vfx
Post Producer: @am_depauw
Post producer: @jus_teeny
Post producer: @alvinvision
Post producer: @ash_greyson
Colorist: @beau_leon
Cast
@minimayers
@leahmerritt
@haley.gosserand
@officialbelieve3
@alisbhamani
@itscassiebrown
It’s happening again. Bracketbrain @espn A psycho thriller about the March Madness phenomenon featuring Joe Bruin, Hook 'Em, Cocky, and Blue Devil
Directed by @vadkezu @knprvd
Managing Director: @avtar_k
Executive producer: @mercedesa505
HOP: @truhnau
Line producer: @janicefayewoods
DP: @benmullen
PD: @winonayu
Stylist: @sarahana
HMU: @erinxtexas
Client: @espn
Agency: @madebybssp
Executive Creative Director: @sinandagli
Creative Director: @robyn10nbaum
Copywriter: Chris Barnard
Associate Creative Director: Riley Shine
Account Director: Kyle Rodriguez
Executive Producer: @cadewallace
Senior Creative Producer: @nickocean.photo
Account Manager: @lucysedky
Managing Director: @avtar_k
Post:
Executive Producer: @annelai16
Editor: @craig.deardorff
VFX: @loompost.tv
VFX Executive Producer: @vklj
VFX: @tintin.ds
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis